Mailing List


Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

  Hydnellum Peckii   I used to own the sweetest, smallest compact mirror It was barely bigger than my thumbnail, which meant you could digest your face in pieces: an iris, a nostril, one freckle alone in a sea of skin, the corner of your mouth I found it in an antique shop, buried in a cardboard box full of old rings, chipped enamel, lockets with their mouths firmly shut, battered gold plate spoons, and semi-precious gems clouded with age My hands came away smelling of metal It was silver, round, and on the top sat a tiny solid silver rose The compact mirror was the only thing I owned that I truly cherished My sister-in-law broke it She said she was just looking for something, a brush or whatever, even though my hair is too thick for brushing and therefore I do not own one Seven years bad luck to break a mirror, especially if the mirror was mine I took the glass pieces and ground them up using the pestle and mortar we had in the kitchen until the glass was quite fine and then I sprinkled it in my sister-in-law’s tuna sandwich that lunchtime I liked to picture the insides of her all cut up and bleeding with a hundred tiny incisions     Agaricus Bohusii   The trees look as if they are growing small pale green shrivelled hands There’s a bite on my arm: the soft part just up from my wrist, when I turn my hands so that my palms face the sky A red bud, pink blossoming outwards I scratch it until I bleed I like the sound bites and spots make when you pop their pus-filled heads Yesterday I helped cook chili con carne, which was always my husband’s favourite meal, although here the chili isn’t real Neither is the carne The meat, in fact, comes in metal containers with thick foil lids You peel them back like opening tins of cat food It is a weird hybrid of actual animal and meat substitute It tastes like nothing at all, for which we are all truly thankful If they were

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

READ NEXT

fiction

May 2015

A History of Money

Alan Pauls

TR. Ellie Robins

fiction

May 2015

He hasn’t yet turned fifteen when he sees his first dead person in the flesh. He’s somewhat astonished that...

feature

June 2014

Writing What You Know

Simon Hammond

feature

June 2014

In the summer of 1959, a headstrong but lovesick English graduate took a trip to the hometown of his...

Art

May 2014

The Interzone and Dexter Dalwood

Sarah Hegenbart

Dexter Dalwood

Art

May 2014

‘Burroughs in Tangier’ (2005) has captivated me ever since its display in the 2010 Turner Prize Exhibition. The work...

 

Get our newsletter

 

* indicates required