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Features

Interview with Silvia Federici

Interview

January 2022

Rachel Andrews

Interview

January 2022

A few years ago, I read Revolution at Point Zero (2012), Silvia Federici’s career-spanning collection of essays on reproductive work and domestic labour. The...

Interview

Issue No. 30

Interview with Lydia Davis

Alice Blackhurst

Interview

Issue No. 30

Lydia Davis takes a wry approach to her own biography. In 2011, she began assembling a false one, ‘Goodbye...

Essay

December 2021

Order, Order

Preti Taneja

Essay

December 2021

‘INQUESTS INTO THE DEATHS ARISING FROM THE FISHMONGERS’ HALL AND LONDON BRIDGE TERROR ATTACK CASE MANAGEMENT’1   with asides,...

Feature

December 2021

Books of the Year

Feature

December 2021

Members of THE WHITE REVIEW editorial team, contributors and friends of the magazine reveal the books they’ve been reading and revisiting...

Essay

November 2021

The Obelisk of Loisaida

Marcos Gonsalez

Essay

November 2021

The Luxor Obelisks stood in Ancient Egypt for thousands of years. A symmetrical pair, they were designed to mirror...

Essay

Issue No. 30

Standing at the Ruins

Sofia Samatar

Essay

Issue No. 30

1. SAND AND SNOW   He is a warrior prince. He hunts in the deserts of central Arabia. He...

All the Right Moves

Essay

Issue No. 23

Sandip Kuriakose

Essay

Issue No. 23

1. I see your picture for the first time two summers ago, sometime in early July. I am scrolling through Facebook, my forearms hurting...

Interview

October 2021

Interview with Korakrit Arunanondchai

Alex Quicho

Interview

October 2021

To write about Korakrit Arunanondchai is to be in hot pursuit. The first day we were meant to have...

From the archive

Issue No. 20

Interview with Jean-Luc Nancy

Gwénaël Pouliquen

Pierre Testard

From the archive

Issue No. 20

We have a confession to make: we thought it would be easy to interview Jean-Luc Nancy. We knew that...

Interview with Sin Wai Kin

Interview

September 2021

O. H. Fletcher

Interview

September 2021

During a performance of A View From Elsewhere (2019), Toronto-born artist Sin Wai Kin wore a floor length gown with matching evening gloves. As...

 

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