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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

Dad used to believe that the souls of the dead rise up into the air and become one with the universe, but doesn’t anymore because he has seen too many minds in pieces, too many spirits crushed, and when I ask him how that happens he says ‘Life’ I imagine it sometimes: all of them looking down from what must be stillness, darkness, quiet, and then through the clouds and the blue sky to the earth and the sea, deep enough to watch the fish turn and flash like so many coins and up here the houses among the ti trees, the shops on the road, people passing the time of day – chinwagging, daydreaming, gadding about – old men in leather shoes baiting lines on the pier and pulling up squid so white they glow in the late light of evening And the skinny thing with the long legs: that is me, running through the water   Lawrie goes about the beach barefoot, shambling; I watch him through the brightness off the waves Cool winds blow from the ocean with mutton birds coming in and yellowness flickers on the cliffs and spindly pines, bent about like ink drawings I have seen I think again of those high up souls, of gods and angels and creatures of the sky I wonder if they see us now, me and Lawrie, his footsteps on the sand making shapes like some kind of writing: telling all those things he cannot say in words; me, dancing around, thinking of them while they look at me, wondering if they see us always, carrying on like we do, or if we already made too much noise and fuss and they have turned away   Dad comes back from the trawler with a bag full of prawns, along the beach past those beaten rocks with their small shelves and hollows, the naked dangling tree roots and Lawrie, who puts his hands in his pockets and yawns and spits and follows in his lounging, raggedy way I go with them to where the barbeques are, watching those prawns crawling about, I

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

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Interview

August 2017

Interview with Ottessa Moshfegh

Yen Pham

Interview

August 2017

Ottessa Moshfegh’s first two books are, as she tells me, very different from one another. But despite the contrast...

fiction

Issue No. 6

Stolen Luck

Helen DeWitt

fiction

Issue No. 6

Keith was not the songwriter. Darren and Stewart wrote the songs. Keith hit things, some of which were drums....

feature

August 2017

What Makes A Gallery Programme?

Pac Pobric

feature

August 2017

Of his art dealer, Daniel-Henry Kahnweiler, Pablo Picasso once wondered, ‘What would have become of us if Kahnweiler hadn’t...

 

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