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David Isaacs
David Isaacs has recently completed a PhD about the ethics of rewriting at UCL. He is coming to the end of a first novel and is at the early stages of a new project about the present tense.


Articles Available Online


Interview with Namwali Serpell

Interview

December 2020

David Isaacs

Interview

December 2020

Namwali Serpell is a rarity: an academic and novelist whose criticism is as vital as her fiction. Since we first spoke, in September 2020,...

Book Review

June 2018

Christine Schutt’s ‘Pure Hollywood’

David Isaacs

Book Review

June 2018

There is a certain kind of American novelist of the late twentieth century whose fiction fetishises plant names. The...

And all the circus ponies had to go home   I   In the ticket booth a woman chews gum She’s thin, but in a way I don’t begrudge, which isn’t like me I ask, ‘Where have the performers come from?’ because I know he will ask me this later I know because I know him She chews at me She shrugs and I decide I’ll say Russia, because he has a thing about Russia   II   The acrobat’s hair was yellow, long, and bluntly cut to match the ponies’ tails They would perform for her, only She would dismount from the tightrope like a yoyo, landing at the centre of the ponies’ circle From above their formation might have been an asterisk   III   Her actual plummeting was unscripted, so at odds with the music I felt nauseous Once we got to grips with the idea we were prepared for horror We were ready for her limbs, all akimbo, her neck at an impossible angle I saw a woman cover a child’s eyes with something like foresight She was supposed to plummet She was supposed to drop like a stone like a penny like a raindrop like a well-worn simile on a disillusioned readership We waited for the ripples in the yellow sand; our eyes fixed on the ground   We waited for her body to appear in the crosshairs on the surface of our eyes We couldn’t help our subsequent disappointment I saw the woman uncover the child’s eyes with something like embarrassment We averted our collective gaze upwards and found her We’d been duped She hung like a bird feeder from the safety net; her hair was knotted round her throat and round the mesh Her limbs swayed like hollow tubes on a wind chime   IV   The crowd hourglass’d through the tent entrance The motion made me think of an arrow on a woman’s midriff in an ad for probiotic yoghurt The people murmured with one voice Refunds would be processed as soon as possible   V   She wore her loneliness like a leotard, tight at the upper thighs and under arms She fed the ponies what she fed herself, which isn’t

Contributor

August 2014

David Isaacs

Contributor

August 2014

David Isaacs has recently completed a PhD about the ethics of rewriting at UCL. He is coming to the end...

Prize Entry

April 2017

Pylons

David Isaacs

Prize Entry

April 2017

Once upon a time, Dad would begin, I think, focusing on the road, there was a man called Watt....

Seasickness

Prize Entry

April 2016

David Isaacs

Prize Entry

April 2016

‘How would you begin?’   She puts a finger to her lips, a little wrinkled still from the water, and hesitates. She says, ‘Maybe:...
How things are falling.

Prize Entry

April 2015

David Isaacs

Prize Entry

April 2015

i.   Oyster cards were first issued to members of the British public in July 2003; by June 2015 they will have been replaced...
by Accident

fiction

April 2014

David Isaacs

fiction

April 2014

[To be read aloud]   I want to begin – and I hope I don’t come across as autistic or anything like that (and...

READ NEXT

feature

February 2011

Old media, new year: China’s CCTV woos the nation’s netizens

Shepherd Laughlin

feature

February 2011

The CCTV New Year’s gala broadcast, known in Mandarin as Chunwan, is probably the most massive media event you’ve...

feature

Issue No. 12

Foreword: A Pound of Flesh

George Szirtes

feature

Issue No. 12

1.   ANALOGIES FOR TRANSLATION ARE MANY, most of them assuming a definable something on one side of the...

fiction

January 2014

Vertical Motion

Can Xue

TR. Karen Gernant and Chen Zeping

fiction

January 2014

We are little critters who live in the black earth beneath the desert. The people on Mother Earth can’t...

 

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