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Kevin Brazil
Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London Review of Books, the Times Literary Supplement, Art Review, art-agenda, Studio International, and elsewhere. He is writing a book about queer happiness.

Articles Available Online


Interview with Sianne Ngai

Interview

October 2020

Kevin Brazil

Interview

October 2020

Over the past fifteen years, Sianne Ngai has created a taxonomy of the aesthetic features of contemporary capitalism: the emotions it provokes, the judgements...

Essay

Issue No. 28

Fear of a Gay Planet

Kevin Brazil

Essay

Issue No. 28

In Robert Ferro’s 1988 novel Second Son, Mark Valerian suffers from an unnamed illness afflicting gay men, spread by...

Before I became a shelf-stacker and spent my evenings and nights in the aisles of the cash and carry market, filling shelves, fetching pallets from high on the storage shelves with the forklift, now and then helping one of the last customers of the evening and getting to know all kinds of food, I’d been working on building sites for a couple of years   I hadn’t given up of my own accord but I wouldn’t have kept it up all that long, even if the boss hadn’t fired me I was a builder’s mate, lugging sacks of cement and plasterboard, gutting flats – that meant I knocked the plaster off the walls, tore out fireplaces and chimneys with a big sledgehammer we used to call ‘Rover’, until I was covered in soot and dirt and spent hours getting the soot and dust out of my nose at home The firm didn’t even pay well and the boss was a bastard The guy came from Bavaria; I’ve met people from Bavaria who were actually OK though   I can’t remember exactly when all the fuss with the boss started, but I do know we were demolishing an old roof that day We found a big pigeon’s graveyard, two pigeons still alive and perfectly still in among all the bones, piles of feathers and pigeon shit and decomposing and mummified corpses, and we could only tell by their eyes and their heads, moving slightly every now and then, that they were waiting We fetched the Portuguese guys and they killed them with a blow of a spade Then we tipped lime over the pigeon graveyard and shovelled it all into buckets and tipped them down the rubbish chute fastened to the scaffolding outside   And after that we didn’t feel much like hard work any more; the pigeons had got to us We took the tiles off another section of the roof, not exactly motivated, removed the roof battens with wrecking bars, and then we took a lunch break   We usually had our lunch break at eleven thirty, and when the bells of the church just round

Contributor

March 2018

Kevin Brazil

Contributor

March 2018

Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London...

Interview with Terre Thaemlitz

Interview

March 2018

Kevin Brazil

Interview

March 2018

In the first room of Terre Thaemlitz’s 2017 exhibition ‘INTERSTICES’, at Auto Italia in London, columns of white text ran across one wall. Thaemlitz...

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feature

January 2016

About Renata Adler’s Speedboat

Wolfgang Hildesheimer

TR. Shaun Whiteside

feature

January 2016

  Best known for his bestselling biography of Mozart, Wolfgang Hildesheimer was a polymathic novelist, translator, painter and dramatist. A...

feature

March 2016

Behind the Yellow Curtain

Annina Lehmann

feature

March 2016

Notes from a workshop   At first, there is nothing but a yellow curtain at the back of the...

feature

Issue No. 1

On the Notoriously Overrated Powers of Voice in Fiction or How To Fail At Talking To Pretty Girls

D. W. Wilson

feature

Issue No. 1

On a Tuesday afternoon in July, not too long ago, a friend of mine struck a pose imitating a...

 

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