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Rose McLaren

Rose McLaren is an artist in London.



Articles Available Online


Talk Into My Bullet Hole

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July 2015

Rose McLaren

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July 2015

‘Someday people are going to read about you in a story or a poem. Will you describe yourself for those people?’ ‘Oh, I don’t...

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May 2014

Art Does Not Know a Beyond: On Karl Ove Knausgaard

Rose McLaren

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May 2014

Karl Ove Knausgaard’s My Struggle has an oddly medieval form: a cycle, composed of six auto-biographical books about the...

14 It comes for me in the middle of the day when I am preparing lunch, quartering a tomato then slicing each segment in two The seeds where they spill out look wrong and terrible, as though I am cutting the meat of my own hand, and so it’s not a surprise when I hear a knock at the door The bag sits ready at the bottom of the stairs, cottons and flannels collapsing in on themselves after a week of my hands folding them, unfolding them, refolding them It’s the driver, a woman with hair and eyes so pale it’s as if she came from somewhere further north than I could imagine, some new and colourless frontier She cocks her head not unsympathetically and tells me: It’s time     13 You have choices, I’d told myself again and again in the last days At the supermarket, debating rye flour or strong wholemeal, fresh pollock versus frozen white reconstituted slabs Every choice was a joy, I told myself, a delight At the till, the woman’s sick-looking hands flaked over my choices I hoped she was joyful At night I watched the organised joy on TV rather than participating out in the streets, and I did often consider stepping out to the parade, but I knew it wasn’t for me I wasn’t pastel sugar-coloured and there was nobody for me to lift up with my arms, or be lifted by, because to be lifted is always better, more suitable     12 A teenage girl, Jennifer, latches onto me immediately I feel very tender at the sight of her outlined eyes, the bracelets she tears at rhythmically that are supposed to be talismans for things such as love and belonging At the first service station she sinks low in her seat, refusing to get off I bring her a sandwich of plastic cheese and she chews it meditatively   My mother will be on her way, she says She’s caught me up before She hits the seat in front of her with her palms, nervous energy coming off her like heat Can you hurry up? she calls out to the

Contributor

August 2014

Rose McLaren

Contributor

August 2014

Rose McLaren is an artist in London.

The Prosaic Sublime of Béla Tarr

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Issue No. 6

Rose McLaren

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Issue No. 6

I have to recognise it’s cosmical; the shit is cosmical. It’s not just social, it’s not just ontological, it’s really huge. And that’s why we...
Stalker, Writer or Professor? Geoff Dyer's Zona and Genre

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February 2012

Rose McLaren

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February 2012

‘So what kind of a writer am I, reduced to writing a summary of a film?’ wonders Geoff Dyer half way through Zona. Such...

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fiction

January 2014

Hagoromo

Paul Griffiths

fiction

January 2014

for the spirit of Jonathan Harvey   There was a fisherman, who lived in a village on a great...

Interview

October 2014

Interview with Otobong Nkanga

Louisa Elderton

Interview

October 2014

Some things are meant to be lost. You can’t collect emotions. As the artist Otobong Nkanga tells me this,...

poetry

September 2012

Interview

Cutter Streeby

poetry

September 2012

The first time I think I saw Robinson? I’d have to have been leaving Yucaipa. He was on an...

 

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