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Rose McLaren

Rose McLaren is an artist in London.



Articles Available Online


Talk Into My Bullet Hole

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July 2015

Rose McLaren

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July 2015

‘Someday people are going to read about you in a story or a poem. Will you describe yourself for those people?’ ‘Oh, I don’t...

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May 2014

Art Does Not Know a Beyond: On Karl Ove Knausgaard

Rose McLaren

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May 2014

Karl Ove Knausgaard’s My Struggle has an oddly medieval form: a cycle, composed of six auto-biographical books about the...

290 MILES TO GO   I am on the train now There are 290 miles to go From the window I can see people watching me from the streets and fields as the train speeds past They all appear to be wearing tight white tennis shorts and occasionally, when I look closely, I can see a deep red blooming at their crotches, spreading out across the tops of their legs They wave their arms very high in the air but for no real reason that I can discern There’s no panic or pleading on their faces, they aren’t crying for help All I can assume is that it’s some sort of dance, favoured by the people living in this part of the country Perhaps a ritual associated with the passing train, a means of protection against its speed and bulk After all, talismans do drip from their stiff cotton cuffs, mystical symbols are scratched into the dirty sand by their platformed feet   I see animals too of course Cows and sheep Horses with chestnut backs as reflective as mirrors They move along with the train like a pack of estate agents let loose, finding that their legs stretch much further than they thought Until they reach their limit of course, they hit a fence or a hedgerow or their lungs contract impossibly Then the train speeds away and I leave them behind Goodbye herds! I whisper Farewell beasts! I’ll probably never see the same set of sheep and horses and cows again   I am going to be 290 miles away for some time   WHEN I FIRST ENCOUNTER THE TRAIN I HAVE ALREADY BEEN EXHAUSTED BY THE STATION   I had waited to board the train next to a dusty crowd of people The platform stretched for two and a half miles and the sun maliciously heated the bleached concrete below us I hopped from one foot to the other to prevent the rubber soles of my plimsolls melting and sticking to the ground and most of the other people around me did the same, avoiding eye contact as we soundlessly pranced and waited The heat had

Contributor

August 2014

Rose McLaren

Contributor

August 2014

Rose McLaren is an artist in London.

The Prosaic Sublime of Béla Tarr

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Issue No. 6

Rose McLaren

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Issue No. 6

I have to recognise it’s cosmical; the shit is cosmical. It’s not just social, it’s not just ontological, it’s really huge. And that’s why we...
Stalker, Writer or Professor? Geoff Dyer's Zona and Genre

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February 2012

Rose McLaren

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February 2012

‘So what kind of a writer am I, reduced to writing a summary of a film?’ wonders Geoff Dyer half way through Zona. Such...

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fiction

May 2013

Cabbage Butterflies

Ryū Murakami

TR. Ralph McCarthy

fiction

May 2013

The guy looked disappointed when he saw me. My one sales point is that I’m young, but my eyelids...

Art

November 2014

Conversations About a Play

Louise Stern

Art

November 2014

Editor’s note: The images in the slideshow document a conversation on paper between the writer and artist Louise Stern...

fiction

April 2013

Popular Mechanics

Gareth Dickson

fiction

April 2013

In simple terms, the process of combustion creates energy that is converted into motion. The ignition by the spark...

 

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