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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

https://soundcloudcom/user-856373367/david-hawkins-field-recording/s-oqrsd2iveh1   FIELD RECORDING   When you record the air, its soundings go boneward    A small, ear-sized mushroom collapses upwards into    a state of pure colour and to draw it with sounds    then becoming words is an amiable task A ladybird    lands on your sleeve: it smells brightly,    orange-tipped emulsion, chewing noise until listening pauses: aural history is an opening skull, huge weathered stones left by ancestors    are a broken eminence Could we be its fontanelle?    As a slender membrane sinks like a trampoline    through the filleted sky, so the ear grows into the ground    at the speed of slow echo We want to exist    like humpback whales, let our song gather itself    around the whole world and return the same notes    yet somehow changed by the timbres of distance,    but that sheer blue crow feinting on its updraft    is a new distraction picked from a bucket    of luminous seeds and fungi Before you pack the gear away    please mention the grass growing and the gentle blush    teeming in your cheeks, the near swoop of an eyebrow   https://soundcloudcom/user-856373367/david-hawkins-roadkill-redacted/s-LXwjkvo1TKM   ROADKILL REDACTED   It’s true that I’m the slightly bloated carcase of a young roe deer sprangled on the edge of the central reservation Like something in amber, my legs are a tangled glyph, my face flayed by insects, as traffic iterates and reiterates its sane and modal realism A million flies have drunk from my fraying tear ducts Neutral voids, my eyes; where small nightmares well up and print themselves on tarmac in an abacus of

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

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feature

January 2011

Futures Past: Monumental Memorials of Modern Berlin

Leila Peacock

feature

January 2011

Cities display a worship of history in the monuments and memorials that they choose to erect, through which the...

feature

March 2014

Burroughs in London

Heathcote Williams

feature

March 2014

I first met William Burroughs in 1963. I was working for a now defunct literary magazine called Transatlantic Review...

poetry

April 2012

The Disappearance

Dana Goodyear

poetry

April 2012

A yellow veil dropped down at evening, and when it lifted everyone was gone. Good mothers fled their young...

 

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