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Kate Zambreno
Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study of Hervé Guibert (Columbia University Press). Forthcoming in Summer 2023 from Riverhead is The Light Room, a meditation on art and care, as well as Tone, a collaboration with Sofia Samatar, from Columbia University Press in early 2024. ‘Insekt’ is part of an in-progress work of fiction, Realisms. She is a 2021 Guggenheim Fellow.

Articles Available Online


Insekt or large verminous thing

Fiction

September 2022

Kate Zambreno

Fiction

September 2022

Around dusk one evening in March, I went out back to the small garage, and switched on my small square of artificial light at...

Feature

January 2018

Accumulations (Appendix F)

Kate Zambreno

Feature

January 2018

I’ve been keeping a mental list of all the pieces of art that I’ve nursed Leo in front of...

‘The interior of a pocket is hidden away’, writes Francis Whorrall-Campbell in the speculative manifesto ‘Pocket Theory’, a response to Ursula K Le Guin’s 1986 essay ‘The Carrier Bag Theory of Fiction’ ‘Tucked inside we might find weird lives and weird literature’ Secretive, suggestive, intimate: the pocket, Whorrall-Campbell argues, is a fitting home for chimerical, hard-to-define narratives   Issue 33 of The White Review contains a number of slippery and illuminating subjects, from the inner cosmos of the sleeping psyche to the murky world of inheritance ‘The Dream Laboratory of Nicolae Vaschide’, an extract from Mircea Cărtărescu’s surrealist novel Solenoid (2015), translated from the Romanian by Sean Cotter, describes the hallucinogenic awakening of a child prodigy who becomes a psychologist and dream scientist ‘His thoughts, until then unsettled and cold like crystal vials, now burst open’, Cărtărescu writes, ‘the way a lily bud bursts, arching and turning in a brilliant efflorescence’ In an interview with Noga Arikha, the author Siri Hustvedt discusses her polymathic practice, the problems with mind- body dualism and her experiences of working across literature and the sciences ‘Let Them Know by Signs’, an essay by Rosa Campbell and Taushif Kara, traces the strange histories and causes of the conspiracy theory, from the Kenyan belief that British colonisers were stealing the blood of Africans to strengthen anaemic Europeans, to QAnon and Pizzagate   ‘There’s a family tree that my uncle was able to recover,’ Ariel Saramandi writes in the ‘The Inheritors’ ‘Some of the branches were drawn to look like fingers; at my great-grandfather’s name there’s an amputation, a cut to mark the place where whiteness ends’ ‘The Inheritors’ combines essay and fiction to piece together an account of land dispossession in Mauritius, where Creole heirs were routinely cut off and land documents buried in archives or destroyed The weight of inheritance is also explored in Gina Apostol’s new fiction ‘The Court Case’, in which a flamboyant mother chases after a lost family estate in the Philippines In Brazilian writer Itamar Vieira Junior’s excerpt from the novel ‘Crooked Plow’, translated from the Portuguese by Johnny Lorenz, two young sisters raid

Contributor

August 2014

Kate Zambreno

Contributor

August 2014

Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study...

Heroines

feature

March 2013

Kate Zambreno

feature

March 2013

I am beginning to realise that taking the self out of our essays is a form of repression. Taking the self out feels like...

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feature

Issue No. 18

Editorial

The Editors

feature

Issue No. 18

This is the editorial from the eighteenth print issue of The White Review, available to buy here.    In 1991...

Feature

Issue No. 19

Ill Feelings

Alice Hattrick

Feature

Issue No. 19

My mother recently found some loose diary pages I wrote in my first year of boarding school, aged eleven,...

poetry

Issue No. 4

Mysteries of Music

Michael Horovitz

poetry

Issue No. 4

Having absently, that’s to say dozily switched on BBC Radio 3 down in the kitchen as is my frequent...

 

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