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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

When I arrive in Moscow, I am picked up from the airport by Roman, a patriotic taxi driver sent to collect me courtesy of The Garage Museum of Contemporary Art Before I take my seat in the back of the BMW he is driving, Roman tells me that he loves his country, his wife, and Princess Diana, after whom he named his daughter Having discovered this is my first visit to the city, he decides to take me on an impromptu tour of the centre We drive past ‘Putin’s house’, aka the Kremlin, and St Basil’s Cathedral, where he launches with glee into a retelling of a legend of Ivan the Terrible, in which the original ‘Tsar of all Rus’ pokes out the eyes of the cathedral’s architect in order to ensure he never makes anything so beautiful again Then onwards to the glass-domed shopping centre, GUM, itself a potted history of Russian politics: commissioned by Catherine the Great, nationalised after the revolution, briefly used by Stalin to display the body of his wife Nadezhda after she committed suicide, and today a mall so firmly at the lux end of the spectrum that even the ice cream concession is made by Bulgari Last but not least on the tour is Pushkinskaya Square, to view ‘the first Soviet McDonald’s’, where today Roman buys his morning coffee He opens the glove department and proudly shows me the evidence: full of empty cardboard cups   This particular McDonald’s outlet opened on a January day in 1990 30,000 people turned up, and in a sign of the coming change, employees handed out red flags with yellow logos to the crowds, the hammer and sickle replaced by the golden arches The queue that snaked its way around the square that day would not be a one off Come summer, visitors would still be waiting in line for eight hours, to experience the freedom of blocking their arteries in the US style One year later, the Soviet Union would fall, and in the murky scramble that ensued, a few men would make their fortunes buying up state-owned

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

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Interview

February 2017

Interview with Hajra Waheed

Rebecca Travis

Interview

February 2017

This conversation with Hajra Waheed began in person with an opportune meeting at her Montreal studio in April 2016....

feature

November 2016

Hot Rocks

Izabella Scott

feature

November 2016

‘We have received around 150 of them,’ Massimo Osanna tells me, as we peer into four small crates stuffed...

Essay

Issue No. 18

The Disquieting Muses

Leslie Jamison

Essay

Issue No. 18

I.   In Within Heaven and Hell (1996), Ellen Cantor’s voice-over tells the story of a doomed love affair...

 

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