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J. S. Tennant
J.S. Tennant is a contributing editor at The White Review.

Articles Available Online


Luis Goytisolo’s ‘Recounting’

Book Review

March 2018

J. S. Tennant

Book Review

March 2018

In June last year the Spanish novelist Juan Goytisolo (interviewed in The White Review in 2014) died in Marrakesh, his home for decades. While his reputation never waned...

feature

Issue No. 20

From a Cuban Notebook

J. S. Tennant

feature

Issue No. 20

Beneath the rain, beneath the smell, beneath all that is a reality a people makes and unmakes itself leaving...

The White Book feels as if it is being whispered: each paragraph seems to come from some deep and interior place Han Kang wrote it whilst living in Warsaw, though in the book the city is never named explicitly Instead it is only a white city, white for its snow and white for its stone ruins In an interview with Granta, Kang said that when writing this book, she imagined her prematurely dead sister had lived and visited the city ‘in my place’   Photographs are interspersed throughout In some, a woman appears, her face obscured by shadow In others, only her hands are visible She holds a child’s gown She holds a pebble-like object covered in salt The photographs are of white objects, but in contrast to the white pages, they are startlingly grey The specks and splashes of whiteness are surrounded by shadow The woman seems trapped in darkness Who is this woman supposed to represent? The narrator? The ghost of the sister? The novelist Kang? All or none of the above?  The literal answer is that they are photographs of a performance by Kang, shot by the photographer Choi Jinhyuk But within the pages, they seem to carry the spirit of characters — and the novelist herself   The text is a loose collection of thoughts, scenes, and images Few are longer than a page They are gathered into three sections — ‘I’, ‘She’, and ‘All Whiteness’ ‘I’ follows the narrator considering the colour white and describes her sister’s passing ‘She’ imagines the sister’s life Some subsections describe what the sister might have done—having an X-ray, finding a pebble, attempting to befriend a dog Others contemplate white things—seagulls, a dead butterfly, a lace curtain   Both ‘I’ and ‘She’ are pensive and slightly sorrowful At first, this similarity is disorienting: it is hard to see where one perspective ends and the other begins Slowly, the reader realises that this muddling is the point The concern of the narrator is not whether the sister would have been a vastly different person, but what it means to replace one life with another Her mother would not have

Contributor

August 2014

J. S. Tennant

Contributor

August 2014

J.S. Tennant is a contributing editor at The White Review.

Interview with Juan Goytisolo

Interview

November 2014

J. S. Tennant

Interview

November 2014

Juan Goytisolo is one of Spain’s leading writers, but one with a fraught relationship with his home country, to put it mildly. The Mexican novelist Carlos...

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Art

March 2016

Seeing from behind: Park McArthur

Anna Gritz

Art

March 2016

In a public conversation between Park McArthur and Isla Leaver Yap that accompanied the former’s exhibition Poly at the...

poetry

June 2013

Belly

Melissa Lee-Houghton

poetry

June 2013

When I was fifteen I took my two little cousins into town and had them wait outside the tattoo...

fiction

September 2011

In the Aisles

Clemens Meyer

fiction

September 2011

Before I became a shelf-stacker and spent my evenings and nights in the aisles of the cash and carry...

 

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