The White Review No. 30 features longform interviews with the artist Toyin Ojih Odutola (who also provides the issue’s cover), novelist and playwright Marie NDiaye and...
‘Y todo esto es mío y no lo es, y parezco judía y no lo parezco.’ Margo Glantz, LAS...
In the middle of a summer when I am still a half-child, Mum tells me that this is the...
Billed as ‘An Emotional History of the Modern World’, Adam Curtis’s new series of films CAN’T GET YOU...
In his pencil-like embrasure, the look-out and later the gunner realised long before the easel painter, the photographer or the...
Over the course of her career, Marie NDiaye has carved herself a unique position in French literature, situated somewhere...
‘This is a rare book,’ Toni Morrison wrote in her introduction to the 1973 edition of The Black Photographers’...
This issue of The White Review – which marks the tenth anniversary of its foundation – takes up questions...
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