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On Work: Roundtable

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Issue No. 21

The Editors

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Issue No. 21

In 2013 we encountered a pamphlet-sized book published by n+1 called No Regrets. It contained a series of conversations between different groups of women...

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March 2018

Editorial

The Editors

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March 2018

During his interview with Claudia Rankine in this issue, Kayo Chingonyi raises the subject of what role the arts...

Jessie Greengrass’s debut story collection caught my eye with its delightfully extravagant title, An Account of the Decline of the Great Auk, According to One Who Saw It, but its pleasures were more austere than baroque – and deservedly made it a multiple award-winner The stories broadly divided into two types: those, like the title story, that played on antiquated scientific and historical narrative modes, and those that dug themselves deeper into a wholly subjective experience of the world In these stories, nameless first-person narrators used compulsive self-analysis as much to distance themselves from feeling as to bring themselves closer to any kind of understanding of their lives Greengrass continues both strands of her writing in this, her first novel; you feel that stories from her collection like ‘All the Other Jobs’ or ‘Dolphin’ could easily have evolved into a book such as this, or been sewn into the fabric of this one   SIGHT sets its tone with the decidedly ambivalent opening line: ‘The start of another summer, the weather uncertain but no longer sharply edged, and I am pregnant again’ What follows comes in three parts, each of which focuses on a significant event in the life of the unnamed narrator – a woman living in London with her partner, Johannes, and their young daughter, and, yes, awaiting the birth of their second child – but each of which also folds in the story of a particular intervention in the history of medicine   First, we get the death of the narrator’s mother, some years earlier, and the discovery, in 1895, of the X-ray, by German physicist Wilhelm Röntgen The second section sets off the intricate cross-generational relationship between the narrator, her mother and her maternal grandmother, a Hampstead psychoanalyst, against the equally complex dynamic between Freud and his youngest daughter, Anna, whom he analysed, and who lived on in his London house after his death, nurturing his legacy Lastly, we have the birth of the narrator’s first daughter, and 18th century surgeon John Hunter, who among other things investigated the development of babies in utero   This might seem rather a lot

Contributor

August 2014

The Editors

Contributor

August 2014

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September 2017

On The White Review Anthology

The Editors

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September 2017

Valentine’s Day 2010, Brooklyn: an intern at the Paris Review skips his shift as an undocumented worker at an...

Editorial

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Issue No. 20

The Editors

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Issue No. 20

    As a bookish schoolchild in Galilee, the Palestinian poet Mahmoud Darwish was invited to compose, and read in public, a poem marking...

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Issue No. 19

Editorial

The Editors

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Issue No. 19

‘A crisis becomes a crisis when the white male body is affected,’ writes the philosopher Rosi Braidotti, interviewed in...

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Issue No. 18

Editorial

The Editors

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Issue No. 18

This is the editorial from the eighteenth print issue of The White Review, available to buy here.    In 1991...

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Issue No. 17

Editorial

The Editors

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Issue No. 17

An Englishman, a Frenchman and an Irishman set up a magazine in London in 2010. This sounds like the...

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Issue No. 16

Editorial

The Editors

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Issue No. 16

The political and internet activist Eli Pariser coined the term ‘Filter Bubble’ in 2011 to describe how we have...

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Issue No. 15

Editorial

The Editors

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Issue No. 15

In The Art of the Publisher, Roberto Calasso suggests that publishing is something approaching an art form, whereby ‘all...

Editorial

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Issue No. 14

The Editors

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Issue No. 14

Having several issues ago announced that we would no longer be writing our own editorials, the editors’ (ultimately inevitable) failure to organise a replacement,...
Editorial

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Issue No. 10

The Editors

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Issue No. 10

This tenth editorial will be our last. Back in February 2011, on launching the magazine, we grandiosely stated that we were ‘creating a space for...
The White Review No. 9 Editorial

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Issue No. 9

The Editors

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Issue No. 9

This ninth print issue of The White Review is characterised by little more than the continuation of the principles we have set out in...
The White Review No. 8 Editorial

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Issue No. 8

The Editors

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Issue No. 8

The manifesto of art collective Bruce High Quality foundation, the subject of an essay by Legacy Russell in this issue, states its intention to...
The White Review No. 7 Editorial

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Issue No. 7

The Editors

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Issue No. 7

A few issues back we grandiosely stated ‘that it is more important now than ever to provide a forum for expression and debate’. This...
The White Review No. 6 Editorial

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Issue No. 6

The Editors

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Issue No. 6

By the looks of it, not much has changed for The White Review. This new edition, like its predecessors, features the customary blend of...
The White Review No. 5 Editorial

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Issue No. 5

The Editors

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Issue No. 5

One of the two editors of The White Review recently committed a faux pas by reacting with undisguised and indeed excessive envy to the revelation...
The White Review No. 4 Editorial

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Issue No. 4

The Editors

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Issue No. 4

We live in interesting times. A few years ago, with little warning and for reasons obscure to all but a few, an economic system...
The White Review No.3 Editorial

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October 2011

The Editors

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October 2011

In the course of putting three issues of The White Review together, the editors have been presented with the problems they were previously so...
Editorial: a thousand witnesses are better than conscience

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July 2011

The Editors

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July 2011

The closure of any newspaper is a cause for sadness in any country that prides itself, as Britain does, on its possession of a...

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poetry

September 2012

Letter from a New City to an Old Friend

Cutter Streeby

poetry

September 2012

Letter from a New City to an Old Friend     [SEAside          Gra-                         –i.m. Ronny Burhop 1987-2010                                                                      ffiti]...

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May 2014

How Imagination Remembers

Maria Fusco

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May 2014

How imagination remembers is twofold, an enfolded act of greed and ingenuity. I believe these impulses to be linked...

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November 2011

Nude in your hot tub...

Lars Iyer

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November 2011

I. Down from the Mountain   Once upon a time, writers were like gods, and lived in the mountains....

 

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