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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

Sometimes he would emerge from his bedroom around midday and the sun would be more or less bright, or else the sun wouldn’t be out at all, it being a grey day And maybe that was good, standing half-asleep in the dimness of the hallway, unsure of how the day would ultimately reveal itself   Mondays, without a job or anything else to go to, he could stare out at the city with a cup of tea going cold and try to think things through On Monday mornings, he believed, there were always questions In the distance, with a sort of great yawn, the city would begin to pick up from where it left off In these moments he felt the most sympathy for this strange thing, which breathed over him whilst he slept   Planes would fly overhead Big machines put into the sky, trailing patterns that, with time, became clouds Carrying people and things He listened to the crying of the planes in bed, looking up at the dark ceiling and imagining all of the unseen passengers who were going places, turning over on his side to hear the faint din of them reaching the edge of the night-sky, alive with impatient determination   He took a sip from his tea He still had a small bit of money left It was, he figured, enough to see him through the week   *** They had told her that a busy period was approaching so she took half of the day off, hoping to get back to the office just after lunchtime What had been cool and quiet in the early morning had become almost unbearably warm The streets, in the full sun, were now brash and bothered, jostling her on the way to the doctors Only now, hours since she had woken up, did she feel awake for the first time that day, surrounded by the sudden almighty hubbub of the city She reflected that this was life, more or less Life in all its offhand givings and takings But it was just a small thought and as she carried on walking her

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

READ NEXT

fiction

April 2014

Submission for the Journal of Improbable Interventions

Brenda Parker

fiction

April 2014

Abstract Preparations for experimental work must be conducted without interruption to ensure experimental success. In this work, the impact...

Interview

February 2014

Interview with Lisa Dwan

Rosie Clarke

Interview

February 2014

In a city where even the night sky is a dull, starless grey, immersion in absolute darkness is a...

feature

Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

feature

Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

 

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