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Rose McLaren

Rose McLaren is an artist in London.



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Talk Into My Bullet Hole

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July 2015

Rose McLaren

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July 2015

‘Someday people are going to read about you in a story or a poem. Will you describe yourself for those people?’ ‘Oh, I don’t...

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May 2014

Art Does Not Know a Beyond: On Karl Ove Knausgaard

Rose McLaren

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May 2014

Karl Ove Knausgaard’s My Struggle has an oddly medieval form: a cycle, composed of six auto-biographical books about the...

At that time our experience with death was very limited Sometimes someone’s grandfather or grandmother would die, like a domino falling when its turn comes at last, but still we all had at least two or three grandparents living Some grandparents – in particular, some grandmothers – threw themselves off their balconies This happened with a certain frequency; I have since asked myself if it was something peculiar to that neighbourhood or period in time, a coincidence, or else some fault in my memory Whatever it was, it happened, or at least I remember that it happened We would be playing peacefully in the street when first the rumours and then, later, the cries reached us: the grandmother of we-didn’t-know-who had thrown herself from a fourth, a fifth, a tenth floor, always from enough of a height to kill her The apartments – council blocks of exposed brick – were high and had narrow balconies cluttered with junk: cleaning supplies, birdless birdcages, plantless plant pots, and old, dirty mattresses were visible Some were enclosed by a barrier of green glass, but this, evidently, didn’t stop the old women perching on the edge and throwing themselves off into the void It was like a plague Five or six flung themselves off in the space of just a couple of years; once we even saw, from afar, a body crumpled on the pavement, light as a rag, through the police cordon and the neighbours surrounding it There was nothing to stop us getting nearer, except perhaps fear and revulsion; nothing prevented us, either, from inventing perverse fantasies about the possibility of a murder – someone pushed her, said one; they did it to get the inheritance, another added, repeating ideas from TV movies; us, children of a neighbourhood where the grandmothers did not have nor ever had an inheritance   The grandparents died, but for us life had no limit What concept could a child have, after all, of death? Or, rather, what concept could a child have of death in a country free of war or conflict, in an average city in

Contributor

August 2014

Rose McLaren

Contributor

August 2014

Rose McLaren is an artist in London.

The Prosaic Sublime of Béla Tarr

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Issue No. 6

Rose McLaren

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Issue No. 6

I have to recognise it’s cosmical; the shit is cosmical. It’s not just social, it’s not just ontological, it’s really huge. And that’s why we...
Stalker, Writer or Professor? Geoff Dyer's Zona and Genre

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February 2012

Rose McLaren

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February 2012

‘So what kind of a writer am I, reduced to writing a summary of a film?’ wonders Geoff Dyer half way through Zona. Such...

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fiction

Issue No. 3

Forkhead Box

Jeremy M. Davies

fiction

Issue No. 3

What interests me most is that Schaumann, the state executioner, bred mice. In his spare time. Sirens, ozone, exhaust...

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September 2014

The Mediatisation of Contemporary Writing

Nick Thurston

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September 2014

Trying to figure out what marks contemporary literature as contemporary is a deceptively complicated job because the concept of...

Interview

July 2015

Interview with Sarah Manguso

Catherine Carberry

Interview

July 2015

There’s a certain barometer of a writer’s achievement that urban readers know well: did this book cause me to...

 

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