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Kevin Brazil
Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London Review of Books, the Times Literary Supplement, Art Review, art-agenda, Studio International, and elsewhere. He is writing a book about queer happiness.

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Interview with Sianne Ngai

Interview

October 2020

Kevin Brazil

Interview

October 2020

Over the past fifteen years, Sianne Ngai has created a taxonomy of the aesthetic features of contemporary capitalism: the emotions it provokes, the judgements...

Essay

Issue No. 28

Fear of a Gay Planet

Kevin Brazil

Essay

Issue No. 28

In Robert Ferro’s 1988 novel Second Son, Mark Valerian suffers from an unnamed illness afflicting gay men, spread by...

Much has been written about the precocity and talent of Jonathan Safran Foer, whose debut novel Everything is Illuminated (2002) commanded a $500,000 advance and was released when its author was barely 25 Originating in a creative writing thesis written under the guidance of Joyce Carol Oates when he was an undergraduate at Princeton, it tells the story of one Jonathan Safran Foer, a young American Jew in search of the Ukrainian woman who saved his grandfather from the Nazis   Hailed by The Times as a ‘work of genius’ after which ‘things will never be the same’, it won the Guardian First Book award and was – unfortunately, disastrously – made into a film starring Elijah Wood in 2005 The praise wasn’t universal, with the book also facing charges of preciousness and factual inaccuracy   His second novel, Extremely Loud and Incredibly Close (2005), is narrated by a 9-year-old boy who has lost his father in the 9/11 attacks Ending in a flipbook showing a figure falling from the Twin Towers – or ascending, depending how one decides to flip the pages – it also divided opinion Salman Rushdie called it ‘ambitious, pyrotechnic, riddling, and above all … extremely moving’; influential New York Times critic Michiko Kakutani described it as ‘cloying’ ‘While it contains moments of shattering emotion and stunning virtuosity that attest to Mr Foer’s myriad gifts as a writer,’ she added, ‘the novel as a whole feels simultaneously contrived and improvisatory, schematic and haphazard’ Meanwhile, the film adaptation, released earlier this year, was ‘almost universally reviled’, according to the Guardian’s Xan Brooks, but made the author himself cry   This is the way it has been for Safran Foer ever since his extremely successful and unnervingly mature debut: he is the only contemporary writer, with perhaps the current exception of Jonathan Franzen, to command such extreme reactions from the reading public Foer-bashing, imaginatively and appropriately dubbed ‘Schadenfoer’ by the Guardian, threatened to spiral out of control in 2008 when the likes of Gawker took it out on the author’s lifestyle Married to fellow author Nicole Krauss, Safran Foer is a practicing vegetarian

Contributor

March 2018

Kevin Brazil

Contributor

March 2018

Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London...

Interview with Terre Thaemlitz

Interview

March 2018

Kevin Brazil

Interview

March 2018

In the first room of Terre Thaemlitz’s 2017 exhibition ‘INTERSTICES’, at Auto Italia in London, columns of white text ran across one wall. Thaemlitz...

READ NEXT

poetry

December 2012

Off-Season

Miles Klee

poetry

December 2012

As a boy I went on a strange vacation with a friend. His parents took us, I can’t remember why,...

poetry

Issue No. 8

The Cloud of Knowing

John Ashbery

poetry

Issue No. 8

There are those who would have paid that. The amount your eyes bonded with (O spangled home) will have...

Prize Entry

April 2017

Hangnails, and Other Diseases

Giada Scodellaro

Prize Entry

April 2017

Benson’s Syndrome   Grapefruit. I have lost the word for it. Popillo? Popello? No, no. It escapes her, the...

 

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