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Kevin Brazil
Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London Review of Books, the Times Literary Supplement, Art Review, art-agenda, Studio International, and elsewhere. He is writing a book about queer happiness.

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Interview with Sianne Ngai

Interview

October 2020

Kevin Brazil

Interview

October 2020

Over the past fifteen years, Sianne Ngai has created a taxonomy of the aesthetic features of contemporary capitalism: the emotions it provokes, the judgements...

Essay

Issue No. 28

Fear of a Gay Planet

Kevin Brazil

Essay

Issue No. 28

In Robert Ferro’s 1988 novel Second Son, Mark Valerian suffers from an unnamed illness afflicting gay men, spread by...

From the start he was thrown in at the deep-end when the head keeper just handed him a pail of steaks and hustled him through the gates of the enclosure The thinking was that, since he was Jewish and not Christian, the lions would not have a taste for him Roth was dubious, but complied   The way to be was fearless but non-confrontational ‘Show them who is boss’ was the mantra Keepers before him had felt the temptation to become pally with the lions, to try and become friends with them They had paid the price So: ‘Show them who is boss’ They had filed into the lecture theatre to have a seminar right at the beginning of their terms at the zoo At the front a bushy-faced keeper had given them a brief talk on precisely this subject The talk was entitled ‘Show them who is Boss’ They had shown clips from Grizzly Man, mainly the sequences from just before Treadwell’s death The elderly keeper had stood guffawing at the back He was an ex-Kossack He was a traditionalist when it came to death The lions sat in the cages Roth had been told that the more intelligent the lion the more impossible he could be The more mangy, the more bedraggled and lazy-eyed and ghetto-looking the lion, the less you should worry Those lions weren’t intelligent enough to be mean Roth put his shoulders back every day and strode, like Clinton, into the enclosure The point was about body language They had to know that he wasn’t a man to mess with He looked out into the audience sometimes to see the anxious crowds, anxious for him Inside his head, he snorted at them Inside his head, he tossed his head What he had come to realize was that the lions were less interested in him than each other This realization came as a relief If he ever got knocked about it was usually an accident The day-to-day challenge was not to tame them; the day-to-day challenge was to get them at

Contributor

March 2018

Kevin Brazil

Contributor

March 2018

Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London...

Interview with Terre Thaemlitz

Interview

March 2018

Kevin Brazil

Interview

March 2018

In the first room of Terre Thaemlitz’s 2017 exhibition ‘INTERSTICES’, at Auto Italia in London, columns of white text ran across one wall. Thaemlitz...

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Interview

July 2014

Interview with Geoff Dyer

Tom Overton

Interview

July 2014

‘I’ve always believed that an artist is someone who turns everything that happens to him to his advantage’, Geoff...

feature

Issue No. 4

Tibetan Kitsch

Evan Harris

feature

Issue No. 4

I first glimpsed the Potala Palace behind the bending legs of a prostitute. She swayed, obscuring a vista of...

feature

February 2015

Greece and the Poetics of Crisis

Joshua Barley

feature

February 2015

On the Aegean island of Skyros, in the Carnival period immediately preceding Lent, a more ancient ritual takes place....

 

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