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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

1 The hotel lobby was both cleansed and fragrant, as was the receptionist speaking softly on the phone behind the desk The owners obviously wanted to welcome people to their establishment, to encourage them to return there for further visits or to recommend it to their friends and associates The owners wanted this to take place so that they could make money – that was the primary reason, Marguerite thought Personally, he had insufficient funds to stay at that or any other hotel – it was not just an issue of people wanting beds and the hotel providing them, along with other facilities, perhaps, such as a restaurant You really did need money or a means of payment to cover your temporary residence there It might not be your own money: you might be there to attend a conference, for instance, if you were a white-collar worker, in which case your employers may have paid for your stay at the hotel As a blue-collar worker you might be visiting a nearby factory, say, from your home in another part of the world, and you might need to stay overnight at the hotel In this latter instance, there would be a judgement by your boss (who would almost always be a white-collar worker – who would work, that is, in the office as well as occasionally, perhaps, on the factory floor) about whether or not you would be able to get back from your visit in the same day and/or whether it would be so inconvenient for you to do so that it would be worth staying over, as it is known Your boss would judge whether, for instance, you would get home after midnight, which is to say in the early hours, rather than at your normal seven or eight o’clock, back for your evening meal, perhaps prepared by your wife, always, in fact, to Marguerite’s mind, prepared by your wife, who would not have a job of her own, who could not be categorised into white- or blue-collar, who would always simply be there In the case

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

READ NEXT

fiction

April 2014

by Accident

David Isaacs

fiction

April 2014

[To be read aloud]   I want to begin – and I hope I don’t come across as autistic...

Art

September 2011

Interview with Cornelia Parker

Lowenna Waters

Art

September 2011

Cornelia Parker has over the past twenty years carved out a reputation as one of Britain’s most respected sculptors...

fiction

June 2013

What We Did After We Lost 100 Years' Wealth in 24 Months

Agri Ismaïl

fiction

June 2013

‘World finance had, in 2008, a near-death experience.’   The words belong to a partner of a renowned international...

 

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