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Orit Gat
Orit Gat is a writer living in London. She is a contributing editor of The White Review.


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On Marriage, Netflix, and Other Things I Hate

Book Review

June 2023

Orit Gat

Book Review

June 2023

1. ‘It’s kind of crazy to shop at Target, watch Netflix, drive a Honda, and still have a husband.’   Marriage falls into a...

Book Review

July 2022

It’s Personal: Writing and Reading Through Grief

Orit Gat

Book Review

July 2022

1. A spill  I’m drinking coffee in bed and reading The Reactor. I feel so close to everything Nick...

I’m not up on the Internet, but I hear that is a democratic possibility People can connect with each other I think people are ready for something, but there is no leadership to offer it to them People are ready to say, ‘Yes, we are part of a world’— Studs Terkel   Studs was an inspiring historian The child of Russian immigrants living in Chicago, he spent his life talking to people — famous people from Dr King to C P Ellis and pretty much everyone in between — but mainly to normal people, working people (and, all too often, unemployed people) The classic oral historian, he was an obsessive archivist who told us about economics and politics as felt in our everyday lives He catalogued the daily routines of communities; the small niggles of wage labour that collected over a lifetime grind us into the floor, as well as the little acts of humanity that we build our relationships on Studs mapped personal stories of working-class solidarity, and, all told together, he mapped the political changes of almost half a century Culture drove Studs He started his career as a screenwriter and actor, starring in his own sitcom Studs’ Place, until his outspoken political allegiances got him blacklisted by that indignant little senator, Joe McCarthy In 1952 he got an hour-a-week spot on 987 WFMT Chicago, a small local arts station, and soon was broadcasting five days a week He continued to do so for the next forty-five years The majority of those broadcasts were interviews and, combined with a number of books of collected memories, they formed his life’s work In them he talked to the people mass-culture sees only as ‘audience’, and asked them what constituted their own culture of daily life   Studs died at the dawn of a global financial crisis (his epitaph: ‘Curiosity didn’t kill this cat’) he might half recognise from his youth; capital, unregulated, crashing like a wall of water through people’s daily experience, tearing apart the fragile homes we’ve made for ourselves But the way the working class constitutes itself within capital

Contributor

August 2014

Orit Gat

Contributor

August 2014

Orit Gat is a writer living in London. She is a contributing editor of The White Review.

Essay

September 2020

Three Finals

Orit Gat

Essay

September 2020

1998   In the summer of 2006, at a bar off Odéon, a girl I didn’t know drew a...

Anna Wiener’s ‘Uncanny Valley’

Book Review

February 2020

Orit Gat

Book Review

February 2020

1. SF vs NY   Anna Wiener found herself in the right place at the right time. That is, if that was what she...
James Bridle’s ‘New Dark Age’

Book Review

October 2018

Orit Gat

Book Review

October 2018

Halfway through James Bridle’s foreboding, at times terrifying, but ultimately motivating account of our technological present, he recounts a scene from a magazine article...
Women and Technology: History is a Cautionary Tale

Book Review

April 2018

Orit Gat

Book Review

April 2018

Few book reviews open with amateur rap, but: ‘back in the day when new media was new,’ goes the first line of a song...
Scroll, Skim, Stare

feature

Issue No. 16

Orit Gat

feature

Issue No. 16

1.   This is an essay about contemporary art that includes no examples. It includes no examples because its subject – artists’ websites, their...
What Can an Art Magazine Be?

feature

Issue No. 10

Orit Gat

feature

Issue No. 10

What can an art magazine be? Today, as the publishing industry reassesses its role in the age of the internet, the pioneering art magazine Metronome provides...

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Prize Entry

April 2017

Remain

Ed Lately

Prize Entry

April 2017

The apology had been the most charged and contested gesture between us, the common element in arguments whose subjects...

poetry

March 2015

Coup & Bell Curve

Elizabeth Willis

poetry

March 2015

COUP   Mallarmé’s gambling astonished everyone even the poets   An acre of paper sold down a river whose...

fiction

November 2014

The Lighted Way

Jeremy Chambers

fiction

November 2014

Dad used to believe that the souls of the dead rise up into the air and become one with...

 

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