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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

On Sunday right after lunch, my father began preparing muskrat skins and cut his finger on a dirty penknife An orange erythema appeared around the wound When he got a fever, his lymph nodes swelled up and purple spots spread over his back, my mother called the ambulance from the village mayor’s house It came two hours later and took him away to the hospital, sirens blaring, with a suspected case of blood poisoning My mother said they replaced all his blood and pumped medicines into his stomach with a special pump   Miraculously, he managed to turn the corner after three weeks, but when he came home I hardly recognised him: he had lost more than twenty pounds and had gone almost completely deaf His eyes had lost their brightness, and his formerly swarthy face had turned the colour of a horseradish root He was given sick leave and for the time being stopped going to the paper mill He would get up at seven, throw his camouflage jacket over his shoulders and look out of the dining room window at the pond and the beehives, which stood scattered among bare currant bushes At nine, he would wash, put on his loafers and change into a shirt and his favourite, slightly too tight jumper with a black and white diamond pattern After swallowing two raw eggs, he’d look through old illustrated books about birds and fish which he’d brought home from the recycling centre at the mill, or he’d take out an old hunting knife with a deer-hoof handle from his taxidermy box and would sit opening and closing it as if he were playing some sort of game That’s how it was almost every day: he didn’t stuff animals any more, he didn’t play poker, he didn’t go fishing and, increasingly, he hardly ever said a word to anyone   He perked up only when he read in Beekeeping magazine that over the course of the harsh winter the frost had destroyed numerous apiaries in southern Poland He jumped up from the sofa, fetched a blackened saucepan from the dresser, poured

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

READ NEXT

poetry

August 2017

From The Dolphin House

Richard O’Brien

poetry

August 2017

Note for the following three poems: In 1965, a bottlenose dolphin christened Peter was the subject of a scientific...

fiction

November 2015

Three Days in Prague

Naja Marie Aidt

TR. Denise Newman

fiction

November 2015

A sparkling frost-clear landscape exists between them under a soft and smudged sky. Irises exist, blue and yellow, and...

feature

Issue No. 15

Editorial

The Editors

feature

Issue No. 15

In The Art of the Publisher, Roberto Calasso suggests that publishing is something approaching an art form, whereby ‘all...

 

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