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Izabella Scott

IZABELLA SCOTT is an editor at The White Review.



Articles Available Online


Shola von Reinhold’s ‘LOTE’

Book Review

September 2020

Izabella Scott

Book Review

September 2020

To read Shola von Reinhold’s ornate, multi-layered novel LOTE (2020) is to encounter a baroque mind. It tells the story of a queer Black...

Art Review

November 2019

Actually, the Dead are Not Dead

Izabella Scott

Art Review

November 2019

During Bergen Assembly’s opening days, I am asked to attend a number of mock funerals, including one for a...

In Robert Ferro’s 1988 novel Second Son, Mark Valerian suffers from an unnamed illness afflicting gay men, spread by sex, and for which there is no cure Mark’s only hope seems to be a medical trial that requires the transfusion of genetically identical white blood cells, until his friend Matthew, who recently lost his lover to the ‘Plague’, begins writing letters to Mark revealing another potential cure Shortly after the disease erupted some seven years previously, a group of gay men made contact with aliens, living on a planet called Splendora, who are ‘long, lean, delicate, in the sense of a swimmer’s body’ ‘Darling,’ Matthew writes, ‘they are gay’ The aliens’ advanced technology will enable a group of gay men to escape to Splendora, be cured of their illness, and live safely on a planet populated only by gay men – and gay aliens Mark dismisses Matthew’s letters as the fantasies of a dying ‘queen out of control’; his family eventually acknowledge his illness, and a brother donates the blood needed for his trial Yet the novel ends with Mark and his lover Bill gazing at the sky, ‘waiting as if for the ship to Splendora’ – attracted, in spite of themselves, to Matthew’s fantasy of a gay planet It was a fantasy that seemed to promise everything, but there was one detail Matthew couldn’t explain about how this community could survive: ‘Reproduction is something of a mystery’   *   For centuries, writers, artists, and speculative thinkers have used science fiction to imagine the possible futures we might have That’s one reason the genre has long been a storehouse of fantasies about reproduction Imagining a different future requires imagining a different way of getting there, and the way we get there, the way any group makes it to any future, is by reproducing over time Science fiction’s reproductive fantasies have rarely been utopian in any simple sense, since one group’s utopia can all too easily slide into another’s dystopia But because of the genre’s commitment to world building — its requirement to have, if not always directly reveal, a logical

Contributor

September 2015

Izabella Scott

Contributor

September 2015

IZABELLA SCOTT is an editor at The White Review.

Book Review

August 2019

Jordy Rosenberg’s ‘Confessions of the Fox’

Izabella Scott

Book Review

August 2019

It’s hot as fuck, said the friend who handed me Confessions of the Fox, a faux-memoir set in eighteenth-century...

Navine G. Khan-Dossos, Echo Chamber

Art Review

November 2017

Izabella Scott

Art Review

November 2017

A lattice of diamonds and crosses, painted onto a 21-metre long wall at the Van Abbemuseum in Eindhoven, scatters my gaze. Artist Navine G....
Hot Rocks

feature

November 2016

Izabella Scott

feature

November 2016

‘We have received around 150 of them,’ Massimo Osanna tells me, as we peer into four small crates stuffed full of dusty freezer bags....
False shadows

Art

August 2016

Izabella Scott

Art

August 2016

The ‘beautiful disorder’ of the Forbidden City and the Yuanmingyuan (Garden of Perfection and Light) was first noted by the Jesuit painter Jean Denis...

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Interview

Issue No. 12

Interview with Douglas Coupland

Tom Overton

Interview

Issue No. 12

Douglas Coupland likes crowdsourcing. I should know, because he crowdsourced me shortly after the first part of this interview....

poetry

November 2016

Nothing Old, Nothing, New, Nothing, Borrowed, Nothing Blue

Iphgenia Baal

poetry

November 2016

look at your kitchen look at your kitchen oh my god look at your kitchen it’s delightful only wait...

Interview

Issue No. 5

Interview with Hans Ulrich Obrist

Ben Eastham

Interview

Issue No. 5

Hans Ulrich Obrist is a compulsive note taker. For the duration of our interview one hand twitches a pen...

 

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