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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

You won’t be able to do it It is a call, and it is something you only know how to do by doing it over and over Birds practise their musical tunes Cows practise their ‘moo’ as they stroll through the fields But persons don’t know how to make a call, and so you will never be able to do it   ‘Oh you’ is sung It starts out a little bit lower and ends a little bit higher like the call for a Bob White bird, only slower You hold on to it longer And like the call of the Bob White bird, you do it over and over and over again The more you do it, the more you have to do it And you have to think of a 1% solution of WC Fields and little bit of bursting at the end ‘Oh you,’ ‘Oh you’   But anyway, you can’t do it You can’t do it because you hardened your voice around some sounds you heard once And now you can’t change it   You thought it would sound good to hold on to the ts at the ends of words with a breathy whistle that is held until the beginning of next word You make that whistle for every single word that ends with a t You like it, and your head jumps a little bit every time you say it You say ‘but’ or ‘but-uh’ a lot so that you can make that t sound a whole bunch more times You put it in everywhere: But-stah-aah But-stah-aah You put it in between words, at the end of sentences, and at moments when other people would have a chance to talk   Or you say ‘Sure, sure, sure’ while other people are talking like you already thought of everything they were saying a thousand years ago Sometimes you say the name of someone and then ‘Sure, Sure, Sure’ Then sometimes you repeat the name several times together with ‘Sure, Sure, Sure’ while holding your finger in the air so that they will stop talking and you can say all of your sentences

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

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Interview

Issue No. 2

Interview with Michael Hardt

Chris Catanese

Karim Wissa

Interview

Issue No. 2

Michael Hardt is a philosopher and theorist best known for his collaboration with Antonio Negri on a trilogy of...

poetry

Issue No. 2

Portraits of Pierre Reverdy and Three Poems

Sam Gordon

poetry

Issue No. 2

ANDRÉ BRETON The most memorable thing about our meetings [around 1919-1920] was the almost complete bareness of the room in...

poetry

July 2014

Little Pistorius in a Sleevelet of Mirrors

Joyelle McSweeney

poetry

July 2014

INSERT: Little Pistorius in a Sleevelet of Mirrors A ballet performed by the corps du ballet of S——– to...

 

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