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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

‘We possess nothing in this world other than the power to say “I” This is what we must yield up to God’ — Simone Weil   ‘God break down the door You won’t find the answers here Not the ones you came looking for’ — Nine Inch Nails   Photosensitivity warning: Many of the hyperlinks in this essay go to live videos, which feature a strobe light     I was 10 years old when The Downward Spiral by Nine Inch Nails was released in 1994, and I listened to it more than any other record for the next six years, when everything I knew about myself was disintegrating and becoming unknowable It lives in my blood memory, the soundtrack to the most formative part of my life When I think of that time, my memories resonate with those songs, I can’t imagine myself without them, who I would have been Since then, twenty-five years, I regularly go through periods where the only thing I listen to for weeks, months at a time is Nine Inch Nails, and this locates me, returns me to myself When you love a band for more than half your life, something happens as their songs come to live in you, they echo through how you remember the past, and fortify how you are legible to yourself in the present   NIN was the first band that got me in trouble with grown-ups – for this, they have a special place in my heart that no other band will ever touch For Christmas vacation in 1996, when I was 12, I brought the Broken EP with me when I went to stay with my Catholic grandparents Broken was packaged in a cardboard ‘digipak’, so my grandmother, rather than struggle with a plastic jewel case, could open it like a book The lyrics were printed on the inside, though I was singing them aloud all the time too I think Grandma had the biggest problem with my favourite lyric – ‘Gotta listen to your big-time, hard-line, bad-luck, fist fuck’ – but there was enough offensive sentiment on that

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

READ NEXT

fiction

Issue No. 17

Boom Boom

Clemens Meyer

TR. Katy Derbyshire

fiction

Issue No. 17

You’re flat on your back on the street. And you thought the nineties were over.   And they nearly...

poetry

Issue No. 20

Two Poems

Nisha Ramayya

poetry

Issue No. 20

JOY OF THE EYES   The future is not the beginning, but the forerunner, of a new intense-formation.  ...

poetry

December 2011

Return After Earthquake

Jeffrey Angles

poetry

December 2011

although left for months my house is still standing here on terra firma branches broken by snow fallen into...

 

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