Evita Vasiljeva, POSTCRETE

Art Review

February 2019

Philippa Snow

Art Review

February 2019

Lower.Green is situated in the unlikely surroundings of a near-dead mall in Norwich. It is not just any mall, but Anglia Square Shopping Centre:...

Mailing List

RECENT

Martha Rosler, Irrespective

Art Review

January 2019

Megan N. Liberty

Art Review

January 2019

Long before the advent of ‘fake news’, Martha Rosler was teaching us how to think critically about documentary imagery and reporting. Irrespective, the artist’s...

Book Review

January 2019

On Daša Drndić

Lucy Popescu

Book Review

January 2019

‘without memory, the present becomes sick, mutilated, a torso with amputated organs.’ — EEG by Daša Drndić, translated by Celia...

Interview

January 2019

Dinner with Terrance Hayes

Rachel Long

Interview

January 2019

We’re in Try Thai, a two-storey cocktail-pink restaurant I discovered a few years ago when visiting my sister who...

Art Review

January 2019

Cady Noland, MMK Frankfurt

Andrew Wagner

Art Review

January 2019

During the 1990s, Cady Noland earned a reputation for...

Book Review

January 2019

Fiona Benson’s ‘Vertigo & Ghost’

Declan Ryan

Book Review

January 2019

Among the many pleasures of listening to Robert Lowell...

Art Review

January 2019

Under the Eye of the Clock

Erica X Eisen

Art Review

January 2019

In an early episode of Camus’s The Plague (1947),...

Feature

December 2018

Books of the Year

Feature

December 2018

Members of THE WHITE REVIEW editorial team, esteemed contributors, and friends of...

Art Review

December 2018

Barbara Kleinhamplová, Sickness Report

Rebecca O'Dwyer

Art Review

December 2018

I am ill as I write this, a situation...

Book Review

December 2018

On Ashleigh Young and Chelsea Hodson

Emily LaBarge

Book Review

December 2018

‘An essay’s heat is interior’, writes Cynthia Ozick in ‘She: Portrait of the Essay as a Warm Body’. When...

Fiction

December 2018

Feebleminded

Ariana Harwicz

TR. CAROLINA ORLOFF

TR. Annie McDermott

Fiction

December 2018

WHISKY WITH MOTHER as the electric blue fades into...

Art Review

November 2018

Gabriele Beveridge, Live Dead World

Philippa Snow

Art Review

November 2018

Several months ago, I went to a salon so...

Feature

November 2018

[Getting] Down with Gal Pals

Leon Craig

Feature

November 2018

There’s a moment in Laura Kaye’s underrated novel English...

prize

November 2018

The White Review 2018 Poet’s Prize Shortlist

prize

November 2018

We are delighted to announce the shortlist for this...

Three Poems

Poetry

November 2018

Gerard Coletta

Poetry

November 2018

Caciocavallo Podolico   I call up the man from Apulia to talk about how cheese is made from the milk of the Podolica cow....

Art Review

November 2018

Still I Rise: Feminisms, Gender, Resistance

Holly Black

Art Review

November 2018

When an exhibition promises to do away with a singular narrative in favour of presenting ‘multiple histories’ the result...

Book Review

November 2018

Prabda Yoon’s ‘Moving Parts’

Josie Mitchell

Book Review

November 2018

It’s tempting to imagine Prabda Yoon’s short story collection Moving Parts originating as a series of iPhone notes: a...

Essay

November 2018

In Defence of Dead Women

Amber Husain

Essay

November 2018

The memorial for the artist was as inconclusive as...

Art Review

November 2018

Ten Years at Garage Moscow

Rosanna Mclaughlin

Art Review

November 2018

When I arrive in Moscow, I am picked up...

Book Review

October 2018

Amy Arnold’s ‘Slip of a Fish’

Rebecca Watson

Book Review

October 2018

Slip of a Fish is set within the persistent...

Art Review

October 2018

Women on Aeroplanes

Divya Osbon

Art Review

October 2018

In The Showroom’s Women on Aeroplanes, three artists explore...

Book Review

October 2018

Sally Rooney’s ‘Normal People’

Helen Charman

Book Review

October 2018

Reading Sally Rooney’s second novel Normal People is a...

Art Review

October 2018

Kerry James Marshall, History of Painting

Lorena Muñoz-Alonso

Art Review

October 2018

Kerry James Marshall, an artist who grew up both devouring and scrutinising the Western art historical canon, has never...

Book Review

October 2018

James Bridle’s ‘New Dark Age’

Orit Gat

Book Review

October 2018

Halfway through James Bridle’s foreboding, at times terrifying, but...

Book Review

October 2018

Nafissa Thompson-Spires’s ‘Heads of the Colored People’

Victoria Adukwei Bulley

Book Review

October 2018

Somewhere on the internet is a two-hour video of...

Book Review

October 2018

Nick Makoha’s ‘Kingdom of Gravity’

Dai George

Book Review

October 2018

The tyrant’s sickest triumph is to make his subjects...

Essay

October 2018

The Uses of Queer Art

Kevin Brazil

Essay

October 2018

In June 2018 a crowd assembled in Tate Britain...

Two Poems

Poetry

Issue No. 23

A. K. Blakemore

Poetry

Issue No. 23

MAY   you slid into my life as though a witch’s smock — a sun poem.   fat bee on a bright brick wall...

Prize Winner

April 2018

The Great Awake

Julia Armfield

Prize Winner

April 2018

When I was twenty-seven, my Sleep stepped out of me like a passenger from a train carriage, looked around...

Interview

October 2018

Interview with Margo Jefferson

Zinzi Clemmons

Interview

October 2018

I’ve had the privilege of knowing Margo Jefferson since 2011, when I took her class, The Critic As Artist,...

Editorial

Feature

October 2018

Feature

October 2018

Issues of The White Review are not planned around a theme, but sometimes one asserts itself. Speaking to the writer Margo Jefferson, Zinzi Clemmons...

 

Get our newsletter

 

* indicates required