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Helen Charman
Helen Charman is a writer and academic based in Glasgow. Her first book, Mother State – a political history of motherhood — is forthcoming from Allen Lane in 2024. She teaches in the English Studies department at Durham University.

Articles Available Online


Attachment Barbies: On Watching Grey’s Anatomy

Essay

March 2023

Helen Charman

Essay

March 2023

In August 2022, ABC announced that Ellen Pompeo, currently the highest-paid actress on American network television, was leaving Grey’s Anatomy, the show on which...

Book Review

May 2021

HOLDING THE ROOM: ON HOLLY PESTER’S ‘COMIC TIMING’

Helen Charman

Book Review

May 2021

The last poem in Holly Pester’s first collection COMIC TIMING (Granta, 2021) is called ‘Villette’; it shares its title...

After The Eliza Battle, I went to Berlin to recuperate, to nurse my pride I had been there many times at that point, since first visiting in 2005 when I was part of a group show, and it had become my place for retreat when LA started to feel monstrous, as it regularly did; I’d been part of several group shows over the years and then there was a major museum biennial thing in 2011; there were meetings with curators arranged for the months of December and January; and I was also supposed to see a few gallerists who wanted to represent me, had been inviting me for months, more fervently after news of this last show; I had friends I could stay with, and sublets of people out of town, the Berlin way, a city of transience, expatriates, refugees, and nomads, but I rented a flat for myself, in a different part of town than most of the people I knew; and in the cab from the airport, I started to fall asleep, head nudging the window, I hadn’t slept on the flight, it was nearing 4 pm Berlin time, the sky was steely; and I was able to make out the brown buildings with their box balconies, the typography of the street signs, the black coats being dragged around by little moons of grim faces, the Muslim women in their head scarves and long dresses that dusted the ground as they walked, and I felt at home   I hadn’t spoken to or seen Hanne in the month or so between the opening and when I left Cal had, as expected, texted many times, beginning on the night of the opening, wondering where I’d gone, if he could come over later, and something the next morning, ‘you were so radiant last night, lover,’ then the texts started to end in question marks, a flurry of them for a few days, but by the time I’d made it to the airport, they’d stopped altogether, and I’d already started to forget the features of his face   By the time I arrived at

Contributor

November 2017

Helen Charman

Contributor

November 2017

Helen Charman is a writer and academic based in Glasgow. Her first book, Mother State – a political history...

Essay

May 2020

Where do I put myself, if public life’s destroyed? On reading Denise Riley

Helen Charman

Essay

May 2020

How do you read someone who doesn’t always want to be read? This is a question I used to...

Sally Rooney’s ‘Normal People’

Book Review

October 2018

Helen Charman

Book Review

October 2018

Reading Sally Rooney’s second novel Normal People is a compulsive experience. After the navy blue Faber & Faber proofs were sent out in early...
Rendering intimacy impossible, deploy lifeboats (mark yourself safe) Not listening as such, more waiting to speak, above all mark yourself, it’s so important to be safe Carry on, they demand, we’re not reeling / we are reeling Is this the place for a fountain reference? Probably ‘What first attracted you to your wife, sir?’ ‘Her delicacy / her ankles / her hatred of the Tories’                  Alive twice over but that’s a whole life gone too                you know I’m sorry, he holds his hands up, I’m                sorry, he backs away: my conscience couldn’t                keep company with your body I say, your body?                it just made me think: it’s only a nine month stay   The next time you lay a hand on me, I’ll make a perfect gleaming dive into the Thames Aren’t you glad / to be here? I am
Electioneering

Prize Entry

November 2017

Helen Charman


READ NEXT

poetry

November 2012

Mr Minotaur

Simon Pomery

poetry

November 2012

Hey Mr Minotaur, so red, so neatly hunchbacked on account of your thick neck, ready to headbutt victims to...

feature

May 2014

How Imagination Remembers

Maria Fusco

feature

May 2014

How imagination remembers is twofold, an enfolded act of greed and ingenuity. I believe these impulses to be linked...

Interview

April 2012

Interview with Grant Gee

Evan Harris

Interview

April 2012

As the theatre is relit and the credits roll on Grant Gee’s latest film, Patience (After Sebald), an essay on...

 

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