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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

We live in interesting times A few years ago, with little warning and for reasons obscure to all but a few, an economic system trumpeted as infallible broke down Since then, while we acquainted ourselves with such apocalyptically dull concepts as collateralised debt and sovereign credit ratings, it has become increasingly clear that our future has, almost literally, been mortgaged away The result, for the vast majority, is a feeling of individual and collective embattlement exacerbated by an overwhelming sense of disempowerment   Such gloomy circumstances inevitably engender anxiety We worry for our jobs, we worry for our families and we worry in the most general terms about what is to come We have been reminded that the future is contingent, as commodities traders have learned to our cost But we have learned again that change is possible and inevitable, that the status quo is more fragile than we were led to understand and that received wisdom is best ignored   As we allowed ourselves for too long to believe those who reassured us that all shall be well and all shall be well, so we must take issue with those who are now all too eager to extrapolate endless and inevitable decline We must not allow ourselves the indulgence of timidity, we must shake off any listlessness, and we must refuse to be austere Instead we must make, write, argue, dream, paint and act in the faith that creativity is commensurate with progress, and that we are responsible for our own futures The future is there to be forged   The White Review believes that it is more important now than ever to provide a forum for expression and debate We are indebted to the support of the many people who are similarly committed to the idea that a healthy and varied culture is integral to a society’s well-being We hope that you find something in this issue to provoke or inspire you to pick up a pen, a paintbrush, or a placard

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

READ NEXT

Interview

January 2017

Interview with David Thomson

Leo Robson

Interview

January 2017

David Thomson — the author of dozens of books, including an account of Scott’s expedition to the Antarctic and...

fiction

September 2011

Celesteville's Burning

Andrew Gallix

fiction

September 2011

            Zut, zut, zut, zut.             – Marcel Proust, A la recherche du temps...

Art

March 2014

Amy Sillman: The Labour of Painting

Paige K. Bradley

Amy Sillman

Art

March 2014

The heritage of conceptualism and minimalism leaves a tendency to interpret a reduction in form as intellectually rigorous. If...

 

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