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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

I decide to drop by Arseny Zhilyaev’s workshop at Garage Museum of Contemporary Art in Moscow last November, only to find that instead of sitting quietly in the corner and listening to presentations, I am expected to assume the role of artist myself Along with my new-found colleagues, I am to make art as part of a role-playing game set in the Russian Cosmic Federation of the near future By this point in human history, all art is created by AI, but man’s input is still required to advance the performance of machines What we produce is to be evaluated by an assistant curator at Garage, and Zhilyaev himself, who will decide which of us is to represent the Russian Cosmic Federation at an Intergalactic Biennale   I am nervous before the game starts, and bubble with excitement as everyone around me transforms into inhabitants of a post-futurist art world But I get prematurely bored after the first two rounds of producing concepts as a member of the collective, Experimental Zombie Formalism Turns out the art world’s grip on creative freedom can feel suffocating, even in the future In response, my comrades and I go on strike, organize an alternative (and highly irreverent) annual biennale, and end up establishing a cult, of which I am the chief goddess Fictional CEO of a fictional cult, with a divine status acknowledged by a board of devoted disciples – not the worst outcome for a struggling artist in a precarious sci-fi future My brief period of art making, however, does not bring me intergalactic institutional recognition, nor does my work make it into planetary collections I shall perish, nameless and forgotten, as my body dissolves into the ether   Zhilyaev’s work – a mixture of installation, fiction, archival research, publishing, and most recently role-play games – combines Russian cosmist philosophy with a vision of a dystopian soon-to-come The philosophy of cosmism – a mind-boggling combination of science, technology, and spirituality – was originally dreamed up by the nineteenth-century Russian thinker Nikolai Fedorov Fedorov advocated for immortality, and the resurrection of all human beings, proposing that our ever-extending

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

READ NEXT

poetry

May 2012

Monopoly (after Ashbery)

Sarah Howe

poetry

May 2012

I keep everything until the moment it’s needed. I am the glint in your bank manager’s eye. I never...

feature

December 2013

The Horror of Philosophy

Houman Harouni

feature

December 2013

An article published in this same venue opens with a grievance: ‘We lack the philosophers that we require for...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

 

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