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Sophie Mackintosh
Sophie Mackintosh's fiction has appeared in Granta and The Stinging Fly, among others. She was the winner of the 2016 White Review Short Story Prize and the Virago X Stylist short story prize. Her debut novel, The Water Cure, is published by Hamish Hamilton in the UK and forthcoming from Doubleday in the US.

Articles Available Online


Lena Andersson's ‘Acts of Infidelity’

Book Review

July 2018

Sophie Mackintosh

Book Review

July 2018

Acts of Infidelity is the second novel by Lena Andersson that follows unlucky-in-love heroine Ester Nilsson, and it’s another scalpel-sharp look at a doomed...

Fiction

May 2018

Self-Improvement

Sophie Mackintosh

Fiction

May 2018

I had been sent back from the city in disgrace, back to my parents’ house in the country. It...

Soviet Milk by Nora Ikstena opens with two women who cannot remember ‘I don’t remember 15 October 1969,’ says the first ‘I don’t remember 22 October 1944,’ says the second, ‘but I can reconstruct it’ They can only reconstruct what happened because these are the days on which they were born Birth reminds us that we are always dependent upon another to know the truth of who we are, something few of us ever come to terms with These two women are never named: the first, born in Riga in 1969 in the early years of Leonid Brezhnev’s rule over the Soviet Union, is the daughter of the second, born when Riga was liberated from the Nazis at the end of the Second World War This mother is also a daughter, born to a woman who resolved to forget the independent Latvia of her youth, and a father who refused to forget that Latvia condemned him to the gulag Soviet Milk consists of these two women telling their stories in short alternating sections, manifesting in its form the intimacy and distance of what the daughter calls their ‘two parallel worlds’   This is one among many instances of the ‘Soviet absurdity of parallel lives’ the daughter experiences while growing up, as she alternates between public enthusiasm for Soviet rule and private rebellion through studying Latvian poetry The absurdity ends when her generation re-achieves independence: ‘the return of their mother – the land of their birth’ But her mother cannot escape absurdity by being reunited with her nation, because absurdity is the condition of her existence ‘My birth obliged me to be alive: an absurd happenstance’ Unlike her daughter, identification with a nation does not provide an answer to the question that haunts her life: ‘There were so many who more than anything had wished to live but hadn’t been born Who decided this?’   Ikstena’s novel, which is lucidly translated by Margita Gailitis, was written as part of a series called ‘We Latvia The 20th Century’, comprised of thirteen novels telling the history of twentieth-century Latvia Ikstena has been publishing novels, essays, plays

Contributor

April 2016

Sophie Mackintosh

Contributor

April 2016

Sophie Mackintosh’s fiction has appeared in Granta and The Stinging Fly, among others. She was the winner of the...

Grace

Prize Entry

Issue No. 17

Sophie Mackintosh

Prize Entry

Issue No. 17

14. It comes for me in the middle of the day when I am preparing lunch, quartering a tomato then slicing each segment in...

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Art

January 2012

Interview with Ryan Gander

Timothée Chaillou

Art

January 2012

London-based conceptual artist Ryan Gander masters the art of storytelling through an immensely complex yet subtly coherent body of...

feature

June 2014

Writing What You Know

Simon Hammond

feature

June 2014

In the summer of 1959, a headstrong but lovesick English graduate took a trip to the hometown of his...

Interview

September 2014

Interview with Laure Prouvost

Alice Hattrick

Interview

September 2014

Laure Prouvost begins to tell us about something that happened this morning. She woke up with four vegetables on...

 

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