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Helen Charman
Helen Charman is a writer and academic based in Glasgow. Her first book, Mother State – a political history of motherhood — is forthcoming from Allen Lane in 2024. She teaches in the English Studies department at Durham University.

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Attachment Barbies: On Watching Grey’s Anatomy

Essay

March 2023

Helen Charman

Essay

March 2023

In August 2022, ABC announced that Ellen Pompeo, currently the highest-paid actress on American network television, was leaving Grey’s Anatomy, the show on which...

Book Review

May 2021

HOLDING THE ROOM: ON HOLLY PESTER’S ‘COMIC TIMING’

Helen Charman

Book Review

May 2021

The last poem in Holly Pester’s first collection COMIC TIMING (Granta, 2021) is called ‘Villette’; it shares its title...

 I am bound more to my sentences the more you batter at me to follow you – William Carlos Williams, ‘January’   A new train set changed the living room into her playground Just a little engine and two cars, red and green, going around the metal track, but the little girl imagined more, because the trains followed the curves, stayed on the track, and kept circling and going, going Her father sat beside her on the floor, like her, beaming      A very long line of freight trains took a long time to pass She knew it would come to an end, and was patient at the railroad crossing The cars of many colours – yellow, red, green – lumbered by, boxes on wheels, while the train’s lonesome whistle kept calling, Here I come, here I am, here I go      Freight trains, at all times of day and night, wailed through hundreds of small towns, just a gas station, a luncheonette, maybe a beauty parlour, towns undone by human failure and natural disaster, flood, drought, towns with no product but the wind blowing      Her toy train rounded an old track               Estranged mountains bulged under the sky, the big sky, the endless sky Anyway, no one could see an end to it, which reassured her, since so much seemed to be coming to an end It felt that way      But it seemed impossible – the universe dropping off, ending, there would be an end, and then there would be nothing, a no more, a vacuum of no more Her imagination couldn’t let her go there               A jumble of metal and tires, grease stains, goop, the shop looked a big mess The guts of cars, tools, scattered all over the floor, but he knew where everything was He’d say to his wife, ‘I know where it all is, just don’t touch anything’ His place was like the back of his hand, and he was just as attached to it      Folks brought in their cars and trucks for fixing Dented, broken down, crashed The fixer-uppers The ‘keep ‘em going until I get some money’ cars Junkers The shit that happened to their rides, to them,

Contributor

November 2017

Helen Charman

Contributor

November 2017

Helen Charman is a writer and academic based in Glasgow. Her first book, Mother State – a political history...

Essay

May 2020

Where do I put myself, if public life’s destroyed? On reading Denise Riley

Helen Charman

Essay

May 2020

How do you read someone who doesn’t always want to be read? This is a question I used to...

Sally Rooney’s ‘Normal People’

Book Review

October 2018

Helen Charman

Book Review

October 2018

Reading Sally Rooney’s second novel Normal People is a compulsive experience. After the navy blue Faber & Faber proofs were sent out in early...
Rendering intimacy impossible, deploy lifeboats (mark yourself safe) Not listening as such, more waiting to speak, above all mark yourself, it’s so important to be safe Carry on, they demand, we’re not reeling / we are reeling Is this the place for a fountain reference? Probably ‘What first attracted you to your wife, sir?’ ‘Her delicacy / her ankles / her hatred of the Tories’                  Alive twice over but that’s a whole life gone too                you know I’m sorry, he holds his hands up, I’m                sorry, he backs away: my conscience couldn’t                keep company with your body I say, your body?                it just made me think: it’s only a nine month stay   The next time you lay a hand on me, I’ll make a perfect gleaming dive into the Thames Aren’t you glad / to be here? I am
Electioneering

Prize Entry

November 2017

Helen Charman


READ NEXT

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January 2015

'Every object must occupy ...'

Herta Müller

TR. Philip Boehm

feature

January 2015

I’d like to introduce you to a book, an impressive book that no one read when it first came...

Interview

December 2013

Interview with Tess Jaray

Lily Le Brun

Interview

December 2013

In the light-filled rooms of The Piper Gallery is a painting show that features no paint. Brought together by...

Art

September 2014

On the Ground

Teju Cole

Art

September 2014

I visited Palestine in early June 2014, just before the latest wave of calamity befell its people. For eight...

 

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