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Rebecca Tamás
REBECCA TAMÁS is a Lecturer in Creative Writing at York St John University. Her pamphlet Savage was published by Clinic, and was a LRB Bookshop pamphlet of the year, and a Poetry School book of the year. Rebecca’s first full-length poetry collection, WITCH, was published by Penned in the Margins in March 2019. She is editor, together with Sarah Shin, of Spells: 21st Century Occult Poetry, published by Ignota Books. Her collection Strangers: Essays on the Human and Nonhuman was published by Makina Books in October 2020.  

Articles Available Online


Interview with Ariana Reines

Interview

July 2019

Rebecca Tamás

Interview

July 2019

I first became aware of Ariana Reines’s work through her early poetry collection The Cow (2006), which went on to win the prestigious Alberta Prize. I...

Essay

Issue No. 24

The Songs of Hecate: Poetry and the Language of the Occult

Rebecca Tamás

Essay

Issue No. 24

  I have gone out, a possessed witch, haunting the black air, braver at night; dreaming evil, I have...

I’ve always lived with Aunt and Uncle They’re the only sisterfuckers I’ve ever had, and I’ve always lived with them The house is cold and skinny and my bedroom is right at the top, on the fourth floor, in the space underneath the roof If I stand in the middle I’m alright, but since I turned 11 a few years ago, I’ve had to bend my knees to stand in the spaces where the ceiling swoops down and the mice scuttle I spend most of my time here in my bedroom when I’m not at School I draw pictures or write things down Downstairs, Aunt smokes from her hookah pipe and listens to sad love songs from the cassette with a large ‘S’ painted on it in blue nail varnish Uncle is asleep He wakes up when the sky gets dark, and washes his face till his eyes turn red and water drips from his long feathery hair Then he comes downstairs and sits on the edge of the sofa, breathing heavily, making a noise like there’s something wet and green lodged in his throat He waits for Aunt to bring him his special drink of chilled chicken’s blood and rose water, served in a tall glass covered in faded gold flowers He gulps it, feathery head thrown back, then smacks the glass on the table, clears his throat, puts on his stinking leather jacket, and leaves for his shift at Paris Sweets and Restaurant, where he cooks and sweats in the small, dark kitchen all night, over pots that would crush him if they could I don’t drink the chicken’s blood, but I do eat the flesh when Aunt cooks it She cooks it in all sorts of ways, with butter and spices, turns it into this or that, a pastry or a soup or a jelly Uncle doesn’t eat the flesh, Aunt says his throat closes up around food It’s the chicken’s blood that keeps him going, that, and the smells of cooking, is all he needs He’s not had any solid food for so long now

Contributor

July 2015

Rebecca Tamás

Contributor

July 2015

REBECCA TAMÁS is a Lecturer in Creative Writing at York St John University. Her pamphlet Savage was published by Clinic, and...

Interrogations

poetry

Issue No. 14

Rebecca Tamás

poetry

Issue No. 14

INTERROGATION (1)     Are you a witch?   Are you   Have you had relations with the devil?   Have you   Have...

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poetry

January 2014

Three New Poems

Antjie Krog

poetry

January 2014

Antjie Krog was born and grew up in the Free State province of South Africa. She became editor of...

feature

September 2016

The Rights Of Nerves

Masha Tupitsyn

feature

September 2016

‘I transform “Work” in its analytic meaning (the Work of Mourning, the Dream-Work) into the real “Work” — of...

Interview

February 2016

Interview with Gerard Byrne

Izabella Scott

Interview

February 2016

I first encountered Gerard Byrne’s eerily dislocated films at Tate Britain, where 1984 and Beyond (2005–7) was shown on...

 

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