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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

Growing up in an evangelical church I took communion most weeks To a child’s mind it seemed an excitingly gruesome process: the bread, broken, shared and eaten to represent Christ’s body; the wine drunk to represent his blood This morbid, albeit normalised, ingestion is intensified in Roman Catholic orthodoxy’s concept of transubstantiation, in which the bread and wine are not mere representations, but in the moment of consumption are believed to be Christ’s flesh and blood incarnate   This theological nuance might be described as the difference between simile and metaphor, or being like and being the thing itself In relation to her new work, ECZEMA!, artist and writer Maria Fusco described transubstantiation as ‘the biggest metaphor you can get’ An experimental musical score and script written for one voice, it attempts not so much a visual or aural representation of the skin disease as its embodiment in sound, words and performance Commissioned as part of a festival celebrating the NHS’s 70th birthday, ECZEMA! premiered – importantly, given the NHS’s Welsh origins – at the Wales Millennium Centre in Cardiff, where it was also recorded for future release as a vinyl EP with Matthew Herbert’s label Accidental Records   In the windowless Hoddinott Hall, a big fat metaphor sat front and centre: a pipe organ ‘The skin is an organ An organ is the skin’, read the text in the lime green handouts distributed among the audience, indicating how Fusco intended the instrument to be understood Despite this primer, it was a shock when a churning sound started up from the large pipes mounted on the far wall of the hall The restless, animalistic rhythm formed the sonic and conceptual backbone of the piece, and a direct channelling of eczema’s definitive gesture: the scratch Fusco is a lifelong eczema sufferer, and working with prototyper Yann Seznec, she wore a ‘scratch glove’ fitted with sensors and accelerometers in order to record the movement of her scratching as data The particular scratch that comprises the score of ECZEMA! lasted 30 seconds It was then stretched out to a duration of 30 minutes and ‘fed’ through the organ by the

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

READ NEXT

feature

February 2011

Red Shirts in Thailand

Sam Brown

feature

February 2011

The closest I had ever come to a protest was in 2003, in Bangkok, when I tried and failed...

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May 2017

The Pilgrims

Rachel Aydt

feature

May 2017

ST. JOAN The great actress Renée Jeanne Falconetti stands trial for heresy, a woeful story told with her eyes...

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October 2015

War is Easy, Peace is Hard

Alexander Christie-Miller

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October 2015

At around midday on 19 July, Koray Türkay boarded a bus in Istanbul and set off for the Syrian...

 

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