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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

ANDRÉ BRETON The most memorable thing about our meetings [around 1919-1920] was the almost complete bareness of the room in which Reverdy received us, usually on Sundays He lived at the top of Montmartre, rue Cortot, a stone’s throw from the rue des Saules Of the astonishing ‘climate’ that prevailed there, nothing could give a clearer picture than this remarkable description by Reverdy himself, at the opening of La Lucarne Ovale [1]:   At that time coal had become as precious and as rare as nuggets of gold, and I was writing in an attic where the snow, falling in through cracks in the ceiling, would turn blue Such force of expression has for me lost none of its beguiling charm It takes me back, instantly, to the heart of that verbal wizardry which, for us, was the preserve of Reverdy Only Aloysius Bertrand and Rimbaud had previously ventured so far down that path For my part, I loved and I love still – yes, love – this poetry that takes as its subject the vast swathes that halo everyday life, that haze of anxieties and intimations that flutter around our thoughts and actions From these he pruned as if at random, the rhythm he created appearing to be his sole tool, albeit one that never betrayed him; he was a marvel Reverdy was much more of a theorist than Apollinaire: he would even have been a master in our eyes had he been less impassioned in debate, more aware of the arguments with which we opposed him, though it is true that this passion made up a great part of his charm No one has reflected better, nor has known how to make others reflect, on the profound effects of poetry Nothing could hold greater importance later on than his ideas on poetic imagery Nor is there anybody who has shown such exemplary indifference to the ingratitude of fate   (Interviews with André Parinaud, ‘Le Point du Jour’, Gallimard, 1952)     LOUIS ARAGON A black sun has set in Solesmes When we were 20 (Soupault, Breton, Eluard and I), he embodied for us all that was pure in the world Our immediate elder, and the exemplary poet Life may well have ebbed between us, but it

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

READ NEXT

fiction

Issue No. 20

Track

Nicole Flattery

fiction

Issue No. 20

My boyfriend, the comedian, took pleasure in telling me about rejection – how it came about, how to cope...

Interview

September 2013

Interview with László Krasznahorkai

George Szirtes

Interview

September 2013

László Krasznahorkai was born in Gyula, Hungary, in 1954, and has written five novels and several collections of essays...

fiction

July 2012

The Pits

FMJ Botham

fiction

July 2012

Sometimes he would emerge from his bedroom around midday and the sun would be more or less bright, or...

 

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