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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

Watching the recent public demonstrations protesting, at times violently, the Coalition government’s budgetary cuts, I was forced to revisit a long-held personal dilemma   I’ve described myself as ‘a writer’ from the age of nineteen, writing, at first, a series of features in and around the disparate areas of contemporary art – while at the same time arguing with very little subtlety in favour of my grand vision for the world, and how it should work While my writing today may well have outgrown its incipient characteristics of undergraduate anger and a quite spectacularly misplaced sense of superiority, I’ve not lost those early impulses to write Indeed, I’d say my desire to write – the compulsion to put pen to paper, as it were – has remained largely unaltered in what’s now a decade-long career Similarly, my motivations – explicitly political as they doubtless were from the start, against capitalist social relations and diametrically opposed to the current order of things – have stayed with me I’ve not so much as purchased a copy of Socialist Worker, however – despite the obvious opportunities to do so, especially while attending a redbrick university in the North More to the point, though, I’ve never joined any kind of physical march, riot or protest – against anything This I’ve always found difficult to explain, and is therefore my principal reason for this essay: to justify why I write rather than riot; to demonstrate briefly where this is mirrored by others; and to argue how this paradox must be upheld * When George Orwell wrote his seminal essay ‘Why I Write’, from which I take both title and inspiration – at least, in part – he made plain the motivations for a very particular type of artist: the writer Orwell, only a handful of years after his own participation in the Spanish Civil War, then provided four motives for writing: sheer egoism; aesthetic enthusiasm; historical impulse; and political purpose I myself would eschew, though not entirely dismiss, points two and three As a writer, it’s egoism and political purpose that defines both

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

READ NEXT

poetry

November 2014

Lay and Other Poems

Pere Gimferrer

TR. Adrian Nathan West

poetry

November 2014

Ode to Venice Before the Sea of Theaters (from Arde el mar, 1966)   The false cups, the poison,...

Art

December 2011

James Richards: Not Blacking Out...

Chris Newlove Horton

Art

December 2011

Artist James Richards appropriates audio-visual material gathered from a range of sources, which he then edits into elaborate, fragmented...

feature

September 2015

Immigrant Freedoms

Benjamin Markovits

feature

September 2015

My grandmother, known to us all as Mutti, caught one of the last trains out of Gotenhafen before the...

 

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