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Tausif Noor
Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art history. His writing on art, literature, and visual culture appears in Artforum, frieze, The Nation, The New York Times and other venues, as well as in artist catalogues and various edited volumes.

Articles Available Online


Devil in the Detail: on Leesa Gazi’s ‘Hellfire’

Book Review

July 2021

Tausif Noor

Book Review

July 2021

British-Bangladeshi novelist Tahmima Anam’s debut A Golden Age (2007) tracks the early stirrings of revolution in East Bengal from the 1950s to the climax...

Art Review

May 2019

Simone Fattal, Works and Days

Tausif Noor

Art Review

May 2019

For the last five decades, Simone Fattal has produced works that refract the particularities of the present vis-à-vis a...

Taksim Square appears at first a wide, featureless and unlovely place It is a ganglion of roads and bus routes, a destination and a waypoint, at once central and marginal Many of the people and neighbourhoods surrounding it are also simultaneously at the centre and the fringes The square lies in Istanbul’s nightlife district of Beyoğlu – vibrant yet seedy – a must-go spot for visitors who want to see more than just mosques and the Hagia Sofia Amid the bustle of commuters and tourists, poor Kurdish kids from nearby Tarlabaşı cook up trouble near the metro exit; in the flowerbeds a discrete society of stray dogs lounge and flirt; and tinerciler – glue sniffers, once ubiquitous, now less so – wander with bloodshot eyes Each day at around 7 am, in the Starbucks, a homeless man who is a paid dog-whisperer has his morning coffee before he sets about training and entertaining the pets of the better off His workplace is often Gezi Park, across on the north of the square, a dingy oblong of planes, once a well-known gay cruising spot, now a hangout for those with nowhere else to sleep It’s heavy in summertime with the shade of the thickly planted trees and overshadowed at the back by encroaching high-rise hotels; but it’s green nonetheless, and free, and open to all – something that is becoming a rarity in Istanbul The blockish hulk of the Atatürk Kültür Merkezi (the AKM) that lies on the square’s eastern side is a case of the central-turned-marginal It is a seat of memories for many Turks who went there in years past to see operas and the latest plays It was a purveyor of Western high culture, an emblem of Turkey’s Europeanness Today it is shuttered and dusty and slated for demolition   Taksim is fraught with this kind of historical and cultural symbolism One old trauma has been very much in the mind of Prime Minister Recep Tayyip Erdoğan In 1909, the Halil Paşa Artillery Barracks was the scene of a rebellion

Contributor

March 2018

Tausif Noor

Contributor

March 2018

Tausif Noor is a critic and doctoral student at the University of California Berkeley, where he studies modern and contemporary art...

INTERVIEW WITH ANAND PATWARDHAN

Art Review

July 2018

Tausif Noor

Art Review

July 2018

By the late 1990s a right wing government in the shape of a BJP-Shiv Sena alliance had come to power for the first time...
Danh Vo, Take My Breath Away

Art Review

April 2018

Tausif Noor

Art Review

April 2018

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978). In...

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Essay

March 2019

Dreaming Reasonably: on Jenny George

Rachael Allen

Essay

March 2019

In Neil Marshall’s 2005 horror film The Descent, a group of women go spelunking and become trapped deep underground...

Art

March 2015

The Mask

Roger Caillois

TR. Jeffrey Stuker

Art

March 2015

Here I offer some reflections and several facts potentially useful for a phenomenology of the mask. Needless to say,...

Prize Entry

April 2017

Remain

Ed Lately

Prize Entry

April 2017

The apology had been the most charged and contested gesture between us, the common element in arguments whose subjects...

 

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