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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

We were clearing the dishes after dinner when I found myself telling my 15 year old son the story of La Llorona I’d been re-reading Clarissa Pinkola Estés’s collection of folktales and myths, Women who Run with the Wolves (1992) It’s a work that reveals itself over time and one of a handful of books I return to whenever I find myself at one of life’s crossroads I’d just read ‘La Llorona’ and left it open, face down at the edge of our table while we ate I was reeling It was not the first time I’d encountered this tale, yet I did not remember it from earlier readings Perhaps I was not ready I scraped broccoli stems off a plate into the bin I started, ‘Once upon a time, there was a poor Brown woman in Guatemala and she fell in love with a wealthy hidalgo,’   ‘What’s a hidalgo? And where is this taking place?’ He handed me another dirty plate   ‘It’s a Spanish lord in colonial times And the story comes from a small Latin country in central America, not far from Haiti’   I am from Haiti   ‘So,’ I continued, ‘They were happy because the lord thought this poor woman was very beautiful and he took her into his hacienda – which is Spanish for villa – surrounded by bougainvillea and the sweet smell of almonds from the fragrant virgin’s bower that climbed the old stone walls They made two babies together and loved and cared for them One sunny morning she smiled at him and he didn’t smile back He told her without looking at her that he was leaving her and taking the children with him He had found a woman he could marry, European and wealthy Our lady looked around herself and saw that everything good had been taken away from her In despair, she took their two small boys to the river and she tied a rock to her ankle Hugging them tight, she jumped in where the water was deep They all drowned She came back though,’   ‘What?’ He stopped loading the dishwasher and looked at me

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

READ NEXT

fiction

April 2015

Heavy

Chris Newlove Horton

fiction

April 2015

It is a two lane road somewhere in North America. The car is pulled onto the shoulder with the...

fiction

Issue No. 1

From the Town

Desmond Hogan

fiction

Issue No. 1

In the grape hyacinth blue jersey – yellow strip at V-neck, blue tie, navy trousers of Kinsale Community School,...

fiction

August 2013

How to Be an American

Will Heinrich

fiction

August 2013

Begin with a man on the beach. The sea is strangely iridescent, lighter in its lights and blacker in...

 

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