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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

Moments ago, the woman with the lovely dimples had been shivering, utterly ravaged by the evening, but now her face was plastered with a smile, her dimples deepening as she gathered up her clothes A moment ago she had been a newlywed, teeth chattering, pale and in agony Now she was a happy young divorcee   The man had already dissolved their union He had emphatically recited his three talaq: I divorce you, I divorce you, I divorce you Their first night together was also their last Sitting on the bed’s golden sheets with the scent of jasmine floating in the air, Dimples had taken stock of the situation Sweat still clung to her skin and her long hair fell across her back onto the pillow She was still half-naked but she had to leave immediately, because she was no longer the mistress of the house   There was the sound of the man’s impatient steps behind the door, keplak-keplak She recalled him stripping her naked and then undressing himself, just a short while ago Dimples had frozen like ice while that man was on fire, leaping upon her and thrusting ferociously Then he stopped for a moment, his forehead wrinkled Not for very long, but long enough for Dimples to ask silently, What’s wrong? Am I too young for you, Master? The man’s reply was to make the bed rattle like a palm tree branch being thrashed by a hurricane as he hurriedly finished his lovemaking Then they both lay back for a moment, flooded with sweat and gasping for breath   But the man was still on fire – not with desire, but with rage He threw a blanket over Dimples, jumped up from the bed and pulled on his shorts Without even looking in her direction, he cursed her before severing the ties between them, slamming the door of their wedding chamber with a final shout: ‘You whore!’   *   The woman with the two snot-nosed kids had watched stonily as the headman had bound Dimples and her destiny to that man Dimples didn’t have the strength to return her malicious stare – drowning in

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

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feature

June 2012

Nothing Here Now But The Recordings: Listening to William Burroughs

Charlie Fox

feature

June 2012

About a month ago I was in Berlin. Every night I had a very strange dream. I was watching...

feature

June 2013

Jean Genet in Spain

Juan Goytisolo

TR. Peter Bush

feature

June 2013

‘1932. Spain at the time was over-run with vermin, its beggars. They went from village to village, in Andalusia...

Interview

April 2017

Interview with Mark Greif

Daniel Cohen

Interview

April 2017

Since 2004, when his work started to appear in n+1, the magazine he co-founded, Mark Greif has taken contemporary...

 

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