Mailing List


Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

I   Look up A woman tumbles from the sky, her dress billowing around her like a parachute as she spins The air caught in her skirt slows her fall, and she wonders what she is doing here as she panics, as she hits the mud on the River Avon, glistening silver in the light at low tide She lives  Clifton Suspension Bridge, Bristol She is Sarah Ann Henley, of 30 Twinnell Road, Bristol The year is 1885, and she has quarrelled with her lover She is one of only four over the next hundred years to fall from Clifton Suspension Bridge and survive Two of that number are children, who plummet over the side, together, a decade later Their picture is in a locket Sarah owns when she dies, in 1948   Cities are full of ghosts They are contained in the things we walk past every day: the roots growing from the plane tree into the pavement, the string wound round a metal fence, the cement traffic barriers lined up to stop cars driving down a lane that doesn’t exist They lurk in cracks in the sidewalk, hinting at histories that have long been ignored   This is a ghost story full of doublings and hauntings I look at Bristol — where I’m a tourist, where I have no past, only a present — and read the past everywhere, like an overlay: two maps, two cities, past and present I grew up in a small suburban town outside Washington, DC, that had been home to the country’s biggest slave traders, but no one ever mentioned that Bristol, too, is built on money from the slave trade, but all you hear about are pirates: Bristol is obsessed with its glorious history All around, Brutalist buildings are being torn down     *   Recovering in hospital, our fallen woman receives proposals, not only of marriage Her father is offered a fortune to turn her into a popular entertainment, a freak show She and her beau, a railway porter, perhaps reconcile; she begs for him He tries to

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

READ NEXT

Art

October 2015

Licence to Play

Thirza Wakefield

Art

October 2015

In his 1992 essay ‘In Search of the Centaur’, the writer and critic Phillip Lopate described the essay-film as...

Interview

October 2013

Interview with Nick Goss

James Cahill

Interview

October 2013

Nick Goss has emerged in recent years as one of the UK’s most feted young painters. Evoking indistinct places...

Art

March 2013

Strangely Ordinary: Ron Mueck's art of the uncanny

Anouchka Grose

Art

March 2013

Since the Stone Age, people have been concerned with the problem of how to represent life.   Cave paintings...

 

Get our newsletter

 

* indicates required