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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

I’ve always lived with Aunt and Uncle They’re the only sisterfuckers I’ve ever had, and I’ve always lived with them The house is cold and skinny and my bedroom is right at the top, on the fourth floor, in the space underneath the roof If I stand in the middle I’m alright, but since I turned 11 a few years ago, I’ve had to bend my knees to stand in the spaces where the ceiling swoops down and the mice scuttle I spend most of my time here in my bedroom when I’m not at School I draw pictures or write things down Downstairs, Aunt smokes from her hookah pipe and listens to sad love songs from the cassette with a large ‘S’ painted on it in blue nail varnish Uncle is asleep He wakes up when the sky gets dark, and washes his face till his eyes turn red and water drips from his long feathery hair Then he comes downstairs and sits on the edge of the sofa, breathing heavily, making a noise like there’s something wet and green lodged in his throat He waits for Aunt to bring him his special drink of chilled chicken’s blood and rose water, served in a tall glass covered in faded gold flowers He gulps it, feathery head thrown back, then smacks the glass on the table, clears his throat, puts on his stinking leather jacket, and leaves for his shift at Paris Sweets and Restaurant, where he cooks and sweats in the small, dark kitchen all night, over pots that would crush him if they could I don’t drink the chicken’s blood, but I do eat the flesh when Aunt cooks it She cooks it in all sorts of ways, with butter and spices, turns it into this or that, a pastry or a soup or a jelly Uncle doesn’t eat the flesh, Aunt says his throat closes up around food It’s the chicken’s blood that keeps him going, that, and the smells of cooking, is all he needs He’s not had any solid food for so long now

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

READ NEXT

Art

July 2015

Michaël Borremans

Ben Eastham

Art

July 2015

Michaël Borremans is among the most important painters at work in the world today. His practice combines a lifetime’s...

Art

August 2013

The External World

David OReilly

Art

August 2013

  The External World from David OReilly.   BASIC ANIMATION AESTHETICS   For the purposes of talking about animation,...

feature

December 2013

The Horror of Philosophy

Houman Harouni

feature

December 2013

An article published in this same venue opens with a grievance: ‘We lack the philosophers that we require for...

 

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