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Kevin Brazil
Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London Review of Books, the Times Literary Supplement, Art Review, art-agenda, Studio International, and elsewhere. He is writing a book about queer happiness.

Articles Available Online


Interview with Sianne Ngai

Interview

October 2020

Kevin Brazil

Interview

October 2020

Over the past fifteen years, Sianne Ngai has created a taxonomy of the aesthetic features of contemporary capitalism: the emotions it provokes, the judgements...

Essay

Issue No. 28

Fear of a Gay Planet

Kevin Brazil

Essay

Issue No. 28

In Robert Ferro’s 1988 novel Second Son, Mark Valerian suffers from an unnamed illness afflicting gay men, spread by...

Talk about the fates of young professional women today and you will often alight on two themes: the anxieties that come with living in the ‘digital age’, or the inescapability of ‘late capitalism’ and all its surreal portents It is not incidental that these women are largely estranged from the seats of power behind these worlds, as formative as these industries may be to their psychologies Silicon Valley and Wall Street and their international counterparts are both distinct but not dissimilar wellsprings of the worst forms of male delirium, and only appear to make room for women if they are preternaturally beautiful arm candy (Margot Robbie, imperious and magnificent, stamping a stiletto onto Leonardo DiCaprio’s forehand in The Wolf of Wall Street), girl-genius rebrands of iconic men (Elizabeth Holmes, forever in that Steve Jobs-inspired black turtleneck) or savvy can-do businesswomen who can play with the most vicious of them (Sheryl Sandberg, leaning into a void)   Market-friendly femininity is created in boardrooms filled by people who do not care for its subjects at all To live so far from the seat of power but feel it so intimately gives rise to a fragmented, ever-refracting selfhood that hates her particular slice of the world yet cannot help but feast on its scraps I spend too much money on Glossier products, despite knowing that the cool-girl beauty brand is snake oil for wannabe socialites I can’t stop following the Riverdale actresses on Instagram I do not know how to manage a savings account, and continually fail to girlboss my way to financial freedom despite Sheryl Sandberg’s best efforts I am impotent, trivial, shallow, and stupid – and at the same time entirely convinced of my own importance   You may call this self-delusion, or in the words of New Yorker staff writer Jia Tolentino, the inevitable result of growing up in a time when femininity operates as a ‘trick mirror that carries the illusion of flawlessness as well as the self-flagellating option of constantly finding fault’ Tolentino had written those words in 2015 as deputy editor at self-proclaimed ‘supposedly feminist website’ Jezebel while reflecting on

Contributor

March 2018

Kevin Brazil

Contributor

March 2018

Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London...

Interview with Terre Thaemlitz

Interview

March 2018

Kevin Brazil

Interview

March 2018

In the first room of Terre Thaemlitz’s 2017 exhibition ‘INTERSTICES’, at Auto Italia in London, columns of white text ran across one wall. Thaemlitz...

READ NEXT

feature

May 2011

Short Cuts

Charles Boyle

feature

May 2011

1.. Whatever it is that the literature department of Arts Council England (ACE) is for, it can’t be for...

poetry

Issue No. 19

Two Poems

Sophie Robinson

poetry

Issue No. 19

sweet sweet agency   the candy here is hard & filled & there is nothing i love more than...

feature

May 2015

In the Light of Ras Tafari

Anna Della Subin

feature

May 2015

‘A STRANGE NEW FISH EMITS A BLINDING GREEN LIGHT’, the article in National Geographic announced. Off the coast of...

 

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