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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

To Lilia Lardone Summer was ending The air already smelled like smoke, but it still looked clear, sunny The women swept their sidewalks and burned the first dry leaves on the corners When classes began, so did the girls’ fifteenth birthday parties It hadn’t been long since I’d seen my first dead body Tolchi Pereno threw herself under the train because she was pregnant We sat at the same desk, and during geography class she burst out crying, though no one had said anything to her Blanquita Calzolari had called on Tano Buriolo to present his homework, and Tano tried to explain that thing about meridians and parallels They say that meridians are lines that divide the world into halves, Tano said, and Blanquita Calzolari agreed   They say that the two halves are equal and the dividing line is a very fine line, so fine that you can’t see it, Tano said, and Blanquita Calzolari agreed They say that the parallels are the same lines, but in reverse They say that if you change hemispheres and you pass over a meridian or parallel, it sends shivers down your back Blanquita Calzolari lifted her gaze, her eyes suddenly alert   Who says that? she asked   Tano Buriolo retorted immediately, The wise say so   No, that’s wrong, Blanquita Calzolari declared Return to your seat Then Tolchi Pereno burst out crying Blanquita looked at her and asked what happened   Nothing happened, Tolchi said I’m having a nervous attack, that’s all, she said, and started to scream and took my hand, which was next to hers, and rested my hand on her chest   Feel this, feel this, she said Feel how my nerves are turning over inside   I noticed the edge of her bra under her knit sweater and something like termites over Tolchi’s heart I blushed   Go drink a glass of water and come back, Blanquita Calzolari said   Tolchi let my hand go and kept hiccupping in silence, sitting on her bench We looked at her She got up and left and returned after a while with red eyes and a swollen face Early that evening, she threw herself under

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

READ NEXT

poetry

September 2011

Sleepwalking through the Mekong

Michael Earl Craig

poetry

September 2011

I have my hands out in front of me. I’m lightly patting down everything I come across. I somehow...

fiction

March 2017

A Table is a Table

Peter Bichsel

TR. Lydia Davis

fiction

March 2017

I want to tell a story about an old man, a man who no longer says a word, has...

fiction

February 2013

The Currency of Paper

Alex Kovacs

fiction

February 2013

‘Labour is external to the worker, i.e. it does not belong to his essential being; that in his work,...

 

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