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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

Friday 9 November 2009   The coffee is lukewarm, but she doesn’t mind to drink it this way She speeds down the freeway; she has left the coast and the San Francisco Bay behind her, she has passed through the suburban towns of Hayward Dublin Livermore and travels inland toward the central highway of the state where there are no longer suburban towns and there is no longer heavy traffic and there is the city which lies at the southern end of the interstate, and so she moves quickly, presses the gas pedal down with her right foot to move the green car through space to in some five and half hours arrive to Los Angeles And the music is loud in the car because she wants it to play loudly and she has set the volume of the music player close to its highest setting to hear Glenn Gould’s vocalisations as he plays ‘The Art of Fugue Contrapunctus XIV’ She wants the companionship of his wide hums and refracted moans to accompany the yellow-dried fields of grasses passing by her, the hills roll down the highway, the California aqueduct winks bluely once and then again at her left like a wide blue eye and she wont see it again for two hundred miles, and her own persistent noises, the noisiness of bees of the motorised car of her thinking and of Gould’s golden mouth rising above the keyboard at his fingers’ edges and up into space and his dead articulations and the dead man playing the notes and humming along to the musical notations and the speed of the car and the fugue moves her forward towards the hour she will arrive hours from now to Los Angeles and she cannot stop this day moving forward moving towards her like a barricade, the black day continues apace and the sun running across the windshield of the car ‘The service is at one o’clock at the Catholic church near her mother’s house on Pico Boulevard’   ‘It’s funny, Fyodor, it was the best sex I have ever had, but that’s not enough This

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

READ NEXT

poetry

April 2017

Two Poems

Fady Joudah

poetry

April 2017

EUROPA AND THE BULL   The boat was loaded on a truck. The truck took me to the border....

Interview

November 2014

Interview with Juan Goytisolo

J. S. Tennant

Interview

November 2014

Juan Goytisolo is one of Spain’s leading writers, but one with a fraught relationship with his home country, to put it...

fiction

October 2015

The Bird Thing

Julianne Pachico

fiction

October 2015

You are worried about the bird thing but that’s the last thing you want to think about right now,...

 

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