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Rose McLaren

Rose McLaren is an artist in London.



Articles Available Online


Talk Into My Bullet Hole

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July 2015

Rose McLaren

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July 2015

‘Someday people are going to read about you in a story or a poem. Will you describe yourself for those people?’ ‘Oh, I don’t...

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May 2014

Art Does Not Know a Beyond: On Karl Ove Knausgaard

Rose McLaren

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May 2014

Karl Ove Knausgaard’s My Struggle has an oddly medieval form: a cycle, composed of six auto-biographical books about the...

Isaac Goodchrist, Esq reviewed the 48-hour letter   therefore, in the strictly professional opinion of this author, the nation’s military bodies are adequately licensed, according to the language of law and the precedent of 2001’s AUMF (Authorisation for Use of Military Force), to employ all appropriate means — including deadly persuasion — against those foreign entities (or, if necessary, non-entities) as enumerated supra, including by proxy all persons, organisations, or nations abetting those entities/non-entities, age being no object, gender being no object, race being no object, citizenship being no object, faculty of mind being no object   In sum, should lethal force be applied, the powers that be should sleep swimmingly, in terms of, at least, the language of law and the facts of precedent, soporifically perfumed by the atomised skull matter of those foreign foes (of any potential age, colour, shape, or content)   Goodchrist signed the letter   His signature had the aspect of a string of bulbous grapes on the vine The page was fat stock, flecked with colour, with a smell a little bleachy and audible flap Against the dark grained wood of Goodchrist’s kitchen table, its handsome ivory popped Goodchrist recapped his pen, which he’d stolen from a Blockbusters, circa 1992, and he watched the ink sink, stain, barely bleed, and set; then, with plain horror, he looked forward and came to slow terms with the breakfast before him He thought, So food has come to this   Breakfast, Goodchrist was discovering, was stale cereal, served to him — by him — in the bile-green, becrusted dog bowl He found he had already conceded a lump to his mouth He chewed, wondered How he had arrived at supping from this lowly vessel was mystery, as were most of his other domestic movements for the past two feverish days, during which time he’d composed the letter As was lately usual, the composition period had been spent in fugue The stress of his job was wrenching the fingertips of his senses off their ledge with increasing spur In the pit below, mind was cloaca, but for the legalese flushing through   Goodchrist was a war lawyer It was his

Contributor

August 2014

Rose McLaren

Contributor

August 2014

Rose McLaren is an artist in London.

The Prosaic Sublime of Béla Tarr

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Issue No. 6

Rose McLaren

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Issue No. 6

I have to recognise it’s cosmical; the shit is cosmical. It’s not just social, it’s not just ontological, it’s really huge. And that’s why we...
Stalker, Writer or Professor? Geoff Dyer's Zona and Genre

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February 2012

Rose McLaren

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February 2012

‘So what kind of a writer am I, reduced to writing a summary of a film?’ wonders Geoff Dyer half way through Zona. Such...

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Interview

Issue No. 1

Interview with Manfred Mohr

Alice Hattrick

Interview

Issue No. 1

Lines of varying thickness rotate on black. On the screen beside, tilted away from the first, is a slide...

Interview

December 2017

Interview with Peter Stamm

Seren Adams

Interview

December 2017

Peter Stamm’s international reputation as a writer of acute psychological perception and meticulously precise prose has been growing steadily...

Art

December 2016

Bonnie Camplin: Is it a Crime to Love a Prawn

Bonnie Camplin

Art

December 2016

  The title of Bonnie Camplin’s exhibition at 3236RLS Gallery, ‘Is it a Crime to Love a Prawn’, brings...

 

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