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Kevin Brazil
Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London Review of Books, the Times Literary Supplement, Art Review, art-agenda, Studio International, and elsewhere. He is writing a book about queer happiness.

Articles Available Online


Interview with Sianne Ngai

Interview

October 2020

Kevin Brazil

Interview

October 2020

Over the past fifteen years, Sianne Ngai has created a taxonomy of the aesthetic features of contemporary capitalism: the emotions it provokes, the judgements...

Essay

Issue No. 28

Fear of a Gay Planet

Kevin Brazil

Essay

Issue No. 28

In Robert Ferro’s 1988 novel Second Son, Mark Valerian suffers from an unnamed illness afflicting gay men, spread by...

Bound with animal fat, milk, or blood, Roman concrete is hardened over time Less water would ordinarily mean a less workable, yet stronger setting substance – concrete production being a tireless balance between liquid and solid against stability – but sanguine additives introduced bubbles of air, like tiny vehicles for the movement of solid materials through the cement, enabling flow and so multiplying the minutes between the mixing of the concrete and the moment it set for good A splash of water could be sacrificed without reduced workability Once the concrete set, each entrained microdwelling of air became a pore, allowing the now solid structure to absorb new water and for this to freeze, thaw, and exit the artificial stone without fracturing its temporary home In correspondence to the civilisation itself, strength was won and growth quickened with blood The first Pantheon was erected following the determining sea-fought battle of that last war of the Republic – the fight that saw Cleopatra exit, like a descendant of so many kings, with an asp to her breast Its replacement, built under Hadrian – concrete beneath brick – still stands The resistance of this ancient concrete was forged at scorching temperatures, the ash of Vesuvian eruptions precooked just as the limestone in Portland cement is sintered to clinker today Two parts volcanic mortar to one part lime; blood for tenacity; horsehair to reduce shrinking; laid by hand in line with its aggregate It built the Pantheon, the Colosseum, it rebuilt much of Rome and thousands of miles of road These days a soupier substance is needed to flow through machinery Watered down by industrialisation, and for the sake of economy, it is required to move faster, to build more It arrives ready mixed, slow-setting, weaker and bloodless Its quickflow corpus is reinforced now by steel; cracks begin to appear much earlier on   As the Empire faded, so too did the common use of concrete, its systematic application being the stuff of large-scale bureaucracy The Middle Ages had concrete, but not as much, nor as strong, nor so persistent In building material circles, it

Contributor

March 2018

Kevin Brazil

Contributor

March 2018

Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London...

Interview with Terre Thaemlitz

Interview

March 2018

Kevin Brazil

Interview

March 2018

In the first room of Terre Thaemlitz’s 2017 exhibition ‘INTERSTICES’, at Auto Italia in London, columns of white text ran across one wall. Thaemlitz...

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Art

October 2014

For the Motherboard

Vanessa Hodgkinson

James Bridle

Art

October 2014

Please click on the links below to download, print and assemble (instructions in slideshow above) Vanessa Hodgkinson’s For the Motherboard:...

Art

February 2016

'Look at me, I said to the glass in a whisper, a breath.'

Alice Hattrick

Art

February 2016

Listen to her. She is telling you about her adolescence. She is telling you about one particular ‘bender’ that...

Art

September 2011

Interview with Marnie Weber

Timothée Chaillou

Art

September 2011

Los Angeles-based artist Marnie Weber has spent her career weaving music, performance, collage, photography and performance together into her...

 

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