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Rose McLaren

Rose McLaren is an artist in London.



Articles Available Online


Talk Into My Bullet Hole

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July 2015

Rose McLaren

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July 2015

‘Someday people are going to read about you in a story or a poem. Will you describe yourself for those people?’ ‘Oh, I don’t...

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May 2014

Art Does Not Know a Beyond: On Karl Ove Knausgaard

Rose McLaren

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May 2014

Karl Ove Knausgaard’s My Struggle has an oddly medieval form: a cycle, composed of six auto-biographical books about the...

Acts of Infidelity is the second novel by Lena Andersson that follows unlucky-in-love heroine Ester Nilsson, and it’s another scalpel-sharp look at a doomed relationship In Wilful Disregard (2013), Andersson showed – in excruciating detail – the drawn-out decline of a love affair where one person is ambivalent and the other is wholly in love; here, we get an equally unflinching look at Ester’s involvement with a married man It is very much a standalone book, although there are echoes of Wilful Disregard throughout; I was overjoyed to be reunited with the funny, intelligent Ester and curious to see whether she had learnt anything from her previous relationship (with Hugo Rask, an artist who spent the entirety of Wilful Disregard blowing hot and cold), only to recognise quickly that she had not It would be tempting and satisfying in a book to steer the characters away from their past mistakes, to make them do things differently this time – but in real life people don’t necessarily learn, not when it comes to matters of the heart   Ester is an intimidatingly clever person, someone who has dedicated her life to understanding and recording the world around her intensely through writing and theorising And yet, when it comes to men, she has a particular blind spot Her intelligence, in a way, is her undoing; it gives her the capacity to self-deceive endlessly, to analyse even the smallest situations and find them, somehow, hopeful Olof fails to send her a text message on the first New Year’s Eve that they’re a couple, an act which Ester interprets a sign of him being emotionally overwhelmed by his feelings for her, unable to condense them in a mere text With her friends – styled as the anonymous ‘girlfriend chorus’ in Wilful Disregard, but here fleshed out more as individuals each with their own approach to The Problem of Olof (and to love more generally) – Ester is able to analyse and re-analyse in a way that’s both absurd and also painfully familiar to anyone who’s ever been there   As the observers of this unromantic romance, we

Contributor

August 2014

Rose McLaren

Contributor

August 2014

Rose McLaren is an artist in London.

The Prosaic Sublime of Béla Tarr

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Issue No. 6

Rose McLaren

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Issue No. 6

I have to recognise it’s cosmical; the shit is cosmical. It’s not just social, it’s not just ontological, it’s really huge. And that’s why we...
Stalker, Writer or Professor? Geoff Dyer's Zona and Genre

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February 2012

Rose McLaren

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February 2012

‘So what kind of a writer am I, reduced to writing a summary of a film?’ wonders Geoff Dyer half way through Zona. Such...

READ NEXT

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Issue No. 2

The End of Francophonie: The Politics of French Literature

Lauren Elkin

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Issue No. 2

I. We were a couple of minutes late for the panel we’d hoped to attend. The doors were closed...

poetry

Issue No. 8

The Cloud of Knowing

John Ashbery

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Issue No. 8

There are those who would have paid that. The amount your eyes bonded with (O spangled home) will have...

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Issue No. 1

(Un)timely considerations on old and current issues

Donatien Grau

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Issue No. 1

Criticism has not been doing well lately. The London Review of Books, Europe’s biggest-selling literary publication, would no longer...

 

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