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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

I You remember your childhood Your tow-headed, reddish-tinged mother, who yelled after you all day like a Paraguayan peasant chasing her donkey And your father flattened in front of the TV, murmuring curses against the people flickering on the screen Your grades at school were average, pathetic, as you competed against the ones at the top of the class with their brilliance adapted to hedge-hopping teachers’ brains who flitted from idea to another on stage like macaques   Your sexuality came out in full bloom next to a friend, masturbating at the same time in a basement, a disused bathhouse Then a prostitute, then a kid your age, wild but inept, and a stream of others to give your childhood a feeling of recklessness But it’s more likely that, too shy and lacking any charm, you never learned much about the world and all these years now seem to you like a black hole centred around your puberty   Then you got married, you procreated, you bought a place to live, furniture, obedient and laborious things, and day after day tons of food, whittled away, expelled, mixed together by the sewers of the city in a communal digestion by all its inhabitants, comprising the furious ones and those who were at each other’s throats when they met each other on the street You’ve had the same job for fifteen years, they like you, they’re getting ready to lay you off, to transfer you, it’s a promotion, a disgrace, they’re waiting for you to hand in your letter of resignation, nobody’s got a bleaker outlook than you, you’re following a useless line of arguing, they’ll make you a cardinal, you’ll become the pope of this company of fleas, of salad bowls, and if you’re a female, you’ll be the first woman to hold this post since this company was founded in the century of lights   Every woman comes from the same orifice at first, she has an infancy, a childhood She procreates, and she’s the one who pushes her children outside with all her strength as if she had made it her sole mission She’s had

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

READ NEXT

fiction

July 2015

Agata's Machine

Camilla Grudova

fiction

July 2015

Agata and I were both eleven years old when she first introduced me to her machine. We were in...

feature

November 2012

Life outside the Manet Paradise Resort : On the paintings of Lynette Yiadom-Boakye

Orlando Reade

feature

November 2012

*   A person is represented, sitting in what appears to be the banal and conventional pose of a...

Art

June 2012

'The Freedom of Speech Itself', or the betrayal of the voice

Lorena Muñoz-Alonso

Art

June 2012

‘The instability of an accent, its borrowed and hybridised phonetic form, is testimony not to someone’s origins but only...

 

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