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George Szirtes
George Szirtes's many books of poetry have won various prizes including the T. S. Eliot Prize (2004), for which he is again shortlisted for Bad Machine (2013). His translation of László Krasznahorkai's Satantango (2013) was awarded the Best Translated Book Award in the US. The act of translation is, he thinks, bound to involve fidelity, ambiguity, confusion and betrayal.

Articles Available Online


Foreword: A Pound of Flesh

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Issue No. 12

George Szirtes

feature

Issue No. 12

1.   ANALOGIES FOR TRANSLATION ARE MANY, most of them assuming a definable something on one side of the equation – a fixed original...

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January 2014

Afterword: The Death of the Translator

George Szirtes

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January 2014

1. The translator meets himself emerging from his lover’s bedroom. So much for fidelity, he thinks. 2. Je est...

On 19 March 2020, a video recorded by 39-year-old Tara Jane Langston from an intensive care bed in London’s Hillingdon Hospital went viral Visibly breathless, she urged her colleagues – for whom the message was originally intended – to put down the cigarettes and not to take any chances with COVID-19 – which, at that time, had killed 144 people in the UK ‘I’m telling you now’ she warned, ‘you need your fucking lungs’   Langston’s testimony was powerful The footage conveyed a rawness that had, at that time, been exclusive to foreign news dispatches Though much was made of Langston’s status as a healthy, gym-going mother of two, the directness with which she called out the public’s complacency was striking It also proved prescient to the UK’s own imminent spiral, demonstrating the (at times voyeuristic) need from the general population for subjective accounts of the experience of others in order for threat to be comprehended   With COVID-19, we exist in a world of experience which is, to a certain extent, prior to science We are often left attempting to understand this new life condition through the prism of emotion, as opposed to verified information   To situate these impulses we might turn towards philosopher Havi Carel’s phenomenology Carel is Professor of Philosophy at the University of Bristol, where she also teaches Medical Humanities Her research is a mixture of cross-disciplinary activism and applied continental philosophy, which regularly draws on evidence from physicians, psychologists, and bioethicists Her most notable work to date is a 2016 monograph, Phenomenology of Illness, which uses Edmund Husserl’s existential phenomenology to refocus the study of illness and medical treatment onto patients, placing emphasis on embodied subjectivity She uses the distinctions between the ‘objective body’ and the ‘body as lived’ – provided by Jean-Paul Sartre – to map her own distinction between disease and illness: ‘The objective body is the physical body, the object of medicine: it is what becomes diseased The body as lived is the first-person experience of this objective body, the body as experienced by the person whose body it is And it is on this level

Contributor

August 2014

George Szirtes

Contributor

August 2014

George Szirtes’s many books of poetry have won various prizes including the T. S. Eliot Prize (2004), for which...

Shine On You Crazy Diamond

poetry

November 2013

George Szirtes

poetry

November 2013

And so they shone, every one of them, each crazy, everyone a diamond shining the way things shine, each becoming a gleam in his...
Rescue Me

poetry

November 2013

George Szirtes

poetry

November 2013

Pain comes like this: packaged in a moment of hubris with a backing band too big for its own good. It isn’t the same...

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fiction

January 2016

Dimples

Eka Kurniawan

TR. Annie Tucker

fiction

January 2016

Moments ago, the woman with the lovely dimples had been shivering, utterly ravaged by the evening, but now her...

Interview

Issue No. 5

Interview with Ivan Vladislavić

Jan Steyn

Interview

Issue No. 5

Ivan Vladislavić is one of a handful of writers working in South Africa after apartheid whose work will still...

poetry

October 2012

Saint Anthony the Hermit Tortured by Devils

Stephen Devereux

poetry

October 2012

  Sassetta has him feeling no pain, comfortable even, Yet stiffly dignified at an odd angle like the statue...

 

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