Adelaide, Writers Week, March 2019. It was 41 degrees, and it was the furthest I have ever flown. I...
The conceptual artist Silvia Kolbowski began working on her new video, That Monster: An Allegory (2018), in the immediate...
Jamieson Webster serves as a torchbearer for a field out of popular favour. Her practice, psychoanalysis, was last century’s...
The White Review No. 26 features an interview with Elad Lassry, who has also provided artwork for the cover. American scholar Saidiya Hartman is...
The feeling of drug-induced euphoria could be strips of gauze between beautiful fingers. Or a silver slinky sent down...
Last summer, after an eight-hour shift with barely enough time for a piss break, I walked out of a...
‘I crawl over the photograph like an ant, and...
Members of THE WHITE REVIEW editorial team, contributors, and friends of the...
This interview with Elizabeth Peyton, one of the most...
‘Make Margaret Atwood fiction again!’ Despite encountering them repeatedly...
‘Lindsay Lohan’s new film,’ I told almost everyone I...
We were a committee of three brothers, but one of us was bad. Bad in the sense that one...
In 1977, a group of mothers began to meet...
dear Other, with pink dish (Flo Reynolds &...
During Bergen Assembly’s opening days, I am asked to...
Today we announce the White Review Poet’s Prize 2019...
In 2013, when Jane Campion’s Top of the Lake first aired, I tried but failed to watch it. In...
I. Where is the champagne? On second thoughts this is not entirely the right question. The champagne is...
Vigdis Hjorth is a pretty big deal in Norway....
She saw her father at Smith’s. By accident. She...
There’s a scene in the documentary I Don’t Belong...
Every brainy queer of my generation, especially those born...
The unofficial anthem of this year’s London Carnival was...
SELF-PORTRAIT AS THE OPENING OF A WINDOW ON A HOT MORNING Three men carry a large snake home....
At the close of this issue’s interview with Elad...
The title of Paul Gauguin’s 1893-94 portrait Annah La...
The first time I encountered Saidiya Hartman, she was...
there is no meaning. Hanging a picture on the...
It has never been easier to buy kimchi in central London than it is today. In the past few...
Balanchine, the Wilis, and Collective Female Anger in Ballet Growing up in ballet, I occasionally trained with a...
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