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On Work: Roundtable

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Issue No. 21

The Editors

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Issue No. 21

In 2013 we encountered a pamphlet-sized book published by n+1 called No Regrets. It contained a series of conversations between different groups of women...

Feature

March 2018

Editorial

The Editors

Feature

March 2018

During his interview with Claudia Rankine in this issue, Kayo Chingonyi raises the subject of what role the arts...

‘I’m tending to this dead tree,’ he tells me Last time he was rolling the hard rocks down into the canyon and then back out again   ‘How can you tend to it? It’s dead’   John looks at me for a long time, as if I’ve said something that he needs to try very hard to understand, as if I’ve failed to comprehend something fundamental   ‘Listen man It’s my vocation And I’m trying to keep upbeat about it, alright? So fuck off’ Ÿ ***   It’s about a half-hour’s walk into the desert from my cave to the dead tree that John’s tending There was a time it’d take you half a day, there were so many prophets and holy men leading disciples around, striking rocks and bringing water forth, conversing with the scorpions and snakes, giving sermons on mounts or even boulders if all the mounts were taken Now it’s just me and John doing the whole ascetic privation thing   There’s no one left out here to work miracles for, which is probably for the best, considering I’ve got all of half a miracle to my name and John’s not very good with people Which is not to say that I dislike hanging out with him – he does provide a dry sort of companionship, once you’ve been around him long enough – but he’s an obsessive personality type, so he’ll only really talk to you if you can feign an interest in rolling rocks around or if you can come up with a new strategy for harvesting water to feed his dead tree Otherwise he just ices you out and starts praying It gets old fast   He’s been living in the desert for a few years now I can’t take more than a month or so at a time The desert is hot, your skin chaps and there’s nothing to do But when I get back to my cave on the outskirts of the city, things are better Everyone always appreciates my sacrifice, the

Contributor

August 2014

The Editors

Contributor

August 2014

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September 2017

On The White Review Anthology

The Editors

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September 2017

Valentine’s Day 2010, Brooklyn: an intern at the Paris Review skips his shift as an undocumented worker at an...

Editorial

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Issue No. 20

The Editors

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Issue No. 20

    As a bookish schoolchild in Galilee, the Palestinian poet Mahmoud Darwish was invited to compose, and read in public, a poem marking...

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Issue No. 19

Editorial

The Editors

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Issue No. 19

‘A crisis becomes a crisis when the white male body is affected,’ writes the philosopher Rosi Braidotti, interviewed in...

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Issue No. 18

Editorial

The Editors

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Issue No. 18

This is the editorial from the eighteenth print issue of The White Review, available to buy here.    In 1991...

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Issue No. 17

Editorial

The Editors

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Issue No. 17

An Englishman, a Frenchman and an Irishman set up a magazine in London in 2010. This sounds like the...

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Issue No. 16

Editorial

The Editors

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Issue No. 16

The political and internet activist Eli Pariser coined the term ‘Filter Bubble’ in 2011 to describe how we have...

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Issue No. 15

Editorial

The Editors

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Issue No. 15

In The Art of the Publisher, Roberto Calasso suggests that publishing is something approaching an art form, whereby ‘all...

Editorial

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Issue No. 14

The Editors

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Issue No. 14

Having several issues ago announced that we would no longer be writing our own editorials, the editors’ (ultimately inevitable) failure to organise a replacement,...
Editorial

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Issue No. 10

The Editors

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Issue No. 10

This tenth editorial will be our last. Back in February 2011, on launching the magazine, we grandiosely stated that we were ‘creating a space for...
The White Review No. 9 Editorial

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Issue No. 9

The Editors

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Issue No. 9

This ninth print issue of The White Review is characterised by little more than the continuation of the principles we have set out in...
The White Review No. 8 Editorial

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Issue No. 8

The Editors

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Issue No. 8

The manifesto of art collective Bruce High Quality foundation, the subject of an essay by Legacy Russell in this issue, states its intention to...
The White Review No. 7 Editorial

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Issue No. 7

The Editors

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Issue No. 7

A few issues back we grandiosely stated ‘that it is more important now than ever to provide a forum for expression and debate’. This...
The White Review No. 6 Editorial

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Issue No. 6

The Editors

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Issue No. 6

By the looks of it, not much has changed for The White Review. This new edition, like its predecessors, features the customary blend of...
The White Review No. 5 Editorial

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Issue No. 5

The Editors

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Issue No. 5

One of the two editors of The White Review recently committed a faux pas by reacting with undisguised and indeed excessive envy to the revelation...
The White Review No. 4 Editorial

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Issue No. 4

The Editors

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Issue No. 4

We live in interesting times. A few years ago, with little warning and for reasons obscure to all but a few, an economic system...
The White Review No.3 Editorial

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October 2011

The Editors

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October 2011

In the course of putting three issues of The White Review together, the editors have been presented with the problems they were previously so...
Editorial: a thousand witnesses are better than conscience

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July 2011

The Editors

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July 2011

The closure of any newspaper is a cause for sadness in any country that prides itself, as Britain does, on its possession of a...

READ NEXT

poetry

May 2011

Two Prose Poems From 'The Sacrifice of Abraham'

Alexander Nemser

poetry

May 2011

The Rabbis   As the purple light of evening descended, women sang blessings over silver candelabra, and a group...

feature

May 2013

Haneke's Lessons

Ricky D'Ambrose

feature

May 2013

‘Art is there to have a stimulating effect, if it earns its name. You have to be honest, that’s...

Interview

February 2015

Interview with Nicholas Mosley

Alex Kovacs

Interview

February 2015

Nicholas Mosley’s reputation as a writer has often been obscured by the extraordinary nature of his family background. Born...

 

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