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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

A Few Words on Maria Sudayeva   Slogans is a strange, extraordinary book: it describes a universe of total war where humanity no longer exists, or rather only in traces, and where the actors — actresses, rather, since these are almost always feminine creatures who appear and utter cries of rage — seem to belong to a dominant species other than homo sapiens It’s also extraordinary in its form: a series of instructions and slogans that describe, with the only narrative techniques being their alignment and their brutality, the chaos and suffering, the distant hopes, the apocalyptic whirlwind, the suicidal unrest of an entire planet No explanatory prose smoothes over the collision between writers and this terrifying war; no external voice slips into the text to guide the visitor and tell him the story No narrator, no characters, and yet a story transpires, filled with grandiose events and barely-felt emotions: an epic It’s a magnificent fiction wholly distanced from the ordinary traditions of the novel and, if poetry didn’t have such a poor reputation nowadays, it might even be said to evoke a sort of long poem   But this book becomes even stranger once we realise that Maria Sudayeva wrote it in two languages, French and Russian, accumulating neologisms and inextricably entwining the two idioms, with a conscious intent to refuse her images any tidy cultural anchor, and undoubtedly to affirm her disgust toward all manners of nationalism, even linguistic Because this woman, who took her life before she could be recognized for who she was — one of the most original artists of the new, post-Soviet generation, if not the most original — was also a partisan She was wary of a rebirth — she was certain of it — of Great Russian nationalism which would arise from the new Russia’s commercial and Mafia roots, and in opposition she maintained the principles of internationalism and radical cosmopolitan behaviour I met her once, in a place where the Russian world was shown in an unflattering light, and it was clear that her ability to speak Russian discomfited her She struggled to differentiate

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

READ NEXT

fiction

September 2014

The Fringe of Reality

Antoine Volodine

TR. Jeffrey Zuckerman

fiction

September 2014

Many thanks to those who have allowed me to speak; now I’ll do so.   I’m actually not talking...

feature

May 2012

Film: Palestine Festival of Literature

Omar Robert Hamilton

feature

May 2012

Resistance needs to be recorded. Resistance needs symbols: ideas that can travel faster than speech, last longer than memory....

poetry

September 2012

Mainline Rail

Eleanor Rees

poetry

September 2012

Back-to-backs, some of the last, and always just below the view   a sunken tide of regular sound west...

 

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