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Chris Newlove Horton
Chris Newlove Horton is a writer living in London.

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DATE NIGHT

Prize Entry

April 2016

Chris Newlove Horton

Prize Entry

April 2016

He said, ‘Tell me about yourself.’ He said, ‘Tell me about you.’ He said, ‘Tell me everything. I’m interested.’ He said, ‘I want to...

fiction

April 2015

Heavy

Chris Newlove Horton

fiction

April 2015

It is a two lane road somewhere in North America. The car is pulled onto the shoulder with the...

A Few Words on Maria Sudayeva   Slogans is a strange, extraordinary book: it describes a universe of total war where humanity no longer exists, or rather only in traces, and where the actors — actresses, rather, since these are almost always feminine creatures who appear and utter cries of rage — seem to belong to a dominant species other than homo sapiens It’s also extraordinary in its form: a series of instructions and slogans that describe, with the only narrative techniques being their alignment and their brutality, the chaos and suffering, the distant hopes, the apocalyptic whirlwind, the suicidal unrest of an entire planet No explanatory prose smoothes over the collision between writers and this terrifying war; no external voice slips into the text to guide the visitor and tell him the story No narrator, no characters, and yet a story transpires, filled with grandiose events and barely-felt emotions: an epic It’s a magnificent fiction wholly distanced from the ordinary traditions of the novel and, if poetry didn’t have such a poor reputation nowadays, it might even be said to evoke a sort of long poem   But this book becomes even stranger once we realise that Maria Sudayeva wrote it in two languages, French and Russian, accumulating neologisms and inextricably entwining the two idioms, with a conscious intent to refuse her images any tidy cultural anchor, and undoubtedly to affirm her disgust toward all manners of nationalism, even linguistic Because this woman, who took her life before she could be recognized for who she was — one of the most original artists of the new, post-Soviet generation, if not the most original — was also a partisan She was wary of a rebirth — she was certain of it — of Great Russian nationalism which would arise from the new Russia’s commercial and Mafia roots, and in opposition she maintained the principles of internationalism and radical cosmopolitan behaviour I met her once, in a place where the Russian world was shown in an unflattering light, and it was clear that her ability to speak Russian discomfited her She struggled to differentiate

Contributor

August 2014

Chris Newlove Horton

Contributor

August 2014

Chris Newlove Horton is a writer living in London.

James Richards: Not Blacking Out...

Art

December 2011

Chris Newlove Horton

Art

December 2011

Artist James Richards appropriates audio-visual material gathered from a range of sources, which he then edits into elaborate, fragmented collages.   But whereas his...

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feature

Issue No. 17

Editorial

The Editors

feature

Issue No. 17

An Englishman, a Frenchman and an Irishman set up a magazine in London in 2010. This sounds like the...

Interview

August 2016

Interview with Brian Evenson

J. W. McCormack

Interview

August 2016

There are at least three Brian Evensons, all of them EXCEEDINGLY IMPROBABLE. First, there’s Brian Evenson, the prolific author of...

Prize Entry

April 2017

Abu One-Eye

Rav Grewal-Kök

Prize Entry

April 2017

He left two photographs.   In the first, his eldest brother balances him on a knee. It must be...

 

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