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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

After her daughter had – for the third time, no less – laid her eggs in the fruit bowl, Mrs Jane Smith lost her temper, because if she had told that girl once, she’d told her a thousand times: no procreation in the house Not even the parthenogenetic kind And especially not on the nectarines But there was no reasoning with that child Stubborn as a mule, just like her father In fact Jane Smith was often saying it: My Georgia – just like her father, she is She was a testy girl, always giving her parents the contrary She’d swear the day was night just to naysay her mother There really is no reasoning with that child Not that you could call Georgia Smith a child anymore Lately the girl had been all over the place, literally: climbing up the walls, hanging from the ceiling, scuttling furtively up and down the stairs at night She’d developed infuriating habits like going round the house, turning off the lights and drawing all the curtains because she preferred lurking in darkness Last Sunday she had even bitten the dog And why did she do it? She was thirsty She was thirsty, she said! But the breaking point for Jane was her daughter’s ovulation onto the fruit Thinking about it later, Jane struggled to justify, even to herself, why she had become quite so apoplectic over the incident Yes, she had been waiting days for the nectarines to reach just the right stage of ripeness and, yes, her craving for juicy peach flesh would have to remain unsated a little longer, but this frustration could not begin to account for the cataclysmic intensity of her reaction, which had culminated in Mrs Jane Smith running – screaming – down the High Road, in her dressing gown and slippers, the fruit bowl held aloft with outstretched arms before she flung it furiously from the Station Road overpass down onto the train tracks below to be lacerated by the 0737 to London Victoria The inconvenient truth – the truth that

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

READ NEXT

Art

November 2014

Conversations About a Play

Louise Stern

Art

November 2014

Editor’s note: The images in the slideshow document a conversation on paper between the writer and artist Louise Stern...

feature

January 2016

Suite

Pierre Senges

TR. Jacob Siefring

feature

January 2016

‘Suite’ was born of an invitation Pierre Senges received to contribute to an anthology on the future of the novel (Devenirs...

fiction

May 2017

Gloria

Aaron Peck

fiction

May 2017

Bernard, whenever he thought of Geoffrey, would remember his gait on the afternoon of their first meeting. Geoffrey walked...

 

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