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Rebecca Tamás
REBECCA TAMÁS is a Lecturer in Creative Writing at York St John University. Her pamphlet Savage was published by Clinic, and was a LRB Bookshop pamphlet of the year, and a Poetry School book of the year. Rebecca’s first full-length poetry collection, WITCH, was published by Penned in the Margins in March 2019. She is editor, together with Sarah Shin, of Spells: 21st Century Occult Poetry, published by Ignota Books. Her collection Strangers: Essays on the Human and Nonhuman was published by Makina Books in October 2020.  

Articles Available Online


Interview with Ariana Reines

Interview

July 2019

Rebecca Tamás

Interview

July 2019

I first became aware of Ariana Reines’s work through her early poetry collection The Cow (2006), which went on to win the prestigious Alberta Prize. I...

Essay

Issue No. 24

The Songs of Hecate: Poetry and the Language of the Occult

Rebecca Tamás

Essay

Issue No. 24

  I have gone out, a possessed witch, haunting the black air, braver at night; dreaming evil, I have...

H is already awake and worrying She is dealing with a new problem I am in love with her so I help Tea or coffee? Tea Pigeons have nested on the flat’s small balcony She is outside, investigating in bare feet The studio flat is small enough that I see through the glass doors from bed Delicate shit marbles the railings, the tiled floor, the two plastic chairs and matching table In her hand is a dinner knife Urgently she scrapes off the shit Each surface sings a little as the blade is worked across: octaves of metal up in the clouds, tiles slightly lower, plastic right through my chest    Accustomed to her ritual, the pigeons stay put Loudly they caress each other Synchronised with the sun, their feelings swell at twilight and then once more at dusk Affection lives in their throats H will sometimes shush them Finger pressed pointlessly to her lips, as if they are children I don’t mind their fragile heads Bodies so large Through the mottled glass doors their claws appear deep-sea, something starfish H wipes the dinner knife with a rag She turns and mouths the word tea at me, her eyebrows raised    I return a thumbs up and finish picking the sleep from my eyes Last night’s dream settles as a memory A pigeon’s beak methodically piercing my skin, until bloodless holes run in neat lines across my forearms The moment of contact is nothing more than a pinch Light hits the bed first, before shifting into the kitchen The apartment belongs to H Plants thrive in every corner Walls painted a specific shade of white She has concerns about the old electrics A sound of crickets fills each outlet, loudest at the kettle I close my eyes against the sun The teabag brews too long H will not drink it    The pigeons must feel the damp from last night’s light rain Each flap of their wings releases small, perfect down feathers H is irritated as they drift inside She drops the knife into the sink and begins to sweep aggressively Her

Contributor

July 2015

Rebecca Tamás

Contributor

July 2015

REBECCA TAMÁS is a Lecturer in Creative Writing at York St John University. Her pamphlet Savage was published by Clinic, and...

Interrogations

poetry

Issue No. 14

Rebecca Tamás

poetry

Issue No. 14

INTERROGATION (1)     Are you a witch?   Are you   Have you had relations with the devil?   Have you   Have...

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poetry

June 2014

Oeuvres

Edouard Levé

TR. Jan Steyn

poetry

June 2014

1. A book describes works that the author has conceived but not brought into being. 2. The world is...

feature

May 2013

Haneke's Lessons

Ricky D'Ambrose

feature

May 2013

‘Art is there to have a stimulating effect, if it earns its name. You have to be honest, that’s...

Interview

November 2015

Interview with Dor Guez

Helen Mackreath

Interview

November 2015

Dor Guez, artist, scholar, photographer, archivist, wants to avoid being classified, but it’s difficult not to fall into the...

 

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