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Helen Charman
Helen Charman is a writer and academic based in Glasgow. Her first book, Mother State – a political history of motherhood — is forthcoming from Allen Lane in 2024. She teaches in the English Studies department at Durham University.

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Attachment Barbies: On Watching Grey’s Anatomy

Essay

March 2023

Helen Charman

Essay

March 2023

In August 2022, ABC announced that Ellen Pompeo, currently the highest-paid actress on American network television, was leaving Grey’s Anatomy, the show on which...

Book Review

May 2021

HOLDING THE ROOM: ON HOLLY PESTER’S ‘COMIC TIMING’

Helen Charman

Book Review

May 2021

The last poem in Holly Pester’s first collection COMIC TIMING (Granta, 2021) is called ‘Villette’; it shares its title...

The email telling us to return to the office came last week, but I know when I step off the train that I can’t say goodbye to all that leisure time Two years spent lying in bed all morning with the laptop next to me, messages popping up to be ignored while I dozed, lunches of tender marinated meats and spiced pulses, films on the sofa in the afternoon, hours reading on the toilet, trips to the pub for solo pints, taking the laptop and jogging the mouse every 10 minutes to keep my status active You can’t go back from that, so I step off the train and sit down on the platform, right in the middle of the morning rush hour   With the crowd surging around me, I look up at the clock above the platform The orange numbers show 8:52, once the ideal time to be walking under the clock to get to the office for 9:00, back when I commuted down from zone 3 every day   I’d get anxious if I was late There would be headaches and unexplained rashes   Memories of covering myself in hydrocortisone in the toilets, chugging back beta blockers at my desk, all voided by two glorious years   The next train pulls in and disembarks I get knocked over and stood on a couple of times but mostly manage to stay upright Everyone ignores me except for one guy who calls me a cunt   I watch as he makes his way through the crowds towards the exit He doesn’t want to be going back to the office, but the self-coercion throbbing behind his eyes propels him forwards   None of them want to go back, no matter what they’ve told themselves They want to be getting up late, streaming a new series all day, learning Swedish from an app, taking naps, lying in the bath for three hours or drinking a coffee in some cafe that has a 48 rating on Google   The clock says 9:05 I’m late now, but I’m not going back I don’t have any special urge to get up and go anywhere else, so I

Contributor

November 2017

Helen Charman

Contributor

November 2017

Helen Charman is a writer and academic based in Glasgow. Her first book, Mother State – a political history...

Essay

May 2020

Where do I put myself, if public life’s destroyed? On reading Denise Riley

Helen Charman

Essay

May 2020

How do you read someone who doesn’t always want to be read? This is a question I used to...

Sally Rooney’s ‘Normal People’

Book Review

October 2018

Helen Charman

Book Review

October 2018

Reading Sally Rooney’s second novel Normal People is a compulsive experience. After the navy blue Faber & Faber proofs were sent out in early...
Rendering intimacy impossible, deploy lifeboats (mark yourself safe) Not listening as such, more waiting to speak, above all mark yourself, it’s so important to be safe Carry on, they demand, we’re not reeling / we are reeling Is this the place for a fountain reference? Probably ‘What first attracted you to your wife, sir?’ ‘Her delicacy / her ankles / her hatred of the Tories’                  Alive twice over but that’s a whole life gone too                you know I’m sorry, he holds his hands up, I’m                sorry, he backs away: my conscience couldn’t                keep company with your body I say, your body?                it just made me think: it’s only a nine month stay   The next time you lay a hand on me, I’ll make a perfect gleaming dive into the Thames Aren’t you glad / to be here? I am
Electioneering

Prize Entry

November 2017

Helen Charman


READ NEXT

feature

Issue No. 2

The End of Francophonie: The Politics of French Literature

Lauren Elkin

feature

Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed...

Interview

Issue No. 1

Interview with China Miéville

Ben Eastham

Interview

Issue No. 1

It is a cliché to say that a writer’s work resists classification. It is ironic then that China Miéville,...

Prize Entry

April 2017

The Bad Thing

Annie Julia Wyman

Prize Entry

April 2017

1.   It must have been around the same time she decided that she really was using all the...

 

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