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Helen Charman
Helen Charman is a writer and academic based in Glasgow. Her first book, Mother State – a political history of motherhood — is forthcoming from Allen Lane in 2024. She teaches in the English Studies department at Durham University.

Articles Available Online


Attachment Barbies: On Watching Grey’s Anatomy

Essay

March 2023

Helen Charman

Essay

March 2023

In August 2022, ABC announced that Ellen Pompeo, currently the highest-paid actress on American network television, was leaving Grey’s Anatomy, the show on which...

Book Review

May 2021

HOLDING THE ROOM: ON HOLLY PESTER’S ‘COMIC TIMING’

Helen Charman

Book Review

May 2021

The last poem in Holly Pester’s first collection COMIC TIMING (Granta, 2021) is called ‘Villette’; it shares its title...

Throughout her prolific career as a poet and a translator, Anne Carson has been concerned with combatting what she calls ‘the boredom of storytelling’ As she explained to Michael Silverblatt on stage at an event last year, ‘When your thinking is still, watching TV or whatever, thinking the same thing you’ve always thought, you might as well be dead… Living happens when your thought moves’ To read Carson is to feel the parameters of poetry, translation and story-making move and unsettle Or, to borrow a phrase of Carson’s, to watch someone ‘undo the latches’ of ordinary understanding   Born in Canada in 1950, Carson has created one of the most exciting bodies of work in contemporary poetry Since the publication of her first book, Eros the Bittersweet, in 1986, Carson’s output has varied in form (translations, a novel in verse, lyric lectures, short talks, fragments, a fictional essay in twenty-nine tangos) and format (chapbooks, pamphlets, paperbacks, boxes) In more recent years, Carson has collaborated with artists, and staged elaborate performances of her work These can include dancers, or sound art, or video, or sometimes all three   Carson’s work is characterised by an ability to break open form, to question it, and to see beyond it, even as she uses it In the pieces she calls ‘Lyric Lectures’, Carson delivers texts informed by deep academic research but enlivened by poetic experiment Her ‘Short Talks’ are short stories without the story (‘On Gertrude Stein’ about 9:30: ‘How curious I had no idea! Today has ended’) In Autobiography of Red, her translation of a long lyric poem by Stesichorus, its two mythic figures Geryon and Herakles are cast as gay teenagers living in modern America Its sequel, Red Doc>, in which place, character and form have been reshuffled, was a radical challenge to the definition of a sequel Her newest publication Float is a book that has been freed from order and sequence: a clear box which must be knocked open to release 22 chapbooks   While Carson is best known for her studies of ancient Greek, a subject she has taught for many years – she has translated many of the major Greek texts, including

Contributor

November 2017

Helen Charman

Contributor

November 2017

Helen Charman is a writer and academic based in Glasgow. Her first book, Mother State – a political history...

Essay

May 2020

Where do I put myself, if public life’s destroyed? On reading Denise Riley

Helen Charman

Essay

May 2020

How do you read someone who doesn’t always want to be read? This is a question I used to...

Sally Rooney’s ‘Normal People’

Book Review

October 2018

Helen Charman

Book Review

October 2018

Reading Sally Rooney’s second novel Normal People is a compulsive experience. After the navy blue Faber & Faber proofs were sent out in early...
Rendering intimacy impossible, deploy lifeboats (mark yourself safe) Not listening as such, more waiting to speak, above all mark yourself, it’s so important to be safe Carry on, they demand, we’re not reeling / we are reeling Is this the place for a fountain reference? Probably ‘What first attracted you to your wife, sir?’ ‘Her delicacy / her ankles / her hatred of the Tories’                  Alive twice over but that’s a whole life gone too                you know I’m sorry, he holds his hands up, I’m                sorry, he backs away: my conscience couldn’t                keep company with your body I say, your body?                it just made me think: it’s only a nine month stay   The next time you lay a hand on me, I’ll make a perfect gleaming dive into the Thames Aren’t you glad / to be here? I am
Electioneering

Prize Entry

November 2017

Helen Charman


READ NEXT

Essay

March 2019

Dreaming Reasonably: on Jenny George

Rachael Allen

Essay

March 2019

In Neil Marshall’s 2005 horror film The Descent, a group of women go spelunking and become trapped deep underground...

Art

July 2014

Operation Paperclip

Naomi Pearce

Patrick Goddard

Art

July 2014

‘I began at this point to feel that politics was not something “out there” but something “in here” and of...

fiction

March 2015

House Proud

Amelia Gray

fiction

March 2015

It’s harder to leave your burning home after you’ve spent so much time cleaning its floors. Watching those baseboards...

 

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