share


The Purge

 

Mall parking lot becomes dodgeball court, 2 vs 20.
Opposition’s fitted sheet fingers cover king-size stones.
Boys’ backs clamp against the storefront window.
Their propeller limbs swatting, foreheads pouring blood
and sweat like broken soda dispensers.
Spectators flaunt their yellow-corn teeth,
as they sing Boom Bye Bye; supporters
whispering invocations and protective medleys.
Not once did the boys cry out for God.
Police wait for the whiff of oak coffins
before they whisk the boys away in their Jeep;
and the names of all the girls I crush on at school
clank like crockery, 11-year-old-me vows to avoid
bursting lips and wailing skin.


ABOUT THE CONTRIBUTOR

is a Jamaican poet. She is a member of Malika's Poetry Kitchen. She was the Roundhouse Slam runner-up and a BBC Fringe Slam finalist. She is an alumna of the Obsidian Foundation Retreat. She has performed at Glastonbury Festival and StAnza Festival. Courtney was published in Bad Betty Press’ ‘Field Notes on Survival’ anthology. She was longlisted for The Rebecca Swift Women Poets’ Prize 2020.

READ NEXT

feature

October 2011

This is not the place: Perec, the Situationists and Belleville

Karl Whitney

feature

October 2011

I stood near the columbarium at Père Lachaise cemetery. I was there to see the locker-like vault containing the...

Interview

Issue No. 1

Interview with Mai-Thu Perret

Timothée Chaillou

Interview

Issue No. 1

Swiss artist Mai-Thu Perret’s ongoing, fourteen year-old project The Crystal Frontier is a multi-disciplinary fiction chronicling the lives of...

feature

February 2014

Only Responsible to Their Art: Heilan and the Chinese Avant-Garde

Chen Wei

TR. Tu Qiang

feature

February 2014

Heilan was established for a simple reason: over the past twenty years, there has not emerged a single medium...

 

Get our newsletter

 

* indicates required