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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

I remember the day Andrija the invincible collapsed for the first time, the warrior of warriors whom we’d never seen without his shell: around Vitez, one morning like all the others in a village like all the others, when tensions were at their height with the Muslims, a warm morning, a little misty, a munitions transport going north, a few kilometres from Travnik the deadly beauty one fine morning with a smell of spring, with Sergeant Mile and Vlaho the crazy driver at the steering wheel, I don’t remember why we stopped near that building, probably because there was a corpse on the threshold, an old man, an entire cartridge clip in his head and chest, machine-gunned from quite close up and his dog too, a Croatian house, the door was open, a smell of incense wafted out as from a church, a dark interior and wood furniture, shutters closed they must have been shot at night, the guy and his mutt, why had he opened his door, why had he gone out, Mile signed to us, a trembling orangey light was coming from a room in the back, a tiny fire, something’s burning, all three of us move towards it, Vlaho remains behind to watch the entrance, a big bedroom with candles everywhere, dozens of candles still lit and on the double bed an old lady stretched out her hands on her chest a black or dark-grey dress her eyes closed and I don’t understand, Andrija takes off his helmet as a sign of respect, he takes off his helmet sighs and mumbles something, Mile and I imitate him without understanding, all three of us are in the process of watching over an old woman who doesn’t know she’s a widow, that her husband who lit all these candles for her was shot with his dog on his doorstep by unknown men or neighbours, she has heard nothing, on her deathbed, not the machine-gun volleys outside, not the footsteps in her house, not the laughter of those who jammed that large crucifix straight upright into the middle

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

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feature

May 2011

On the Relative Values of Humility and Arrogance; or the Confusing Complications of Negative Serendipity

Annabel Howard

feature

May 2011

On a distinctly drizzly Wednesday evening in February a friend of mine looked at me and said: ‘Only those who...

poetry

November 2015

Two Poems

Ko Un

TR. Brother Anthony of Taizé

TR. Lee Sang-Wha

poetry

November 2015

Kim Geung-Ryeol   During the Japanese colonial period he attended Japan’s Military Academy, became squadron leader in the Japanese...

Art

June 2015

Sisterhood

Chelsea Hogue

Art

June 2015

A woman appears onscreen. Her hair is short. While the film is black and white, by the colour gradations...

 

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