Mailing List


Preti Taneja
PRETI TANEJA is a writer and activist, and Professor of World Literature and Creative Writing at Newcastle University, UK. Her novel WE THAT ARE YOUNG (Galley Beggar Press) won the UK’s Desmond Elliott Prize, and was listed for awards including the Folio Prize, Republic of Consciousness Prize (UK), the Shakti Bhatt First Book Prize (India) and Europe’s premier award for a work of world literature, the Prix Jan Michalski. It has been translated into several languages and is published in the USA by AA Knopf. Her new book, AFTERMATH on the language of trauma, terror, prison and abolition is part of the Undelivered Lecturers series from Transit Books USA, and will be published in the UK by And Other Stories in April 2022.


Articles Available Online


Order, Order

Essay

December 2021

Preti Taneja

Essay

December 2021

‘INQUESTS INTO THE DEATHS ARISING FROM THE FISHMONGERS’ HALL AND LONDON BRIDGE TERROR ATTACK CASE MANAGEMENT’1   with asides, insertions, questions and other patterns...

Fiction

Issue No. 30

HOTEL STATIONARY (AND THIS IS THAT)

Preti Taneja

Fiction

Issue No. 30

And the night John Berger died, I, Maria, pale shadow, the youngest sister of Sabine, was walking the city....

To read Shola von Reinhold’s ornate, multi-layered novel LOTE (2020) is to encounter a baroque mind It tells the story of a queer Black thinker named Mathilda, in the present day, who is transfixed by an historical era that does not adequately represent her Via diaries, letters and photographs she discovers the Bright Young Things, as they were fondly known, a set of decadent and disobedient socialites who threw elaborate, drug-fuelled parties across the 1920s and 30s Through a cocktail of hedonism, androgyny and queer love, this group — along with their counterparts in the Bloomsbury Group — began to deconstruct patriarchy a century ago, and seem to offer Mathilda an escape from the present, with all its social and racial barriers – except they don’t The catch is that members of both groups were, by and large, spoilt, white and rich Despite their experimental poetry, queer lifestyles, and self-fashioning (‘frock consciousness’, as Virginia Woolf called it), radicality is countered by entitlement; after all, rich people have always made exceptions of their own kind     The novel is underpinned by a question: Why are so few queer Black British modernists documented in those flourishing interwar years? Through an impressive mix of scholarship and historical fiction, Reinhold sets out to unravel and challenge this history, prying open the ledgers to ask how and why the received archive is so overwhelmingly white ‘I would venture to guess that Anon, who wrote so many poems without signing them, was often a woman,’ Woolf famously wrote ‘And/or Black,’ amends Reinhold – and with this as a sort of epigraph, their novel begins both a critique and a celebration of the era, setting out to recover the lives of Black Anons, and to conjure voices that didn’t make it into history   The novel opens in the National Portrait Gallery archive in London, circa 2019 Mathilda has been recruited, without pay, to sift through a

Contributor

February 2020

Preti Taneja

Contributor

February 2020

PRETI TANEJA is a writer and activist, and Professor of World Literature and Creative Writing at Newcastle University, UK. Her...

In conversation: Preti Taneja and Gina Apostol

Feature

February 2020

Gina Apostol

Preti Taneja

Feature

February 2020

Adelaide, Writers Week, March 2019. It was 41 degrees, and it was the furthest I have ever flown. I was standing at the fringes...

READ NEXT

Art

October 2015

Licence to Play

Thirza Wakefield

Art

October 2015

In his 1992 essay ‘In Search of the Centaur’, the writer and critic Phillip Lopate described the essay-film as...

Feature

November 2017

Small White Monkeys

Sophie Collins

Feature

November 2017

Small white monkeys stretch around in the dirt beneath a tree but do not get dirty. They pick themselves...

Interview

Issue No. 14

Interview with Hal Foster

Chris Reitz

Interview

Issue No. 14

HAL FOSTER’S WORK FOLLOWS in the tradition of the modernist art critic-historian, a public intellectual whose reflection on, and...

 

Get our newsletter

 

* indicates required