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Sophie Mackintosh
Sophie Mackintosh's fiction has appeared in Granta and The Stinging Fly, among others. She was the winner of the 2016 White Review Short Story Prize and the Virago X Stylist short story prize. Her debut novel, The Water Cure, is published by Hamish Hamilton in the UK and forthcoming from Doubleday in the US.

Articles Available Online


Lena Andersson's ‘Acts of Infidelity’

Book Review

July 2018

Sophie Mackintosh

Book Review

July 2018

Acts of Infidelity is the second novel by Lena Andersson that follows unlucky-in-love heroine Ester Nilsson, and it’s another scalpel-sharp look at a doomed...

Fiction

May 2018

Self-Improvement

Sophie Mackintosh

Fiction

May 2018

I had been sent back from the city in disgrace, back to my parents’ house in the country. It...

Sharon Hayes’ In My Little Corner of the World, Anyone Would Love You at Studio Voltaire features a five-channel video projection onto plywood hoarding that runs the length of the gallery Each track plays footage of a different room in the same house People walk in and out of shot, sitting down to read out loud to themselves or to one or two listeners They are seen sorting and shuffling papers, stapling, typing, tidying Occasionally someone will set up a gramophone record to play and sit and listen The papers from which they read are letters to and from the editors of lesbian, lesbian feminist and effeminist newsletters Each letter contains its own urgency sewn through stories, questions, warnings and expressions of gratitude for the publication’s existence There are frequent invocations to the others who will read the letters: ‘thank you sisters’, ‘good luck sisters’, ‘I’m sorry sisters’   The pamphlets were published in the UK and the US between 1955 and 1977 by organisations including the Daughters of Billitis (DOB), formed in San Francisco in 1955, and the Minorities Research Group (MRG), formed in London in 1963 These groups produced newsletters you had to subscribe to, whose lists were closely guarded The importance, difficulty and distance of the conversations they contain comes through as they are read, as does the particular pitch of their historical moment Whilst varied in their political position and relationship to the group they address, the letters all contain a certain clipped formality, a primness that can still be found in the ‘Letters to the Editor’ sections of certain newspapers Hayes, she tells me when we meet in south London, ‘was interested in the way in which the publications sat inside of their readership, that readership was a community but it was also a readership of writers Everybody was being solicited to actually write, to actively construct discourse, to give names, to offer stories, to make narrative’   Hearing them read aloud now, it’s clear that the newsletters were a precursor to chat rooms and comments sections for a marginalised and disparate community These letters track the vocal,

Contributor

April 2016

Sophie Mackintosh

Contributor

April 2016

Sophie Mackintosh’s fiction has appeared in Granta and The Stinging Fly, among others. She was the winner of the...

Grace

Prize Entry

Issue No. 17

Sophie Mackintosh

Prize Entry

Issue No. 17

14. It comes for me in the middle of the day when I am preparing lunch, quartering a tomato then slicing each segment in...

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Art

August 2017

Becoming Alice Neel

Rosanna Mclaughlin

Art

August 2017

From the first time I saw Alice Neel’s portraits, I wanted to see the world as she did. Neel...

Art

November 2014

Conversations About a Play

Louise Stern

Art

November 2014

Editor’s note: The images in the slideshow document a conversation on paper between the writer and artist Louise Stern...

fiction

November 2015

Wolves

Jeon Sungtae

TR. Sora Kim-Russell

fiction

November 2015

The Chief   The sound of the bell for the closing of the temple gate reaches my ears. I...

 

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