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On Work: Roundtable

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Issue No. 21

The Editors

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Issue No. 21

In 2013 we encountered a pamphlet-sized book published by n+1 called No Regrets. It contained a series of conversations between different groups of women...

Feature

March 2018

Editorial

The Editors

Feature

March 2018

During his interview with Claudia Rankine in this issue, Kayo Chingonyi raises the subject of what role the arts...

Towards the beginning of Brother in Ice, the debut novel by Catalan artist Alicia Kopf, is a photograph of the American explorer Frederick Cook arriving at the North Pole in 1908 The image, captured in the midst of a snowstorm, is blurred and the vista it discloses is of a heroic mission rendered distinctly uncertain, as limp as the flag that the man on the right attempts half-heartedly to hold up for the moment the shutter clicks On the opposite page, we read: ‘What does such a conquest represent and how is it, in turn, represented?’ The question (which exposes masculinity and conquest alike as fragile constructs) is one which this book insistently wrestles with It might be further rephrased as: ‘What is the relationship between narrative form and a history of conquest, and how might female experience figure in and as the fissure between them?’   The triangulation of personal and artistic life is the central premise of Kopf’s book, which is digressive in structure and subject matter Its intersecting arcs and tentative ruminations are perhaps most closely allied with those of the essay (with ‘the combination of exactitude and evasion’ which Brian Dillon identifies as typical of the genre) It is composed of research notes about Arctic exploration, fictional meanders on the life of a female artist, diary entries on the precarity of hopping from one creative job to another (and one elusive man to another), and illustrations that endlessly refigure how an icy landscape appears to the photographic eye Kopf’s text meditates on this question of perception, and how it relates to female creativity, as well as to the difficulties of rendering her brother’s autism legible (or illegible) on the page – taking the more typically autofictional elements of the book a little off their designated map   Kopf is interested in charting the unknown: in the impulse that sends men to the other ends of the earth; in the fragility of photography as documentary evidence and in its intimate relation to the autobiographical; and in what a fragmentary narrative technique might expose about the larger aims of plotting female

Contributor

August 2014

The Editors

Contributor

August 2014

feature

September 2017

On The White Review Anthology

The Editors

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September 2017

Valentine’s Day 2010, Brooklyn: an intern at the Paris Review skips his shift as an undocumented worker at an...

Editorial

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Issue No. 20

The Editors

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Issue No. 20

    As a bookish schoolchild in Galilee, the Palestinian poet Mahmoud Darwish was invited to compose, and read in public, a poem marking...

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Issue No. 19

Editorial

The Editors

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Issue No. 19

‘A crisis becomes a crisis when the white male body is affected,’ writes the philosopher Rosi Braidotti, interviewed in...

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Issue No. 18

Editorial

The Editors

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Issue No. 18

This is the editorial from the eighteenth print issue of The White Review, available to buy here.    In 1991...

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Issue No. 17

Editorial

The Editors

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Issue No. 17

An Englishman, a Frenchman and an Irishman set up a magazine in London in 2010. This sounds like the...

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Issue No. 16

Editorial

The Editors

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Issue No. 16

The political and internet activist Eli Pariser coined the term ‘Filter Bubble’ in 2011 to describe how we have...

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Issue No. 15

Editorial

The Editors

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Issue No. 15

In The Art of the Publisher, Roberto Calasso suggests that publishing is something approaching an art form, whereby ‘all...

Editorial

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Issue No. 14

The Editors

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Issue No. 14

Having several issues ago announced that we would no longer be writing our own editorials, the editors’ (ultimately inevitable) failure to organise a replacement,...
Editorial

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Issue No. 10

The Editors

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Issue No. 10

This tenth editorial will be our last. Back in February 2011, on launching the magazine, we grandiosely stated that we were ‘creating a space for...
The White Review No. 9 Editorial

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Issue No. 9

The Editors

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Issue No. 9

This ninth print issue of The White Review is characterised by little more than the continuation of the principles we have set out in...
The White Review No. 8 Editorial

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Issue No. 8

The Editors

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Issue No. 8

The manifesto of art collective Bruce High Quality foundation, the subject of an essay by Legacy Russell in this issue, states its intention to...
The White Review No. 7 Editorial

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Issue No. 7

The Editors

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Issue No. 7

A few issues back we grandiosely stated ‘that it is more important now than ever to provide a forum for expression and debate’. This...
The White Review No. 6 Editorial

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Issue No. 6

The Editors

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Issue No. 6

By the looks of it, not much has changed for The White Review. This new edition, like its predecessors, features the customary blend of...
The White Review No. 5 Editorial

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Issue No. 5

The Editors

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Issue No. 5

One of the two editors of The White Review recently committed a faux pas by reacting with undisguised and indeed excessive envy to the revelation...
The White Review No. 4 Editorial

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Issue No. 4

The Editors

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Issue No. 4

We live in interesting times. A few years ago, with little warning and for reasons obscure to all but a few, an economic system...
The White Review No.3 Editorial

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October 2011

The Editors

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October 2011

In the course of putting three issues of The White Review together, the editors have been presented with the problems they were previously so...
Editorial: a thousand witnesses are better than conscience

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July 2011

The Editors

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July 2011

The closure of any newspaper is a cause for sadness in any country that prides itself, as Britain does, on its possession of a...

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poetry

September 2012

Moscow - Petrozavodsk

Maxim Osipov

Anne Marie Jackson

poetry

September 2012

  Mark well, O Job, hold thy peace, and I will speak. Job 33:31     To deliver man...

Interview

Issue No. 13

Interview with Michel Faber

Anna Aslanyan

Interview

Issue No. 13

MICHEL FABER’S RANGE OF SUBJECTS – from child abuse to drug abuse, from avant-garde music to leaking houses – is as...

poetry

February 2014

Two Poems from A Finger in the Fishes Mouth

Derek Jarman

poetry

February 2014

To mark the 20th anniversary of Derek Jarman’s death, Test Centre has produced a facsimile edition of his sole,...

 

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