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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

October 12, 1976, Soho, London Andy stood in the alley outside the Prince of Wales He felt in the pocket of his leather jacket and found most of a sheet of orange sunshine Andy couldn’t remember putting it there He couldn’t remember how he got to the cinema from the squat in Stoke Newington But he knew that it was morning, that he was in a crowd of people, some heavy, heavy people, some lightweights, old freaks, young punks, odd straights, and that Fantasia was about to start inside Andy balled the blotter in his hand and quickly stuffed it in his mouth He gagged but kept chewing until it was gone He turned and gestured to a wrinkly geezer wearing a tartan scarf but no shirt who was seated on a blackened sheet of cardboard in front of the fire exit The man held up a can of bitter Andy bolted a swig and handed it back ‘Ta very much’, said one, ‘Nae bother’, said the other A short time later Andy was sat in the dark amid zoo noises, crying and slurping, and that is when the lights began   April 13, 1972, Blackpool Andy opened the front door and dropped two plastic bags at the foot of the stairs: one with his schoolwork, the other with his PE kit in He went into the kitchen, turned off the radio, took a bowl from the draining board, opened a cupboard door and took out a packet of Weetabix Andy put two biscuits into the bowl, hesitated, and took one out, placing it back in the packet He opened the fridge, which was empty except for a withered scallion and a dried piece of cheese Andy returned the remaining Weetabix biscuit to the packet, folded it neatly down and put it back in the cupboard He washed the bowl and placed it on the draining board Andy went into the living room, sat down and stared into the empty fireplace   January 5, 1990, Liverpool Andy kneeled on the wooden floor, naked and sobbing, snot roping out of his nose and down

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

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Interview

June 2011

Interview with Jorge Semprun

TR. Jacques Testard

Pierre Testard

Gwénaël Pouliquen

Interview

June 2011

The great Spanish-born writer Jorge Semprún died on Tuesday 8 June 2011 in Paris, aged 87. A Spanish Civil...

feature

Issue No. 13

Writers from the Old Days

Enrique Vila-Matas

TR. J. S. Tennant

feature

Issue No. 13

Augusto Monterroso wrote that sooner or later the Latin American writer faces three possible fates: exile, imprisonment or burial....

Interview

Issue No. 14

Interview with Hal Foster

Chris Reitz

Interview

Issue No. 14

HAL FOSTER’S WORK FOLLOWS in the tradition of the modernist art critic-historian, a public intellectual whose reflection on, and...

 

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