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Rose McLaren

Rose McLaren is an artist in London.



Articles Available Online


Talk Into My Bullet Hole

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July 2015

Rose McLaren

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July 2015

‘Someday people are going to read about you in a story or a poem. Will you describe yourself for those people?’ ‘Oh, I don’t...

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May 2014

Art Does Not Know a Beyond: On Karl Ove Knausgaard

Rose McLaren

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May 2014

Karl Ove Knausgaard’s My Struggle has an oddly medieval form: a cycle, composed of six auto-biographical books about the...

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978) In Cigarettes, Harry Mathews’s novel published in the same year, a character finds himself quite literally crucified, replete with a crown of thorns – a consequence, and perversion, of love In Catholic theology, the idea of a love so pure as to evoke the ultimate sacrifice is approximated through the relic: a scrap of a shroud, a fragment of bone, a nail once pierced through flesh Imbued with the charge of history and the promise of salvation, these items both fuel and sustain the particular desire for proximity to holiness among believers   Pilgrims to Danh Vo’s mid-career survey at the Guggenheim Museum may find such desires pricked, teased, and thwarted by works that package the relic for the contemporary art market The Danish-Vietnamese artist, known for conceptual installations comprising rare and curiously sourced ready-mades, has been a fixture in blue-chip galleries and private collections At the Guggenheim, these objects are sparsely arranged on the museum’s winding ramp, where they are called upon to invoke grand themes: the legacy of American imperialism, and the artist’s lapsed Catholicism, among them Vo was born in Bà Ria, Vietnam toward the end of the Vietnam War, and moved with his family to a refugee camp in Singapore, settling eventually in Denmark Interspersing family photographs with artefacts from colonial Vietnam, the exhibition oscillates between intimate glimpses of the artist’s life and the sweep of history   Vo’s connection to a network of high-profile lenders has abetted a practice of skilled connoisseurship that allows the artist to impress audiences by the sheer incredulity of his acquisition Hung along the Guggenheim’s ramp is a chandelier from the former ballroom of the Hotel Majestic in Paris, where the Paris Peace Accord ending the Vietnam War was signed in 1973 In 2012, Vo acquired a group of objects from the estate of Robert S McNamara – the American secretary of defence between 1961 and 1968 – when the Vietnam War began to escalate Lot 20 Two Kennedy Administration

Contributor

August 2014

Rose McLaren

Contributor

August 2014

Rose McLaren is an artist in London.

The Prosaic Sublime of Béla Tarr

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Issue No. 6

Rose McLaren

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Issue No. 6

I have to recognise it’s cosmical; the shit is cosmical. It’s not just social, it’s not just ontological, it’s really huge. And that’s why we...
Stalker, Writer or Professor? Geoff Dyer's Zona and Genre

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February 2012

Rose McLaren

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February 2012

‘So what kind of a writer am I, reduced to writing a summary of a film?’ wonders Geoff Dyer half way through Zona. Such...

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Interview

October 2013

Interview with Nick Goss

James Cahill

Interview

October 2013

Nick Goss has emerged in recent years as one of the UK’s most feted young painters. Evoking indistinct places...

poetry

November 2011

One Night Without Incident

Eoghan Walls

poetry

November 2011

Freak July mists blurred all from Portsmouth to Reading in a late summer sky turned wholly unfit for bombing,...

Interview

January 2015

Interview with Magdalena Tulli

TR. Bill Johnston

Grzegorz Jankowicz

Interview

January 2015

This interview appeared in Po co jest sztuka? (What Is Art For?), a 2013 collection of interviews with Polish...

 

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