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On Work: Roundtable

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Issue No. 21

The Editors

Feature

Issue No. 21

In 2013 we encountered a pamphlet-sized book published by n+1 called No Regrets. It contained a series of conversations between different groups of women...

Feature

March 2018

Editorial

The Editors

Feature

March 2018

During his interview with Claudia Rankine in this issue, Kayo Chingonyi raises the subject of what role the arts...

The mothers check their belongings into lockers and pass through metal detectors They learn the rules of the public gallery and the name of each judge After court adjourns for the day, they walk to the supermarket wearing winter coats over their saris, boots sinking into the snow Some remove their gloves to catch snowflakes, licking their palms to see if it’s true, it’s just water, while others concentrate on their wheelchairs and canes    Under fluorescent lights, the mothers compare different brands of biscuits and squeeze loose tomatoes and onions    One mother is the first to return to the island She is disappointed with the straight-backed chairs, the ‘No food or drink!’ signs and the realisation that the trial is concerned with crimes and humanity, while she herself is consumed by the absence of a single person who was born on the second day of Navaratri His name had to begin with an ‘a’ or ‘aa’, which is why she named him Ahilan    Ahilan Sivapragasam, Pranavan Muthukumar, Keerthana Ravichandran   The mothers have written these names on forms submitted at every administrative level The names are now in a public database, and the list has been filed with the court as evidence    In the gallery, the mothers sit next to diligent undergraduates and doctoral candidates who lean back, unimpressed Many of these students will write research papers about enforced disappearance as defined in the Rome Statute They will use ‘disappear’ as listed in the dictionary (verb, used without object) but, on the island, people are objects who receive the action: they do not disappear, they are disappeared   In the gallery, the mothers sit alongside journalists who write for syndicates, magazines and news outlets, including those from the island One journalist watches the mothers closely and, even when they seem bored and distracted, she writes about their resilience Another is a staunch supporter of the defendant He writes headlines like ‘Crocodile Tears in Kangaroo Court’ for which his editor commissions a cartoon of the mothers as sly reptiles, their eyes peering over the waterline as the defendant dangles at the end of

Contributor

August 2014

The Editors

Contributor

August 2014

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September 2017

On The White Review Anthology

The Editors

feature

September 2017

Valentine’s Day 2010, Brooklyn: an intern at the Paris Review skips his shift as an undocumented worker at an...

Editorial

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Issue No. 20

The Editors

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Issue No. 20

    As a bookish schoolchild in Galilee, the Palestinian poet Mahmoud Darwish was invited to compose, and read in public, a poem marking...

feature

Issue No. 19

Editorial

The Editors

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Issue No. 19

‘A crisis becomes a crisis when the white male body is affected,’ writes the philosopher Rosi Braidotti, interviewed in...

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Issue No. 18

Editorial

The Editors

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Issue No. 18

This is the editorial from the eighteenth print issue of The White Review, available to buy here.    In 1991...

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Issue No. 17

Editorial

The Editors

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Issue No. 17

An Englishman, a Frenchman and an Irishman set up a magazine in London in 2010. This sounds like the...

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Issue No. 16

Editorial

The Editors

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Issue No. 16

The political and internet activist Eli Pariser coined the term ‘Filter Bubble’ in 2011 to describe how we have...

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Issue No. 15

Editorial

The Editors

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Issue No. 15

In The Art of the Publisher, Roberto Calasso suggests that publishing is something approaching an art form, whereby ‘all...

Editorial

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Issue No. 14

The Editors

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Issue No. 14

Having several issues ago announced that we would no longer be writing our own editorials, the editors’ (ultimately inevitable) failure to organise a replacement,...
Editorial

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Issue No. 10

The Editors

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Issue No. 10

This tenth editorial will be our last. Back in February 2011, on launching the magazine, we grandiosely stated that we were ‘creating a space for...
The White Review No. 9 Editorial

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Issue No. 9

The Editors

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Issue No. 9

This ninth print issue of The White Review is characterised by little more than the continuation of the principles we have set out in...
The White Review No. 8 Editorial

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Issue No. 8

The Editors

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Issue No. 8

The manifesto of art collective Bruce High Quality foundation, the subject of an essay by Legacy Russell in this issue, states its intention to...
The White Review No. 7 Editorial

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Issue No. 7

The Editors

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Issue No. 7

A few issues back we grandiosely stated ‘that it is more important now than ever to provide a forum for expression and debate’. This...
The White Review No. 6 Editorial

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Issue No. 6

The Editors

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Issue No. 6

By the looks of it, not much has changed for The White Review. This new edition, like its predecessors, features the customary blend of...
The White Review No. 5 Editorial

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Issue No. 5

The Editors

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Issue No. 5

One of the two editors of The White Review recently committed a faux pas by reacting with undisguised and indeed excessive envy to the revelation...
The White Review No. 4 Editorial

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Issue No. 4

The Editors

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Issue No. 4

We live in interesting times. A few years ago, with little warning and for reasons obscure to all but a few, an economic system...
The White Review No.3 Editorial

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October 2011

The Editors

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October 2011

In the course of putting three issues of The White Review together, the editors have been presented with the problems they were previously so...
Editorial: a thousand witnesses are better than conscience

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July 2011

The Editors

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July 2011

The closure of any newspaper is a cause for sadness in any country that prides itself, as Britain does, on its possession of a...

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feature

October 2013

A World of Sharp Edges: A Week Among Poets in the Western Cape

André Naffis-Sahely

feature

October 2013

In Antal Szerb’s The Incurable, the eccentric millionaire Peter Rarely steps into the dining car of a train steaming...

Interview

June 2015

Interview with Moyra Davey

Hannah Gregory

Interview

June 2015

One way to think about Moyra Davey’s way of working across photography, film and text is in terms of...

Art

June 2012

'The Freedom of Speech Itself', or the betrayal of the voice

Lorena Muñoz-Alonso

Art

June 2012

‘The instability of an accent, its borrowed and hybridised phonetic form, is testimony not to someone’s origins but only...

 

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