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Kevin Brazil
Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London Review of Books, the Times Literary Supplement, Art Review, art-agenda, Studio International, and elsewhere. He is writing a book about queer happiness.

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Interview with Sianne Ngai

Interview

October 2020

Kevin Brazil

Interview

October 2020

Over the past fifteen years, Sianne Ngai has created a taxonomy of the aesthetic features of contemporary capitalism: the emotions it provokes, the judgements...

Essay

Issue No. 28

Fear of a Gay Planet

Kevin Brazil

Essay

Issue No. 28

In Robert Ferro’s 1988 novel Second Son, Mark Valerian suffers from an unnamed illness afflicting gay men, spread by...

Sir Gawain and the Green Knight is a tricky poem, in the literal sense that it’s full of tricks: a rug repeatedly pulled out from under you, a magician smirking and holding up a card that you cannot entirely be sure was yours Written sometime in the late fourteenth-century by an unknown author, the poem tells the story of a ‘crystemas gomen’ (a ‘Christmas game’, in midlands-dialect Middle English) between its titular characters The Green Knight allows Sir Gawain, King Arthur’s nephew, one blow with an axe; one year later, the Knight will return the blow Gawain’s blow strikes off the Knight’s head, but the green figure simply picks up his head and rides away, telling Gawain to seek him out in the mysterious Green Chapel – location unknown – next Christmas Most of the poem deals with Gawain’s journey to find the Green Knight, particularly in the long section Gawain spends at Hautdesert, a noble castle where he is hosted by the mysterious Lord and Lady Bertilak But the poem opens with the splendour of Camelot at the height of its power and youth, before Lancelot meets Queen Guenever, before the Holy Grail, before the dark will come and swallow King Arthur’s court The poem tells us:   such glaumande gle glorious to here dere dyn vpon day daunsyng on nyȝtes al watz hap vpon heȝe in hallez and chambrez with lordez and ladies as leuest him þoȝt   The hubbub of their humour was heavenly to hear: pleasant dialogue by day and dancing after dusk, so the house and its hall were lit with happiness and lords and ladies were luminous with joy1   In the poem, Camelot burns so bright that if you can bear to turn your gaze from the merry light, you can almost see the waiting shadow it casts But in David Lowery’s 2021 film adaptation, The Green Knight, we meet a very different court Gone is the colour and cheer, and King Arthur and Queen Guenever are weary and sickly The Round Table is made from austere, milky

Contributor

March 2018

Kevin Brazil

Contributor

March 2018

Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London...

Interview with Terre Thaemlitz

Interview

March 2018

Kevin Brazil

Interview

March 2018

In the first room of Terre Thaemlitz’s 2017 exhibition ‘INTERSTICES’, at Auto Italia in London, columns of white text ran across one wall. Thaemlitz...

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Interview

January 2016

Interview with Marlene van Niekerk

Jan Steyn

Interview

January 2016

Marlene Van Niekerk is the foremost Afrikaans writer of her generation. She is a renowned poet, scholar, critic, and...

poetry

April 2014

Lives of the Saints

Luke Neima

poetry

April 2014

‘I’m tending to this dead tree,’ he tells me. Last time he was rolling the hard rocks down into...

fiction

Issue No. 20

Track

Nicole Flattery

fiction

Issue No. 20

My boyfriend, the comedian, took pleasure in telling me about rejection – how it came about, how to cope...

 

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