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On Work: Roundtable

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Issue No. 21

The Editors

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Issue No. 21

In 2013 we encountered a pamphlet-sized book published by n+1 called No Regrets. It contained a series of conversations between different groups of women...

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March 2018

Editorial

The Editors

Feature

March 2018

During his interview with Claudia Rankine in this issue, Kayo Chingonyi raises the subject of what role the arts...

So many things are ‘over’ now that all the post- and neo- prefixes are themselves suffering from fatigue Even ‘after’ is so finished that it can’t be formulated with much more than ironic speculation on the downward spiral of exhaustion Or so it seems if one looks at what is on display in the high-profile galleries and museum shows, alternative exhibition spaces, or in publications dedicated to critical writing   Forms of fatigue show up as work that is derivative, second- and third-generation neo-conceptual, post-studio, dully didactical or pseudo-political Someone copies Raymond Pettibon or Jason Rhoades or Tracey Emin and gets half a room in a museum show Someone else imitates Richard Tuttle or Mona Hatoum and gets a write up about their radically innovative informalism Third- or fourth-hand comments on media culture, identity politics, appropriation, ethnography, and institutional critique parade through galleries and exhibition halls Even when not flagrantly careerist, much of the work is merely conformist, conceived within the terms of the academic formulae that replicate models of aesthetic activity whose roots track back to nineteenth-century aspirations for a now (regrettably) long-vanished socialist utopianism The idea that the broken world could be fixed by fine art serving as the moral conscience of the culture and using a combination of intervention and provocation might be as ‘over’ as the tired recycling of formal and conceptual strategies from the inventory of contemporary art   Thus the urgent need to conceptualise what comes after that state of ‘after’ We need to replace a nineteenth-century model (in which individual artists make rarefied objects and/or events to prod the sleeping populace into revolutionary action) with a systems-based approach based in nodal and networked conceptions of artist and work, and ecologies of resonance and dissidence Only then will the ‘after’ of art be re-set within the terms of a vital new aesthetics       Marcia Hafif, ‘Glaze Paintings’, oil on canvas, 22×22 in (1995) Courtesy of the artist To sketch this

Contributor

August 2014

The Editors

Contributor

August 2014

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September 2017

On The White Review Anthology

The Editors

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September 2017

Valentine’s Day 2010, Brooklyn: an intern at the Paris Review skips his shift as an undocumented worker at an...

Editorial

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Issue No. 20

The Editors

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Issue No. 20

    As a bookish schoolchild in Galilee, the Palestinian poet Mahmoud Darwish was invited to compose, and read in public, a poem marking...

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Issue No. 19

Editorial

The Editors

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Issue No. 19

‘A crisis becomes a crisis when the white male body is affected,’ writes the philosopher Rosi Braidotti, interviewed in...

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Issue No. 18

Editorial

The Editors

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Issue No. 18

This is the editorial from the eighteenth print issue of The White Review, available to buy here.    In 1991...

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Issue No. 17

Editorial

The Editors

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Issue No. 17

An Englishman, a Frenchman and an Irishman set up a magazine in London in 2010. This sounds like the...

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Issue No. 16

Editorial

The Editors

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Issue No. 16

The political and internet activist Eli Pariser coined the term ‘Filter Bubble’ in 2011 to describe how we have...

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Issue No. 15

Editorial

The Editors

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Issue No. 15

In The Art of the Publisher, Roberto Calasso suggests that publishing is something approaching an art form, whereby ‘all...

Editorial

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Issue No. 14

The Editors

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Issue No. 14

Having several issues ago announced that we would no longer be writing our own editorials, the editors’ (ultimately inevitable) failure to organise a replacement,...
Editorial

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Issue No. 10

The Editors

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Issue No. 10

This tenth editorial will be our last. Back in February 2011, on launching the magazine, we grandiosely stated that we were ‘creating a space for...
The White Review No. 9 Editorial

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Issue No. 9

The Editors

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Issue No. 9

This ninth print issue of The White Review is characterised by little more than the continuation of the principles we have set out in...
The White Review No. 8 Editorial

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Issue No. 8

The Editors

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Issue No. 8

The manifesto of art collective Bruce High Quality foundation, the subject of an essay by Legacy Russell in this issue, states its intention to...
The White Review No. 7 Editorial

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Issue No. 7

The Editors

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Issue No. 7

A few issues back we grandiosely stated ‘that it is more important now than ever to provide a forum for expression and debate’. This...
The White Review No. 6 Editorial

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Issue No. 6

The Editors

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Issue No. 6

By the looks of it, not much has changed for The White Review. This new edition, like its predecessors, features the customary blend of...
The White Review No. 5 Editorial

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Issue No. 5

The Editors

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Issue No. 5

One of the two editors of The White Review recently committed a faux pas by reacting with undisguised and indeed excessive envy to the revelation...
The White Review No. 4 Editorial

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Issue No. 4

The Editors

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Issue No. 4

We live in interesting times. A few years ago, with little warning and for reasons obscure to all but a few, an economic system...
The White Review No.3 Editorial

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October 2011

The Editors

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October 2011

In the course of putting three issues of The White Review together, the editors have been presented with the problems they were previously so...
Editorial: a thousand witnesses are better than conscience

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July 2011

The Editors

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July 2011

The closure of any newspaper is a cause for sadness in any country that prides itself, as Britain does, on its possession of a...

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fiction

January 2013

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László Krasznahorkai

Max Neumann

TR. Ottilie Mulzet

fiction

January 2013

IV     Every space is too tight for me. I move around, I jump, I fling myself and...

Interview

September 2014

Interview with Laure Prouvost

Alice Hattrick

Interview

September 2014

Laure Prouvost begins to tell us about something that happened this morning. She woke up with four vegetables on...

Art

January 2012

Interview with Ryan Gander

Timothée Chaillou

Art

January 2012

London-based conceptual artist Ryan Gander masters the art of storytelling through an immensely complex yet subtly coherent body of...

 

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