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Rose McLaren

Rose McLaren is an artist in London.



Articles Available Online


Talk Into My Bullet Hole

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July 2015

Rose McLaren

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July 2015

‘Someday people are going to read about you in a story or a poem. Will you describe yourself for those people?’ ‘Oh, I don’t...

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May 2014

Art Does Not Know a Beyond: On Karl Ove Knausgaard

Rose McLaren

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May 2014

Karl Ove Knausgaard’s My Struggle has an oddly medieval form: a cycle, composed of six auto-biographical books about the...

The CCTV New Year’s gala broadcast, known in Mandarin as Chunwan, is probably the most massive media event you’ve never heard of: with an audience of 700 million, it has few rivals for sheer reach A China Central Television institution since 1982, the show provides an annual bromide of light-hearted comedy, music, and choreographed patriotism on the eve of the country’s most important festival In a nation reeling from frenetic development and riven by social tensions, it’s a reminder of the cultural ties that bind (most of) China together This year, Chunwan rings in the Year of the Rabbit on the evening of 2 February But even in China, this throwback to a bygone era of modernist spectacle is not immune to larger shifts in the way we consume media The show is losing its younger viewers: according to a recent online poll on Sinacom, 50 percent of respondents who saw the show called it ‘bad,’ while only 13 percent said it was ‘good’ It seems that colourful ethnic minority maidens singing about social harmony just don’t cut it any more for the post-‘80s generation Alarmed over declining ratings, broadcasters have turned to the internet for the first time this year to infuse new life into the old Chunwan beast, planning to draw several musical performers from the online ‘grassroots’ CCTV and other Chinese media have long had a troubled relationship with the 380 million ‘netizens’ who comprise China’s online population Of course, this comes as no surprise to those familiar with the overall status of internet speech in China A small army of censors regularly scrub references to sensitive topics like Falun Gong, Tibet and Liu Xiaobo from bulletin boards Facebook, Twitter and Tumblr, among other social networking platforms, are blocked: in this visualisation of global Facebook connections, there’s a conspicuous hole where China should be Historically, censors have also intervened to halt the careers of apparently harmless internet celebrities, which China produces in spades With a massive online population isolated by the so-called Great

Contributor

August 2014

Rose McLaren

Contributor

August 2014

Rose McLaren is an artist in London.

The Prosaic Sublime of Béla Tarr

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Issue No. 6

Rose McLaren

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Issue No. 6

I have to recognise it’s cosmical; the shit is cosmical. It’s not just social, it’s not just ontological, it’s really huge. And that’s why we...
Stalker, Writer or Professor? Geoff Dyer's Zona and Genre

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February 2012

Rose McLaren

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February 2012

‘So what kind of a writer am I, reduced to writing a summary of a film?’ wonders Geoff Dyer half way through Zona. Such...

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Interview

April 2012

Interview with Grant Gee

Evan Harris

Interview

April 2012

As the theatre is relit and the credits roll on Grant Gee’s latest film, Patience (After Sebald), an essay on...

Prize Entry

April 2015

Smote, or ...

Eley Williams

Prize Entry

April 2015

To kiss you should not involve such fear of imprecision. I shouldn’t mind about the gallery attendant. He is...

Interview

March 2014

Interview with John Smith

Tom Harrad

Interview

March 2014

In 1976, whilst still a student at the Royal College of Art in London, John Smith made a short...

 

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