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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

Catmint wakes up to the taste of milk and baking soda He pushes his tongue against his teeth Swallows thick, creamy catarrh It is five oh two He turns to the right, slips from bed and begins   First, he lays out Beetle’s pills on a paper napkin Two brown circles, one large pink oval, and a white capsule filled with soluble red powder He spaces each of them out with his smallest fingernail Then, he tiptoes about the bedroom whilst Beetle sleeps, brushing out his hair and clipping it back, slipping into his two-strap sandals, painting his eyelids with a waxy, yellow pigment He stands on the dresser and cleans inside the Recirculator with his fingers, and then he lifts his filthy hands above his head and closes the bedroom door with his hip   Outside, he neatens the shoes on the shoe rack, fills the kettle to the third notch, and picks the bloated bits of rice from the sink The grout between the tiles is cleaned The living room rug made perpendicular to the living room wall The showerhead left in a bucket of white vinegar   He leaves the flat at around seven The street is crowned with a horizon of laundry Wires going from window to window draped with paisley sheets and stained underwear, all hanging stagnant in the breezeless air Catmint stops at the newsagents on the corner for a cut of synth-citric The woman at the counter holds it out in her hands like a sticky yellow pebble before wrapping it in brown paper Outside of the shop the radios are beginning to crackle to life There are speakers jutting out of the walls, attached to lamp posts, on people’s balconies and patios Several stations garbling over each other White noise to keep the peace at bay   Catmint looks up at the pale seven o’clock sky, and for a moment, is convinced he might see a bird He doesn’t       There is a library on Via 760 that sells sencha tea It’s oily and tastes like wet white fish – a poor echo of the original Beetle hates it, and this

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

READ NEXT

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September 2014

The Mediatisation of Contemporary Writing

Nick Thurston

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September 2014

Trying to figure out what marks contemporary literature as contemporary is a deceptively complicated job because the concept of...

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February 2012

Stalker, Writer or Professor? Geoff Dyer's Zona and Genre

Rose McLaren

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February 2012

‘So what kind of a writer am I, reduced to writing a summary of a film?’ wonders Geoff Dyer...

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April 2017

The White Review Short Story Prize 2017 Shortlist (US & Canada)

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April 2017

click on the title to read the story   1,040 MPH by Alexander Slotnick   Abu One-Eye by Rav...

 

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