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Rose McLaren

Rose McLaren is an artist in London.



Articles Available Online


Talk Into My Bullet Hole

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July 2015

Rose McLaren

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July 2015

‘Someday people are going to read about you in a story or a poem. Will you describe yourself for those people?’ ‘Oh, I don’t...

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May 2014

Art Does Not Know a Beyond: On Karl Ove Knausgaard

Rose McLaren

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May 2014

Karl Ove Knausgaard’s My Struggle has an oddly medieval form: a cycle, composed of six auto-biographical books about the...

Britain has always been a nation capable of telling itself a good story It has rarely mattered whether that story was true The story itself is usually enough: to bring the troops to the beaches, to quiet the servants in the cellar, to quell the coloniser’s unease, to ward off the threat of uprising, to clinch the referendum vote   And on a sunny day in May, the story Britain told itself was one of inclusivity and progress, eked out in gentle doses, in the form of a biracial divorced millionaire American bride for the brother of the future king Revellers camped out on the streets of Windsor, in sleeping bags not unlike those of the homeless who sleep there every night, though the former slept more soundly, without the threat of evacuation And while the nation cheered for the international couple, who had been quietly fast-tracked through Britain’s punishing immigration process, tens of thousands of UK-foreign couples denied spousal visas under the Conservatives’ draconian immigration laws will have watched the wedding on separate continents, if they could bear to watch at all While 2,640 members of the public were invited by the Royals to stand outside of St George’s Chapel, roughly the same number of men and women sat in mostly windowless cells, at Britain’s nine immigration detention centres And across Westminster, Home Office officials likely clinked champagne flutes with relief, as the nation turned its eyes away from the ongoing disgrace of the Windrush scandal to glimpse a television actress’s first wedding dress of the day: a pure white garment of double-bonded silk, held together by minute stitches, invisible, the way the workings of power always hope to be   The Modern Royals! declared fawning international magazine covers in the days and weeks that followed, seemingly unaware of the contradiction in terms For the first time since Brexit or Grenfell, the eyes of the world were on Britain, and the nation delighted in the pretty, self-flattering image the wedding conveyed If you squinted, and didn’t think too hard, Britain appeared on that day to be a nation proud to be inclusive,

Contributor

August 2014

Rose McLaren

Contributor

August 2014

Rose McLaren is an artist in London.

The Prosaic Sublime of Béla Tarr

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Issue No. 6

Rose McLaren

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Issue No. 6

I have to recognise it’s cosmical; the shit is cosmical. It’s not just social, it’s not just ontological, it’s really huge. And that’s why we...
Stalker, Writer or Professor? Geoff Dyer's Zona and Genre

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February 2012

Rose McLaren

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February 2012

‘So what kind of a writer am I, reduced to writing a summary of a film?’ wonders Geoff Dyer half way through Zona. Such...

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Art

Issue No. 10

Patterns

Christian Newby

Art

Issue No. 10

poetry

January 2014

Tuesday Will Be War

Jáchym Topol

TR. Alex Zucker

poetry

January 2014

Jáchym Topol (b. 1962), like most Czech authors of his generation, wrote poetry for years before turning to prose....

poetry

Issue No. 2

Portraits of Pierre Reverdy and Three Poems

Sam Gordon

poetry

Issue No. 2

ANDRÉ BRETON The most memorable thing about our meetings [around 1919-1920] was the almost complete bareness of the room in...

 

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