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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

https://soundcloudcom/user-856373367/sarah-gridley-addressee   ADDRESSEE   I mind less that you go far away in time Once I had to harden myself to the idea Now I ask more of it, and you, and the carryover Those I find time for presently do not bring this cup of stars your listening makes Few of us are free of petty necessity, hurts spun back to inflictions, ambition rocking to exhausted desire I worry less that I’m not into this I love the curtain between us The old space of sailing, the birds that fly so far from land      https://soundcloudcom/user-856373367/sarah-gridley-origin-is-your-original-sin   Origin is Your Original Sin —AR Ammons   Not to have touched your starting point Never to have reached for where you are To renounce ever splitting a single fruit in half Never to have fooled yourself or others To have no cause for redirection To let alone the long odds and the favourable Not to be this or that Neither spatialised or spiritualised To leave your bear in the eternal winter dream of spring Not to emerge Never to mate or part with time Not to be licked into shape, never to mind the branching acts, the superstitious rags you might have tied to trees beside the wells Never around the mossy depth of wells Never a question of holiness, the steadfast eye of subterranean water Never to wear entanglements of air and blood Never to see the salmon leap To feel no difference between up and down To get the soporific movement of the sea but neither its lifting or breaking dreams Never to feel the velvet curtain dropping at the end To touch as near

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

READ NEXT

Prize Entry

Issue No. 20

The Refugee

Kristen Gleason

Prize Entry

Issue No. 20

Brian Ed waited outside the ration house. Merlijn took his time coming to the door, and opened it slowly....

feature

November 2015

Streets of Contradiction

feature

November 2015

Jerusalem has a remarkably cohesive identity, in architectural terms. Every building, from the Western Wall to the sleek hotels...

Interview

March 2014

Interview with Antón Arrufat

TR. Jennie Rothwell

J. S. Tennant

Interview

March 2014

Author of the novels La noche del aguafiestas and the experimental Ejercicios para hacer de la esterilidad virtud, Antón...

 

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