Mailing List


Kevin Brazil
Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London Review of Books, the Times Literary Supplement, Art Review, art-agenda, Studio International, and elsewhere. He is writing a book about queer happiness.

Articles Available Online


Interview with Sianne Ngai

Interview

October 2020

Kevin Brazil

Interview

October 2020

Over the past fifteen years, Sianne Ngai has created a taxonomy of the aesthetic features of contemporary capitalism: the emotions it provokes, the judgements...

Essay

Issue No. 28

Fear of a Gay Planet

Kevin Brazil

Essay

Issue No. 28

In Robert Ferro’s 1988 novel Second Son, Mark Valerian suffers from an unnamed illness afflicting gay men, spread by...

Wow it’s so still Isn’t it eerie Oh yes So calm Everything’s still That’s right Look at the rowers – look at how fast the rowers are going Ominous – yes, like the calm before the storm If you like Look at the rowers! Two long boats and bodies – rowers – like rungs or something Like notches or rungs – or struts or bolts – something The sound of the machine drying the bathmat behind me in front of you, very low – a good machine Time to leave you to it pretty much Handwriting, here and there – little notes, as you go along, things not to forget They move me actually Along with the photo on your travel pass, they move me   I didn’t put on my hat even though it’s as cold as forever and the hat’s right there in my bag at the bottom My mascara came away in the night and for that hat to look any good requires a little recent eye adornment – I realise that And I didn’t say anything, not a word, about the creature beneath the water No mention of the monster The flowers are lovely instead, especially the roses Oh yes, you say They’re high enough that I don’t see Mary getting out of her car I don’t have to see her any more, walking by and going into her house – it’s nice actually   Would it be a scaly monster with a tremendous tail I wonder, or something wraithlike with straggly wings? Will it, in other words, be something dredged or something fallen? A decision doesn’t fix because the day is actually more nuanced than at first appeared – and anyway, I don’t know where exactly, but there is something shifting and suddenly the whole scene is quite altered And yet, for all the world, it appears perfectly composed As if hovering in fact The whole vista hovers   Some kind of trick, obviously I could remain like this all day I expect, and not get any closer to working it out   It wouldn’t be a big deal – the monster’s

Contributor

March 2018

Kevin Brazil

Contributor

March 2018

Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London...

Interview with Terre Thaemlitz

Interview

March 2018

Kevin Brazil

Interview

March 2018

In the first room of Terre Thaemlitz’s 2017 exhibition ‘INTERSTICES’, at Auto Italia in London, columns of white text ran across one wall. Thaemlitz...

READ NEXT

Art

November 2012

Film: Difficulties in Impression Management

Patrick Goddard

Art

November 2012

Difficulties in Impression Management, 2012 Running time 13’09”

fiction

August 2013

How to Be an American

Will Heinrich

fiction

August 2013

Begin with a man on the beach. The sea is strangely iridescent, lighter in its lights and blacker in...

feature

Issue No. 7

The White Review No. 7 Editorial

The Editors

feature

Issue No. 7

A few issues back we grandiosely stated ‘that it is more important now than ever to provide a forum...

 

Get our newsletter

 

* indicates required