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Helen Charman
Helen Charman is a writer and academic based in Glasgow. Her first book, Mother State – a political history of motherhood — is forthcoming from Allen Lane in 2024. She teaches in the English Studies department at Durham University.

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Attachment Barbies: On Watching Grey’s Anatomy

Essay

March 2023

Helen Charman

Essay

March 2023

In August 2022, ABC announced that Ellen Pompeo, currently the highest-paid actress on American network television, was leaving Grey’s Anatomy, the show on which...

Book Review

May 2021

HOLDING THE ROOM: ON HOLLY PESTER’S ‘COMIC TIMING’

Helen Charman

Book Review

May 2021

The last poem in Holly Pester’s first collection COMIC TIMING (Granta, 2021) is called ‘Villette’; it shares its title...

Nothing new on Bahnhofstrasse! — These are the first words to occur to me upon arrival With the word arrival, though, I’ve already said too much: there’s something so familiar in the soapy taste of the air that I wouldn’t dream of describing my walk into town as a return: I don’t think of myself coming back; I’ve never been away No, I never really left the town, sometimes I fled it, that’s all: in truth it was the town that never really left me The town took me over with its drab devastation, in which some perpetually stalled upheaval seemed in progress, an inexplicable upheaval I always had this impression, long before the whole country’s upheaval, and it lingered after the country’s authorities had surrendered and fled, after the government and its closest vassals had been replaced: this town seemed in no way to confirm the changing of the system In a past apparently impossible to fathom now, the town must have plunged into paralysis, and that collapse had survived the regime change   For years I fled from the town, years that have sped from my grasp as though chased by the furies, and yet never passed quickly enough for me These are all the years I can recall with ease, quite in contrast to those I spent here in this town It’s as though in those other cities, the bigger, more attractive ones I chose to live in, I never really settled down Those cities’ easily summoned images were dimmed by a sense of loss, a sentimental feeling originating in this town to which I return from time to time It’s here that this barely explicable sense of absence grew on me, one I only really felt once I had settled down elsewhere with the more or less firm resolution to stay It made itself felt as a kind of living without a background, it was a state of severance, a state without a past, and yet I’d learned to feel severed from the past in the small town afternoons   Time persisted here in dogged immutability; the autumnal fog

Contributor

November 2017

Helen Charman

Contributor

November 2017

Helen Charman is a writer and academic based in Glasgow. Her first book, Mother State – a political history...

Essay

May 2020

Where do I put myself, if public life’s destroyed? On reading Denise Riley

Helen Charman

Essay

May 2020

How do you read someone who doesn’t always want to be read? This is a question I used to...

Sally Rooney’s ‘Normal People’

Book Review

October 2018

Helen Charman

Book Review

October 2018

Reading Sally Rooney’s second novel Normal People is a compulsive experience. After the navy blue Faber & Faber proofs were sent out in early...
Rendering intimacy impossible, deploy lifeboats (mark yourself safe) Not listening as such, more waiting to speak, above all mark yourself, it’s so important to be safe Carry on, they demand, we’re not reeling / we are reeling Is this the place for a fountain reference? Probably ‘What first attracted you to your wife, sir?’ ‘Her delicacy / her ankles / her hatred of the Tories’                  Alive twice over but that’s a whole life gone too                you know I’m sorry, he holds his hands up, I’m                sorry, he backs away: my conscience couldn’t                keep company with your body I say, your body?                it just made me think: it’s only a nine month stay   The next time you lay a hand on me, I’ll make a perfect gleaming dive into the Thames Aren’t you glad / to be here? I am
Electioneering

Prize Entry

November 2017

Helen Charman


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Prize Entry

April 2017

Remain

Ed Lately

Prize Entry

April 2017

The apology had been the most charged and contested gesture between us, the common element in arguments whose subjects...

fiction

March 2016

Red

Madeleine Watts

fiction

March 2016

It was the first week of 1976 and she had just turned 17.   The day school let out...

Art

Issue No. 2

From Back Home

J. H. Engstrom

Art

Issue No. 2

In his collection From Back Home the Swedish photographer JH Engström traced his childhood memories back to the province...

 

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