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Rose McLaren

Rose McLaren is an artist in London.



Articles Available Online


Talk Into My Bullet Hole

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July 2015

Rose McLaren

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July 2015

‘Someday people are going to read about you in a story or a poem. Will you describe yourself for those people?’ ‘Oh, I don’t...

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May 2014

Art Does Not Know a Beyond: On Karl Ove Knausgaard

Rose McLaren

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May 2014

Karl Ove Knausgaard’s My Struggle has an oddly medieval form: a cycle, composed of six auto-biographical books about the...

A few years ago, I read Revolution at Point Zero (2012), Silvia Federici’s career-spanning collection of essays on reproductive work and domestic labour The essays articulate, in anger and clarity, what I and other women of my generation have begun, stutteringly, to understand: that the mass introduction of women into the waged workforce has not changed the fact that domestic chores outside of paid work continue to be conducted by women, nor the fact that this work remains invisible, or if seen at all, utterly devalued   Federici, who was born in Parma, Italy, in 1942, has been writing about these issues for almost 50 years She was a founding member of the 1970s Wages for Housework campaign, an international effort to draw attention to the unpaid labour of women in the home; after she moved to Brooklyn to teach at Hofstra University on Long Island, she became centrally involved in the New York Wages for Housework Committee She detailed that organisation’s history in Wages for Housework: The New York Committee 1972-1977: History, Theory, Documents (2017), which also reproduced her 1975 pamphlet, Wages Against Housework, famous for its provocative opening lines, ‘They say it is love We say it is unwaged work’   I came late to Federici’s theorising, but once I found her, I engaged with as much of her writing as I could The collection of essays in Revolution at Point Zero encompasses Federici’s early writings on feminism and housework alongside later pieces on the impact of globalisation on social reproduction – that is, the reproduction of everyday life – on the redistribution of housework onto the shoulders of immigrant women, and on the role of the commons in contemporary society   Federici’s work on capitalism’s war on women’s bodies is encapsulated by two books on witch-hunts, Caliban and the Witch (2004), which argued that the exploitation of women was a central element in the transition from feudalism to capitalism, and Witches, Witch-Hunting and Women (2018), which revisited the subject matter following the return of witch-hunting in many parts of the world   Her recent research on the commons, collected in Re-Enchanting the World: Feminism

Contributor

August 2014

Rose McLaren

Contributor

August 2014

Rose McLaren is an artist in London.

The Prosaic Sublime of Béla Tarr

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Issue No. 6

Rose McLaren

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Issue No. 6

I have to recognise it’s cosmical; the shit is cosmical. It’s not just social, it’s not just ontological, it’s really huge. And that’s why we...
Stalker, Writer or Professor? Geoff Dyer's Zona and Genre

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February 2012

Rose McLaren

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February 2012

‘So what kind of a writer am I, reduced to writing a summary of a film?’ wonders Geoff Dyer half way through Zona. Such...

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fiction

November 2011

Sheepskin

Olivia Heal

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November 2011

The first I noticed was your thumbnails, large, round and flat, like two plates. They were marked with yellowed...

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Issue No. 1

In Somaliland

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Issue No. 1

On a traffic island in the middle of Somaliland’s capital city, Hargeisa, is the rusting shell of fighter jet...

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Issue No. 7

On a Decline in British Fiction

Jennifer Hodgson

Patricia Waugh

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Issue No. 7

‘The special fate of the novel,’ Frank Kermode has written, ‘is always to be dying.’ In Britain, the terminal...

 

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