Mailing List


Kate Zambreno
Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study of Hervé Guibert (Columbia University Press). Forthcoming in Summer 2023 from Riverhead is The Light Room, a meditation on art and care, as well as Tone, a collaboration with Sofia Samatar, from Columbia University Press in early 2024. ‘Insekt’ is part of an in-progress work of fiction, Realisms. She is a 2021 Guggenheim Fellow.

Articles Available Online


Insekt or large verminous thing

Fiction

September 2022

Kate Zambreno

Fiction

September 2022

Around dusk one evening in March, I went out back to the small garage, and switched on my small square of artificial light at...

Feature

January 2018

Accumulations (Appendix F)

Kate Zambreno

Feature

January 2018

I’ve been keeping a mental list of all the pieces of art that I’ve nursed Leo in front of...

THE OLD JUSTICE   My grandfather was a construction worker, a travel agent; I knew him as a sea-captain, his wink like an eye-patch,   the gap in his teeth a keyhole I might peer into But all I could pick in the whistle of air was a shanty,   sweet on his breath, whiskey foaming on his upper lip, and his blood salivating, a kind of poison he survived on   Auntie was the dark green storm of a glass bottle She made herself dizzy, swatting the air like lightning,   drunk on those unspeakable nights she went below deck with the man who set us on the voyage;   his bad eye sliding over each plank, moving low to the ground, like a crocodile sculling in the shallows, or an island   sinking back into the ocean When they told me he died, I retched, thinking of his seasick corpse, the hollow flush   of a minute hand passing time at a funeral cut down by rain and my absence, the echo of it heaving in a toilet bowl   That night, I imagine surfing on his coffin, taking a sharp nail to his heart and pulling up a rusted square of flesh   In the dead air, I creep into auntie’s flat, slip the quiet pulse in the panel behind the grandfather clock where the wax nativity   slow roasts by the fire, her living room crowded with vials, auntie, the mad concocter, weighing his deeds like a wine glass       SOST GULCHA after Gemoraw & Meron Getnet   The small fire that smiles between three stones in winter thinks itself a hearth,   even as it burns a kitchen’s pitted belly, even as it dies,   the stones leavened, once a ripened fruit, now bloated for the flies to come       BEDTIME after billy woods   I put my finger to the wind and don’t get it back / low light snatches me from the front step / the courtyard dervishes with my feet / thinking of that empty house as the shadows stretched / fists punch up through the ground / scatter milk teeth / bloom into hyenas / there are no rules in these hours / this is where magic lives / the blue in green / where time shrugs like a sieve / all the other houses yawn in their sleep / I am delirious

Contributor

August 2014

Kate Zambreno

Contributor

August 2014

Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study...

Heroines

feature

March 2013

Kate Zambreno

feature

March 2013

I am beginning to realise that taking the self out of our essays is a form of repression. Taking the self out feels like...

READ NEXT

feature

May 2011

On the Relative Values of Humility and Arrogance; or the Confusing Complications of Negative Serendipity

Annabel Howard

feature

May 2011

On a distinctly drizzly Wednesday evening in February a friend of mine looked at me and said: ‘Only those who...

feature

September 2013

To Sing the Love of Danger

Adnan Sarwar

feature

September 2013

The Gulf War made my first year at Towneley High School uncomfortable. White lads taunted us Pakistanis with pictures...

poetry

July 2015

About Blue: Velestovo

Tatiana Daniliyants

TR. Katherine E. Young

poetry

July 2015

About Blue: Velestovo   1   …when I say the name: Velestovo, I think of deep blue. Of blue...

 

Get our newsletter

 

* indicates required