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Orit Gat
Orit Gat is a writer living in London. She is a contributing editor of The White Review.


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On Marriage, Netflix, and Other Things I Hate

Book Review

June 2023

Orit Gat

Book Review

June 2023

1. ‘It’s kind of crazy to shop at Target, watch Netflix, drive a Honda, and still have a husband.’   Marriage falls into a...

Book Review

July 2022

It’s Personal: Writing and Reading Through Grief

Orit Gat

Book Review

July 2022

1. A spill  I’m drinking coffee in bed and reading The Reactor. I feel so close to everything Nick...

‘We have received around 150 of them,’ Massimo Osanna tells me, as we peer into four small crates stuffed full of dusty freezer bags Each bag contains a letter and a lump of something – stone, shards of marble, bone I extract one of the samples, a faded brown envelope with a row of Spanish stamps Inside, a lozenge of pumice and an accompanying note ‘This item was removed dishonestly,’ it reads ‘With deep apologies’   ‘We have received so many,’ Osanna continues, ‘that we’ve decided to have an exhibition It will be called: “What I stole from Pompeii”’ In October 2015, Osanna, Pompeii’s archeological superintendent, announced that he’d been receiving a number of unexpected parcels They arrive addressed to the excavation site in Pompeii and the Archeological Museum of Naples, and hold an assortment of stolen fragments Many are accompanied by letters of apology attesting to the vaguely formed fears of an uneasy conscience ‘I would like to return this stone,’ one reads, referring to a teardrop of pumice ‘My boyfriend took it during our holiday to Pompeii in August, and I feel rather wrong about it’ Others are more specific, attributing illness and misfortune to the stolen pieces of rock ‘I wish to return this stone to its original place because my husband is taken long ill,’ a Japanese woman explains ‘Please put it back in the ground’ Correspondents often admit to returning the items in hope of appeasing the gods of misfortune – ‘I am convinced that these pebbles that I took from Italy bring me bad luck,’ begins a letter from Florida, ‘For this reason, I’m sending them back so I can be free’ – while others articulate fears of supernatural forces at play ‘Taken from Pompeii fifteen years ago’, a man from London confesses, returning a small red rock ‘I return it to you so the curse can be lifted’   To understand the curse of Pompeii we must look first to Mount Vesuvius, the double-humped volcano in

Contributor

August 2014

Orit Gat

Contributor

August 2014

Orit Gat is a writer living in London. She is a contributing editor of The White Review.

Essay

September 2020

Three Finals

Orit Gat

Essay

September 2020

1998   In the summer of 2006, at a bar off Odéon, a girl I didn’t know drew a...

Anna Wiener’s ‘Uncanny Valley’

Book Review

February 2020

Orit Gat

Book Review

February 2020

1. SF vs NY   Anna Wiener found herself in the right place at the right time. That is, if that was what she...
James Bridle’s ‘New Dark Age’

Book Review

October 2018

Orit Gat

Book Review

October 2018

Halfway through James Bridle’s foreboding, at times terrifying, but ultimately motivating account of our technological present, he recounts a scene from a magazine article...
Women and Technology: History is a Cautionary Tale

Book Review

April 2018

Orit Gat

Book Review

April 2018

Few book reviews open with amateur rap, but: ‘back in the day when new media was new,’ goes the first line of a song...
Scroll, Skim, Stare

feature

Issue No. 16

Orit Gat

feature

Issue No. 16

1.   This is an essay about contemporary art that includes no examples. It includes no examples because its subject – artists’ websites, their...
What Can an Art Magazine Be?

feature

Issue No. 10

Orit Gat

feature

Issue No. 10

What can an art magazine be? Today, as the publishing industry reassesses its role in the age of the internet, the pioneering art magazine Metronome provides...

READ NEXT

feature

June 2014

Hoarseness: A Legend of Contemporary Cairo

Youssef Rakha

feature

June 2014

U. Mubarak It kind of grows out of traffic. The staccato hiss of an exhaust pipe begins to sound like...

feature

May 2014

How Imagination Remembers

Maria Fusco

feature

May 2014

How imagination remembers is twofold, an enfolded act of greed and ingenuity. I believe these impulses to be linked...

poetry

Issue No. 8

The Cloud of Knowing

John Ashbery

poetry

Issue No. 8

There are those who would have paid that. The amount your eyes bonded with (O spangled home) will have...

 

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