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Rose McLaren

Rose McLaren is an artist in London.



Articles Available Online


Talk Into My Bullet Hole

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July 2015

Rose McLaren

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July 2015

‘Someday people are going to read about you in a story or a poem. Will you describe yourself for those people?’ ‘Oh, I don’t...

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May 2014

Art Does Not Know a Beyond: On Karl Ove Knausgaard

Rose McLaren

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May 2014

Karl Ove Knausgaard’s My Struggle has an oddly medieval form: a cycle, composed of six auto-biographical books about the...

Fanny Howe’s bibliography is as bewildering as her itinerant biography Born in 1940 in Buffalo, New York, the poet and author grew up in Cambridge, Massachusetts, before moving an estimated thirty times in six decades – spiralling around New York, Massachusetts and California states, with volleys to Ireland, where her talented mother, Mary Manning, was born and raised – only to settle back in Cambridge in her seventies Howe’s books, all fifty (at least) of them, track these moves: as she suggests in this interview, place informs her writing ‘completely, like being dropped in water It is the environment’ With a majority of her books – published by independent and experimental presses – out of print, to be a reader of Fanny Howe is to be a seeker   ‘[T]he greatest writer there is,’ wrote Eileen Myles of Howe, who has, however, eschewed fame Her humility is active, her obscurity intentional She rarely grants interviews and undermines the authority others might claim given her talents and family A ‘long-tailed’ Bostonian, ‘[s]he can trace her lineage back to the Mayflower,’ wrote her daughter, acclaimed author Danzy Senna (whose husband, Percival Everett, was interviewed in The White Review No 28), of Fanny, whose father was a Harvard professor and a civil rights lawyer and mother a playwright and film pioneer Samuel Beckett was a family friend of her mother Susan Howe, Fanny’s older sister, is as renowned for her poetry as are her children for their art: R H Quaytman, painting, and Mark von Schlegell, science fiction   Though Fanny Howe inherited wealths of history, politics, art and culture, such privileges and responsibilities came with neither money nor property ‘There were many women like me,’ she reflects in The Wedding Dress: Meditations on Word and Life (University of California Press, 2003), ‘born into white privilege but with no financial security, given a good education but no training for survival’ In essays, Howe stories the difficulties of raising three children alone – divorced from their father, the Black American writer Carl Senna – in a nation defined by the violent exploitation of minorities Through teaching,

Contributor

August 2014

Rose McLaren

Contributor

August 2014

Rose McLaren is an artist in London.

The Prosaic Sublime of Béla Tarr

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Issue No. 6

Rose McLaren

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Issue No. 6

I have to recognise it’s cosmical; the shit is cosmical. It’s not just social, it’s not just ontological, it’s really huge. And that’s why we...
Stalker, Writer or Professor? Geoff Dyer's Zona and Genre

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February 2012

Rose McLaren

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February 2012

‘So what kind of a writer am I, reduced to writing a summary of a film?’ wonders Geoff Dyer half way through Zona. Such...

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Interview

February 2016

Interview with Gerard Byrne

Izabella Scott

Interview

February 2016

I first encountered Gerard Byrne’s eerily dislocated films at Tate Britain, where 1984 and Beyond (2005–7) was shown on...

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June 2014

Turning the Game Around

Daniel Galera

TR. Rahul Bery

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June 2014

Once upon a time there was – no, better: you are a thief who wanders through the cities and...

Interview

Issue No. 2

Interview with Michael Hardt

Chris Catanese

Karim Wissa

Interview

Issue No. 2

Michael Hardt is a philosopher and theorist best known for his collaboration with Antonio Negri on a trilogy of...

 

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