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Izabella Scott

IZABELLA SCOTT is an editor at The White Review.



Articles Available Online


Shola von Reinhold’s ‘LOTE’

Book Review

September 2020

Izabella Scott

Book Review

September 2020

To read Shola von Reinhold’s ornate, multi-layered novel LOTE (2020) is to encounter a baroque mind. It tells the story of a queer Black...

Art Review

November 2019

Actually, the Dead are Not Dead

Izabella Scott

Art Review

November 2019

During Bergen Assembly’s opening days, I am asked to attend a number of mock funerals, including one for a...

There were flickers of red in the water, a tint the colour of blood He stood in the river, naked as a stone, and opened his hands and drew the water to his lips and tasted it He knew the tastes of the river well, its differences like moods, as after a storm when the earth washed down from the fields and the clay sediment left his mouth bone dry He gazed upstream at the horizon, at the evening sun and the evening sky, at the river He was cold and began to shake, and though it was the beginning of summer and the air was warm his lips turned a bright blue   A package wrapped in cloth came to a still against his stomach and he scooped it from the water and unwrapped a small baby, so dead that it seemed a doll, and strange though it was, he reparcelled the dead thing in the cloth and returned it to the river where he watched it go, turning his toes in the silt and stones, his feet hardened against the medley of sharp rocks that formed the riverbed He remembered the still hot corpses of the burnt out men in what was left of the church, expiring smoke from their chimney mouths and whistling like so many kettles His father smouldering among them   A larger body appeared in chase of the child Signs of torture riddled the chest and face of the man, who was dead and naked He took hold of the body and waded through the river with it wrapped intimate in his thick arms and lifted it onto the rocks and laid it down He sat facing the water and waved the flies from the dead man’s pulpy face There followed another man, spilling over himself in the shallow breaks, reaching out a hand – it looked like He caught the second man, but he was also dead and he dragged him clear of the current and left him in the company of his fellow corpse Their black and bloody faces twinned by bruising

Contributor

September 2015

Izabella Scott

Contributor

September 2015

IZABELLA SCOTT is an editor at The White Review.

Book Review

August 2019

Jordy Rosenberg’s ‘Confessions of the Fox’

Izabella Scott

Book Review

August 2019

It’s hot as fuck, said the friend who handed me Confessions of the Fox, a faux-memoir set in eighteenth-century...

Navine G. Khan-Dossos, Echo Chamber

Art Review

November 2017

Izabella Scott

Art Review

November 2017

A lattice of diamonds and crosses, painted onto a 21-metre long wall at the Van Abbemuseum in Eindhoven, scatters my gaze. Artist Navine G....
Hot Rocks

feature

November 2016

Izabella Scott

feature

November 2016

‘We have received around 150 of them,’ Massimo Osanna tells me, as we peer into four small crates stuffed full of dusty freezer bags....
False shadows

Art

August 2016

Izabella Scott

Art

August 2016

The ‘beautiful disorder’ of the Forbidden City and the Yuanmingyuan (Garden of Perfection and Light) was first noted by the Jesuit painter Jean Denis...

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Art

June 2013

Ghosts and Relics: The Haunting Avant-Garde

John Douglas Millar

Art

June 2013

‘The avant-garde can’t be ignored, so to ignore it – as most humanist British novelists do – is the...

Interview

January 2017

Interview with Barbara T. Smith

Ciara Moloney

Interview

January 2017

Californian artist Barbara T. Smith (b. 1931) is something of a performance art legend. It was in the 1960s...

poetry

October 2013

Transylvania

Jon Stone

poetry

October 2013

The rabbit darkness just beyond the headlights’ sprawl and parcel darkness stopping up the drivers’ mouths like oaths or...

 

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