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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

The jolts of the tracks were stronger now and came at irregular intervals With my arms outstretched, I held myself up between the walls of the tiny cabin A metallic drone rose from the spattered steel-can, a whining and hissing and, now and again, something close to a laugh, something that had to have been crouching in the abyss, in the crushed stone of the railroad embankment, and it rang in my ears like a miserable Semey-Semey I wouldn’t be able to stay much longer, not unless I wanted to give some kind of explanation when I returned, something that would immediately become twice as long in the translator’s mouth and ten times as long in the consul’s ensuing comments   As far as I knew in the meantime it wasn’t illegal to have a Geiger counter On the contrary, European travel-guides recommended it as a means of reassuring travellers, though they emphasised that the measurable levels in most areas had been below acceptable limits for a long time now I’d never considered buying such a piece of equipment before, nor had I ever conceived the possibility of owning one And so the grey-green, already somewhat worn little box, and the way I’d got it right before the train left from one of the many hooded peddlers blocking the platform with their strange goods, was all the more precious and peculiar Almost everything held out to me as a ‘Souweniiiir!’ seemed to have come from the stockrooms of an empire and its army busy undergoing the process of total dissolution And yet I’d also seen mountains of meat, animal skins, raisins, bread, and nuts in half-covered children’s wagons, often in continuous movement, being pushed across the snow-covered platform right up to the steel treads of the railroad cars In the end, though, no

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

READ NEXT

Art

March 2013

Beyond the Mainstream and into the Digital

Vid Simoniti

Art

March 2013

Claire Bishop. Everywhere I go, some curator or artist wants to be rid of this turbulent critic.   In 2006...

feature

November 2015

Streets of Contradiction

feature

November 2015

Jerusalem has a remarkably cohesive identity, in architectural terms. Every building, from the Western Wall to the sleek hotels...

poetry

May 2014

Rain on the Roof (to James Schuyler)

David Andrew

poetry

May 2014

Degrees of distance Who all died at different dates, known to each other: not just in the human race...

 

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