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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

From the start he was thrown in at the deep-end when the head keeper just handed him a pail of steaks and hustled him through the gates of the enclosure The thinking was that, since he was Jewish and not Christian, the lions would not have a taste for him Roth was dubious, but complied   The way to be was fearless but non-confrontational ‘Show them who is boss’ was the mantra Keepers before him had felt the temptation to become pally with the lions, to try and become friends with them They had paid the price So: ‘Show them who is boss’ They had filed into the lecture theatre to have a seminar right at the beginning of their terms at the zoo At the front a bushy-faced keeper had given them a brief talk on precisely this subject The talk was entitled ‘Show them who is Boss’ They had shown clips from Grizzly Man, mainly the sequences from just before Treadwell’s death The elderly keeper had stood guffawing at the back He was an ex-Kossack He was a traditionalist when it came to death The lions sat in the cages Roth had been told that the more intelligent the lion the more impossible he could be The more mangy, the more bedraggled and lazy-eyed and ghetto-looking the lion, the less you should worry Those lions weren’t intelligent enough to be mean Roth put his shoulders back every day and strode, like Clinton, into the enclosure The point was about body language They had to know that he wasn’t a man to mess with He looked out into the audience sometimes to see the anxious crowds, anxious for him Inside his head, he snorted at them Inside his head, he tossed his head What he had come to realize was that the lions were less interested in him than each other This realization came as a relief If he ever got knocked about it was usually an accident The day-to-day challenge was not to tame them; the day-to-day challenge was to get them at

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

READ NEXT

fiction

April 2014

Spins

Eley Williams

fiction

April 2014

Spider n. (Skinner thinks this word softened from spinder or spinner, from spin; Junius, with his usual felicity, dreams...

feature

May 2011

Short Cuts

Charles Boyle

feature

May 2011

1.. Whatever it is that the literature department of Arts Council England (ACE) is for, it can’t be for...

feature

April 2017

Symbols Made Me Hardcore

Joe Bucciero

feature

April 2017

‘A Sound System, like the property of any system, is the interaction of the sum of its parts.’ —...

 

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