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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

In the morning, the square was white Voula’s hair was white A pigeon on a bronze horse shifted, sent snow down a flank the colour of Voula’s hair as it had been yesterday The girls at the factory were stumped They searched her locker for the necessary products They touched their heads and snapped at each other Their hair remained the colour of the bronze horses defending the square They distinguished themselves by minor differences in length and thickness There were those with fringes and those without They bought special tonics from daughters-in-law and dentists and women who spent their working days sat at bus stops staring at the pavements Tonics were expensive and they hadn’t the heart to tell each other that it made no difference  The factory air flattened and thinned their hair How did Voula manage it? Nothing stayed white in this square for long, except the square itself She had arrived slightly later than the other girls, this morning They had been seated at their machines when she entered, smiling widely, blaming the snow She took her place in the corner, her back to the other girls, her white bob standing for the whole of her head Their eyes watched it while their hands fed what would become the white sleeves of men’s shirts through the machines When the girls returned from lunch, her machine was empty Half a sleeve They were as worried as they were triumphant One of them peered into the office of the supervisor, who sat vacantly running a screwdriver through his flat, thin hair ‘Voula has had an emergency,’ he answered, before she could ask ‘I have given her the afternoon off’ And then: ‘She had the necessary papers’ She explained everything to her husband He sat in their bedroom a few blocks from the factory, listening to the horses running through the radio She had woken up earlier than usual She had left the flat quietly and walked through the streets The sun had not been quite ready She passed the supermarket and the chemist and a shop selling

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

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Interview

March 2017

Interview with Bae Suah

Deborah Smith

Bae Suah

Interview

March 2017

The Essayist’s Desk, published in 2003 and written when its author Bae Suah had just returned from an 11-month...

Art

Issue No. 3

Dead Unicorns: Apocalyptic Anxiety in Canadian Art

Vanessa Nicholas

Art

Issue No. 3

David Altmejd’s installation for the Canada Pavilion at the 2007 Venice Biennale was a complex labyrinth of ferns, nests...

Art

March 2015

Tropenkoller

Lothar Hempel

Art

March 2015

Taking the title Tropenkoller (Tropical Madness), German artist Lothar Hempel’s latest exhibition at Stuart Shave/Modern Art, London (Feb 27-Mar...

 

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