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Rose McLaren

Rose McLaren is an artist in London.



Articles Available Online


Talk Into My Bullet Hole

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July 2015

Rose McLaren

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July 2015

‘Someday people are going to read about you in a story or a poem. Will you describe yourself for those people?’ ‘Oh, I don’t...

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May 2014

Art Does Not Know a Beyond: On Karl Ove Knausgaard

Rose McLaren

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May 2014

Karl Ove Knausgaard’s My Struggle has an oddly medieval form: a cycle, composed of six auto-biographical books about the...

What follows could have been an essay or an interview In the event, it resembles the one as little as it resembles the other The images are nearly all by Vanessa Hodgkinson David Trotter supplied most of the words   This is the story of a critic’s encounter with work by an artist who had encountered some of his ideas Although the artist the story describes is an artist and the critic a critic, it’s not always easy to tell exactly where in the art the artist ends and the critic begins, and exactly where in the criticism the critic ends and the artist begins What follows is the log of a conversation which has been going on in various ways for about six months, and will be continued It is the record of images that would not have been made and thoughts that would not have been thought had two individuals not chanced to become conversant   Techno-primitivism made its first public appearance in an essay I published in the London Review of Books in August 2012 on DH Lawrence’s Lady Chatterley’s Lover Lady Chatterley’s Lover is full-on primitivist During the First World War, Lawrence finally became convinced that Europe was in the process of destroying itself, and that renewal – if renewal were still possible – could only come from sources in a mentality at once beyond and before the civilisation it had brought about In works like Fantasia of the Unconscious, St Mawr, The Plumed Serpent, and Mornings in Mexico, he drew a stark contrast between a white European and North American civilisation rendered lethally sterile by its commitment to Christian-Platonic idealism and doctrines of scientific-industrial ‘progress’, and that of aboriginal peoples whose custodianship of ancient intuitive and animist modes of consciousness had encouraged momentous if ultimately futile resistance to colonial expansion After the war, he travelled to Italy, Ceylon, Australia, and New Mexico in search of the few remaining custodians His letters of this period express both contempt for Western attitudes and ways of life in toxic decline, and uncertainty about what the available alternatives might add up to

Contributor

August 2014

Rose McLaren

Contributor

August 2014

Rose McLaren is an artist in London.

The Prosaic Sublime of Béla Tarr

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Issue No. 6

Rose McLaren

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Issue No. 6

I have to recognise it’s cosmical; the shit is cosmical. It’s not just social, it’s not just ontological, it’s really huge. And that’s why we...
Stalker, Writer or Professor? Geoff Dyer's Zona and Genre

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February 2012

Rose McLaren

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February 2012

‘So what kind of a writer am I, reduced to writing a summary of a film?’ wonders Geoff Dyer half way through Zona. Such...

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poetry

September 2012

Interview

Cutter Streeby

poetry

September 2012

The first time I think I saw Robinson? I’d have to have been leaving Yucaipa. He was on an...

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August 2016

The Place of the Bridge

Jennifer Kabat

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August 2016

I.   Look up. A woman tumbles from the sky, her dress billowing around her like a parachute as...

Interview

January 2017

Interview with David Thomson

Leo Robson

Interview

January 2017

David Thomson — the author of dozens of books, including an account of Scott’s expedition to the Antarctic and...

 

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