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Rose McLaren

Rose McLaren is an artist in London.



Articles Available Online


Talk Into My Bullet Hole

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July 2015

Rose McLaren

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July 2015

‘Someday people are going to read about you in a story or a poem. Will you describe yourself for those people?’ ‘Oh, I don’t...

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May 2014

Art Does Not Know a Beyond: On Karl Ove Knausgaard

Rose McLaren

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May 2014

Karl Ove Knausgaard’s My Struggle has an oddly medieval form: a cycle, composed of six auto-biographical books about the...

‘Being so caught up So mastered’ Yeats     I was too shy to say anything but Your poems are so beautiful What kinds of things, feelings, or ideas inspire you, I mean, outside the raw experiences of your life? He turned a strange crosshatched colour as if he stood in a clouded painting, and said, Thanks, but no other phenomena intrude upon my starlit mind     I see you are wondering what this is all about Don’t mind me, I’m talking to myself again Yes, poetry is nice and often beautiful, yet it doesn’t beget much attention, money, or even a simple thanks for placing the best words in the best order That’s when I forget all about your incessant demands, and the restless subject leaps the stream in Technicolour— until the Remembrancer appears and says, Stop this wasteful life     Doctor, lawyer, thief These fancies of yours could cost a life or worse, two Meanwhile, he perceives my gifted body upholding my mind as I’m explaining my stuff on the Unicorn Tapestries, cheeks starting to colour, feathers ruffling, quiet shudders He shrugs, Your content sounds too beautiful but I’d like to read it sometime Okay He says all the right things, like I love you Hyacinth Girl Things get interesting until the sudden blow: Thanks     For the memories What I’ll think seeing his new work in The New Yorker is Thanks for nothing, asshole, as he drops me for that prolific pastoral life with his wife upstate The more I think about it, it all depends upon your phantom attention Surely a world embroiders itself in one’s mind at any moment, words resounding, ardent present clarifyingly beautiful And beautifully truthful You know? Here I should put in a lapis colour     Or a murky midnight blue Or have the crowd stagger by in a riot of colour pinning down the helpless beast with spears and ritualistic thanks to their gods What one really wants to get at is the real, the eternally beautiful like The White Album or something That’s what makes one perilous life worth living All the brute indifference, humiliation, and failure can put one in the mind to give up, freak out, kill somebody, heart battered, so mastered Oh you     Wherever I go, on the subway, in my cubicle,

Contributor

August 2014

Rose McLaren

Contributor

August 2014

Rose McLaren is an artist in London.

The Prosaic Sublime of Béla Tarr

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Issue No. 6

Rose McLaren

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Issue No. 6

I have to recognise it’s cosmical; the shit is cosmical. It’s not just social, it’s not just ontological, it’s really huge. And that’s why we...
Stalker, Writer or Professor? Geoff Dyer's Zona and Genre

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February 2012

Rose McLaren

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February 2012

‘So what kind of a writer am I, reduced to writing a summary of a film?’ wonders Geoff Dyer half way through Zona. Such...

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Interview

Issue No. 14

Interview with Hal Foster

Chris Reitz

Interview

Issue No. 14

HAL FOSTER’S WORK FOLLOWS in the tradition of the modernist art critic-historian, a public intellectual whose reflection on, and...

Interview

November 2014

Interview with Juan Goytisolo

J. S. Tennant

Interview

November 2014

Juan Goytisolo is one of Spain’s leading writers, but one with a fraught relationship with his home country, to put it...

poetry

January 2012

Mount Avila

W. N. Herbert

poetry

January 2012

‘el techo de la ballena’   Time to be climbing out of time as the wild city rates it,...

 

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