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Rose McLaren

Rose McLaren is an artist in London.



Articles Available Online


Talk Into My Bullet Hole

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July 2015

Rose McLaren

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July 2015

‘Someday people are going to read about you in a story or a poem. Will you describe yourself for those people?’ ‘Oh, I don’t...

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May 2014

Art Does Not Know a Beyond: On Karl Ove Knausgaard

Rose McLaren

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May 2014

Karl Ove Knausgaard’s My Struggle has an oddly medieval form: a cycle, composed of six auto-biographical books about the...

  For Aljoscha   ST LAWRENCE SEAWAY   Under my finger the map, this quiet pale blue of the cold estuary, the countless small elevations of the islands, white and pale green, they rub against my fingertip, press into the grooves and rings of the impinging skin Under the fingernail and pressed deep into the nail bed the black earth of this godforsaken strip of Middle Europe, far from any sea, any estuary, with a view to the horizon in the west and in the east to the bench by the yard gate, where Auntolga awaits the evening, I see her through the sparse branches of the young cherry tree in front of my house, she sits in the light of the late afternoon and scrapes the ground with her black laced shoes until her friends come and sit down beside her, sit there until dusk like old ravens   Auntolga scrapes with her feet and nods and nods with her raven’s head, we call out something in Serb to each other When she talks in Hungarian to her raven friends, I hardly understand a word, yet once a word flew from their beaks onto my table – Mississauga No doubt, the word had become Mississauga on its flight between Olga’s bench and the table in my room and had sounded quite different at the beginning of its trajectory, but now it was Mississauga, as on the freeway signs in the dazzling early summer light in Ontario, a quarter, a third, half of a lifetime ago? Almost still a child I found myself, together with my son of a few weeks, in a big American sedan The woman in whose house I was going to live had picked me up at the airport, she spoke a language I could not quite make out, later I understood that in her mouth a German dialect unfamiliar to me and English were engaged in an unceasing struggle, now paralysing, then again racing into each other, only occasionally, whether out of inattention or a generous mood, permitting a recognisable word in one or other language, such as

Contributor

August 2014

Rose McLaren

Contributor

August 2014

Rose McLaren is an artist in London.

The Prosaic Sublime of Béla Tarr

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Issue No. 6

Rose McLaren

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Issue No. 6

I have to recognise it’s cosmical; the shit is cosmical. It’s not just social, it’s not just ontological, it’s really huge. And that’s why we...
Stalker, Writer or Professor? Geoff Dyer's Zona and Genre

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February 2012

Rose McLaren

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February 2012

‘So what kind of a writer am I, reduced to writing a summary of a film?’ wonders Geoff Dyer half way through Zona. Such...

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poetry

July 2011

Comfort Station

Medbh McGuckian

poetry

July 2011

A witness has said that you raped women And brought them to the barracks to be used by the...

fiction

April 2014

Spins

Eley Williams

fiction

April 2014

Spider n. (Skinner thinks this word softened from spinder or spinner, from spin; Junius, with his usual felicity, dreams...

poetry

February 2012

Giant Impact Hypothesis

James Midgley

poetry

February 2012

I bought a satellite’s eye from the market. To look through it involved the whole god-orbit, a cotton-wooled Faberge...

 

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