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Kevin Brazil
Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London Review of Books, the Times Literary Supplement, Art Review, art-agenda, Studio International, and elsewhere. He is writing a book about queer happiness.

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Interview with Sianne Ngai

Interview

October 2020

Kevin Brazil

Interview

October 2020

Over the past fifteen years, Sianne Ngai has created a taxonomy of the aesthetic features of contemporary capitalism: the emotions it provokes, the judgements...

Essay

Issue No. 28

Fear of a Gay Planet

Kevin Brazil

Essay

Issue No. 28

In Robert Ferro’s 1988 novel Second Son, Mark Valerian suffers from an unnamed illness afflicting gay men, spread by...

Rain falling onto thick layers of accumulated dust had left the windows of the criminal investigations office so mottled that they were virtually opaque Beyond them, roofs could dimly be seen, huddled grimly beneath a lowering city sky When the Dongbu Police Station had first moved here, some two years before, the location had been nothing more than a hill on the city outskirts, in an area recently zoned for development Then houses had begun to spring up, and now the area was completely built up As he contemplated the brightly colored roofs, aligned in a variety of shapes that seemed to suggest their owners’ vain fondness for things western, or their pretentiousness, Sergeant Nam fell into the state of melancholy, as was nowadays almost habitual for him The fact that he owned no home of his own among all those many houses stretching before his eyes, where his wife and children might live and take their ease, kindled in him a deep sense of failure As he recalled the two little rented rooms he would return to after work, unless something unexpected occurred, Sergeant Nam reviewed glumly his career, over which a dark sense of impending failure loomed Nam Gyeongho was his name, born in 1945 His parents had been ordinary, run-of-the-mill folk but, since they had experienced the almost universal poverty of the 1950s, his childhood had been subject to the average degree of misery that other children of his age had had to endure His middle and high school years, spent in a small country town, had left no memories, sad or happy As he neared the end of his high-school education, there had arisen a growing lack of proportion between their limited financial resources and the enthusiasm for further education that his parents were beginning to manifest That finally took him away from their small town and turned him into a student enrolled in evening classes at a second-rate university in this city, for a course of study he had finally given up half way through  

Contributor

March 2018

Kevin Brazil

Contributor

March 2018

Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London...

Interview with Terre Thaemlitz

Interview

March 2018

Kevin Brazil

Interview

March 2018

In the first room of Terre Thaemlitz’s 2017 exhibition ‘INTERSTICES’, at Auto Italia in London, columns of white text ran across one wall. Thaemlitz...

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feature

Issue No. 17

Ada Kaleh

Alexander Christie-Miller

feature

Issue No. 17

When King Carol II of Romania set foot on the tiny Danubian island of Ada Kaleh on 4 May...

Art

March 2011

Gabriel Orozco: Cosmic Matter and Other Leftovers

Rye Dag Holmboe

Art

March 2011

‘To live,’ writes Walter Benjamin, ‘means to leave traces’. As one might expect, Benjamin’s observation is not without a...

Art

November 2012

Film: Difficulties in Impression Management

Patrick Goddard

Art

November 2012

Difficulties in Impression Management, 2012 Running time 13’09”

 

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