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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

THE KITE C 1755   One doctor of lightning, floating on his back down a river held his kite high, a sail in the sky of silk (B Franklin once let a kite tow him across a sizeable lake) Sail of wind and rain in diamond-shape at the end of which a child was, too, a kind of lightning sitting on the sill of a window or standing just inside a door will emit a luminous liquid, slightly viscous, which flashed an instant above the gathered crowd honing down into a long string that held a single hand well in place forcing the connected person to quickly learn the rigour that rules over such childish things once mixed with copper, oiled paper, and an impending storm     BENJAMIN FRANKLIN   used books, people, wires, and wax – it was really quite simple –   Franklin wandering lost between it all could nonetheless feel the tiniest sparkling parts alive inside the glass,   and of something given off deep within that somehow let Isaac Newton live Yet Franklin never quite met him and was left to make a meticulous record of the weather, the water, and the stars in the skies ajar from the deck of the ship heading home again, c 1725 It was he who first asserted that all electricity is a single thing and who solved the mystery of the Leyden jar   So, back to the books, the corks, and the wax, while the fresh water from a tea kettle came as a shock or maybe as a memory – a librarian in Latin opening the windows during thunderstorms so that all could read by the lightning     THE ELECTRIC FORTUNE-TELLER   made and marketed by Georg Heinrich Seiferheld, 1757-1818, was just one among a series of ghostly devices made of lights, buttons, boxes, and small Leyden jars all hidden in a miniature temple made of shook-foil shaken and in the hand, a book on which was written in sparks: “This darkness is permissible” So, off went

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

READ NEXT

feature

November 2011

The nobility of confusion: occupying the imagination

Drew Lyness

feature

November 2011

The Oakland Police Officers Association in California said something clever recently: ‘As your police officers, we are confused.’ It...

feature

November 2012

Life outside the Manet Paradise Resort : On the paintings of Lynette Yiadom-Boakye

Orlando Reade

feature

November 2012

*   A person is represented, sitting in what appears to be the banal and conventional pose of a...

poetry

Issue No. 3

On an NY Balcony

Adrian Dannatt

poetry

Issue No. 3

Too much of my life so far has depended upon dressing-gowns, Some sort of ‘string-theory’ tied by myself wax-thumbed...

 

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