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Helen Charman
Helen Charman is a writer and academic based in Glasgow. Her first book, Mother State – a political history of motherhood — is forthcoming from Allen Lane in 2024. She teaches in the English Studies department at Durham University.

Articles Available Online


Attachment Barbies: On Watching Grey’s Anatomy

Essay

March 2023

Helen Charman

Essay

March 2023

In August 2022, ABC announced that Ellen Pompeo, currently the highest-paid actress on American network television, was leaving Grey’s Anatomy, the show on which...

Book Review

May 2021

HOLDING THE ROOM: ON HOLLY PESTER’S ‘COMIC TIMING’

Helen Charman

Book Review

May 2021

The last poem in Holly Pester’s first collection COMIC TIMING (Granta, 2021) is called ‘Villette’; it shares its title...

[To be read aloud]   I want to begin – and I hope I don’t come across as autistic or anything like that (and I know I’m not supposed to say autistic, I know, I realised that as it was coming out, but I couldn’t stop it and I can’t unsay it so let’s just ignore it, can we?) – I want to begin by saying – and I don’t want to get bogged down with trying to find a way in (which is harder than you might imagine), we’ve got a lot to get through, so, but I want to begin by saying simply I want to begin by saying I want to begin   New paragraph Fresh start On   What I wanted to begin by saying was this: that I have always liked it best when you touch me by accident When you fall into me or brush past me or roll onto me in your sleep, to name but a few examples Motiveless contact Which is not of course to say I’ve never liked it when you’ve touched me on purpose That has its place But there’s a realm of experience – a realm of ecstasy – to which intentional contact allows, for me, no access I have always found a certain kind of intentionlessness – an intentionless act which nevertheless produces the desired outcome – extremely pleasurable Which is an admittedly unromantic way of putting it I’ve always liked it best when I’ve known there’s been no ulterior motive for physical conjunction Two unbidden bodies bound together in space: coming together, making contact, coming apart, unstained   Does this make sense? Would a concrete example help? Here’s a concrete example: imagine the scene: you’re going to put your hand to my cheek affectionately and, walking towards me, you trip over the cat – a cat who is at my feet, our cat – you stumble, your arm flies forwards and your hand, groping for support, it lands cupped on my cheek That your hand touches my

Contributor

November 2017

Helen Charman

Contributor

November 2017

Helen Charman is a writer and academic based in Glasgow. Her first book, Mother State – a political history...

Essay

May 2020

Where do I put myself, if public life’s destroyed? On reading Denise Riley

Helen Charman

Essay

May 2020

How do you read someone who doesn’t always want to be read? This is a question I used to...

Sally Rooney’s ‘Normal People’

Book Review

October 2018

Helen Charman

Book Review

October 2018

Reading Sally Rooney’s second novel Normal People is a compulsive experience. After the navy blue Faber & Faber proofs were sent out in early...
Rendering intimacy impossible, deploy lifeboats (mark yourself safe) Not listening as such, more waiting to speak, above all mark yourself, it’s so important to be safe Carry on, they demand, we’re not reeling / we are reeling Is this the place for a fountain reference? Probably ‘What first attracted you to your wife, sir?’ ‘Her delicacy / her ankles / her hatred of the Tories’                  Alive twice over but that’s a whole life gone too                you know I’m sorry, he holds his hands up, I’m                sorry, he backs away: my conscience couldn’t                keep company with your body I say, your body?                it just made me think: it’s only a nine month stay   The next time you lay a hand on me, I’ll make a perfect gleaming dive into the Thames Aren’t you glad / to be here? I am
Electioneering

Prize Entry

November 2017

Helen Charman


READ NEXT

poetry

Issue No. 18

Two New Poems

Dorothea Lasky

poetry

Issue No. 18

Do You Want To Dip The Rat   Do you want to dip the rat Completely in oil  ...

Interview

November 2016

Interview with Njideka Akunyili Crosby

Cassie Davies

Interview

November 2016

Njideka Akunyili Crosby first encountered Mary Louise Pratt’s ‘Arts of the Contact Zone’ (1991), which identifies ‘social spaces where cultures meet,...

fiction

February 2014

Coral

R. B. Pillay

fiction

February 2014

Early one morning, you wake up with the smell of burnt sheets in your nose, the sheets that you...

 

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