Mailing List


The Editors


Articles Available Online


On Work: Roundtable

Feature

Issue No. 21

The Editors

Feature

Issue No. 21

In 2013 we encountered a pamphlet-sized book published by n+1 called No Regrets. It contained a series of conversations between different groups of women...

Feature

March 2018

Editorial

The Editors

Feature

March 2018

During his interview with Claudia Rankine in this issue, Kayo Chingonyi raises the subject of what role the arts...

‘We are poor passing facts / warned by that to give / each figure in the photograph / his living name,’ writes Robert Lowell His poem ‘Epilogue’ is a lament at its writer’s inability ‘to make something imagined, not recalled’ Lowell desires the rich lucidity of a painter’s vision and instead finds himself armed only with a crude lens:   But sometimes everything I write with the threadbare art of my eye seems a snapshot, lurid, rapid, garish, grouped, heightened from life, yet paralysed by fact   Writing as painting, writing as photography — neither simile entirely fitting or true ‘Books are not mirrors, and life doesn’t go onto the page like life, but like writing,’ wrote Lynne Tillman in her essay ‘The Last Words Are Andy Warhol’, collected in What Would Lynne Tillman Do? In her new novel, Men and Apparitions, something similar is suggested of photography: photographs do not reflect life, they reflect photography — the medium and its mediations, both imagined and recalled What this means is one of the central preoccupations of the book’s narrator, Ezekiel (Zeke) Stark, a 38-year-old East Coast American academic (or as he might say, ‘acadoomic’) ethnographer who studies ‘society through images, in words and pix, in how individuals see themselves, in past and present tenses, and with what they identify, which are also images’   Zeke’s professional speciality is the family photograph album, and Men and Apparitions is both the story of Zeke’s own family and of the family, told through an album-like collage of portraits and snapshots, posed and impromptu, at once public and private, that move in and out of focus, collapse in stories shared and divergent: a twenty-first-century revision, perhaps, of Edward Steichen’s 1955 photography exhibition The Family of Man, one in which images are inherently self-conscious, complex and contradictory — just like the lives of those they depict, or in many cases, leave undeveloped There is Zeke, the middle child of a middle-class suburban family, raised outside Boston (‘John Updike Territory Nice Family place, if you didn’t know the family Kidding’) There is Mother, an accomplished editor; Father, an alcoholic; Bro Hart, aggressive and disdainful older brother,

Contributor

August 2014

The Editors

Contributor

August 2014

feature

September 2017

On The White Review Anthology

The Editors

feature

September 2017

Valentine’s Day 2010, Brooklyn: an intern at the Paris Review skips his shift as an undocumented worker at an...

Editorial

feature

Issue No. 20

The Editors

feature

Issue No. 20

    As a bookish schoolchild in Galilee, the Palestinian poet Mahmoud Darwish was invited to compose, and read in public, a poem marking...

feature

Issue No. 19

Editorial

The Editors

feature

Issue No. 19

‘A crisis becomes a crisis when the white male body is affected,’ writes the philosopher Rosi Braidotti, interviewed in...

feature

Issue No. 18

Editorial

The Editors

feature

Issue No. 18

This is the editorial from the eighteenth print issue of The White Review, available to buy here.    In 1991...

feature

Issue No. 17

Editorial

The Editors

feature

Issue No. 17

An Englishman, a Frenchman and an Irishman set up a magazine in London in 2010. This sounds like the...

feature

Issue No. 16

Editorial

The Editors

feature

Issue No. 16

The political and internet activist Eli Pariser coined the term ‘Filter Bubble’ in 2011 to describe how we have...

feature

Issue No. 15

Editorial

The Editors

feature

Issue No. 15

In The Art of the Publisher, Roberto Calasso suggests that publishing is something approaching an art form, whereby ‘all...

Editorial

feature

Issue No. 14

The Editors

feature

Issue No. 14

Having several issues ago announced that we would no longer be writing our own editorials, the editors’ (ultimately inevitable) failure to organise a replacement,...
Editorial

feature

Issue No. 10

The Editors

feature

Issue No. 10

This tenth editorial will be our last. Back in February 2011, on launching the magazine, we grandiosely stated that we were ‘creating a space for...
The White Review No. 9 Editorial

feature

Issue No. 9

The Editors

feature

Issue No. 9

This ninth print issue of The White Review is characterised by little more than the continuation of the principles we have set out in...
The White Review No. 8 Editorial

feature

Issue No. 8

The Editors

feature

Issue No. 8

The manifesto of art collective Bruce High Quality foundation, the subject of an essay by Legacy Russell in this issue, states its intention to...
The White Review No. 7 Editorial

feature

Issue No. 7

The Editors

feature

Issue No. 7

A few issues back we grandiosely stated ‘that it is more important now than ever to provide a forum for expression and debate’. This...
The White Review No. 6 Editorial

feature

Issue No. 6

The Editors

feature

Issue No. 6

By the looks of it, not much has changed for The White Review. This new edition, like its predecessors, features the customary blend of...
The White Review No. 5 Editorial

feature

Issue No. 5

The Editors

feature

Issue No. 5

One of the two editors of The White Review recently committed a faux pas by reacting with undisguised and indeed excessive envy to the revelation...
The White Review No. 4 Editorial

feature

Issue No. 4

The Editors

feature

Issue No. 4

We live in interesting times. A few years ago, with little warning and for reasons obscure to all but a few, an economic system...
The White Review No.3 Editorial

feature

October 2011

The Editors

feature

October 2011

In the course of putting three issues of The White Review together, the editors have been presented with the problems they were previously so...
Editorial: a thousand witnesses are better than conscience

feature

July 2011

The Editors

feature

July 2011

The closure of any newspaper is a cause for sadness in any country that prides itself, as Britain does, on its possession of a...

READ NEXT

feature

November 2015

Anatomy of a Democracy: Javier Cercas

Duncan Wheeler

feature

November 2015

20 November marks the fortieth anniversary of the death of General Franco. And while the insurrectionist’s victory in the...

fiction

March 2016

Red

Madeleine Watts

fiction

March 2016

It was the first week of 1976 and she had just turned 17.   The day school let out...

Interview

October 2014

Interview with Jem Cohen

Steve Macfarlane

Interview

October 2014

Jem Cohen may be one of the quintessential New York filmmakers of our era. Peerless in his knack for...

 

Get our newsletter

 

* indicates required