Mailing List


Scott Esposito

Scott Esposito is the co-author of The End of Oulipo? (with Lauren Elkin; Zero Books, 2013). His writing has appeared recently in Music & Literature, Drunken Boat, and The Point. His criticism appears frequently in the Times Literary Supplement, the San Francisco Chronicle, and The Washington Post.



Articles Available Online


The Last Redoubt

feature

November 2014

Scott Esposito

feature

November 2014

As they say of politics, I have found essay-writing to be the art of the possible. Certain work can only be done in those...

feature

February 2014

Another Way of Thinking

Scott Esposito

feature

February 2014

I. There is no substitute for that moment when a book places into our mind thoughts we recognise as our...

Soviet Milk by Nora Ikstena opens with two women who cannot remember ‘I don’t remember 15 October 1969,’ says the first ‘I don’t remember 22 October 1944,’ says the second, ‘but I can reconstruct it’ They can only reconstruct what happened because these are the days on which they were born Birth reminds us that we are always dependent upon another to know the truth of who we are, something few of us ever come to terms with These two women are never named: the first, born in Riga in 1969 in the early years of Leonid Brezhnev’s rule over the Soviet Union, is the daughter of the second, born when Riga was liberated from the Nazis at the end of the Second World War This mother is also a daughter, born to a woman who resolved to forget the independent Latvia of her youth, and a father who refused to forget that Latvia condemned him to the gulag Soviet Milk consists of these two women telling their stories in short alternating sections, manifesting in its form the intimacy and distance of what the daughter calls their ‘two parallel worlds’   This is one among many instances of the ‘Soviet absurdity of parallel lives’ the daughter experiences while growing up, as she alternates between public enthusiasm for Soviet rule and private rebellion through studying Latvian poetry The absurdity ends when her generation re-achieves independence: ‘the return of their mother – the land of their birth’ But her mother cannot escape absurdity by being reunited with her nation, because absurdity is the condition of her existence ‘My birth obliged me to be alive: an absurd happenstance’ Unlike her daughter, identification with a nation does not provide an answer to the question that haunts her life: ‘There were so many who more than anything had wished to live but hadn’t been born Who decided this?’   Ikstena’s novel, which is lucidly translated by Margita Gailitis, was written as part of a series called ‘We Latvia The 20th Century’, comprised of thirteen novels telling the history of twentieth-century Latvia Ikstena has been publishing novels, essays, plays

Contributor

August 2014

Scott Esposito

Contributor

August 2014

Scott Esposito is the co-author of The End of Oulipo? (with Lauren Elkin; Zero Books, 2013). His writing has...

Negation: A Response to Lars Iyer's 'Nude in Your Hot Tub'

feature

September 2012

Scott Esposito

feature

September 2012

I do not know whether I have anything to say, I know that I am saying nothing; I do not know if what I...
Art's Fading Sway: Russian Ark by Aleksandr Sokurov

Art

May 2012

Scott Esposito

Art

May 2012

I have often fallen asleep in small theatres. It is an embarrassing thing to have happen during one-man shows, and I am certain that...

READ NEXT

fiction

August 2013

Foxy

Siân Melangell Dafydd

fiction

August 2013

If you don’t want to lose your eyes, grab them by the veins sticking out of their behinds and...

Interview

Issue No. 11

Interview with Alice Oswald

Max Porter

Interview

Issue No. 11

Alice Oswald is a British poet who lives in Devon with her family. Newspaper profiles will inevitably mention the...

Interview

Issue No. 12

Interview with Yvonne Rainer

Orit Gat

Interview

Issue No. 12

TWO DAYS BEFORE WE WERE SCHEDULED TO MEET, Yvonne Rainer walked into the gallery I was looking after for...

 

Get our newsletter

 

* indicates required