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Rose McLaren

Rose McLaren is an artist in London.



Articles Available Online


Talk Into My Bullet Hole

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July 2015

Rose McLaren

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July 2015

‘Someday people are going to read about you in a story or a poem. Will you describe yourself for those people?’ ‘Oh, I don’t...

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May 2014

Art Does Not Know a Beyond: On Karl Ove Knausgaard

Rose McLaren

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May 2014

Karl Ove Knausgaard’s My Struggle has an oddly medieval form: a cycle, composed of six auto-biographical books about the...

‘The instability of an accent, its borrowed and hybridised phonetic form, is testimony not to someone’s origins but only to an unstable and migratory lifestyle, which is of course common in those fleeing from conflict and seeking asylum Is it not more likely then, than a genuine asylum seeker’s accent would be an irregular and itinerant concoction of voices, a sort biography of a journey, rather than an immediately distinguishable voice, that owes its unshakable roots to a single place?’ –Lawrence Abu-Hamdan ‘The Freedom of Speech Itself’ (2012)     Some artworks reveal something you didn’t know before They cast light on hitherto unknown facts that move you profoundly upon learning This is a particularly successful art experience, one you part with an anxious, perhaps even nervous, sense of awareness And what I learned, on a very cold London morning last January at The Showroom, after listening to Lawrence Abu Hamdan’s ‘The Freedom of Speech Itself’ is that for the past two decades a methodology called forensic speech analysis has been used by several border agencies throughout the West as a means to determine the national identities and geopolitical origins of suspicious prospective immigrants or political refugees On a practical level that means that asylum seekers might be denied access to safer ground on the basis of their accents or pronunciation of certain vowels, according to the field’s expert phonetic atlas   The piece, considered by its author to be a documentary, offers abundant facts A North-American sociolinguist for example, clearly worried about the extent to which this method has been adopted, tells us how forensic speech analysis was developed in the early and mid 1990’s in the Scandinavian countries, particularly Sweden, by linguistic experts working within their asylum and immigration bureaus A few years later, he continues, these experts span off and created independent companies, selling their expertise back to their governments and eventually to other countries These days the border agencies of UK or Australia, for example, might record a ten to fifteen minute interview with their suspicious asylum seekers and send the tape to the companies

Contributor

August 2014

Rose McLaren

Contributor

August 2014

Rose McLaren is an artist in London.

The Prosaic Sublime of Béla Tarr

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Issue No. 6

Rose McLaren

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Issue No. 6

I have to recognise it’s cosmical; the shit is cosmical. It’s not just social, it’s not just ontological, it’s really huge. And that’s why we...
Stalker, Writer or Professor? Geoff Dyer's Zona and Genre

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February 2012

Rose McLaren

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February 2012

‘So what kind of a writer am I, reduced to writing a summary of a film?’ wonders Geoff Dyer half way through Zona. Such...

READ NEXT

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October 2011

The White Review No.3 Editorial

The Editors

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October 2011

In the course of putting three issues of The White Review together, the editors have been presented with the...

Art

November 2012

Film: Difficulties in Impression Management

Patrick Goddard

Art

November 2012

Difficulties in Impression Management, 2012 Running time 13’09”

poetry

September 2012

Letter from a New City to an Old Friend

Cutter Streeby

poetry

September 2012

Letter from a New City to an Old Friend     [SEAside          Gra-                         –i.m. Ronny Burhop 1987-2010                                                                      ffiti]...

 

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