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J. S. Tennant
J.S. Tennant is a contributing editor at The White Review.

Articles Available Online


Luis Goytisolo’s ‘Recounting’

Book Review

March 2018

J. S. Tennant

Book Review

March 2018

In June last year the Spanish novelist Juan Goytisolo (interviewed in The White Review in 2014) died in Marrakesh, his home for decades. While his reputation never waned...

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Issue No. 20

From a Cuban Notebook

J. S. Tennant

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Issue No. 20

Beneath the rain, beneath the smell, beneath all that is a reality a people makes and unmakes itself leaving...

The last poem in Holly Pester’s first collection COMIC TIMING (Granta, 2021) is called ‘Villette’; it shares its title with Charlotte Brontë’s 1853 novel about Lucy Snowe, an impoverished and extremely truculent governess Pester’s book is divided into four theatrical acts, and this poem closes Act 4: although, strictly speaking, the collection ends with the coda ‘Heavy ending’, ‘Villette’ is the last thing that happens before the actors make their bow In it, the voice of the speaker and the actions of Brontë’s protagonist are unified, like two film reels playing simultaneously: ‘In the novel Villette,’ it begins, ‘either I or Lucy Snowe live and work in a girls’ school that either she or I found in a small French town’ The poem continues, explaining that I / Lucy have recently suffered a romantic disappointment with Dr Graham, their ‘heavy and imaginative crush’, and resolve to bury his letters, which they have invested with a ‘devotional adoration’ The poem ends in an ecstasy of submission:   In this gesture / in my gesture, Lucy Snowe rejects the possibility of possessing the letter She applies / I apply a fantastical value to the letter The letter passes into an earthed state of absence I use / Lucy uses burial as a way to disown the letter and to refuse being privately subjected by the letter She instead / I instead ecstatically ritualise her poverty / my poverty, and her otherness / my otherness to ownership of objects, and evacuate the self into love   VILLETTE, although well received at the time of its publication, disappeared from the mainstream literary consciousness soon after, and remained mostly ignored for the best part of a century In 1970, Kate Millett offered a radical reading of the novel in SEXUAL POLITICS that drew on earlier understandings (notably Virginia Woolf’s) of it as a proto-feminist text Lucy, for Millett, is a study in the effects of a ‘male-supremacist society’ upon a woman’s psyche: ‘She is bitter and she is honest; a neurotic revolutionary full of conflict, back-sliding, anger, terrible self-doubt, and an unconquerable determination to win through’   Later

Contributor

August 2014

J. S. Tennant

Contributor

August 2014

J.S. Tennant is a contributing editor at The White Review.

Interview with Juan Goytisolo

Interview

November 2014

J. S. Tennant

Interview

November 2014

Juan Goytisolo is one of Spain’s leading writers, but one with a fraught relationship with his home country, to put it mildly. The Mexican novelist Carlos...

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poetry

September 2011

Sleepwalking through the Mekong

Michael Earl Craig

poetry

September 2011

I have my hands out in front of me. I’m lightly patting down everything I come across. I somehow...

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July 2015

Talk Into My Bullet Hole

Rose McLaren

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July 2015

‘Someday people are going to read about you in a story or a poem. Will you describe yourself for...

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Issue No. 11

Climate Science

McKenzie Wark

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Issue No. 11

Welcome to the Anthropocene, that planetary tempo in which all the metabolic rhythms of the world start dancing to...

 

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