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Rose McLaren

Rose McLaren is an artist in London.



Articles Available Online


Talk Into My Bullet Hole

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July 2015

Rose McLaren

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July 2015

‘Someday people are going to read about you in a story or a poem. Will you describe yourself for those people?’ ‘Oh, I don’t...

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May 2014

Art Does Not Know a Beyond: On Karl Ove Knausgaard

Rose McLaren

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May 2014

Karl Ove Knausgaard’s My Struggle has an oddly medieval form: a cycle, composed of six auto-biographical books about the...

Thesis as cure   On 31 December 2019, I wrote in my diary that 2020 would be a Year of Exposure I had no plans to make this public For as long as I could remember I had felt it necessary to control ‘the narrative’, which in practice meant that I resisted telling essential facts about myself to anyone other than those people who, within the stark ecosystem of my mind, fell into the categories of ‘necessary’ or ‘safe’ Behind a shame-faced semblance of functionality, I hid a version of myself that was shaped by the irrational contortions of fear that had been with me since childhood, and the failed rituals that I desperately used to exorcise myself of my terror After years of denial, this fearing self emerged only in moments of out-of-control feeling, and within the medical settings that were designed to bring feeling back under control Eventually, this self found the fate of a diagnostic determination To shrinks, in their language of shrinkage, I was suffering with a Specific Phobia of Vomiting and health-related OCD   After a number of aborted therapeutic interventions, in mid-2019, through a collision of events – nothing so spectacular or drastic as hitting rock-bottom, but some luck, lots of desperation and enough willingness – I began a course of treatment The recommended treatment for phobias and OCD is Exposure Therapy, which methodically places the patient into situations they have habitually avoided, with the aim of helping them overcome their fear   By the end of the year, I had found some small yet significant success Filled with the endorphins of progressive change, I set myself on the senseless quest of self-experiment – a commitment not just to the standardised series of sessions provided by medical guidelines, but to a Year of Exposure I made a lengthy list of things I would do; it ranged from small acts of disclosure about my phobia, to what I termed ‘vomit simulations’ – where I would spit chewed acidic concoctions into the depths of the toilet bowl – to taking a flight for the first time in three years In my

Contributor

August 2014

Rose McLaren

Contributor

August 2014

Rose McLaren is an artist in London.

The Prosaic Sublime of Béla Tarr

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Issue No. 6

Rose McLaren

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Issue No. 6

I have to recognise it’s cosmical; the shit is cosmical. It’s not just social, it’s not just ontological, it’s really huge. And that’s why we...
Stalker, Writer or Professor? Geoff Dyer's Zona and Genre

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February 2012

Rose McLaren

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February 2012

‘So what kind of a writer am I, reduced to writing a summary of a film?’ wonders Geoff Dyer half way through Zona. Such...

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poetry

July 2012

Fig-tree

John Clegg

poetry

July 2012

He trepans with the blunt screwdriver on his penknife: unripe figs require the touch of air on flesh to...

Interview

Issue No. 1

Interview with Paula Rego

Ben Eastham

Helen Graham

Interview

Issue No. 1

Dame Paula Rego introduces me into her North London home with a crooked smile and a plate of biscuits....

poetry

November 2014

Like Rabbits

Bethan Roberts

poetry

November 2014

When my husband unrolled the back door of the brewery’s lorry and hoisted first one cage, then another, onto...

 

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