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Kate Zambreno
Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study of Hervé Guibert (Columbia University Press). Forthcoming in Summer 2023 from Riverhead is The Light Room, a meditation on art and care, as well as Tone, a collaboration with Sofia Samatar, from Columbia University Press in early 2024. ‘Insekt’ is part of an in-progress work of fiction, Realisms. She is a 2021 Guggenheim Fellow.

Articles Available Online


Insekt or large verminous thing

Fiction

September 2022

Kate Zambreno

Fiction

September 2022

Around dusk one evening in March, I went out back to the small garage, and switched on my small square of artificial light at...

Feature

January 2018

Accumulations (Appendix F)

Kate Zambreno

Feature

January 2018

I’ve been keeping a mental list of all the pieces of art that I’ve nursed Leo in front of...

When I was fifteen I took my two little cousins into town and had them wait outside the tattoo parlour while a woman with blue hair pierced my belly button with a big red ruby that pooled inside like a roving eye They were crying when I emerged I was hardly able to breathe for fear of the pain On the way home on the bus, Amy sang Karma Chameleon and Simone looked out of the window at time passing as though watching life being silently obliterated I remember my belly looked so white and soft lying down with the jewellery like a well of fresh blood collecting I thought it quite beautiful though it often snagged on my jeans My girlfriend had once rooted the ruby out with her tongue; the next morning had stung When we found a baby kicking in there I had to take the jewellery out as my teenage belly stretched Having that metal inside my body had been as good as a wound My girlfriend and I had wounds to nurse, they comforted, they reassured; while they healed there was a warm place inside devoted to new cells and plasma After the birth, my belly was  a waste of space, a forlorn temple with no jewel or way in I couldn’t accept the tender map of pain left imprinted on my belly when my baby was born I would trace the stubborn, soft pulse of a network of trails in my deep skin with my fingers, willing and willing them to recede Nobody touched my belly then, not for a decade My belly was women’s business My belly was the place a baby once lived If I was carrion my belly would be the first flesh to peck and rip– my most vulnerable part– silvery white in sunlight, nobody’s prize The little nick of a piercing scar reminds

Contributor

August 2014

Kate Zambreno

Contributor

August 2014

Kate Zambreno is the author most recently of Drifts (Riverhead) and To Write As If Already Dead, a study...

Heroines

feature

March 2013

Kate Zambreno

feature

March 2013

I am beginning to realise that taking the self out of our essays is a form of repression. Taking the self out feels like...

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Art

March 2015

Tropenkoller

Lothar Hempel

Art

March 2015

Taking the title Tropenkoller (Tropical Madness), German artist Lothar Hempel’s latest exhibition at Stuart Shave/Modern Art, London (Feb 27-Mar...

feature

January 2012

The Common Sense Cosmos

Ned Beauman

feature

January 2012

Worthwhile philosophy is like building matchstick galleons. When Lewis says that all possible worlds are just as real as...

Art

Issue No. 2

From Back Home

J. H. Engstrom

Art

Issue No. 2

In his collection From Back Home the Swedish photographer JH Engström traced his childhood memories back to the province...

 

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