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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

I can picture myself as a small child wearing a nightshirt that comes down to my heels I am weeping desperately, sitting on a doorstep that leads into a sun-drenched courtyard with an open gate and an empty square beyond, a hot, sad, noonday square with dogs sleeping on their stomachs and men stretched out in the shade of their vegetable stalls The air is rife with the stench of rotten produce, and large purple flies are buzzing loudly in my vicinity, lighting on my hands to sip the tears that have fallen there, then circling frenetically in the dense, scorching light of the courtyard I stand and urinate in the dust I watch the earth avidly drink up the liquid It leaves a dark spot, like the shadow of a non-existent object I wipe my face with the nightshirt and lick the tears from the corner of my lips, savouring their salty flavour I resume my seat on the threshold, feeling very unhappy: I have been spanked   My father had just given me a few slaps on my bare backside in my room I don’t quite know why I am thinking it through I was lying in bed next to a girl my own age We were supposed to be taking a nap while our parents were out walking I didn’t hear them come in and don’t know what I was doing to the girl under the quilt All I know is that when my father suddenly tore off the quilt the girl was beginning to acquiesce My father turned red, lost his temper, and spanked me End of story   So I sat on the doorstep in the sun and had a good cry and now I am drawing circles and lines in the dust I have moved over to the shade and am sitting cross-legged on a rock I feel better A girl has come for water in the courtyard She is cranking the rusty pump wheel I listen to the old iron grating away and watch the water gush into her bucket like the magnificent tail of a

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

READ NEXT

feature

Issue No. 7

On a Decline in British Fiction

Jennifer Hodgson

Patricia Waugh

feature

Issue No. 7

‘The special fate of the novel,’ Frank Kermode has written, ‘is always to be dying.’ In Britain, the terminal...

fiction

Issue No. 2

Cafédämmerung

Joshua Cohen

fiction

Issue No. 2

It was even worse in Prague [than in Cuba]. The only reason they got upset with me — I was...

Interview

Issue No. 1

Interview with Mai-Thu Perret

Timothée Chaillou

Interview

Issue No. 1

Swiss artist Mai-Thu Perret’s ongoing, fourteen year-old project The Crystal Frontier is a multi-disciplinary fiction chronicling the lives of...

 

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