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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

1 APARTMENT INTERIOR/MORNING/BELYAYEVO, MOCKBA, ROSSIJSKAJA FEDERACIJA…   There is a T-shirt on the desk in front of him   Plain white Fruit of the Loom   He scrawls across its front with a fine-tipped Sharpie   The desk is from a former jam factory, although he doesn’t know this – in fact, it pre-dates his birth, which he’s also unaware of He dragged it here from an apartment on the ground floor in the block opposite, which had been broken into and vandalised once the old man who lived there had been ambulanced off to hospital, to cough out the last of his wretched days   They had dragged it – the desk, not the old man – across the parched grass that dissects the housing blocks, across the spaces where it is always great to be six, always boring to be sixteen, into what he laughingly calls home   Home sweet home, homie   He could be in Malmö, Belleville, or Detroit   But he isn’t   He could be a barista, a real-estate agent, or a code programmer   He is none of these   He wears tracksuit pants, tucked into Reebok socks, a pair of Adidas pool-sliders, and a string vest coloured in the red, green and gold of the followers of His Most Imperial Majesty Jah Rastafari!   King of Kings!   Lion of Judah!   He likes the story – no! – he loves the story about Hailie Selassie   The story, so he was told – in a bar near the sports stadia, on the outskirts of Moscow, near the river, that’s where you always hear these sort of stories; either there, or in a graffiti-tagged pedestrian underpass; or very early one morning in a half-empty Metro carriage; even, perhaps, after midnight, shouted over the BPMs of the Ceephax Acid Crew at the Solyanka Club; hell, just about anywhere – but the story he heard in that bar, before the derby between Spartak and CSKA at the Luzhniki Stadium, a football match that he wasn’t going to attend, was this:   That after the King of Kings was cremated, along with a greyhound, and a chicken – the ashes of all three were then mixed together and thrown onto the winds   He thought that

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

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Art

Issue No. 8

A Fictive Retrospective of the Bruce High Quality Foundation

Legacy Russell

Art

Issue No. 8

Here are some details of art history that may or may not be true:   In 2008 I was...

feature

March 2015

Plastic Words

Tom Overton

feature

March 2015

Plastic Words was a six-week series of thirteen events which described itself as ‘mining the contested space between contemporary...

Interview

June 2012

Interview with Malcolm McNeill

Patrick Langley

Interview

June 2012

I first met Malcolm McNeill in 2007. He was in London to do some printing for an exhibition, and he showed...

 

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