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Helen Charman
Helen Charman is a writer and academic based in Glasgow. Her first book, Mother State – a political history of motherhood — is forthcoming from Allen Lane in 2024. She teaches in the English Studies department at Durham University.

Articles Available Online


Attachment Barbies: On Watching Grey’s Anatomy

Essay

March 2023

Helen Charman

Essay

March 2023

In August 2022, ABC announced that Ellen Pompeo, currently the highest-paid actress on American network television, was leaving Grey’s Anatomy, the show on which...

Book Review

May 2021

HOLDING THE ROOM: ON HOLLY PESTER’S ‘COMIC TIMING’

Helen Charman

Book Review

May 2021

The last poem in Holly Pester’s first collection COMIC TIMING (Granta, 2021) is called ‘Villette’; it shares its title...

The peculiar thing was that Astrid appeared exactly as she did on screen She was neither taller nor shorter Her smile had the same stretched quality, as if it had been worn thin from overuse She seemed less like a star and more like one of her movie roles, a beautiful but otherwise normal woman who swore in traffic and ate takeout in bed Jenny tried to imagine how she would describe this moment to her brother The house was large and the drive was gated The leaves of the terracotta-potted ficus trees looked glossier and more recently watered than the ones outside Jenny’s own small house But the light that hit Astrid’s face was no spotlight The same sun was jerking sweat from Jenny’s forehead   ‘Jenny Narahashi, the Japanese tutor,’ Jenny said Strictly speaking, Jenny was not a tutor — she was a translator The fee was generous, but that wasn’t why Jenny was here She was doing this for her brother Franklin had been the sort of movie geek who, unprompted, informed strangers that to shoot Barry Lyndon, Kubrick used the low light lenses NASA designed for the dark side of the moon   What would he make of the soft pucker of Astrid’s eyebrows as she peered at Jenny? There was something disorientating about being so close to someone famous It was disorienting Jenny needed a moment to make sure that Astrid was not recoiling but stepping back to let Jenny inside   The kitchen, like its owner, was almost too normal A stained mug loitered in the sink The fridge was magnet-poxed The countertops were marble; but whether it was Egyptian, French or Tunisian, Jenny couldn’t tell   The boy sat on a barstool at the kitchen island He had a child’s slouch and a leading man’s designer sunglasses balancing on styled hair So this was her prospective tutee, drinking Italian mineral water The glass bottle dripped green light onto the white counter-top   ‘Marlow, Jenny,’ said Astrid ‘Jenny, Marlow’ Jenny supposed movie stars didn’t have to ask to use your first name ‘The Japanese tutor, the one who translates Dinowhatever’ Astrid paused  The kid rolled

Contributor

November 2017

Helen Charman

Contributor

November 2017

Helen Charman is a writer and academic based in Glasgow. Her first book, Mother State – a political history...

Essay

May 2020

Where do I put myself, if public life’s destroyed? On reading Denise Riley

Helen Charman

Essay

May 2020

How do you read someone who doesn’t always want to be read? This is a question I used to...

Sally Rooney’s ‘Normal People’

Book Review

October 2018

Helen Charman

Book Review

October 2018

Reading Sally Rooney’s second novel Normal People is a compulsive experience. After the navy blue Faber & Faber proofs were sent out in early...
Rendering intimacy impossible, deploy lifeboats (mark yourself safe) Not listening as such, more waiting to speak, above all mark yourself, it’s so important to be safe Carry on, they demand, we’re not reeling / we are reeling Is this the place for a fountain reference? Probably ‘What first attracted you to your wife, sir?’ ‘Her delicacy / her ankles / her hatred of the Tories’                  Alive twice over but that’s a whole life gone too                you know I’m sorry, he holds his hands up, I’m                sorry, he backs away: my conscience couldn’t                keep company with your body I say, your body?                it just made me think: it’s only a nine month stay   The next time you lay a hand on me, I’ll make a perfect gleaming dive into the Thames Aren’t you glad / to be here? I am
Electioneering

Prize Entry

November 2017

Helen Charman


READ NEXT

fiction

Issue No. 2

The Surrealist Section of the Harry Ransom Center

Diego Trelles Paz

TR. Janet Hendrickson

fiction

Issue No. 2

To Enrique Fierro and Ida Vitale—   Just like you, muchachos, I didn’t believe in ghosts, and if I’d...

Art

September 2011

Interview with Cornelia Parker

Lowenna Waters

Art

September 2011

Cornelia Parker has over the past twenty years carved out a reputation as one of Britain’s most respected sculptors...

Art

September 2014

Semi Floating Sculpture

Luke Hart

Patrick Langley

Art

September 2014

Luke Hart will meet me at Gate 7. I get the text on the DLR, heading east past Canary...

 

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