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Kevin Brazil
Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London Review of Books, the Times Literary Supplement, Art Review, art-agenda, Studio International, and elsewhere. He is writing a book about queer happiness.

Articles Available Online


Interview with Sianne Ngai

Interview

October 2020

Kevin Brazil

Interview

October 2020

Over the past fifteen years, Sianne Ngai has created a taxonomy of the aesthetic features of contemporary capitalism: the emotions it provokes, the judgements...

Essay

Issue No. 28

Fear of a Gay Planet

Kevin Brazil

Essay

Issue No. 28

In Robert Ferro’s 1988 novel Second Son, Mark Valerian suffers from an unnamed illness afflicting gay men, spread by...

After The Eliza Battle, I went to Berlin to recuperate, to nurse my pride I had been there many times at that point, since first visiting in 2005 when I was part of a group show, and it had become my place for retreat when LA started to feel monstrous, as it regularly did; I’d been part of several group shows over the years and then there was a major museum biennial thing in 2011; there were meetings with curators arranged for the months of December and January; and I was also supposed to see a few gallerists who wanted to represent me, had been inviting me for months, more fervently after news of this last show; I had friends I could stay with, and sublets of people out of town, the Berlin way, a city of transience, expatriates, refugees, and nomads, but I rented a flat for myself, in a different part of town than most of the people I knew; and in the cab from the airport, I started to fall asleep, head nudging the window, I hadn’t slept on the flight, it was nearing 4 pm Berlin time, the sky was steely; and I was able to make out the brown buildings with their box balconies, the typography of the street signs, the black coats being dragged around by little moons of grim faces, the Muslim women in their head scarves and long dresses that dusted the ground as they walked, and I felt at home   I hadn’t spoken to or seen Hanne in the month or so between the opening and when I left Cal had, as expected, texted many times, beginning on the night of the opening, wondering where I’d gone, if he could come over later, and something the next morning, ‘you were so radiant last night, lover,’ then the texts started to end in question marks, a flurry of them for a few days, but by the time I’d made it to the airport, they’d stopped altogether, and I’d already started to forget the features of his face   By the time I arrived at

Contributor

March 2018

Kevin Brazil

Contributor

March 2018

Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London...

Interview with Terre Thaemlitz

Interview

March 2018

Kevin Brazil

Interview

March 2018

In the first room of Terre Thaemlitz’s 2017 exhibition ‘INTERSTICES’, at Auto Italia in London, columns of white text ran across one wall. Thaemlitz...

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Interview

Issue No. 5

Interview with Hans Ulrich Obrist

Ben Eastham

Interview

Issue No. 5

Hans Ulrich Obrist is a compulsive note taker. For the duration of our interview one hand twitches a pen...

Art

May 2011

Twelve Installations

Lawrence Lek

Art

May 2011

These installations express the transience of our sensory world, the impermanence of form, and the artificiality of our environment....

poetry

October 2015

Two Poems

Robert Herbert McClean

poetry

October 2015

Another Autumn Journal Chaos (AKA Do Not Put This to Music Because You’re How Fish Put Up a Fight)...

 

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