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Kevin Brazil
Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London Review of Books, the Times Literary Supplement, Art Review, art-agenda, Studio International, and elsewhere. He is writing a book about queer happiness.

Articles Available Online


Interview with Sianne Ngai

Interview

October 2020

Kevin Brazil

Interview

October 2020

Over the past fifteen years, Sianne Ngai has created a taxonomy of the aesthetic features of contemporary capitalism: the emotions it provokes, the judgements...

Essay

Issue No. 28

Fear of a Gay Planet

Kevin Brazil

Essay

Issue No. 28

In Robert Ferro’s 1988 novel Second Son, Mark Valerian suffers from an unnamed illness afflicting gay men, spread by...

Chatsworth, established in 1888 in the northwest corner of the San Fernando Valley, took its name from the family seat of the Duke of Devonshire The developers who subdivided this part of Ex-Mission San Fernando, formerly called Rancho El Escorpión, preferred to associate themselves with England’s landed gentry rather than with the poisonous arachnids native to the place As in Hollywood, another formerly rural tract absorbed into the city of Los Angeles, efforts to elevate the tone of the area were never entirely successful Companies producing mainstream entertainment, including the one responsible for the television programme 24, have maintained offices in Chatsworth, but they have generally been overshadowed by the more enduring presence of the sex industry; besides many porn studios, the trade publication Adult Video News has its headquarters in the neighbourhood, and sex toys are manufactured there Most recently, Chatsworth distinguished itself as the place where the figure of Vern Blosum, a painter whose work achieved notoriety in the early 1960s, started to emerge from obscurity   In February 2006, Jon and Tina Cassar bought a painting that looked like Pop Art, as anyone would say: a realistic depiction of a parking meter captioned with the text ‘Twenty Five Minutes’ (the amount of time left on the meter) in the kind of plain block letters used by professional sign painters Jon Cassar, a producer of 24, which consists of hour-long episodes unfolding in an hour of real time, must have felt almost as though the painting, with its image of a finite period time about to expire, had been made expressly for him The Cassars’ notes describe the circumstances: ‘Purchased, Twenty Five Minutes, Vern Blosum 1962, at a price of $1000 In Chatsworth, CA At a corner storage lot Due to storage container being vacated Unknown reasons why Unknown owner Maybe due to no longer paying rental storage fees or could be it was left unclaimed’ After taking the painting home, the new owners found on the back of it a label reading, ‘L A Co Museum of Art, LOAN CAT 88, MR & MRS L ASHER’

Contributor

March 2018

Kevin Brazil

Contributor

March 2018

Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London...

Interview with Terre Thaemlitz

Interview

March 2018

Kevin Brazil

Interview

March 2018

In the first room of Terre Thaemlitz’s 2017 exhibition ‘INTERSTICES’, at Auto Italia in London, columns of white text ran across one wall. Thaemlitz...

READ NEXT

Interview

September 2012

Interview with Michael Hansmeyer

Lawrence Lek

Interview

September 2012

Every project made with a computer expresses a relationship between aesthetics and technology. The historical progress of technology works...

feature

Issue No. 18

Editorial

The Editors

feature

Issue No. 18

This is the editorial from the eighteenth print issue of The White Review, available to buy here.    In 1991...

Interview

February 2017

Interview with Hajra Waheed

Rebecca Travis

Interview

February 2017

This conversation with Hajra Waheed began in person with an opportune meeting at her Montreal studio in April 2016....

 

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