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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

1   I sat at the kitchen table while Valentine prepared cups of flowery, smoky loose leaf tea Antoine held his in both hands and smiled at me wolfishly He had a bald, muscular head, and a flushed red face He took a long sip of tea, set down the cup, and leant across the table towards me   ‘The first rule is, don’t bring girls here We will be able to hear you We will be able to hear everything’   The plywood second floor had been erected by the three architecture students themselves, hammered into stilts and bolted to the girders criss-crossing the roof of the warehouse Antoine rapped his knuckles on the kitchen table which, he told me, was made of the same plywood as our rooms upstairs   ‘We can hear everything,’ he said again, flashing me a knowing grimace   He held my gaze and continued to knock on the table The rhythm became more and more suggestive, as he wrapped out a deliberate doing-it beat, alternating between his knuckles and the back of his fist Then he stopped the banging and laughed loudly, throwing his head back ‘Arrête,’ said Valentine sharply, topping up my cup with more tea Leaning towards me conspiratorially, Pascal pointed a drum-stick at Antoine and whispered loudly in English, ‘I often break his rules’   The morning after my first night at the warehouse in Montreuil, I was reading at the kitchen table when I heard Pascal start laying into his drum kit in his room beside the kitchen His girlfriend emerged, rubbing her eyes She told me that Pascal practiced every morning before lectures She sat down next to me in her pyjama t-shirt, waiting for the kettle to boil We sat at the table as the drum kit sent spasms of energy through the legs of the second floor, straight up into Antoine’s room above us       2   The architecture students played in a brass band together, The Super Lapins, led by Antoine, who played the trumpet Valentine played the trombone It was Pascal, the drummer, who came to knock on the door of my plywood box-room, after his morning practice session

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

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Art

September 2011

Interview with Cornelia Parker

Lowenna Waters

Art

September 2011

Cornelia Parker has over the past twenty years carved out a reputation as one of Britain’s most respected sculptors...

Art

September 2014

On the Ground

Teju Cole

Art

September 2014

I visited Palestine in early June 2014, just before the latest wave of calamity befell its people. For eight...

Interview

November 2011

Interview with Margaret Jull Costa

Sam Gordon

Interview

November 2011

On first impressions, this interview with Margaret Jull Costa, happening as it did – for the most part –...

 

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