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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

  Best known for his bestselling biography of Mozart, Wolfgang Hildesheimer was a polymathic novelist, translator, painter and dramatist A member of the influential literary association Gruppe 47, with Günter Grass, Heinrich Böll and Paul Celan, he was extremely well-connected in the world of German publishing and an astute observer of the literary scene As this 1980 letter to his publisher Siegfried Unseld, the formidable director of Suhrkamp Verlag, reveals, he was one of the first to notice the importance of Renata Adler’s experimental novel Speedboat —S W   *   Dear Siegfried,   You were not mistaken in your suspicion that Renata Adler’s Speedboat would ‘hit home’ with me I find it – to use a fashionable word – a captivatingly good book, at least the – more or less – five sixths that I understand: to understand the remaining sixth, one would either have to be an American or know America very well, because it is an eminently American book, and sometimes I lack the key to the metaphors But that does not compromise a reading of the book, because its structure allows you to open it up at random and read it, without being aware of the context, like a breviary   Now you ask me why the book is so good I may assume that you have read it, so that my answer can only be seen as a recommendation to those who have not read it To sum up this answer in a sentence, I would say: here journalism has grown far beyond its own boundaries to create a masterpiece That has, to my knowledge, never happened before, not least because journalism, however outstanding it may sometimes be, must be measured by its currency value, and thus has to respond to a precise theme But I have never read a report whose theme, as here, is nothing less than our life   In general, it does not take any particular analytical perspicacity to unmask our life as an absurd and potentially catastrophic sequence of events, deliberate or otherwise, an implementation of something that is essentially impossible But this book does more than that,

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

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Prize Entry

April 2016

Oögenesis

Karina Lickorish Quinn

Prize Entry

April 2016

After her daughter had – for the third time, no less – laid her eggs in the fruit bowl,...

Interview

August 2013

Interview with Marvin Gaye Chetwynd

Ben Eastham

Interview

August 2013

Four or so years ago, at what was then the single Peckham establishment to serve a selection of sandwiches...

feature

March 2016

Behind the Yellow Curtain

Annina Lehmann

feature

March 2016

Notes from a workshop   At first, there is nothing but a yellow curtain at the back of the...

 

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