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Helen Charman
Helen Charman is a writer and academic based in Glasgow. Her first book, Mother State – a political history of motherhood — is forthcoming from Allen Lane in 2024. She teaches in the English Studies department at Durham University.

Articles Available Online


Attachment Barbies: On Watching Grey’s Anatomy

Essay

March 2023

Helen Charman

Essay

March 2023

In August 2022, ABC announced that Ellen Pompeo, currently the highest-paid actress on American network television, was leaving Grey’s Anatomy, the show on which...

Book Review

May 2021

HOLDING THE ROOM: ON HOLLY PESTER’S ‘COMIC TIMING’

Helen Charman

Book Review

May 2021

The last poem in Holly Pester’s first collection COMIC TIMING (Granta, 2021) is called ‘Villette’; it shares its title...

I   Look up A woman tumbles from the sky, her dress billowing around her like a parachute as she spins The air caught in her skirt slows her fall, and she wonders what she is doing here as she panics, as she hits the mud on the River Avon, glistening silver in the light at low tide She lives  Clifton Suspension Bridge, Bristol She is Sarah Ann Henley, of 30 Twinnell Road, Bristol The year is 1885, and she has quarrelled with her lover She is one of only four over the next hundred years to fall from Clifton Suspension Bridge and survive Two of that number are children, who plummet over the side, together, a decade later Their picture is in a locket Sarah owns when she dies, in 1948   Cities are full of ghosts They are contained in the things we walk past every day: the roots growing from the plane tree into the pavement, the string wound round a metal fence, the cement traffic barriers lined up to stop cars driving down a lane that doesn’t exist They lurk in cracks in the sidewalk, hinting at histories that have long been ignored   This is a ghost story full of doublings and hauntings I look at Bristol — where I’m a tourist, where I have no past, only a present — and read the past everywhere, like an overlay: two maps, two cities, past and present I grew up in a small suburban town outside Washington, DC, that had been home to the country’s biggest slave traders, but no one ever mentioned that Bristol, too, is built on money from the slave trade, but all you hear about are pirates: Bristol is obsessed with its glorious history All around, Brutalist buildings are being torn down     *   Recovering in hospital, our fallen woman receives proposals, not only of marriage Her father is offered a fortune to turn her into a popular entertainment, a freak show She and her beau, a railway porter, perhaps reconcile; she begs for him He tries to

Contributor

November 2017

Helen Charman

Contributor

November 2017

Helen Charman is a writer and academic based in Glasgow. Her first book, Mother State – a political history...

Essay

May 2020

Where do I put myself, if public life’s destroyed? On reading Denise Riley

Helen Charman

Essay

May 2020

How do you read someone who doesn’t always want to be read? This is a question I used to...

Sally Rooney’s ‘Normal People’

Book Review

October 2018

Helen Charman

Book Review

October 2018

Reading Sally Rooney’s second novel Normal People is a compulsive experience. After the navy blue Faber & Faber proofs were sent out in early...
Rendering intimacy impossible, deploy lifeboats (mark yourself safe) Not listening as such, more waiting to speak, above all mark yourself, it’s so important to be safe Carry on, they demand, we’re not reeling / we are reeling Is this the place for a fountain reference? Probably ‘What first attracted you to your wife, sir?’ ‘Her delicacy / her ankles / her hatred of the Tories’                  Alive twice over but that’s a whole life gone too                you know I’m sorry, he holds his hands up, I’m                sorry, he backs away: my conscience couldn’t                keep company with your body I say, your body?                it just made me think: it’s only a nine month stay   The next time you lay a hand on me, I’ll make a perfect gleaming dive into the Thames Aren’t you glad / to be here? I am
Electioneering

Prize Entry

November 2017

Helen Charman


READ NEXT

fiction

March 2014

The Nothing on Which the Fire Depends

Micheline Aharonian Marcom

fiction

March 2014

Friday 9 November 2009   The coffee is lukewarm, but she doesn’t mind to drink it this way. She...

Interview

April 2012

Interview with Grant Gee

Evan Harris

Interview

April 2012

As the theatre is relit and the credits roll on Grant Gee’s latest film, Patience (After Sebald), an essay on...

Interview

March 2017

Interview with Bae Suah

Deborah Smith

Bae Suah

Interview

March 2017

The Essayist’s Desk, published in 2003 and written when its author Bae Suah had just returned from an 11-month...

 

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