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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

It’s Sunday, after lunch The sun hovers, full up The houses – the tarmac, the lampposts, the cars in the driveways – glitter in the heat Everyone is inside, or at the back, in pools of velveteen shade The sun pervades, making everyone sleepy Cold, numbing drinks A little snooze later Prepare for Monday Recharge The wood cladding on these houses absorbs the heat, keeps the houses cool It’s Nordic, the developers had said, cool in summer warm in winter It was ingenious to build on this land, which had been previously impossible to develop Low ground, near to the ancient waterways, prone to flooding Amazing technology The houses sit like rows of teeth in the landscape, a yawning, half-smile that trails off, giving way to pasture and, beyond that, the marshes The fields roll out for miles, sinking lower towards the horizon Beyond, barely visible through the haze that rises from the marshland, the shape of an island     A woman stands at the sink, rinsing plates, putting them into the dishwasher Crumbs on the table, half-empty glasses with fingerprints, smears of gravy The woman’s eyes itch with tears The family have gone to their rooms When the dishes are all rinsed and stacked and the table wiped, the woman goes out to the garage There’s a naked man in there, wrapped in plastic He’s not dead He’s not alive either    *   I mean you no harm I promise You know that, don’t you? I wouldn’t hurt you I couldn’t, even if I wanted to Which I don’t I am here to help you I am here to make your life easier I want your life to be easier I want you to be happy I want you to relax and be happy If you like, we can get in the car and take a drive We’ve got the whole day and I’m here for you I’m here to do whatever it is that you want to do I know, I know, it’s strange, isn’t it? It’s probably going to take some getting used to But I’m

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

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Issue No. 2

Gay Madonnas in Montevergine: The Feast of Mamma Schiavona

Annabel Howard

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Issue No. 2

We are crowded into the medium-sized piazza before the sanctuary of Montevergine. There is no town or village; it...

Art

April 2017

'Learning from Athens'

Robert Assaye

Art

April 2017

The history of Documenta, a quinquennial contemporary art exhibition founded in the German city of Kassel in 1955, is...

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Issue No. 6

The Prosaic Sublime of Béla Tarr

Rose McLaren

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Issue No. 6

I have to recognise it’s cosmical; the shit is cosmical. It’s not just social, it’s not just ontological, it’s really...

 

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