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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

Though an intimidating sixteen feet tall, the industrial robot in Conrad Shawcross’s flat doesn’t look at all out of place A flight of steps is all that separates the bustling workshop from the living space above, where the robot silently supervises our conversation through the half-open door to an adjacent room The device is the centrepiece of ‘The ADA Project’ (2013), Shawcross’s latest work, for which he and his team have ‘choreographed’ an industrial robotic arm, transforming it into a mesmerising sculpture that draws sweeping paths of light in six axes with a thousand-watt bulb fitted to its tip Named after Ada Lovelace, the Victorian mathematician credited with being the world’s first computer programmer, ADA has recently performed at the Palais de Tokyo in Paris and MONA in Tasmania, with live accompaniment by sound artists Holly Herndon, Beatrice Dillon and Rupert Clervaux   Though known as a sculptor, Shawcross’s output is by no means static A highlight of his sequence of rope-making machines was ‘Chord’ (2009) – two facing, claw-like frames suspending spools of brightly coloured wool, their disparate strands slowly converging into a single length of rope as though magnetised by a central point of symmetry ADA is the latest in a long series of light works, including ‘Timepiece’ (2013), an installation that saw Camden’s Roundhouse stripped bare and reoriented around a tangle of revolving steel arms As their orbits marked the passing minutes, hours and days, the interplay between three connected bulbs and a central gnomon cast shifting shadows that scanned the space with silhouettes of its own interior architecture   While most machines stand or fall on their ability to carry out a given task faster, stronger or longer than their human rivals, Shawcross’s are engines of ambivalence, their only common ‘product’ being the alloy of unease and awe they induce in equal measure His work encompasses quantum theory, geometry and bionics, among other fields, but simply to observe that they explore ‘scientific ideas’ obscures their true force: their science is a distinctly human one, driven by an urge to interrogate the ways in which we – often unknown to ourselves

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

READ NEXT

feature

December 2013

The Horror of Philosophy

Houman Harouni

feature

December 2013

An article published in this same venue opens with a grievance: ‘We lack the philosophers that we require for...

fiction

Issue No. 19

Once Sublime

Virginie Despentes

TR. Frank Wynne

fiction

Issue No. 19

The music is sick! This guy’s a genius. Always trust Gaëlle. When they first saw him, everyone thought who...

poetry

September 2012

Mainline Rail

Eleanor Rees

poetry

September 2012

Back-to-backs, some of the last, and always just below the view   a sunken tide of regular sound west...

 

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