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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

21 April   Imagine a passport to get into the house Trump announces ‘the suspension of immigration, unprecedented measures in the United States’ One morning coffee, Nescafé classic; then another ‘These measures were not even taken during the Second World War’ Flights cancelled in Europe, borders again etc Apparently swallows can stay in the air for up to 10 months without touching down on land A practical system in 2020 At two coffees, the morning begins to have the minimum light required for the head of a living subject Somebody talks about swallowing up the world and then spitting it out No one from outside can come in Anybody is a potential enemy The bunker is an architecture of politics, as of March 2020 Apply the system to each state, then to each city, then to each neighbourhood, then to each house The house: nobody from outside can come in Banning immigration At most, only those from inside can come in But whoever is inside can’t come in, that would be too stupid, they’re inside already Passport shown outside, at the window, to be able to get the door open Jastrow’s ambiguous figure: the look is deceptive If you look to the left you see a duck; if you look to the right, a rabbit There’s not much point Oktoberfest beer festival cancelled Pope postpones World Youth Day to 2023 And petrol sold this Monday at negative prices The whole mix of new stories of the highest and lowest importance at a great gallop is a kind of censorship through speed Speed covers up with the advantage of seeming to show What is important is not covered or hidden: it is just putting speed into the legs or the motor of what is important so that it’s quickly off the stage How many dead today and what was the final score in the match? 2-0? A video of Bob Dylan

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

READ NEXT

poetry

June 2011

Testament: Two Poems

Connie Voisine

poetry

June 2011

Testament What’s the difference? You might wear it out touching, touching, not buying. Like a snail on a stick,...

feature

September 2012

Negation: A Response to Lars Iyer's 'Nude in Your Hot Tub'

Scott Esposito

feature

September 2012

I do not know whether I have anything to say, I know that I am saying nothing; I do...

feature

October 2013

Enjoy His Symptoms?

Michael Sayeau

feature

October 2013

We lack the philosophers that we require for an era marked by agitation and occupation. From the UK student...

 

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