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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

290 MILES TO GO   I am on the train now There are 290 miles to go From the window I can see people watching me from the streets and fields as the train speeds past They all appear to be wearing tight white tennis shorts and occasionally, when I look closely, I can see a deep red blooming at their crotches, spreading out across the tops of their legs They wave their arms very high in the air but for no real reason that I can discern There’s no panic or pleading on their faces, they aren’t crying for help All I can assume is that it’s some sort of dance, favoured by the people living in this part of the country Perhaps a ritual associated with the passing train, a means of protection against its speed and bulk After all, talismans do drip from their stiff cotton cuffs, mystical symbols are scratched into the dirty sand by their platformed feet   I see animals too of course Cows and sheep Horses with chestnut backs as reflective as mirrors They move along with the train like a pack of estate agents let loose, finding that their legs stretch much further than they thought Until they reach their limit of course, they hit a fence or a hedgerow or their lungs contract impossibly Then the train speeds away and I leave them behind Goodbye herds! I whisper Farewell beasts! I’ll probably never see the same set of sheep and horses and cows again   I am going to be 290 miles away for some time   WHEN I FIRST ENCOUNTER THE TRAIN I HAVE ALREADY BEEN EXHAUSTED BY THE STATION   I had waited to board the train next to a dusty crowd of people The platform stretched for two and a half miles and the sun maliciously heated the bleached concrete below us I hopped from one foot to the other to prevent the rubber soles of my plimsolls melting and sticking to the ground and most of the other people around me did the same, avoiding eye contact as we soundlessly pranced and waited The heat had

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

READ NEXT

Interview

Issue No. 13

Lynette Yiadom-Boakye

Orlando Reade

Interview

Issue No. 13

Modern philosophy is threatened by love, whose objects are never only objects. Philosophers have discovered in love a lived...

feature

September 2013

For All Mankind: A Brief Cultural History of the Moon

Henry Little

feature

September 2013

For almost the entirety of man’s recorded 50,000-year history the moon has been unattainable. Alternately a heavenly body, the...

poetry

November 2011

Lucifer at Camlann & Amen to Artillery: Two Poems

James Brookes

poetry

November 2011

LUCIFER AT CAMLANN In the drear fen of all scorn like a tooth unsheathed I shone for I too...

 

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