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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

Promenade I was pursued by an immersive theatre troupe two of whom lay on the textured paving and performed a resuscitation she playing my girlfriend and he, I think, an off-duty nurse ‘The work has not earned this,’ I told them, then phoned my girlfriend who didn’t answer; a child actor portrayed her mobile vibrating towards the edge of a stranger’s bedside table When my girlfriend called back they had changed my ringtone to ‘defibrillators’ An actress in a red bib gripped my waist and whispered “tell her you never want to lose her” then said it again in Portuguese before dying unconvincingly in my arms I told Maya I was in a kitchen emporium but tried to embed it with meaning That ended the experience I followed the looker who had played the nurse and asked if he made a living by acting because I know it is tough I followed him underground I was beginning to understand, I said, the underlying power of the work despite my reservations He said he was late to meet someone All the way home I eye-fucked the other people on the train They were all actors and actresses I asked them how they made a living Dinner Though I like to imagine my girlfriend alone with ravioli in a café where they know her name but mispronounce it I’m aware she’s happier being thought of in the Korean place her gay colleagues frequent – tossing porterhouse on a hot plate and receiving compliments for eating and still looking, the way she does I like to make life hard for myself so I straighten one of the men He dismantles a raw egg salad and glistens at the lips I turn two more, to see how I handle it Soon they’re all enjoying the raw egg salad Next thing you know she asks for her steak bleu They’ve entered some kind of parlour The waiter’s not even Korean

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

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Interview

March 2016

Interview with Franco 'Bifo' Berardi

Seth Wheeler

Interview

March 2016

Franco ‘Bifo’ Berardi is a renowned theorist of contemporary media, culture and society. He has lectured at the Academia...

Art

Issue No. 2

From Back Home

J. H. Engstrom

Art

Issue No. 2

In his collection From Back Home the Swedish photographer JH Engström traced his childhood memories back to the province...

feature

October 2013

A World of Sharp Edges: A Week Among Poets in the Western Cape

André Naffis-Sahely

feature

October 2013

In Antal Szerb’s The Incurable, the eccentric millionaire Peter Rarely steps into the dining car of a train steaming...

 

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