Mailing List


Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

Dead Reckoning   They say birds always find their way back home but home is a nowhere – a memory; a never was   Do wings remember spaces in the air the way we might a place? A field of rice?   How do you fly back to that? Away from a tomb of fears, this place yearning for you…   Some years ago, I lay bright flowers on my grandmother’s grave Years before, I saw   my grandfather’s ashes taken by the furrowing wind in the Bocas islands   I am not myself nor have I ever been something apprehending the sun   and other bright celestial objects thinking: this is a tapestry in orbit   around me I am completely convinced that we were the last creatures to discover   how to be in the world My beard grows wild My children brush past me in the darkness   Their chattering voices fill my ears and then my chest and I cannot hold it in   I am always coming home       Genealogies   Do not tell me a thing does not do what it does – that these chains (now plated in gold) are no longer chains, or that from above the clouds no longer look like drowned bodies washed ashore in the rolling surf I must go to my mother to learn the real names of the gorgeous objects in this greened world, of the beauties that can drive the body to exhale its life in one purpling sigh, the body that is a precarious house, assembled in this world but out of time   But I can no longer trust my mother’s histories They are not the taut suspensions my adolescent mind thought them to be   The blue-black body breaks at its closures, twisting in a dancing double helix dripping blood and amazement                                                           We will be Home soon Bowls filled with brown oxtail and broad beans At the food stand, an umber dog floats through the crowd like a leaf

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

READ NEXT

fiction

November 2012

Religion and the Movies

Aidan Cottrell Boyce

fiction

November 2012

When the Roman Empire ruled the world, you could make it work for you. The women, the hospitality. You...

Feature

Issue No. 19

Ill Feelings

Alice Hattrick

Feature

Issue No. 19

My mother recently found some loose diary pages I wrote in my first year of boarding school, aged eleven,...

Prize Entry

April 2017

The Bad Thing

Annie Julia Wyman

Prize Entry

April 2017

1.   It must have been around the same time she decided that she really was using all the...

 

Get our newsletter

 

* indicates required