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Scott Esposito

Scott Esposito is the co-author of The End of Oulipo? (with Lauren Elkin; Zero Books, 2013). His writing has appeared recently in Music & Literature, Drunken Boat, and The Point. His criticism appears frequently in the Times Literary Supplement, the San Francisco Chronicle, and The Washington Post.



Articles Available Online


The Last Redoubt

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November 2014

Scott Esposito

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November 2014

As they say of politics, I have found essay-writing to be the art of the possible. Certain work can only be done in those...

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February 2014

Another Way of Thinking

Scott Esposito

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February 2014

I. There is no substitute for that moment when a book places into our mind thoughts we recognise as our...

I mind my pomegranate like an open door watch it from the corner of my bed with the lights on It grows on trees here so I mind my pomegranate & like an open door   it creaks fruitlessness; do all pomegranates stain like shadows? I crack its fruit onto the floor and mind my pomegranate like an open door, watch from the corner of my bed   The pomegranates felt a sense of belatedness so they imitated until they created their own culture By this, of course, I mean the pomegranates felt a sense of belatedness so   their art was modelled after Chronos, engendering time and all its tensions Even building in their prime the pomegranates felt a sense of belatedness so they created until they imitated their own   Have you ever heard of the Heraclitean pomegranate? Or seen its shape-shifting jewels whip light from an egg-yolk into vanishing air? Oh but have you ever heard of the Heraclitean pomegranate?   Tell me, when was the last time you fed the pomegranate, allowed its composition to transform you? Spill it! Have you ever heard of the Heraclitean pomegranate? Or seen it whip jewels like a shapeshifter?   I was pomegranate the other day and tripped over a bur Nowadays, I always get a sprain when I pomegranate My grandfather said he was pomegranate the other day and tripped—   like when the colonisers withdrew and left his tree exposed to the hewing I don’t want to think about when I was pomegranate The other day I tripped over It was a blur Nowadays, I always forget my name     This pomegranate is like a pomegranate: it falls from the sky and stains everything red on impact It’s deaf to the screaming children This pomegranate is like a pomegranate:   you can’t tell which way or who it’ll split For fate decides—meaning power decides It’s too late when this pomegranate is like a pomegranate falls from the sky and stains everything red

Contributor

August 2014

Scott Esposito

Contributor

August 2014

Scott Esposito is the co-author of The End of Oulipo? (with Lauren Elkin; Zero Books, 2013). His writing has...

Negation: A Response to Lars Iyer's 'Nude in Your Hot Tub'

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September 2012

Scott Esposito

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September 2012

I do not know whether I have anything to say, I know that I am saying nothing; I do not know if what I...
Art's Fading Sway: Russian Ark by Aleksandr Sokurov

Art

May 2012

Scott Esposito

Art

May 2012

I have often fallen asleep in small theatres. It is an embarrassing thing to have happen during one-man shows, and I am certain that...

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Art

December 2013

When We Were Here: The 1990s in Film

Masha Tupitsyn

Art

December 2013

‘I remember touch. Pictures came with touch.’ -Daft Punk, ‘Touch’   In the 1990s, three important pre post-reality films...

Prize Entry

April 2017

The Critic of Tombs

Ethan Davison

Prize Entry

April 2017

Emilia came to Tombs [1] in the twelfth year of the interregnum. It was the first time in history...

fiction

May 2013

Cabbage Butterflies

Ryū Murakami

TR. Ralph McCarthy

fiction

May 2013

The guy looked disappointed when he saw me. My one sales point is that I’m young, but my eyelids...

 

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