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Helen Charman
Helen Charman is a writer and academic based in Glasgow. Her first book, Mother State – a political history of motherhood — is forthcoming from Allen Lane in 2024. She teaches in the English Studies department at Durham University.

Articles Available Online


Attachment Barbies: On Watching Grey’s Anatomy

Essay

March 2023

Helen Charman

Essay

March 2023

In August 2022, ABC announced that Ellen Pompeo, currently the highest-paid actress on American network television, was leaving Grey’s Anatomy, the show on which...

Book Review

May 2021

HOLDING THE ROOM: ON HOLLY PESTER’S ‘COMIC TIMING’

Helen Charman

Book Review

May 2021

The last poem in Holly Pester’s first collection COMIC TIMING (Granta, 2021) is called ‘Villette’; it shares its title...

We live in interesting times A few years ago, with little warning and for reasons obscure to all but a few, an economic system trumpeted as infallible broke down Since then, while we acquainted ourselves with such apocalyptically dull concepts as collateralised debt and sovereign credit ratings, it has become increasingly clear that our future has, almost literally, been mortgaged away The result, for the vast majority, is a feeling of individual and collective embattlement exacerbated by an overwhelming sense of disempowerment   Such gloomy circumstances inevitably engender anxiety We worry for our jobs, we worry for our families and we worry in the most general terms about what is to come We have been reminded that the future is contingent, as commodities traders have learned to our cost But we have learned again that change is possible and inevitable, that the status quo is more fragile than we were led to understand and that received wisdom is best ignored   As we allowed ourselves for too long to believe those who reassured us that all shall be well and all shall be well, so we must take issue with those who are now all too eager to extrapolate endless and inevitable decline We must not allow ourselves the indulgence of timidity, we must shake off any listlessness, and we must refuse to be austere Instead we must make, write, argue, dream, paint and act in the faith that creativity is commensurate with progress, and that we are responsible for our own futures The future is there to be forged   The White Review believes that it is more important now than ever to provide a forum for expression and debate We are indebted to the support of the many people who are similarly committed to the idea that a healthy and varied culture is integral to a society’s well-being We hope that you find something in this issue to provoke or inspire you to pick up a pen, a paintbrush, or a placard

Contributor

November 2017

Helen Charman

Contributor

November 2017

Helen Charman is a writer and academic based in Glasgow. Her first book, Mother State – a political history...

Essay

May 2020

Where do I put myself, if public life’s destroyed? On reading Denise Riley

Helen Charman

Essay

May 2020

How do you read someone who doesn’t always want to be read? This is a question I used to...

Sally Rooney’s ‘Normal People’

Book Review

October 2018

Helen Charman

Book Review

October 2018

Reading Sally Rooney’s second novel Normal People is a compulsive experience. After the navy blue Faber & Faber proofs were sent out in early...
Rendering intimacy impossible, deploy lifeboats (mark yourself safe) Not listening as such, more waiting to speak, above all mark yourself, it’s so important to be safe Carry on, they demand, we’re not reeling / we are reeling Is this the place for a fountain reference? Probably ‘What first attracted you to your wife, sir?’ ‘Her delicacy / her ankles / her hatred of the Tories’                  Alive twice over but that’s a whole life gone too                you know I’m sorry, he holds his hands up, I’m                sorry, he backs away: my conscience couldn’t                keep company with your body I say, your body?                it just made me think: it’s only a nine month stay   The next time you lay a hand on me, I’ll make a perfect gleaming dive into the Thames Aren’t you glad / to be here? I am
Electioneering

Prize Entry

November 2017

Helen Charman


READ NEXT

feature

January 2016

About Renata Adler’s Speedboat

Wolfgang Hildesheimer

TR. Shaun Whiteside

feature

January 2016

  Best known for his bestselling biography of Mozart, Wolfgang Hildesheimer was a polymathic novelist, translator, painter and dramatist. A...

Interview

Issue No. 15

Interview with Zadie Smith

Jennifer Hodgson

Interview

Issue No. 15

Zadie Smith’s biography is one of contemporary writing’s fondest and most famous yarns of precocious and meteoric literary success....

Interview

January 2015

Interview with Magdalena Tulli

TR. Bill Johnston

Grzegorz Jankowicz

Interview

January 2015

This interview appeared in Po co jest sztuka? (What Is Art For?), a 2013 collection of interviews with Polish...

 

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