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Rose McLaren

Rose McLaren is an artist in London.



Articles Available Online


Talk Into My Bullet Hole

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July 2015

Rose McLaren

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July 2015

‘Someday people are going to read about you in a story or a poem. Will you describe yourself for those people?’ ‘Oh, I don’t...

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May 2014

Art Does Not Know a Beyond: On Karl Ove Knausgaard

Rose McLaren

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May 2014

Karl Ove Knausgaard’s My Struggle has an oddly medieval form: a cycle, composed of six auto-biographical books about the...

Awst & Walther are a husband and wife team who create multi-disciplinary art works which range from building a huge wall of melting ice outside the German Embassy to a performance in which the movements of two nude figures wearing ancient Grecian helmets twitch at a grey curtain   Their latest exhibition, Components, at the Hannah Barry Gallery, brings together four years of sculpture and performance work, shedding light on ongoing thematic preoccupations and material attitudes in the artists’ work This group of works reveals an acute fascination with corporeality, temporality and spatiality, and the experiences and situations that occur from different combinations of these aspects   The artists employ an array of unconventional and alternately austere and sumptuous materials – gelatine, glass, ice, gold, feathers, tar, concrete, neon, are all used in making painting, sculpture and performance to explore our attitudes towards beauty and human behaviour Theirs is a collaborative endeavour focused on creating knowledge and meaning, towards a better understanding of our world   Manon Awst (b 1983, Wales) and Benjamin Walther (b1978, Dresden), have shown at Junge Kunst (Wolfsburg), Kunstraum Aarau (Switzerland), Künstlerhaus Bethanien (Berlin), Nassauischer Kunstverein (Wiesbaden), Cass Sculpture Foundation (Goodwood) and the National Museum of Wales (Cardiff) Here, they answer questions put to them by journalist and critic Francesca Gavin     APPLE Explain the motif of the apple in your work We like the ambivalence surrounding the apple – it represents an act of corruption, the fall from grace, but also the beginning of civilisation and the birth of love We used it once in our piece Temptation where it was placed next to a hand grenade Both objects are golden BERLIN How does it influence the content and aesthetic of your work? Berlin is fragmented through its history There are breaks and interruptions that make it unique We feel challenged by that Aesthetically, we love its dark, stark, cold side – we can relate to this COLLABORATION Tell me about your working processes We admire each other and like spending time together From the moment we met we had this need to make things together – it felt very natural Being in the studio every day is important

Contributor

August 2014

Rose McLaren

Contributor

August 2014

Rose McLaren is an artist in London.

The Prosaic Sublime of Béla Tarr

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Issue No. 6

Rose McLaren

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Issue No. 6

I have to recognise it’s cosmical; the shit is cosmical. It’s not just social, it’s not just ontological, it’s really huge. And that’s why we...
Stalker, Writer or Professor? Geoff Dyer's Zona and Genre

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February 2012

Rose McLaren

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February 2012

‘So what kind of a writer am I, reduced to writing a summary of a film?’ wonders Geoff Dyer half way through Zona. Such...

READ NEXT

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Issue No. 15

Editorial

The Editors

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Issue No. 15

In The Art of the Publisher, Roberto Calasso suggests that publishing is something approaching an art form, whereby ‘all...

Interview

September 2015

Interview with Patrick deWitt

Anthony Cummins

Interview

September 2015

Patrick deWitt’s new novel, Undermajordomo Minor, tells the story of Lucy, a bungling young man hired to assist a...

poetry

February 2013

Redacted, Redacted

Les Kay

poetry

February 2013

Here the censorship, which you’ve taught yourself, is self-inflicted (low sugar, low fat); it begins with the swinging shadow...

 

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