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Izabella Scott

IZABELLA SCOTT is an editor at The White Review.



Articles Available Online


Shola von Reinhold’s ‘LOTE’

Book Review

September 2020

Izabella Scott

Book Review

September 2020

To read Shola von Reinhold’s ornate, multi-layered novel LOTE (2020) is to encounter a baroque mind. It tells the story of a queer Black...

Art Review

November 2019

Actually, the Dead are Not Dead

Izabella Scott

Art Review

November 2019

During Bergen Assembly’s opening days, I am asked to attend a number of mock funerals, including one for a...

‘Cetaceans are women’s allies in the war against patriarchy because patriarchy holds the cetaceans down with us,’ explains the earnest and slightly irritating Erin, nineteen-year-old protagonist of Abi Andrews’s debut novel ‘Orcas travel in matriarchal pods,’ she elaborates, by way of explanation ‘The root of the word dolphin, delphus, means womb’   In the journals that became Walden, Henry David Thoreau wrote, ‘I went to the woods because I wished to live deliberately, to front only the essential facts of life, and see if I could learn what it had to teach’ Thoreau was by no means the first to celebrate the transcendental purity of the ‘wilderness’ or the spiritual benefits of an outdoorsy survivalism, but his 1854 work helped to print these values onto the American self-image In 1992, a heavily annotated copy of Walden was found alongside the remains of Chris McCandless, who walked out of his privileged California upbringing and hitched to Alaska And Into the Wild, the 2007 film based on his journals, has built for McCandless a cult following and a divisive legacy Was he a messianic figure akin to Thoreau, inspiring a generation of travellers to reject technology in favour of a lived purity in nature? Or was he a fool with a merely sentimental understanding of the wilderness he idealised?   Andrews’s novel participates in this survivalist legacy, though uneasily Erin has left her parents’ house to escape the ‘grid-owned and regimented spaces’ of the British Midlands She’s watched Into the Wild and read Walden, as well as On the Road and The Call of the Wild She wants in on the tradition As a young feminist, however, she’s wary of the ambivalent heritage of these ‘straight white men’, and though intoxicated with the wilderness narrative, she can’t help but imagine ‘how it would have been different if the guy had been a girl’ She cites a cohort of female, proto-feminist adventurers in passing – Calamity Jane, Freya Stark, Nellie Bly – but these women simply do not compel Erin as does, say, the Unabomber, whose eco-terrorist manifesto she knows in detail   The journey, on cargo ships

Contributor

September 2015

Izabella Scott

Contributor

September 2015

IZABELLA SCOTT is an editor at The White Review.

Book Review

August 2019

Jordy Rosenberg’s ‘Confessions of the Fox’

Izabella Scott

Book Review

August 2019

It’s hot as fuck, said the friend who handed me Confessions of the Fox, a faux-memoir set in eighteenth-century...

Navine G. Khan-Dossos, Echo Chamber

Art Review

November 2017

Izabella Scott

Art Review

November 2017

A lattice of diamonds and crosses, painted onto a 21-metre long wall at the Van Abbemuseum in Eindhoven, scatters my gaze. Artist Navine G....
Hot Rocks

feature

November 2016

Izabella Scott

feature

November 2016

‘We have received around 150 of them,’ Massimo Osanna tells me, as we peer into four small crates stuffed full of dusty freezer bags....
False shadows

Art

August 2016

Izabella Scott

Art

August 2016

The ‘beautiful disorder’ of the Forbidden City and the Yuanmingyuan (Garden of Perfection and Light) was first noted by the Jesuit painter Jean Denis...

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Interview

April 2017

Interview with Mark Greif

Daniel Cohen

Interview

April 2017

Since 2004, when his work started to appear in n+1, the magazine he co-founded, Mark Greif has taken contemporary...

poetry

December 2016

Of all those pasts

Will Harris

poetry

December 2016

  In Derrida’s Memoires: For Paul de Man he quotes from ‘Mnemosyne’, a poem by Friedrich Hölderlin which he...

Art

June 2012

'The Freedom of Speech Itself', or the betrayal of the voice

Lorena Muñoz-Alonso

Art

June 2012

‘The instability of an accent, its borrowed and hybridised phonetic form, is testimony not to someone’s origins but only...

 

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