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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

It is a story told in every Creole family I know in Mauritius It is often narrated during a long drive: a window rolls down and a hand gestures to stanzas upon stanzas of sugarcane, or bungalows on the coast, or valleys now privately owned ‘This used to be ours,’ says a parent ‘They took it We lost it’   There are several common stories of the taking The Creole child of a white man is forbidden from inheriting his property An illiterate widow signs acres of land to corrupt notaries, who promise that her progeny will be taken care of Families are chased out of their homes   These are old stories, learned by rote and handed down like a relic, a warning: Look at all we had Look: you could lose everything too   With time and pain these stories often become nebulous – sometimes on purpose   My mother’s way of coping with her family history is near-absolute silence; she fears, perhaps, that poverty and stigma will return to plague her once it is spoken out loud Details of her life are sparse and often excruciating A lower middle-class upbringing The shame of having bronze skin with a white surname On my mother’s side of the family, my great-grandfather was a wealthy white man, who had many mistresses; one was a woman of African descent, his maid They had several children together and eventually married My great-grandmother loved her husband fastidiously They brought up their children in the big house; my grandfather and his sisters carried the white name, though, according to my mother, it would have been a kindness if my great-grandfather had given them my great-grandmother’s maiden name instead My great-grandmother would hide in another part of the house when my great-grandfather’s white friends would drive up the Montagne Longue mountain to see him   My mother took me to Montagne Longue only once, when I was around five years old I remember that she was with her eldest brother, and that we were in the region to visit a friend My uncle probably decided we should look at ‘our’ land again, though there was no former

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

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feature

Issue No. 1

In Somaliland

feature

Issue No. 1

On a traffic island in the middle of Somaliland’s capital city, Hargeisa, is the rusting shell of fighter jet...

Interview

December 2013

Interview with Tess Jaray

Lily Le Brun

Interview

December 2013

In the light-filled rooms of The Piper Gallery is a painting show that features no paint. Brought together by...

poetry

September 2014

Breath-Manifester & Drones

Ned Denny

poetry

September 2014

Breath-Manifester   Each bared morning is a swell time to die, Leaving the town’s ornate maze for the level...

 

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