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Rose McLaren

Rose McLaren is an artist in London.



Articles Available Online


Talk Into My Bullet Hole

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July 2015

Rose McLaren

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July 2015

‘Someday people are going to read about you in a story or a poem. Will you describe yourself for those people?’ ‘Oh, I don’t...

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May 2014

Art Does Not Know a Beyond: On Karl Ove Knausgaard

Rose McLaren

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May 2014

Karl Ove Knausgaard’s My Struggle has an oddly medieval form: a cycle, composed of six auto-biographical books about the...

Irenosen Okojie’s first novel Butterfly Fish (2015) follows Joy, a photographer in London who inherits a cursed brass head and her grandfather’s diary, after the sudden death of her mother Joy begins to discover a far more complex and tragic family history than she could ever have imagined – and keeps catching glimpses of a young Black woman who looks strangely familiar in the background of her photographs Okojie’s writing twists and shifts the world as we know it, opening up realms of exhilarating and sometimes terrifying uncertainty Her work is dizzyingly rich with symbolism, metaphor and startling narrative turns, undergirded by a deep understanding of human frailty and empathy for her characters   Okojie’s darkly funny, tender and surprising short story collection, Speak Gigantular (2016) features two ghosts trapped on the London Underground, a young woman with epilepsy determined to solve the disappearance of her neighbour and an altruistic bank robber dressed as a big yellow bird Characters faced with challenging situations like unemployment, grief or incarceration find themselves plunged into bizarre but revelatory experiences, including being rescued by statues or enlisting a helpful crocodile to eat disappointing men In her second collection Nudibranch (2019), we meet characters ranging from a woman farmer raising a small boy who is part of a lethal secret experiment, a famous musician caught in an obsessive love affair with a possible murderer and a Black acrobat in nineteenth-century Prussia ‘Grace Jones’, a story from Nudibranch that won the 2020 AKO Caine Prize for African Writing, introduces a young Grace Jones impersonator working at a raucous party; over the course of the evening, the reader slowly comes to understand how the death of her entire family in a terrible fire continues to emotionally sever her from other people   Okojie’s family come from the city of Uromi in Edo State, Benin, a part of Nigeria which once formed the flourishing royal capital of the Edo Kingdom, a rich historical lineage that has inspired Okojie’s writing Born in Nigeria, she moved to England aged eight and attended school in Norfolk and London Okojie is a polymath: in addition to writing prose,

Contributor

August 2014

Rose McLaren

Contributor

August 2014

Rose McLaren is an artist in London.

The Prosaic Sublime of Béla Tarr

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Issue No. 6

Rose McLaren

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Issue No. 6

I have to recognise it’s cosmical; the shit is cosmical. It’s not just social, it’s not just ontological, it’s really huge. And that’s why we...
Stalker, Writer or Professor? Geoff Dyer's Zona and Genre

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February 2012

Rose McLaren

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February 2012

‘So what kind of a writer am I, reduced to writing a summary of a film?’ wonders Geoff Dyer half way through Zona. Such...

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poetry

January 2015

Why I'm Not a Great Lover

Clemens J. Setz

TR. Ross Benjamin

poetry

January 2015

Why I’m Not A Great Lover   The circumstances. The zeitgeist.   The inner uncertainty. The lack of belief...

poetry

May 2012

Monopoly (after Ashbery)

Sarah Howe

poetry

May 2012

I keep everything until the moment it’s needed. I am the glint in your bank manager’s eye. I never...

Art

Issue No. 2

Sri Lankan Contemporary Art

Josephine Breese

Art

Issue No. 2

Sri Lanka has developed a thriving, vital contemporary art scene over the past twenty years. New artists are emerging...

 

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