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On Work: Roundtable

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Issue No. 21

The Editors

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Issue No. 21

In 2013 we encountered a pamphlet-sized book published by n+1 called No Regrets. It contained a series of conversations between different groups of women...

Feature

March 2018

Editorial

The Editors

Feature

March 2018

During his interview with Claudia Rankine in this issue, Kayo Chingonyi raises the subject of what role the arts...

Bound with animal fat, milk, or blood, Roman concrete is hardened over time Less water would ordinarily mean a less workable, yet stronger setting substance – concrete production being a tireless balance between liquid and solid against stability – but sanguine additives introduced bubbles of air, like tiny vehicles for the movement of solid materials through the cement, enabling flow and so multiplying the minutes between the mixing of the concrete and the moment it set for good A splash of water could be sacrificed without reduced workability Once the concrete set, each entrained microdwelling of air became a pore, allowing the now solid structure to absorb new water and for this to freeze, thaw, and exit the artificial stone without fracturing its temporary home In correspondence to the civilisation itself, strength was won and growth quickened with blood The first Pantheon was erected following the determining sea-fought battle of that last war of the Republic – the fight that saw Cleopatra exit, like a descendant of so many kings, with an asp to her breast Its replacement, built under Hadrian – concrete beneath brick – still stands The resistance of this ancient concrete was forged at scorching temperatures, the ash of Vesuvian eruptions precooked just as the limestone in Portland cement is sintered to clinker today Two parts volcanic mortar to one part lime; blood for tenacity; horsehair to reduce shrinking; laid by hand in line with its aggregate It built the Pantheon, the Colosseum, it rebuilt much of Rome and thousands of miles of road These days a soupier substance is needed to flow through machinery Watered down by industrialisation, and for the sake of economy, it is required to move faster, to build more It arrives ready mixed, slow-setting, weaker and bloodless Its quickflow corpus is reinforced now by steel; cracks begin to appear much earlier on   As the Empire faded, so too did the common use of concrete, its systematic application being the stuff of large-scale bureaucracy The Middle Ages had concrete, but not as much, nor as strong, nor so persistent In building material circles, it

Contributor

August 2014

The Editors

Contributor

August 2014

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September 2017

On The White Review Anthology

The Editors

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September 2017

Valentine’s Day 2010, Brooklyn: an intern at the Paris Review skips his shift as an undocumented worker at an...

Editorial

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Issue No. 20

The Editors

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Issue No. 20

    As a bookish schoolchild in Galilee, the Palestinian poet Mahmoud Darwish was invited to compose, and read in public, a poem marking...

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Issue No. 19

Editorial

The Editors

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Issue No. 19

‘A crisis becomes a crisis when the white male body is affected,’ writes the philosopher Rosi Braidotti, interviewed in...

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Issue No. 18

Editorial

The Editors

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Issue No. 18

This is the editorial from the eighteenth print issue of The White Review, available to buy here.    In 1991...

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Issue No. 17

Editorial

The Editors

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Issue No. 17

An Englishman, a Frenchman and an Irishman set up a magazine in London in 2010. This sounds like the...

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Issue No. 16

Editorial

The Editors

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Issue No. 16

The political and internet activist Eli Pariser coined the term ‘Filter Bubble’ in 2011 to describe how we have...

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Issue No. 15

Editorial

The Editors

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Issue No. 15

In The Art of the Publisher, Roberto Calasso suggests that publishing is something approaching an art form, whereby ‘all...

Editorial

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Issue No. 14

The Editors

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Issue No. 14

Having several issues ago announced that we would no longer be writing our own editorials, the editors’ (ultimately inevitable) failure to organise a replacement,...
Editorial

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Issue No. 10

The Editors

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Issue No. 10

This tenth editorial will be our last. Back in February 2011, on launching the magazine, we grandiosely stated that we were ‘creating a space for...
The White Review No. 9 Editorial

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Issue No. 9

The Editors

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Issue No. 9

This ninth print issue of The White Review is characterised by little more than the continuation of the principles we have set out in...
The White Review No. 8 Editorial

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Issue No. 8

The Editors

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Issue No. 8

The manifesto of art collective Bruce High Quality foundation, the subject of an essay by Legacy Russell in this issue, states its intention to...
The White Review No. 7 Editorial

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Issue No. 7

The Editors

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Issue No. 7

A few issues back we grandiosely stated ‘that it is more important now than ever to provide a forum for expression and debate’. This...
The White Review No. 6 Editorial

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Issue No. 6

The Editors

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Issue No. 6

By the looks of it, not much has changed for The White Review. This new edition, like its predecessors, features the customary blend of...
The White Review No. 5 Editorial

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Issue No. 5

The Editors

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Issue No. 5

One of the two editors of The White Review recently committed a faux pas by reacting with undisguised and indeed excessive envy to the revelation...
The White Review No. 4 Editorial

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Issue No. 4

The Editors

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Issue No. 4

We live in interesting times. A few years ago, with little warning and for reasons obscure to all but a few, an economic system...
The White Review No.3 Editorial

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October 2011

The Editors

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October 2011

In the course of putting three issues of The White Review together, the editors have been presented with the problems they were previously so...
Editorial: a thousand witnesses are better than conscience

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July 2011

The Editors

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July 2011

The closure of any newspaper is a cause for sadness in any country that prides itself, as Britain does, on its possession of a...

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Interview

September 2013

Interview with László Krasznahorkai

George Szirtes

Interview

September 2013

László Krasznahorkai was born in Gyula, Hungary, in 1954, and has written five novels and several collections of essays...

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April 2017

Everywhere and Nowhere

Vahni Capildeo

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April 2017

Part of my reluctance to write on citizenship is that as a poet, a worker in delicate, would-be-truthful language,...

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January 2014

Afterword: The Death of the Translator

George Szirtes

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January 2014

1. The translator meets himself emerging from his lover’s bedroom. So much for fidelity, he thinks. 2. Je est...

 

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