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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

The scent of osmanthus blossoms still lingered in her neighbourhood when a handful of men entered her home Yet when they stepped through her bedroom door, they were blindsided by an overpowering stench that drove each one to put a hand over his nose    She wasn’t dead yet, merely lying on a bed that was very likely the source of the odour The clutter and filth in the room were easily imaginable; one might describe her own appearance the same way Perhaps the only comforting aspect to the scene were two hedgehog cacti that stood motionless out on the balcony, glowing green under the angled gaze of the afternoon sun As they grew very slowly and wanted nothing besides sunlight, it was basically impossible to tell whether they were alive or dead    She kept on sleeping, or was unwilling to deal with other people, so the men only stood by her bedside for a moment before hurrying back to the living room, taking care to leave her bedroom door open    Although the living room was also covered in ancient grime, and its furniture and accessories blanketed by dust, the drier air made it more tolerable The visitors stood and talked to the young woman who had let them in – the daughter of the old woman on the bed, around 30 years old, with a freckle near the bridge of her nose She wore a pair of jeans adorned on one leg with embroidered flowers that ran from knee to hip The pattern was so gaudy that her visitors looked down at her leg every few sentences Were those peonies? Or something else, it was hard to tell    One couldn’t resist saying: ‘Look at your mother What kind of a daughter are you?’   ‘I’m not in Nanjing, I live out of town’    ‘Out of town? Where?’ asked the youngest of the group    ‘Zhenjiang’    ‘That’s still not far You married out there?’   ‘Yeah’   ‘Well then, you should be “Coming Home Regularly to Visit”’, the young one replied, sharing a smile with the other two over his reference to the song    ‘I – ’

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

READ NEXT

feature

July 2013

The New Writing

César Aira

TR. Rahul Bery

feature

July 2013

The way I see it, the avant-garde emerged at a point when the professionalisation of artists had consumed itself...

Art

October 2014

For the Motherboard

Vanessa Hodgkinson

James Bridle

Art

October 2014

Please click on the links below to download, print and assemble (instructions in slideshow above) Vanessa Hodgkinson’s For the Motherboard:...

Prize Entry

April 2015

Smote, or ...

Eley Williams

Prize Entry

April 2015

To kiss you should not involve such fear of imprecision. I shouldn’t mind about the gallery attendant. He is...

 

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