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poetry

Proposition: The limits of our social imaginaries mean the limits of our worlds   1 Perhaps new forms of being require new forms of relationship   11 What is being anyway but gesturing towards an indefinite assembly of unknowable qualities & quantities   12 Categories of being are obstructive & injurious both to those who touch the social imaginary & those who don’t   13 Categories of literature are obstructive & injurious both to those who read it & those who write it   14 Concepts like ‘genre’ & ‘style’ are made-up words   15 Concepts like ‘female’ & ‘male’ are made-up words   16 New forms of being require new forms of thought, such as “that the distinctions between the beautiful and ugly, if made at all, [be] made arbitrarily”[1]   17 I have finally been turned on in the sense that “[i]f one of my works were to be turned on it would destroy itself”[2]   18 Perhaps the attempt to acquire reality through anti-illustrational action is the only meaningful endeavour   19 Francis Bacon says of Rembrandt’s Self-Portrait (c1659):   If you analyse it, you will see that there are hardly any sockets to the eyes, that it is almost completely anti-illustrational I think that the mystery of fact is conveyed by an image being made out of non-rational marks[3]   110 Perhaps belief in the necessity of sacrifice is the utmost achievement for all people at all times    111 Gabrielle Civil says:   Art of all kinds is not just the practice of making, it’s the practice of being in the world a certain way It’s a certain susceptibility, and it’s also sacrifice – the offering up of everything with only a few strings attached[4]   112 Perhaps being arrives through a sustained engagement with the act of thinking as embodied practice   113 If being requires a theatre of the social imaginary do we, the audience, bear responsibility for being’s staging   114 If gender is a “variable cultural interpretation of sex” perhaps our facility to intervene in gender’s [being’s] context(s) is likewise mutable & indefinite[5]   115 What is the difference between you & the thing that eats you – is it the fact
Three Poems

Poetry

October 2017

Amy McCauley

poetry

Issue No. 8

The Cloud of Knowing

John Ashbery

poetry

Issue No. 8

There are those who would have paid that. The amount your eyes bonded with (O spangled home) will have...

poetry

August 2017

From The Dolphin House

Richard O’Brien

poetry

August 2017

Note for the following three poems: In 1965, a bottlenose dolphin christened Peter was the subject of a scientific...

poetry

Issue No. 20

Two Poems

Nisha Ramayya

poetry

Issue No. 20

JOY OF THE EYES   The future is not the beginning, but the forerunner, of a new intense-formation.  ...

poetry

June 2017

Austrian Murder Case

Phoebe Power

poetry

June 2017

At the Konditorei   Close, warm, and humming with the relaxed sounds of post- midday Kaffee-Kuchen. The  cakes are...

poetry

May 2017

Two Poems

Vala Thorodds

poetry

May 2017

THROUGH FLIGHT   For a moment we are borne into the air and then down.   It is there, behind...

The Village

poetry

April 2017

Mona Arshi

poetry

April 2017

                                 When I pronounce silence I destroy it —Wislawa...

poetry

April 2017

Two Poems

Fady Joudah

poetry

April 2017

EUROPA AND THE BULL   The boat was loaded on a truck. The truck took me to the border....

poetry

March 2017

Two Poems

Uljana Wolf

TR. Sophie Seita

poetry

March 2017

Mittens   winter came, stretched its frames, wove misty threads into the damp   wood. fogged windows, we didn’t...

In Case of Death

poetry

February 2017

David Nash

poetry

February 2017

1. Cessation of Breath: Is He Breathing?   He’s not breathing, and he cannot go on like this. He needs air. Mouth-to-mouth is a...