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Kevin Brazil
Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London Review of Books, the Times Literary Supplement, Art Review, art-agenda, Studio International, and elsewhere. He is writing a book about queer happiness.

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Interview with Sianne Ngai

Interview

October 2020

Kevin Brazil

Interview

October 2020

Over the past fifteen years, Sianne Ngai has created a taxonomy of the aesthetic features of contemporary capitalism: the emotions it provokes, the judgements...

Essay

Issue No. 28

Fear of a Gay Planet

Kevin Brazil

Essay

Issue No. 28

In Robert Ferro’s 1988 novel Second Son, Mark Valerian suffers from an unnamed illness afflicting gay men, spread by...

First of all, since everything must have a beginning, even if that beginning is the final point from which it cannot be separated, and to say cannot is not to say wishes not, or must not, it is simply impossible, for if such a separation were feasible, we all know that the entire universe would collapse, inasmuch as the universe is a fragile construction incapable of withstanding permanent solutions – first of all, the four routes were opened up Four wide roads divided the country, starting from their cardinal points in a straight line or ever so slightly bent to follow the earth’s curvature, and therefore as rigorously as possible tunnelling through mountains, dividing plains, and overcoming, supported on pillars, passing over rivers and valleys Five kilometres from the place where they would intersect, if this were the builders’ intention or rather the order received from the royal personage at the appropriate moment, the roads divided off into a network of major and secondary routes, like enormous arteries which had to transform themselves into veins and capillaries in order to proceed, and this self-same network found itself confined within a perfect square which clearly measured ten kilometres on each side This square which also had started out, bearing in mind the universal observation that opened the story, as four rows of trig points set out on the ground, subsequently became – once the machines that opened, levelled and paved the four roads appeared on the horizon, coming, as we said, from the four cardinal points – subsequently became a high wall, four curtain-walls which could soon be seen, as was already clear from the drawing- boards, delimiting a hundred square kilometres of flat or levelled ground, because a certain amount of clearing had to be done Land chosen to meet the basic need of equidistance from that place to the frontiers, a relative advantage, which was fortunately confirmed later by a high lime content which not even the most optimistic had the courage to forecast in their plans when asked for their opinion: all of this simply brought

Contributor

March 2018

Kevin Brazil

Contributor

March 2018

Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London...

Interview with Terre Thaemlitz

Interview

March 2018

Kevin Brazil

Interview

March 2018

In the first room of Terre Thaemlitz’s 2017 exhibition ‘INTERSTICES’, at Auto Italia in London, columns of white text ran across one wall. Thaemlitz...

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Interview

May 2017

Interview with Hari Kunzru

Michael Barron

Interview

May 2017

In the summer of 2008, the English novelist Hari Kunzru left London for New York City after accepting a fellowship at...

feature

Issue No. 7

Bracketing the World: Reading Poetry through Neuroscience

James Wilkes

feature

Issue No. 7

The anechoic chamber at University College London has the clutter of a space shared by many people: styrofoam cups,...

Prize Entry

April 2016

DATE NIGHT

Chris Newlove Horton

Prize Entry

April 2016

He said, ‘Tell me about yourself.’ He said, ‘Tell me about you.’ He said, ‘Tell me everything. I’m interested.’...

 

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