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Rose McLaren

Rose McLaren is an artist in London.



Articles Available Online


Talk Into My Bullet Hole

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July 2015

Rose McLaren

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July 2015

‘Someday people are going to read about you in a story or a poem. Will you describe yourself for those people?’ ‘Oh, I don’t...

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May 2014

Art Does Not Know a Beyond: On Karl Ove Knausgaard

Rose McLaren

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May 2014

Karl Ove Knausgaard’s My Struggle has an oddly medieval form: a cycle, composed of six auto-biographical books about the...

One day in late 2011, waiting outside Green Park station, my gaze was drawn to an unexpected sight Earlier that year a canopy of Portland stone had been erected over the entrance to the underground, part of London’s preparations for the Olympics, and through a rectangular frame in the structure, at the edge of the park, a tangle of colour appeared A patch of wildflowers was growing there, next to the manicured shopping streets of Mayfair A sign said the meadow had been planted as part of some scheme This sounded like a paradox: I didn’t know that wildflowers could be planted, let alone meadows I was struck by a correspondence between this artificial meadow and the rioting that had taken place in the city that summer, which had been framed as an irruption of wildness   In his Politics Aristotle claims that humans surpass bees in their political nature, and philosophers have often used bees to describe the political nature of humans Meadows, where the social desires of bees are fulfilled – if you can call them desires – have been overlooked as a form for thinking about politics The wildflower meadow, increasingly endangered and artificially produced in the twenty-first century, describes a relationship between individual and environment that is both complex and immediate The appearance of wildness in the city becomes a question of aesthetics, which is to say, a question of how the relationship between an event and its frame produces certain effects, and of politics, when an act of observation decides which events are wild and which are cultivated by human policy   Wildflowers in the British Isles have historically been concentrated in areas of semi-natural grassland, often maintained for the production of hay for livestock, sometimes left uncultivated for other reasons and tramped through by grazing animals whose digestive systems redistribute seeds and produce the special diversity of the meadow In the seventeenth century, the English mystic Thomas Traherne described meadows ‘more Divine than if Covered with Emeralds’ He saw the meadows as a book in which a message had been written: just as God makes water available

Contributor

August 2014

Rose McLaren

Contributor

August 2014

Rose McLaren is an artist in London.

The Prosaic Sublime of Béla Tarr

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Issue No. 6

Rose McLaren

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Issue No. 6

I have to recognise it’s cosmical; the shit is cosmical. It’s not just social, it’s not just ontological, it’s really huge. And that’s why we...
Stalker, Writer or Professor? Geoff Dyer's Zona and Genre

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February 2012

Rose McLaren

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February 2012

‘So what kind of a writer am I, reduced to writing a summary of a film?’ wonders Geoff Dyer half way through Zona. Such...

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Prize Entry

April 2016

Role Play

Naomi Frisby

Prize Entry

April 2016

Your right hand is the first to go. One Sunday afternoon as you’re sitting on the sofa reading the...

Interview

September 2016

Interview with Garth Greenwell

Michael Amherst

Interview

September 2016

Garth Greenwell’s debut novel What Belongs to You has won praise on both sides of the Atlantic. Edmund White...

fiction

May 2016

Panty

Sangeeta Bandyopadhyay

TR. Arunava Sinha

fiction

May 2016

She was walking. Along an almost silent lane in the city.   Work – she had abandoned her work...

 

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