Mailing List


The Editors


Articles Available Online


On Work: Roundtable

Feature

Issue No. 21

The Editors

Feature

Issue No. 21

In 2013 we encountered a pamphlet-sized book published by n+1 called No Regrets. It contained a series of conversations between different groups of women...

Feature

March 2018

Editorial

The Editors

Feature

March 2018

During his interview with Claudia Rankine in this issue, Kayo Chingonyi raises the subject of what role the arts...

On a wet, grey morning in March, William Boyd invited us into a large terraced house, half-way between the King’s Road and the Thames On the right-hand side of the thin corridor’s crisp white walls hung three dozen framed figurative paintings of identical sizes, each no bigger than a paperback book These were David Hockney’s series of flower sketches, executed on tablet computers and smart phones   The enthusiasm which William Boyd shows for these is in keeping with the evident pleasure he has in a range of creative arts – his career contains numerous film and television credits, alongside his notorious forays into the art world as the ‘lost’ abstract expressionist painter Nat Tate’s biographer Having authored a monograph in 1998 on Tate, backed by stellar co-conspirators David Bowie and Gore Vidal, he convinced many in the art world of the existence of this entirely fictitious artist who had supposedly killed himself at the age of thirty-two in 1960 – in the style of Hart Crane, by jumping off a boat – after destroying ninety-nine percent of his work Opposite Hockney’s digital essais sat a solitary Nat Tate, painted in preparation for the hoax by Boyd himself a decade or so ago   The interview took place in an excessively heated first-floor living-room; paintings in various styles cluttered the walls, illuminated by tall bay windows The central coffee table was stacked full of books, six or seven high – Robert Musil’s The Man Without Qualities and Lewis Crofts’ The Pornographer of Vienna prominent among them – testament to the meticulous research that goes into the composition of a William Boyd novel His next book, set in Freud’s Vienna, will be his sixteenth, in a career spanning three decades that includes several short-story collections and volumes of non-fiction   Perhaps his most ambitious projects have been the trilogy of works that tasked themselves with chronicling entire human lives, beginning with The New Confessions and Nat Tate: An American Artist These include his most celebrated novel, Any Human Heart, which tracks the course of its hero Logan Mountstuart through the chaos of the twentieth century Boyd’s life seems comparatively easy compared

Contributor

August 2014

The Editors

Contributor

August 2014

feature

September 2017

On The White Review Anthology

The Editors

feature

September 2017

Valentine’s Day 2010, Brooklyn: an intern at the Paris Review skips his shift as an undocumented worker at an...

Editorial

feature

Issue No. 20

The Editors

feature

Issue No. 20

    As a bookish schoolchild in Galilee, the Palestinian poet Mahmoud Darwish was invited to compose, and read in public, a poem marking...

feature

Issue No. 19

Editorial

The Editors

feature

Issue No. 19

‘A crisis becomes a crisis when the white male body is affected,’ writes the philosopher Rosi Braidotti, interviewed in...

feature

Issue No. 18

Editorial

The Editors

feature

Issue No. 18

This is the editorial from the eighteenth print issue of The White Review, available to buy here.    In 1991...

feature

Issue No. 17

Editorial

The Editors

feature

Issue No. 17

An Englishman, a Frenchman and an Irishman set up a magazine in London in 2010. This sounds like the...

feature

Issue No. 16

Editorial

The Editors

feature

Issue No. 16

The political and internet activist Eli Pariser coined the term ‘Filter Bubble’ in 2011 to describe how we have...

feature

Issue No. 15

Editorial

The Editors

feature

Issue No. 15

In The Art of the Publisher, Roberto Calasso suggests that publishing is something approaching an art form, whereby ‘all...

Editorial

feature

Issue No. 14

The Editors

feature

Issue No. 14

Having several issues ago announced that we would no longer be writing our own editorials, the editors’ (ultimately inevitable) failure to organise a replacement,...
Editorial

feature

Issue No. 10

The Editors

feature

Issue No. 10

This tenth editorial will be our last. Back in February 2011, on launching the magazine, we grandiosely stated that we were ‘creating a space for...
The White Review No. 9 Editorial

feature

Issue No. 9

The Editors

feature

Issue No. 9

This ninth print issue of The White Review is characterised by little more than the continuation of the principles we have set out in...
The White Review No. 8 Editorial

feature

Issue No. 8

The Editors

feature

Issue No. 8

The manifesto of art collective Bruce High Quality foundation, the subject of an essay by Legacy Russell in this issue, states its intention to...
The White Review No. 7 Editorial

feature

Issue No. 7

The Editors

feature

Issue No. 7

A few issues back we grandiosely stated ‘that it is more important now than ever to provide a forum for expression and debate’. This...
The White Review No. 6 Editorial

feature

Issue No. 6

The Editors

feature

Issue No. 6

By the looks of it, not much has changed for The White Review. This new edition, like its predecessors, features the customary blend of...
The White Review No. 5 Editorial

feature

Issue No. 5

The Editors

feature

Issue No. 5

One of the two editors of The White Review recently committed a faux pas by reacting with undisguised and indeed excessive envy to the revelation...
The White Review No. 4 Editorial

feature

Issue No. 4

The Editors

feature

Issue No. 4

We live in interesting times. A few years ago, with little warning and for reasons obscure to all but a few, an economic system...
The White Review No.3 Editorial

feature

October 2011

The Editors

feature

October 2011

In the course of putting three issues of The White Review together, the editors have been presented with the problems they were previously so...
Editorial: a thousand witnesses are better than conscience

feature

July 2011

The Editors

feature

July 2011

The closure of any newspaper is a cause for sadness in any country that prides itself, as Britain does, on its possession of a...

READ NEXT

fiction

January 2016

Forgetting: Chang'e Descends to Earth, or Chang'e Escapes to the Moon

Li Er

TR. Annelise Finegan Wasmoen

fiction

January 2016

Source Material   Her story is widely known. At first she stayed in heaven, then she followed a man...

feature

July 2013

The New Writing

César Aira

TR. Rahul Bery

feature

July 2013

The way I see it, the avant-garde emerged at a point when the professionalisation of artists had consumed itself...

feature

June 2017

Oberhausen Film Festival

Tom Overton

feature

June 2017

Such film festivals – those extraordinary clusters of images, transports of light, of virtual worlds scattered across a real...

 

Get our newsletter

 

* indicates required