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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

‘1932 Spain at the time was over-run with vermin, its beggars They went from village to village, in Andalusia because it’s hot, in Catalonia because it’s rich, but the whole country was ripe for us So I was a flea, and well aware that I was one In Barcelona we preferred calle Mediodía and calle Carmen Sometimes six of us would sleep on a mattress without sheets and we’d beg in the markets from dawn A gang of us would leave the barrio chino and spread out along the Parallelo, carrying baskets, because housewives were more likely to give us a leek or turnip than a few cents At midday we’d go back and make soup with what we’d collected I am going to describe the customs of that vermin’ Jean Genet,  The Thief’s Journal   *   *   *   After his descent into abjection, Genet decides to embrace his condition and transform it into a supreme virtue He rejects the hierarchy of values of a self-righteous society and turns it on its head: transmutes what is base into something noble and what is noble into something base The process of inner subversion he initiated in Barcelona’s barrio chino will be long and haphazard, and finds expression over the next ten years in his first poetic, narrative works written in Paris’s La Santé prison The young, poverty-stricken lad, brought up in an orphanage, without identity papers, throws himself into theft, prostitution and begging and strives to emulate a criminal’s inveterate hardness with the self-surrender of a man initiating himself in the arcane secrets of a mystic belief and its stony path to spiritual perfection   Fleas, he writes in The Thief’s Journal, were the most visible sign of his worthlessness, as representative of his pariah status as the jewels that adorn aristocrats and the bourgeoisie are of their condition as beautiful people Lovingly cherished rags and sores attract pity and transmute shame into glory in his inner being A pride necessary to withstand the scorn of others, solid and resistant like a rock dividing the

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

READ NEXT

poetry

Issue No. 14

Interrogations

Rebecca Tamás

poetry

Issue No. 14

INTERROGATION (1)     Are you a witch?   Are you   Have you had relations with the devil?...

fiction

January 2015

Adventures in Immediate...

Max Blecher

TR. Michael Henry Heim

fiction

January 2015

I can picture myself as a small child wearing a nightshirt that comes down to my heels. I am...

feature

October 2013

The Good Soldier

Jess Cotton

feature

October 2013

Two hundred names are inscribed in a totemic list that opens Alice Oswald’s Memorial. The deaths of the Greek heroes,...

 

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