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Interview with Bani Abidi

Interview

Issue No. 33

Skye Arundhati Thomas

Interview

Issue No. 33

In the three-minute short Mangoes (1999) by Berlin-based Pakistani artist Bani Abidi, two women sit next to each other on a white table, each with...

Essay

July 2022

The Weeping Woman

Isabelle Dupuy

Essay

July 2022

We were clearing the dishes after dinner when I found myself telling my 15 year old son the story...

Essay

Issue No. 33

The Inheritors

Ariel Saramandi

Essay

Issue No. 33

It is a story told in every Creole family I know in Mauritius. It is often narrated during a...

Interview

Issue No. 33

Interview with Siri Hustvedt

Noga Arikha

Interview

Issue No. 33

Very few writers in the twenty-first century are polymaths of the sort that previous centuries sometimes spawned – those...

Interview

June 2022

Warped Pastoral: Ralf Webb and Sam Buchan-Watts in Conversation

Ralf Webb

Interview

June 2022

Sam Buchan-Watts’s Path Through Wood, published in October 2021, begins where you would think: in a coppice, where branches tick...

Essay

June 2022

Who is a Revolutionary Subject?

Helen Mackreath

Essay

June 2022

In the face of legal restraints, police repression, political violence and the pressures and insecurity precipitated by the pandemic,...

Interview with Sara Ahmed

Interview

Issue No. 33

Rhoda Feng

Interview

Issue No. 33

Consider the exclamation mark. Medieval in origin, this blink of ink has a gift for controversy. A single point can signal a moment of...

Essay

June 2022

A Strange Bird

Isobel Harbison

Essay

June 2022

My parakeets fly over us at dusk. There are maybe 40 of them. They fly low, not low enough...

issue

Issue No. 33

Editorial: Issue 33

issue

Issue No. 33

‘The interior of a pocket is hidden away’, writes Francis Whorrall-Campbell in the speculative manifesto ‘Pocket Theory’, a response...

Interview with Wu Tsang

Interview

June 2022

Jade Barget

Interview

June 2022

Image: ‘visionary company’ (2021) by Wu Tsang, at Lafayette Anticipations © Pierre Antoine   On entering Visionary Company (2020), Wu Tsang’s exhibition at Lafayette...

 

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