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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

‘I had to create a world of my own, like a climate, a country, an atmosphere in which I could breathe, reign, and recreate myself when destroyed by living’ Anaïs Nin, The Diary of Anaïs Nin, Vol 5 (1974)   HOSTILE, ALIEN, ALIENATED FROM LIFE   I’m not sure I would make a good collectivist I’m the kind of girl who, when asked by a neighbour to help weed my building’s shared garden, would look up from where I was sun-tanning and say I was too pretty to work (OK – I helped anyway) If dinnertime conversation drifts to utopia, a friend will concede that I can have ‘my own personal corner’ in the commune It’s embarrassing to admit, but I’m not all too gifted at living with other people, even if I romanticise it by dreaming of the ‘hot girl singularity’ that will merge my consciousness with that of my best friends The tendency worries me, given the state of the world Consider that:   The word for world is forest1 The word for world is mother2 The world is made, and remade, through ‘worlding,’3 ‘worldmaking,’4 or ‘worldbuilding’5 The world is rendered by empire, destroyed, and remade forever after The world is a model, a simulation, an ‘infinite game’ that is open all the way up to its borders The world is autonomous and alive It teems with life and voices Some voices are hallucinations, resounding across dimensions Some worlds are hallucinations, hewn in great detail from the base material of the void The world is meant to go on, and on, and on, with or without you The world is defined by its boundlessness in time, dis- and reassembling infinitely Yet the world can only be engineered through the finitude of rules, borders, and forces The world isn’t just an impression, smeared together with other impressions; it needs physics, mechanics, and designers to work Because the world labours to understand its own origins, and constantly re-plots the coordinates of where it might like to end up, the world depends on momentum It requires collective desire Without these things – without a tight relation between

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

READ NEXT

poetry

September 2011

First Blimp

Joshua Trotter

poetry

September 2011

Removing colour from my thoughts, I formed a winter ball. I threw it. The dead were uncounted. There was...

feature

June 2013

Jean Genet in Spain

Juan Goytisolo

TR. Peter Bush

feature

June 2013

‘1932. Spain at the time was over-run with vermin, its beggars. They went from village to village, in Andalusia...

feature

May 2016

Cinema on the Page

Jonathan Gibbs

feature

May 2016

Film is a bully. It wants to make its viewers feel, and it has the tools to do so....

 

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