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Rose McLaren

Rose McLaren is an artist in London.



Articles Available Online


Talk Into My Bullet Hole

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July 2015

Rose McLaren

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July 2015

‘Someday people are going to read about you in a story or a poem. Will you describe yourself for those people?’ ‘Oh, I don’t...

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May 2014

Art Does Not Know a Beyond: On Karl Ove Knausgaard

Rose McLaren

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May 2014

Karl Ove Knausgaard’s My Struggle has an oddly medieval form: a cycle, composed of six auto-biographical books about the...

I first glimpsed the Potala Palace behind the bending legs of a prostitute She swayed, obscuring a vista of the Dalai Lama’s vacant home with the taut sail of a black dress rigged from her hips, eyes closed, face contorted into a mask of transcendence and passion, belting out a Tibetan folk song somewhere in downtown Xining, an urban barnacle on the Eastern edge of the Tibetan plateau The karaoke TV screen panned across Lhasa, the Potala Palace and ethereal valleys spoiled by scrolling lyrics and a digital dot measuring their progress There aren’t enough lukewarm beers on the tray in front of me, I thought, to wrangle this scene into the pen of ‘sense’ This was not how I intended to begin my Tibetan journey, but then the unintended and unexpected are the stimuli of travel, delight or horror the effects Let the sober ombudsman of the morning work it out, I thought   A Welshman, a Monguor and two Tibetans walk into an euphemism, that’s how the night’s joke began Heard that one? A classic Here, listen to this   ***   I was disturbed from a nap by my effervescent hostel room-mate, a twenty-something Monguor anthropologist Did I want to play basketball with him and his friends? I did, and followed him to a modern university campus lit by a chromatographic sunset of pinks, oranges and blues Beer and a heavy meal of spiced mutton followed humiliation by the skillful pivots of my Asian friends Come to the karaoke club, was the next suggestion The compass needle in my guts twitched towards, ‘Euphemism: brothel’, but curiosity juggled its bag of magnet: the company was far too good to abandon for bed and rest ahead of the next day’s long ascent to the Tibetan plateau proper The club’s lobby was an oblong room with a long bar Sagging from the walls were garish posters of tropical scenes faded by time, smoke and the low pink lights Kitsch exoticism of golden sands and palm fronds in this poverty-locked, politics-locked, landlocked lobe of Central China, where local exoticism winked at me

Contributor

August 2014

Rose McLaren

Contributor

August 2014

Rose McLaren is an artist in London.

The Prosaic Sublime of Béla Tarr

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Issue No. 6

Rose McLaren

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Issue No. 6

I have to recognise it’s cosmical; the shit is cosmical. It’s not just social, it’s not just ontological, it’s really huge. And that’s why we...
Stalker, Writer or Professor? Geoff Dyer's Zona and Genre

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February 2012

Rose McLaren

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February 2012

‘So what kind of a writer am I, reduced to writing a summary of a film?’ wonders Geoff Dyer half way through Zona. Such...

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poetry

June 2014

Death on Rua Augusta

Tedi López Mills

TR. David Shook

poetry

June 2014

Translator’s Note Death on Rua Augusta is a book I knew I would translate before I had even finished...

poetry

May 2011

Two Prose Poems From 'The Sacrifice of Abraham'

Alexander Nemser

poetry

May 2011

The Rabbis   As the purple light of evening descended, women sang blessings over silver candelabra, and a group...

Interview

November 2016

Interview with Njideka Akunyili Crosby

Cassie Davies

Interview

November 2016

Njideka Akunyili Crosby first encountered Mary Louise Pratt’s ‘Arts of the Contact Zone’ (1991), which identifies ‘social spaces where cultures meet,...

 

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