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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

Editor’s Note: By way of an introduction, we’ve included two previously unpublished stories by Diane Williams, ‘Beauty, Love and Vanity Itself’ and ‘Velvety’ Beauty, Love and Vanity Itself As usual I’d hung myself with snappy necklaces, but otherwise had given my appearance no further thought, even though I anticipated the love of a dark person who will be my source of prosperity and emotional pleasure Mr Morton arrived about seven pm and I said, ‘I owe you an explanation’   ‘Excellent,’ he replied But when my little explanation was completed, he refused the meal I offered, saying, ‘You probably don’t like the way I drink my soda or how I eat olives with my fingers, do you?’   I only wish I could be so smooth   He exited at a good clip and nothing further developed from that affiliation   I remain prayerful – Praise be to Thee, Praise be to Thou  Nothing fancy   Understand I am not that needy, but I am greedy and it would be snobbish to refuse anything  Even a polite refusal might be viewed as ungrateful, for example: ‘I just don’t think he will make me happy’ or ‘I must decline this type of jam because it contains high fructose corn syrup’   The real thing did come along Bob – Tom spent several days in June with me He always said, ‘How do we do?’ when I met him and as so often happens in life, I also kept up with books and magazines and went along the funny path pursuing my vocation   I also went outside to enjoy the fragrant odour in an Illinois town and went along the thoroughfare that swerved near the fence where yellow roses on a tawny background faded out at the end of the season   I never thought a big cloud hanging in the air would be crooked, but it was up there – grey and deranged   The fence was making the most of its colonial post caps, patterns of diagonals and its big swaying, double-walk gate   I should go whole hog, I thought to myself, and go through the wide entryway quickly   And isn’t looking into the near distance sometimes so

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

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Interview

September 2013

Interview with Max Neumann

TR. Andrea Scrima

Joachim Sartorius

Interview

September 2013

‘It’s as though you’d like to speak, but have no language.’ These are the words chosen by German painter...

Prize Entry

April 2016

Oögenesis

Karina Lickorish Quinn

Prize Entry

April 2016

After her daughter had – for the third time, no less – laid her eggs in the fruit bowl,...

fiction

March 2012

Swimming Home

Deborah Levy

fiction

March 2012

‘Each morning in every family, men, women and children, if they have nothing better to do, tell each other their...

 

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