Fernanda Melchor’s ‘dark stories’ explore life in contemporary Mexico: interviewed in The White Review No. 31, Melchor discusses nota roja (sensationalist journalism) and her love...
To write about Korakrit Arunanondchai is to be in hot pursuit. The first day we were meant to have...
We have a confession to make: we thought it would be easy to interview Jean-Luc Nancy. We knew that...
During a performance of A View From Elsewhere (2019), Toronto-born artist Sin Wai Kin wore a floor length gown...
Selected stills from Jamie Crewe’s 2018 film Pastoral Drama, featured in Issue 31 alongside an interview with the artist.
I first met Anuk Arudpragasam at a party in New York. The apartment was heavy with music, but our...
Myself Mona Ahmed is a photobook and a work of epistolary world-building. Published in 2001 by Scalo, it comprises...
Guiding issue 31 of The White Review are questions of survival. How to carry on in the aftermath of...
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