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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

There is a sense of calm, a deep quiet in the soul, that befalls me when I come face-to-face with an Israeli soldier In that moment, I have to accept what is, who I am A simple truth washes over me We lost, they won He is the descendant of victors, I am a son of defeat   Somewhere on him will be an emblem of the state Israel A word I can pick up in the din of the busiest London cafe, on a street, in a club If it has been said within earshot, I will hear it If Hebrew is spoken in my vicinity, the same happens My ears perk up and my attention is summoned   Thinking of Israel, I often remember a line by William Faulkner: ‘There is a victory beyond defeat, which the victorious know nothing of’ When I first read it, in London, it was a revelation It lifted me, gave me pride and hope, and inspired in me a stoic resolve   Here, in Jerusalem, it leaves me unmoved It inspires nothing but want I want to be the victor I want to be the flash, the gleam, the passing star That fleeting victory Faulkner speaks of disparagingly — I want it I am not interested in the self-reflection of defeat; the long, long road to recovery It is like bitterness in old age, nothing but a constant gnawing at my core   And so, I fantasise Especially in Jerusalem, I often find myself fantasising Crude, over-the-top, Warner Brothers–style fantasy I want to be the Hulk, Superman, Silver Surfer, Wonder Woman I want to be Gal Gadot I want to grab a tank by the barrel and swing it around, destroying every settler outpost in the land I want to wreak havoc and bring forth great fires and spectacular violence I fantasise and it feels good A momentary pleasure, with a steep price   I try to articulate the despair that follows, and I fail My brain shuttles between Arabic and English, never staying at one end long enough to form a convincing thought, all the while knowing that the man

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

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fiction

Issue No. 6

Stolen Luck

Helen DeWitt

fiction

Issue No. 6

Keith was not the songwriter. Darren and Stewart wrote the songs. Keith hit things, some of which were drums....

Art

June 2016

Art and its Functions: Recent Work by Luke Hart

Rye Dag Holmboe

Art

June 2016

Luke Hart’s Wall, recently on display at London’s William Benington Gallery, is a single, large-scale sculpture composed of a...

fiction

June 2017

Ferocity

Nicola Lagioia

TR. Antony Shugaar

fiction

June 2017

A pale three-quarter moon lit up the state highway at two in the morning. The road connected the province...

 

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