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Rose McLaren

Rose McLaren is an artist in London.



Articles Available Online


Talk Into My Bullet Hole

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July 2015

Rose McLaren

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July 2015

‘Someday people are going to read about you in a story or a poem. Will you describe yourself for those people?’ ‘Oh, I don’t...

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May 2014

Art Does Not Know a Beyond: On Karl Ove Knausgaard

Rose McLaren

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May 2014

Karl Ove Knausgaard’s My Struggle has an oddly medieval form: a cycle, composed of six auto-biographical books about the...

To Enrique Fierro and Ida Vitale—   Just like you, muchachos, I didn’t believe in ghosts, and if I’d heard then one of the stories I tell Mario now, I would have said poor guy, and then I would have added, fully convinced, he’s crazy, or maybe, he’s pretending to be crazy or he’s lost it, or better yet, he’s loco, and the world, muchachos, listen up, this world is an endless black joke, but at least I – I don’t know about you – but I, officer Warren Sutpen, ex-nightwatchman of the glorious Harry Ransom Center of the University of Texas, here, at my forty-some years and ready to respond to the call, still find myself saved   Saved from who or what? I don’t really get it I don’t get it now, and I didn’t before And the thing is, before, say, a shitload of years ago, I didn’t talk like this For example, not six months ago, the word ‘joke’ meant something funny to me, like ‘just kidding’, or ‘playing a trick’, and ‘black’, I mean, ‘negro’, was just a little word I couldn’t use, no, never ever, not to talk about los pinches negros, for instance (Mario, my psychologist, calls them ‘African-Americans’, and if they’re Chinese, they’re ‘Asian-Americans’, and if they’re Latinos, he calls them ‘Hispanics’ and if they’re Hindus he calls them ‘Indians’, and so all this networking or whatever it is seems to go really well for him, since he says everything in this nice, musical way that I just can’t imitate whenever he corrects me with his perfect accent and the manners of the white Texan he actually isn’t)   He also says two marvellous things about ghosts The first: Warren – he looks at me, I listen – is that they seem very real, but really, they’re the product of delirium, of a mental anomaly that’s perfectly controllable if only you accept it, and of course, Mario, I accept it, and moreover, I’ve made that very clear to all the fucking ghosts The second is that talking with them shouldn’t be considered psychotic

Contributor

August 2014

Rose McLaren

Contributor

August 2014

Rose McLaren is an artist in London.

The Prosaic Sublime of Béla Tarr

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Issue No. 6

Rose McLaren

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Issue No. 6

I have to recognise it’s cosmical; the shit is cosmical. It’s not just social, it’s not just ontological, it’s really huge. And that’s why we...
Stalker, Writer or Professor? Geoff Dyer's Zona and Genre

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February 2012

Rose McLaren

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February 2012

‘So what kind of a writer am I, reduced to writing a summary of a film?’ wonders Geoff Dyer half way through Zona. Such...

READ NEXT

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October 2014

Blood Out of a Zombie

Laurence A. Rickels

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October 2014

The German filmmaker Ulrike Ottinger has on three different occasions put the camera aside and directed for the theatre, each...

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January 2014

Son of Man

Yi Mun-yol

TR. Brother Anthony of Taizé

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January 2014

Rain falling onto thick layers of accumulated dust had left the windows of the criminal investigations office so mottled...

Interview

Issue No. 3

Interview with Elmgreen & Dragset

Ben Hunter

Nicholas Shorvon

Interview

Issue No. 3

Michael Elmgreen and Ingar Dragset are among the most innovative, subversive and wickedly funny contemporary artists at work, or...

 

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