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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

However tired of each other they must have grown from time to time, there was always great solidarity among Pastor Fredrik Hammarsten’s children—four boys and two girls The girls married quite young and moved to other countries, far enough away that the others could think of them without concern or annoyance But Torsten, Einar, Olov, and Harald continued to live in Stockholm, where Grandfather was the preacher at Jakob’s Church Maybe they knew one another too well to socialise in the usual way, but they couldn’t help being aware of one another’s various activities and sometimes foolish opinions   Sister Elsa married a priest and moved to Germany, and Mama married a sculptor and went to Finland She signed her drawings Ham, but Uncle Einar called her Signe   I knew that when they were young and Uncle Einar’s studies were at their most intense, it was Ham who watched over his work and saw to it that none of his strength or confidence went to waste She was tireless and ambitious on his behalf   And then she went away What a triumph it must have been when she learned that Uncle Einar had been named Professor of Medical Chemistry at the Karolinska Institute! He must have written to tell her, because we had no telephone   Mama never said a word about being homesick, but as often as she could, she took me out of school and sent me over to her brothers to see what they were up to and to tell them what was happening with us, and the most important part was seeing Uncle Einar and trying to get a sense of how his scientific work was going   ‘It’s going all right,’ he said ‘You can tell Signe that I think it’s moving in the right direction, but very slowly’   ‘How so?’ I said, sitting at the ready with pen and paper   Uncle Einar gazed at me for a moment and then said very amiably that cancer was like a string of beads where it’s impossible to remove one of the beads from the others without the whole necklace going to pieces   I was disappointed Apparently

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

READ NEXT

fiction

Issue No. 5

Sent

Joshua Cohen

fiction

Issue No. 5

These women lived in hope, they lived for the future as if they were every one of them already...

Interview

February 2015

Interview with Eddie Peake

Lily Le Brun

Interview

February 2015

Like many people, I had seen Eddie Peake’s penis long before I met the artist himself. For several years...

feature

July 2012

Theatre's Arab Turn

Tanjil Rashid

feature

July 2012

Apart from the odd Shakespearean exception, from Othello the Moor of Venice to the Merchant of Venice’s marginal Moroccan...

 

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