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Helen Charman
Helen Charman is a writer and academic based in Glasgow. Her first book, Mother State – a political history of motherhood — is forthcoming from Allen Lane in 2024. She teaches in the English Studies department at Durham University.

Articles Available Online


Attachment Barbies: On Watching Grey’s Anatomy

Essay

March 2023

Helen Charman

Essay

March 2023

In August 2022, ABC announced that Ellen Pompeo, currently the highest-paid actress on American network television, was leaving Grey’s Anatomy, the show on which...

Book Review

May 2021

HOLDING THE ROOM: ON HOLLY PESTER’S ‘COMIC TIMING’

Helen Charman

Book Review

May 2021

The last poem in Holly Pester’s first collection COMIC TIMING (Granta, 2021) is called ‘Villette’; it shares its title...

VISA GODS   In this story, Eurydice is dark & deadly & has lived all her life in Hades In this story, Orpheus plays the drums   A semester-at-sea program  Tamil refugee solidarity group makes them meet Orpheus is ensnared watching the way she talks with her hands and laughs with her eyes and speaks with an accent he has never taken to bed Skin sun-kissed as cinnamon stick, long hair that anchors storms, a mouth filled with the coarsest curses on land Gossip says it was the spice in her meals, it may well have been the sex   For the sake of this story, Orpheus has to bring her into the first world In his contract with the overlords there’s no clause about looking back, about trust, about hearing the footsteps of the loved one before walking ahead— that is not a white people thing at all   Here, Orpheus must leave Eurydice must follow   In other words, Eurydice, to smuggle their love, must screw her way into Europe   Eurydice must cross the seas, pass through border controls, fight for a Schengen, chant prayers for her visa, borrow recklessly with her bank, get her passport stamped She must do this six hundred times over a lifetime   Hostage to nation-state, our man Orpheus must wait, must will himself to live for a woman who weeps when she is away, weeps when it’s time to leave, weeps when she cannot come, who weeps in his arms because their love story is not in their hands   Orpheus no longer plays the drums   Now, there is no music in his life— only the silence at parting, the white noise of waiting     A CAT CLOSING HER EYES   Poonai kanmoodi kondaal, Poolokam irundu vidaathu When a cat shuts its eyes, the world does not turn dark   It is said that mothers have a proverb for every occasion— amma recycled the same one to see me through everything   To tackle my teenage tantrums Poonai kanmoodi kondaal Your sulking does not affect me, girl!   To combat my depression Poonai kanmoodi kondaal Just stop wallowing in your sorrows, girl!   To stop me giving up Poonai kanmoodi kondaal The world will move on without you, girl!   Most of all, to put me together, heartbreak after heartbreak Poonai kanmoodi kondaal He doesn’t see you, girl, you are beautiful, men will find you, and you will find love!     INDIA IS MY COUNTRY   Like the fascist who led us to this ruin, death has also learnt to wear a different disguise these days   No heavy as sorrow

Contributor

November 2017

Helen Charman

Contributor

November 2017

Helen Charman is a writer and academic based in Glasgow. Her first book, Mother State – a political history...

Essay

May 2020

Where do I put myself, if public life’s destroyed? On reading Denise Riley

Helen Charman

Essay

May 2020

How do you read someone who doesn’t always want to be read? This is a question I used to...

Sally Rooney’s ‘Normal People’

Book Review

October 2018

Helen Charman

Book Review

October 2018

Reading Sally Rooney’s second novel Normal People is a compulsive experience. After the navy blue Faber & Faber proofs were sent out in early...
Rendering intimacy impossible, deploy lifeboats (mark yourself safe) Not listening as such, more waiting to speak, above all mark yourself, it’s so important to be safe Carry on, they demand, we’re not reeling / we are reeling Is this the place for a fountain reference? Probably ‘What first attracted you to your wife, sir?’ ‘Her delicacy / her ankles / her hatred of the Tories’                  Alive twice over but that’s a whole life gone too                you know I’m sorry, he holds his hands up, I’m                sorry, he backs away: my conscience couldn’t                keep company with your body I say, your body?                it just made me think: it’s only a nine month stay   The next time you lay a hand on me, I’ll make a perfect gleaming dive into the Thames Aren’t you glad / to be here? I am
Electioneering

Prize Entry

November 2017

Helen Charman


READ NEXT

Interview

Issue No. 1

Interview with Tim Walker

Karl Smith

Interview

Issue No. 1

‘I’m not so motivated by fashion and brands,’ explains Tim Walker – one of the world’s leading fashion photographers....

feature

May 2011

Why I Write (Rather than Riot)

Gavin James Bower

feature

May 2011

Watching the recent public demonstrations protesting, at times violently, the Coalition government’s budgetary cuts, I was forced to revisit...

Art

Issue No. 4

The Land Art of Julie Brook

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession...

 

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