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Kevin Brazil
Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London Review of Books, the Times Literary Supplement, Art Review, art-agenda, Studio International, and elsewhere. He is writing a book about queer happiness.

Articles Available Online


Interview with Sianne Ngai

Interview

October 2020

Kevin Brazil

Interview

October 2020

Over the past fifteen years, Sianne Ngai has created a taxonomy of the aesthetic features of contemporary capitalism: the emotions it provokes, the judgements...

Essay

Issue No. 28

Fear of a Gay Planet

Kevin Brazil

Essay

Issue No. 28

In Robert Ferro’s 1988 novel Second Son, Mark Valerian suffers from an unnamed illness afflicting gay men, spread by...

Benson’s Syndrome   Grapefruit I have lost the word for it Popillo? Popello? No, no It escapes her, the word, she tries to dig into the layers of memory, a time when she used to know only this language, only this rhythm, this inflection, when she used to know the small of your back, or the ribs that sometimes pushed through your skin, but it fails her, it is always out of reach, hiding behind her second language that is now her first, a senseless language with silent letters: apostle, knot, doubt     Assignation   An appointment to meet someone in secret, typically one made by lovers We were never lovers, but no one will ever as easily cover me in goosebumps     Cavities   It was in Paris where I broke my tooth, the lower left second molar, while chewing the bread with the engraved cursive P upon its breast, brought at Poilâne on rue Debelleyme in Le Marais It was our first trip together as adults The lines in my face were settling in, laugh lines, I used to laugh then We had woken up early to walk there in the rain, a slight drizzle, and I was excited by the unevenness of the cobblestone, how I tripped at almost every step, how loud the automobiles sounded when they approached   The woman at the counter of the boulangerie asked if I wanted the whole loaf or the half, she directed the question to me as if she knew I would pay, as I often do I was surprised by her immediate knowledge of us, and by the smell of the dough rising just out of sight, which reminded me of my father’s calloused hands, how they could be violent but also subtle He used them to make gnocchi in our small kitchen   I did not understand her French, so she made wide shapes with her large palm, and then I understood but could not decide between the two choices, whole, half, you did not make eye contact to help me, so I told her yes, oui, the whole loaf, and made the

Contributor

March 2018

Kevin Brazil

Contributor

March 2018

Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London...

Interview with Terre Thaemlitz

Interview

March 2018

Kevin Brazil

Interview

March 2018

In the first room of Terre Thaemlitz’s 2017 exhibition ‘INTERSTICES’, at Auto Italia in London, columns of white text ran across one wall. Thaemlitz...

READ NEXT

fiction

September 2011

Celesteville's Burning

Andrew Gallix

fiction

September 2011

            Zut, zut, zut, zut.             – Marcel Proust, A la recherche du temps...

Essay

Issue No. 20

Notes on the history of a detention centre

Felix Bazalgette

Essay

Issue No. 20

Looking back at Harmondsworth as he left, after 52 days inside, Amir was struck by how isolated the detention...

fiction

March 2014

The Nothing on Which the Fire Depends

Micheline Aharonian Marcom

fiction

March 2014

Friday 9 November 2009   The coffee is lukewarm, but she doesn’t mind to drink it this way. She...

 

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