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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

She was walking Along an almost silent lane in the city   Work – she had abandoned her work a long time ago, to walk The sky had just turned a happy black   As she walked, she mulled over two words – ‘legitimate’ and ‘illicit’ The presumption that these words were innate opposites – how totally were individuals expected to acquiesce to this! And yet the illicit held the greatest attraction for all that was legitimate   Once, in an urge to ascertain the meanings of ‘legitimate’ and ‘illicit’, she had wished for a space that was at once one of emptiness and of equilibrium, the kind of space that defied the laws of nature She had searched for such a space, but never found it   Having walked for hours, when she came to her senses she discovered herself in the lane she was in now And saw that the place was unfamiliar   The lane was narrow and deserted, with ramshackle houses on either side The bricks were exposed in the crumbling walls The windowpanes were broken, and dirty water dripped from the pipes Sucking out all the life force from this water, a banyan sapling had begun to rear its head There were three or four antennae on the roof of every house in this lane full of potholes and crevices Thousands of crows sat on the antennas So many crows that the city would turn dark if they were all to spread their wings simultaneously   Only a handful of rickshaws rattled by, some pulled by hand, some with pedals There was the odd passer-by, humming, cigarette tip glowing A dog whined at the sight of one of them She was about mid-way down the lane when it was abruptly plunged into impenetrable darkness A power cut had swooped down like a black panther, gobbling up the lane Everything was annihilated by the killer paw of darkness   She couldn’t decide what to do Carry on? Go back? Both options appeared equally futile She sensed the blindness even within her consciousness   Surprised by her awareness of the extreme silence all round, a strange touch against her lips caused her

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

READ NEXT

feature

November 2013

I Can’t Stop Thinking Through What Other People Are Thinking

David Shields

feature

November 2013

Originally, feathers evolved to retain heat; later, they were repurposed for a means of flight. No one ever accuses...

feature

October 2015

War is Easy, Peace is Hard

Alexander Christie-Miller

feature

October 2015

At around midday on 19 July, Koray Türkay boarded a bus in Istanbul and set off for the Syrian...

Interview

Issue No. 1

Interview with Manfred Mohr

Alice Hattrick

Interview

Issue No. 1

Lines of varying thickness rotate on black. On the screen beside, tilted away from the first, is a slide...

 

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