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Rose McLaren

Rose McLaren is an artist in London.



Articles Available Online


Talk Into My Bullet Hole

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July 2015

Rose McLaren

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July 2015

‘Someday people are going to read about you in a story or a poem. Will you describe yourself for those people?’ ‘Oh, I don’t...

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May 2014

Art Does Not Know a Beyond: On Karl Ove Knausgaard

Rose McLaren

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May 2014

Karl Ove Knausgaard’s My Struggle has an oddly medieval form: a cycle, composed of six auto-biographical books about the...

Dad used to believe that the souls of the dead rise up into the air and become one with the universe, but doesn’t anymore because he has seen too many minds in pieces, too many spirits crushed, and when I ask him how that happens he says ‘Life’ I imagine it sometimes: all of them looking down from what must be stillness, darkness, quiet, and then through the clouds and the blue sky to the earth and the sea, deep enough to watch the fish turn and flash like so many coins and up here the houses among the ti trees, the shops on the road, people passing the time of day – chinwagging, daydreaming, gadding about – old men in leather shoes baiting lines on the pier and pulling up squid so white they glow in the late light of evening And the skinny thing with the long legs: that is me, running through the water   Lawrie goes about the beach barefoot, shambling; I watch him through the brightness off the waves Cool winds blow from the ocean with mutton birds coming in and yellowness flickers on the cliffs and spindly pines, bent about like ink drawings I have seen I think again of those high up souls, of gods and angels and creatures of the sky I wonder if they see us now, me and Lawrie, his footsteps on the sand making shapes like some kind of writing: telling all those things he cannot say in words; me, dancing around, thinking of them while they look at me, wondering if they see us always, carrying on like we do, or if we already made too much noise and fuss and they have turned away   Dad comes back from the trawler with a bag full of prawns, along the beach past those beaten rocks with their small shelves and hollows, the naked dangling tree roots and Lawrie, who puts his hands in his pockets and yawns and spits and follows in his lounging, raggedy way I go with them to where the barbeques are, watching those prawns crawling about, I

Contributor

August 2014

Rose McLaren

Contributor

August 2014

Rose McLaren is an artist in London.

The Prosaic Sublime of Béla Tarr

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Issue No. 6

Rose McLaren

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Issue No. 6

I have to recognise it’s cosmical; the shit is cosmical. It’s not just social, it’s not just ontological, it’s really huge. And that’s why we...
Stalker, Writer or Professor? Geoff Dyer's Zona and Genre

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February 2012

Rose McLaren

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February 2012

‘So what kind of a writer am I, reduced to writing a summary of a film?’ wonders Geoff Dyer half way through Zona. Such...

READ NEXT

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Issue No. 1

(Un)timely considerations on old and current issues

Donatien Grau

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Issue No. 1

Criticism has not been doing well lately. The London Review of Books, Europe’s biggest-selling literary publication, would no longer...

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October 2012

Film: Palestinian Airlines

Eddie Wrey

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October 2012

    Palestinian Airlines Produced and Directed by Eddie Wrey Co-produced and translated by Max Wrey Co-edited by Rye...

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May 2014

The Quick Time Event

David Auerbach

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May 2014

The ability of computers to semantically understand the world – and the humans in it – is next to...

 

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