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Helen Charman
Helen Charman is a writer and academic based in Glasgow. Her first book, Mother State – a political history of motherhood — is forthcoming from Allen Lane in 2024. She teaches in the English Studies department at Durham University.

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Attachment Barbies: On Watching Grey’s Anatomy

Essay

March 2023

Helen Charman

Essay

March 2023

In August 2022, ABC announced that Ellen Pompeo, currently the highest-paid actress on American network television, was leaving Grey’s Anatomy, the show on which...

Book Review

May 2021

HOLDING THE ROOM: ON HOLLY PESTER’S ‘COMIC TIMING’

Helen Charman

Book Review

May 2021

The last poem in Holly Pester’s first collection COMIC TIMING (Granta, 2021) is called ‘Villette’; it shares its title...

At the end of Amitav Ghosh’s SEA OF POPPIES (2008), a character reflects on how her life has been governed not by the sign of Saturn but by the poppy seed Offering a seed to her lover, she says: ‘Here, taste it It is the star that took us from our homes and put us on this ship It is the planet that rules our destiny’ SEA OF POPPIES is part of the Ibis trilogy by Ghosh – followed by RIVER OF SMOKE (2011) and FLOOD OF FIRE (2015) – about the nineteenth-century Anglo-Chinese Opium Wars The maritime novels use opium as a vector for unlikely alliances among a disparate cast of characters: Deeti, a widowed poppy farmer; Ah Fatt, a half-Chinese, half-Parsi convict and opium addict; Neel Rattan Halder, a bankrupt Indian landowner; Zachary Reid, a white-passing opium trader; and a multitude of other lascars and indentured servants in the Indian Ocean Each novel dramatises opium’s vast powers: to stupefy the senses, domesticate people into docility, engender hallucinations and create loopholes in linear time Personal boundaries become porous as opium encourages characters to flout caste delineations, binding them in improbable intimacies; bringing them face to face with the uncanny power of the nonhuman, or what the Enlightenment notion of history has grouped together under the umbrella of ‘nature’ With each book, Ghosh builds up a world teeming with energy – a world where opium is not mute but mutable    ‘This minuscule orb – at once bountiful and all-devouring, merciful and destructive, sustaining and vengeful’ This is how Deeti, in SEA OF POPPIES, comes to think of the capricious poppy seed, which has dealt her both good and bad fortune Her description serves just as well for the nutmeg, another commodity that has been prized as a fillip for foodies and, on the other side of the ledger, precipitated bloody conflicts in places like the Banda Islands, located on the southeastern tip of present-day Indonesia It is the nutmeg that lends its name to Ghosh’s new work of nonfiction and serves as its central protagonist   THE NUTMEG’S CURSE is, in

Contributor

November 2017

Helen Charman

Contributor

November 2017

Helen Charman is a writer and academic based in Glasgow. Her first book, Mother State – a political history...

Essay

May 2020

Where do I put myself, if public life’s destroyed? On reading Denise Riley

Helen Charman

Essay

May 2020

How do you read someone who doesn’t always want to be read? This is a question I used to...

Sally Rooney’s ‘Normal People’

Book Review

October 2018

Helen Charman

Book Review

October 2018

Reading Sally Rooney’s second novel Normal People is a compulsive experience. After the navy blue Faber & Faber proofs were sent out in early...
Rendering intimacy impossible, deploy lifeboats (mark yourself safe) Not listening as such, more waiting to speak, above all mark yourself, it’s so important to be safe Carry on, they demand, we’re not reeling / we are reeling Is this the place for a fountain reference? Probably ‘What first attracted you to your wife, sir?’ ‘Her delicacy / her ankles / her hatred of the Tories’                  Alive twice over but that’s a whole life gone too                you know I’m sorry, he holds his hands up, I’m                sorry, he backs away: my conscience couldn’t                keep company with your body I say, your body?                it just made me think: it’s only a nine month stay   The next time you lay a hand on me, I’ll make a perfect gleaming dive into the Thames Aren’t you glad / to be here? I am
Electioneering

Prize Entry

November 2017

Helen Charman


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Interview

July 2015

Interview with Sarah Manguso

Catherine Carberry

Interview

July 2015

There’s a certain barometer of a writer’s achievement that urban readers know well: did this book cause me to...

Interview

Issue No. 8

Interview with Deborah Levy

Jacques Testard

Interview

Issue No. 8

‘TO BECOME A WRITER, I had to learn to interrupt, to speak up, to speak a little louder, and...

Interview

April 2012

Interview with Grant Gee

Evan Harris

Interview

April 2012

As the theatre is relit and the credits roll on Grant Gee’s latest film, Patience (After Sebald), an essay on...

 

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