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Kevin Brazil
Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London Review of Books, the Times Literary Supplement, Art Review, art-agenda, Studio International, and elsewhere. He is writing a book about queer happiness.

Articles Available Online


Interview with Sianne Ngai

Interview

October 2020

Kevin Brazil

Interview

October 2020

Over the past fifteen years, Sianne Ngai has created a taxonomy of the aesthetic features of contemporary capitalism: the emotions it provokes, the judgements...

Essay

Issue No. 28

Fear of a Gay Planet

Kevin Brazil

Essay

Issue No. 28

In Robert Ferro’s 1988 novel Second Son, Mark Valerian suffers from an unnamed illness afflicting gay men, spread by...

Your right hand is the first to go One Sunday afternoon as you’re sitting on the sofa reading the papers, it detaches itself at the wrist and walks on the tips of its thumb and fingers across the rug in the centre of the room It strides up the arm of the leather chair he’s sitting in, pushes its fingers between those of his left hand and curls them down, interlocking your palm with his   He continues working on his laptop You try to call your hand back, mouthing and gesturing so you don’t disturb him It ignores you, clutches him tighter He doesn’t seem to notice   You try everything you can think of to lure it back: cooing, threatening, ignoring It remains interlaced with his hand He continues to type   How are you going to eat? Write? Dress? Can you manage with your left hand? You can’t remember the last time you tried   You imagine him feeding you, wonder if you can convince him to do so You despise yourself for considering it   The following morning, after you’ve negotiated dressing (you acted coy, he helped), eating breakfast (toast, one handed; buttering was a challenge), getting the bus (you tipped the change from your purse onto the driver’s tray; he wasn’t impressed) and getting into your office (a balancing act), you sit at your desk and wish you could call your mother   Sometimes you hear her voice in your head, saying the things you know she’d say to you, advising, guiding, reassuring This time there’s silence   You examine the stump of wrist where your hand used to be It’s sharp, pristine No sign of a struggle, no blood   You teach your third-year students The module is Women in Post-War Britain and today’s seminar is on the 1960s You discuss the pill, the Abortion Act, Soho, the sewing machinists’ strike in Dagenham   One of the young women has a ring finger missing Is that recent? You’ve never noticed before Another, like you, is devoid of a right hand She takes notes competently with her left You wonder what her story is   Afterwards, you attempt to continue with the article you’re

Contributor

March 2018

Kevin Brazil

Contributor

March 2018

Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London...

Interview with Terre Thaemlitz

Interview

March 2018

Kevin Brazil

Interview

March 2018

In the first room of Terre Thaemlitz’s 2017 exhibition ‘INTERSTICES’, at Auto Italia in London, columns of white text ran across one wall. Thaemlitz...

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feature

Issue No. 19

Editorial

The Editors

feature

Issue No. 19

‘A crisis becomes a crisis when the white male body is affected,’ writes the philosopher Rosi Braidotti, interviewed in...

feature

Issue No. 11

Forgotten Sea

Alexander Christie-Miller

feature

Issue No. 11

I. As I stood on the flanks of the Kaçkar Mountains where they slope into the Black Sea near...

poetry

August 2016

Three New Poems

Sarah V. Schweig

poetry

August 2016

‘The Audit’ and ‘Red Bank’ are excerpts from Schweig’s forthcoming book, Take Nothing With You (University of Iowa Press, 2016).  ...

 

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