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Kevin Brazil
Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London Review of Books, the Times Literary Supplement, Art Review, art-agenda, Studio International, and elsewhere. He is writing a book about queer happiness.

Articles Available Online


Interview with Sianne Ngai

Interview

October 2020

Kevin Brazil

Interview

October 2020

Over the past fifteen years, Sianne Ngai has created a taxonomy of the aesthetic features of contemporary capitalism: the emotions it provokes, the judgements...

Essay

Issue No. 28

Fear of a Gay Planet

Kevin Brazil

Essay

Issue No. 28

In Robert Ferro’s 1988 novel Second Son, Mark Valerian suffers from an unnamed illness afflicting gay men, spread by...

My first impression was of a tall building laid down for a nap, with all its parts nestled together side-by-side The lawn in front seemed out of place, discoloured by spots I moved into the spare bedroom of my grandfather’s house and started my new teaching job at a local college They’d hired me to teach video game environment design, but I was still too young to own real furniture On free days I drove my grandfather to his haematology appointments He navigated our route and swore at the German nurse who drew his blood in German She laughed from her belly and called him a hick, because he spoke in a dialect, just like his parents, who came from a German-speaking village in the Ukraine In the mornings I made elaborate coffees while he rested at the kitchen table, cracking his knuckles He often spoke to his friends on the phone in a low, rhythmic voice I couldn’t follow I remember wiping down the red Formica counters and thinking that perhaps the lawn was diminished due to stress Then a pox of barren patches swept up from the street, and what green remained just withered and crisped   I looked online and certain companies can be hired to paint your grass the appropriate colour, which is the solution I would have entertained, had it been my lawn One day I walked around the side of the house and found the irrigation switch turned off and taped over with a big black X I recognised this intervention as my grandfather’s handiwork, perhaps a statement about the drought, a water conserving measure, or who knows what I wasn’t too surprised   So I went to work and flirted with the product designers They wore dark-rimmed glasses and were the best dressed of anyone on staff I mentioned the immaculately restored 1950s single-story home where I’d deposited my trash bags full of shoes One of them bought me three martinis, and though he hadn’t yet seen my grandfather’s house, he described its features: A simple floor plan sprawling out instead of up, an attached garage

Contributor

March 2018

Kevin Brazil

Contributor

March 2018

Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London...

Interview with Terre Thaemlitz

Interview

March 2018

Kevin Brazil

Interview

March 2018

In the first room of Terre Thaemlitz’s 2017 exhibition ‘INTERSTICES’, at Auto Italia in London, columns of white text ran across one wall. Thaemlitz...

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Interview

January 2016

Interview with Marlene van Niekerk

Jan Steyn

Interview

January 2016

Marlene Van Niekerk is the foremost Afrikaans writer of her generation. She is a renowned poet, scholar, critic, and...

Interview

March 2017

Interview with Bae Suah

Deborah Smith

Bae Suah

Interview

March 2017

The Essayist’s Desk, published in 2003 and written when its author Bae Suah had just returned from an 11-month...

poetry

Issue No. 8

The Cloud of Knowing

John Ashbery

poetry

Issue No. 8

There are those who would have paid that. The amount your eyes bonded with (O spangled home) will have...

 

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