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David Isaacs
David Isaacs has recently completed a PhD about the ethics of rewriting at UCL. He is coming to the end of a first novel and is at the early stages of a new project about the present tense.


Articles Available Online


Interview with Namwali Serpell

Interview

December 2020

David Isaacs

Interview

December 2020

Namwali Serpell is a rarity: an academic and novelist whose criticism is as vital as her fiction. Since we first spoke, in September 2020,...

Book Review

June 2018

Christine Schutt’s ‘Pure Hollywood’

David Isaacs

Book Review

June 2018

There is a certain kind of American novelist of the late twentieth century whose fiction fetishises plant names. The...

Awst & Walther are a husband and wife team who create multi-disciplinary art works which range from building a huge wall of melting ice outside the German Embassy to a performance in which the movements of two nude figures wearing ancient Grecian helmets twitch at a grey curtain   Their latest exhibition, Components, at the Hannah Barry Gallery, brings together four years of sculpture and performance work, shedding light on ongoing thematic preoccupations and material attitudes in the artists’ work This group of works reveals an acute fascination with corporeality, temporality and spatiality, and the experiences and situations that occur from different combinations of these aspects   The artists employ an array of unconventional and alternately austere and sumptuous materials – gelatine, glass, ice, gold, feathers, tar, concrete, neon, are all used in making painting, sculpture and performance to explore our attitudes towards beauty and human behaviour Theirs is a collaborative endeavour focused on creating knowledge and meaning, towards a better understanding of our world   Manon Awst (b 1983, Wales) and Benjamin Walther (b1978, Dresden), have shown at Junge Kunst (Wolfsburg), Kunstraum Aarau (Switzerland), Künstlerhaus Bethanien (Berlin), Nassauischer Kunstverein (Wiesbaden), Cass Sculpture Foundation (Goodwood) and the National Museum of Wales (Cardiff) Here, they answer questions put to them by journalist and critic Francesca Gavin     APPLE Explain the motif of the apple in your work We like the ambivalence surrounding the apple – it represents an act of corruption, the fall from grace, but also the beginning of civilisation and the birth of love We used it once in our piece Temptation where it was placed next to a hand grenade Both objects are golden BERLIN How does it influence the content and aesthetic of your work? Berlin is fragmented through its history There are breaks and interruptions that make it unique We feel challenged by that Aesthetically, we love its dark, stark, cold side – we can relate to this COLLABORATION Tell me about your working processes We admire each other and like spending time together From the moment we met we had this need to make things together – it felt very natural Being in the studio every day is important

Contributor

August 2014

David Isaacs

Contributor

August 2014

David Isaacs has recently completed a PhD about the ethics of rewriting at UCL. He is coming to the end...

Prize Entry

April 2017

Pylons

David Isaacs

Prize Entry

April 2017

Once upon a time, Dad would begin, I think, focusing on the road, there was a man called Watt....

Seasickness

Prize Entry

April 2016

David Isaacs

Prize Entry

April 2016

‘How would you begin?’   She puts a finger to her lips, a little wrinkled still from the water, and hesitates. She says, ‘Maybe:...
How things are falling.

Prize Entry

April 2015

David Isaacs

Prize Entry

April 2015

i.   Oyster cards were first issued to members of the British public in July 2003; by June 2015 they will have been replaced...
by Accident

fiction

April 2014

David Isaacs

fiction

April 2014

[To be read aloud]   I want to begin – and I hope I don’t come across as autistic or anything like that (and...

READ NEXT

feature

January 2017

Take Comfort

Heather Radke

feature

January 2017

I. One week after Buzz and Heather broke up, she dragged her mattress into her living room. She moved...

Art

March 2016

Seeing from behind: Park McArthur

Anna Gritz

Art

March 2016

In a public conversation between Park McArthur and Isla Leaver Yap that accompanied the former’s exhibition Poly at the...

Art

August 2017

Becoming Alice Neel

Rosanna Mclaughlin

Art

August 2017

From the first time I saw Alice Neel’s portraits, I wanted to see the world as she did. Neel...

 

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