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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

I’d like to introduce you to a book, an impressive book that no one read when it first came out in Romania in 1936 or later when it was reissued in 1970: Adventures in Immediate Irreality by M Blecher And when the first German edition appeared, which wasn’t until 1990 in a translation by Ernest Wichner, no one read that either, even though few books published in Germany since 1990 could compare with Blecher’s novel for sheer literary intensity But perhaps that’s why the book never attracted a wider audience?   In order to convince you, I’d like to let the book speak for itself   ‘The crowds, making the rounds, would pass from zone to zone, bright lights to darkness, like the moon in my geography book’ is how Blecher describes people visiting a fair And no other sentence better describes his own text The external plot isn’t easy to describe – it’s really the ongoing reflection of an interior narrative, a manic inner monologue written in the first person, in which the narrator’s striving for self-assurance becomes a confession This narrator is a nameless adolescent roaming through the summer heat of a small town He has no goal whatsoever, he is searching, as Blecher says, for the correspondence between himself and the waxwork panopticon of places, people, and objects set in the world The search produces emotional upheavals that he calls crises, which all come from the ‘terrible question of who I actually am’ – a question whose answer ‘requires a lucidity more basic and profound than that of the brain’ In the words of Blecher’s narrator: ‘And I have returned implacably to the surface of things … Never, under no other circumstances, have I felt so clearly as in moments like these when every object must occupy the place it occupies and I must be the person I am’   Places, persons, objects – and this vagabond narrator that speaks of himself so perplexingly and so intriguingly that it goes far beyond being ‘a complete stranger’ to himself Because what this person says about himself goes beyond what even a person might

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

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Prize Entry

April 2016

Oögenesis

Karina Lickorish Quinn

Prize Entry

April 2016

After her daughter had – for the third time, no less – laid her eggs in the fruit bowl,...

fiction

September 2013

Seiobo There Below

László Krasznahorkai

TR. Ottilie Mulzet

fiction

September 2013

1 KAMO-HUNTER Everything around it moves, as if just this one time and one time only, as if the...

Interview

May 2011

Interview with Desmond Hogan

Ben Eastham

Jacques Testard

Interview

May 2011

Desmond Hogan is probably the most famous Irish writer you’ve never heard of. In the early 1980s, with numerous...

 

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