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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

It was the first week of 1976 and she had just turned 17   The day school let out her parents packed the car with suitcases, a plastic tree, a big box of tinsel and a smaller box of gifts, and they drove the family north It was too hot in the new house in Strathfield, they said Better to have Christmas by the beach Which was her mother’s way of insinuating that Christmas lunch that year would not be roast pork and gravy but a supermarket ham and potato salad crunchy with sand   They hadn’t realised when they moved back to Sydney three years earlier that building a house on a block of land a few dozen kilometres into the Western suburbs – farther West than any of them had ever been before – also meant being out of reach of the sea breeze In the summer the days got hot and the house got hotter There was no afternoon reprieve Her brother and sister would lie in their underwear, next-to-naked on the golden filigree carpet, in the path of the wood-panelled air conditioner Their father periodically ducked his head through the roller door, addressing his offspring sprawled across the floor, and reminded them that cool air was a privilege That thing cost a fortune in energy bills   Christine did not lie on the carpet She didn’t appear in her underwear in front of anybody anymore She was, her mother said, ‘of that age’   Her parents bought the beach house in the early ’60s, when it was cheap They had held onto it after they sold the house in Brisbane and moved back to Sydney Each year when they came back for the summer the house was musty and sand had blown in under the door and mould dotted the spare set of sheets in the linen cabinet They wasted away the first day of the holidays in cleaning   Her birthday was Christmas Day, and they spent it eating pudding and brandy custard on a picnic blanket beneath the pines It was hot Her father brought out a thermometer and measured it, in Fahrenheit,

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

READ NEXT

feature

May 2015

In the Light of Ras Tafari

Anna Della Subin

feature

May 2015

‘A STRANGE NEW FISH EMITS A BLINDING GREEN LIGHT’, the article in National Geographic announced. Off the coast of...

Interview

January 2016

Interview with Fiston Mwanza Mujila

Roland Glasser

Interview

January 2016

Roof terrace of the Shangri-La hotel, Santa Monica, Los Angeles, USA; late afternoon, 8 October 2015. We ensconce ourselves in...

feature

April 2012

Oradour-sur-Glane: Reflections on the Culture of Memorial in Europe

Will Stone

feature

April 2012

Que nos caravanes s’avancent Vers ce lieu marqué par le sang Une plaie au coeur de la France Y...

 

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