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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

— Stay, Carmen! There’ll be cake! We bought it just for you! Stay!   It was twenty past seven in the evening, and Carmen wanted to go home She lived in Ladeira dos Tabajaras, two blocks away from her bosses on Santa Clara Street Carmen’s mother, Dona Jandira, never let her forget how lucky she was that she could just walk down the hill to her job in Zona Sul Dona Jandira had lived most of her life in Nova Iguaçu and had to start her commute to Leblon, where she worked, at four in the morning This went on for over 40 years How many times had Dona Jandira hesitated at the bus stop? She might have been happy if she’d gone and sat on the opposite bench and caught the bus to Juiz de Fora, where her parents lived Who knows, maybe she could have found a piece of land there, and even had the time to see whether her children really went to school when they left the house But the months went by and Dona Jandira never crossed the street, nor did she change buses Each day she got off in Leblon and each night she slept in Nova Iguaçu Then she caught an illness which ended up devouring her from the inside without her even knowing Carmen, who worked for the Ortega family on Santa Clara Street, was the only one of her children who stayed with her After Dona Jandira got sick, they managed to move out of Nova Iguaçu to Zona Sul, nearer to the hospital where Dona Jandira was being treated The important thing to Dona Jandira was that life was improving with each generation: Carmen didn’t have to wake up at 4 am She woke at 630 and by 730 she was already at work in Santa Clara It was a blessing   On the day of the cake, Carmen could no longer bear to be around her boss Dona Rafaela, her spoiled children who she had pretended to love for over 20 years, or her smarmy husband, seu Roco A strange name, but

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

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poetry

February 2014

Two Poems from A Finger in the Fishes Mouth

Derek Jarman

poetry

February 2014

To mark the 20th anniversary of Derek Jarman’s death, Test Centre has produced a facsimile edition of his sole,...

feature

Issue No. 6

The White Review No. 6 Editorial

The Editors

feature

Issue No. 6

By the looks of it, not much has changed for The White Review. This new edition, like its predecessors,...

Interview

January 2013

Interview with Kalle Lasn

Huw Lemmey

Interview

January 2013

Reinventing a political culture is a difficult task to set oneself; political aesthetics develop alongside political movements, and tracing...

 

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