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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

Don’t you ever want the kind of family where you’re just allowed to be…   My brother trails off, his sad blue eyes etched with lines There are 13 years between us, and it’s been 5 since we last met We’re having brunch opposite the Henry Moore Institute The empty restaurant is decorated with imitation sweet peas, a garish canopy of purple and white plastic droops above our heads He’s insistent I eat and determined to pay   He took care of us, my sister and me He took care of everyone, even our other brother, the eldest, loudest, favourite We never called them our half-brothers, because why describe the family you saw the most as anything less than whole   He gave me my first Hooch First listen to Jagged Little Pill, hedgerows clawing at our headlights, driving fast down dark country lanes He taught me how to shape the visor on a baseball cap, how to banter I learned about my desire by observing his Furtive looking from the back seat or barstool Standing in the bathroom at a house party, trying not to watch as his girlfriend has a wee Her glossy brown hair smelt of coconuts, stone-wash denim bunched around her thighs Heartbroken when they ended   My brothers They had done everything and got away with it My mother: terrified   Approaching the barrier at Leeds station, an image of him materialises Twenty-three   years ago, a young man waiting for us on the other side That’s what physical places can do: time travel Today, I’ve arranged to meet him because he’s been absent The proper term is estranged No blowout or cross words, just a slow disappearance, like a newspaper clipping gently fading in the sun   From our brothers my sister and I learnt the art of keeping secrets We did not speak of our experiences, of difficulty or pain We disconnected Silence was easier Which is to say, our mother couldn’t cope with who we wanted to be   It would crush her   Our combined longing fills the

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

READ NEXT

Art

September 2011

Interview with Cornelia Parker

Lowenna Waters

Art

September 2011

Cornelia Parker has over the past twenty years carved out a reputation as one of Britain’s most respected sculptors...

feature

Issue No. 13

Writers from the Old Days

Enrique Vila-Matas

TR. J. S. Tennant

feature

Issue No. 13

Augusto Monterroso wrote that sooner or later the Latin American writer faces three possible fates: exile, imprisonment or burial....

fiction

May 2013

Cabbage Butterflies

Ryū Murakami

TR. Ralph McCarthy

fiction

May 2013

The guy looked disappointed when he saw me. My one sales point is that I’m young, but my eyelids...

 

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