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Rose McLaren

Rose McLaren is an artist in London.



Articles Available Online


Talk Into My Bullet Hole

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July 2015

Rose McLaren

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July 2015

‘Someday people are going to read about you in a story or a poem. Will you describe yourself for those people?’ ‘Oh, I don’t...

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May 2014

Art Does Not Know a Beyond: On Karl Ove Knausgaard

Rose McLaren

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May 2014

Karl Ove Knausgaard’s My Struggle has an oddly medieval form: a cycle, composed of six auto-biographical books about the...

Brian Ed waited outside the ration house Merlijn took his time coming to the door, and opened it slowly Brian Ed raised his hand and waved Merlijn smiled an embarrassed smile and held up four fingers   ‘No rations until four o’clock, Brian Ed’   ‘Yes,’ said Brian Ed He didn’t leave ‘How are you today?’   ‘Oh,’ said Merlijn, his hand on the doorknob ‘I’m well, Brian Ed Thank you for asking’   They stood in silence Brian Ed shrugged All courtesies escaped him His everyday pack squeezed his neck and tore at his shoulders Inside were the children’s book, the old orange balloon – now deflated – that had once read Welcome Refugee!, and the four heavy stones he carried without knowing why, each the size of a baby’s head   ‘Well,’ said Merlijn, patting Brian Ed on the hand ‘See you at four, then’ Brian Ed thrust a long foot forward ‘No,’ he said ‘How is the weather? No snow will come? No avalanche time?’   Merlijn smiled He stepped out of the house and closed the door behind him ‘Brian Ed,’ he said, ‘are you hungry? Can I offer you a peach?’ He cupped his hand as if the peach were already there and held it up to Brian Ed’s mouth ‘Summer is coming Sun The peaches are good No avalanche Let’s walk’   He wasn’t hungry, but it was his own fault if Merlijn thought he was He only ever came to Merlijn for his ration – of food, of clothing, of wood Never had he come for company, not to Merlijn, not to anyone, not once since the poison curtain of war had dropped and travel home had become impossible He’d never dreamed it would last three years Three years was as long as some lives He hadn’t prepared and he hadn’t adjusted He hadn’t learned the words Instead, he’d gone dull in the comfortable glow of the golden cone   Brian Ed followed Merlijn up the hill to the orchard, where peaches and cherries and pears hung huge from their trees, pulsing and oozing like the separate chambers of one metastasising heart This wild growth was one of

Contributor

August 2014

Rose McLaren

Contributor

August 2014

Rose McLaren is an artist in London.

The Prosaic Sublime of Béla Tarr

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Issue No. 6

Rose McLaren

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Issue No. 6

I have to recognise it’s cosmical; the shit is cosmical. It’s not just social, it’s not just ontological, it’s really huge. And that’s why we...
Stalker, Writer or Professor? Geoff Dyer's Zona and Genre

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February 2012

Rose McLaren

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February 2012

‘So what kind of a writer am I, reduced to writing a summary of a film?’ wonders Geoff Dyer half way through Zona. Such...

READ NEXT

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June 2017

Oberhausen Film Festival

Tom Overton

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June 2017

Such film festivals – those extraordinary clusters of images, transports of light, of virtual worlds scattered across a real...

Art

June 2012

'The Freedom of Speech Itself', or the betrayal of the voice

Lorena Muñoz-Alonso

Art

June 2012

‘The instability of an accent, its borrowed and hybridised phonetic form, is testimony not to someone’s origins but only...

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June 2013

Jean Genet in Spain

Juan Goytisolo

TR. Peter Bush

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June 2013

‘1932. Spain at the time was over-run with vermin, its beggars. They went from village to village, in Andalusia...

 

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