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Chris Newlove Horton
Chris Newlove Horton is a writer living in London.

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DATE NIGHT

Prize Entry

April 2016

Chris Newlove Horton

Prize Entry

April 2016

He said, ‘Tell me about yourself.’ He said, ‘Tell me about you.’ He said, ‘Tell me everything. I’m interested.’ He said, ‘I want to...

fiction

April 2015

Heavy

Chris Newlove Horton

fiction

April 2015

It is a two lane road somewhere in North America. The car is pulled onto the shoulder with the...

Sharon Hayes’ In My Little Corner of the World, Anyone Would Love You at Studio Voltaire features a five-channel video projection onto plywood hoarding that runs the length of the gallery Each track plays footage of a different room in the same house People walk in and out of shot, sitting down to read out loud to themselves or to one or two listeners They are seen sorting and shuffling papers, stapling, typing, tidying Occasionally someone will set up a gramophone record to play and sit and listen The papers from which they read are letters to and from the editors of lesbian, lesbian feminist and effeminist newsletters Each letter contains its own urgency sewn through stories, questions, warnings and expressions of gratitude for the publication’s existence There are frequent invocations to the others who will read the letters: ‘thank you sisters’, ‘good luck sisters’, ‘I’m sorry sisters’   The pamphlets were published in the UK and the US between 1955 and 1977 by organisations including the Daughters of Billitis (DOB), formed in San Francisco in 1955, and the Minorities Research Group (MRG), formed in London in 1963 These groups produced newsletters you had to subscribe to, whose lists were closely guarded The importance, difficulty and distance of the conversations they contain comes through as they are read, as does the particular pitch of their historical moment Whilst varied in their political position and relationship to the group they address, the letters all contain a certain clipped formality, a primness that can still be found in the ‘Letters to the Editor’ sections of certain newspapers Hayes, she tells me when we meet in south London, ‘was interested in the way in which the publications sat inside of their readership, that readership was a community but it was also a readership of writers Everybody was being solicited to actually write, to actively construct discourse, to give names, to offer stories, to make narrative’   Hearing them read aloud now, it’s clear that the newsletters were a precursor to chat rooms and comments sections for a marginalised and disparate community These letters track the vocal,

Contributor

August 2014

Chris Newlove Horton

Contributor

August 2014

Chris Newlove Horton is a writer living in London.

James Richards: Not Blacking Out...

Art

December 2011

Chris Newlove Horton

Art

December 2011

Artist James Richards appropriates audio-visual material gathered from a range of sources, which he then edits into elaborate, fragmented collages.   But whereas his...

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poetry

January 2015

Litanies of an Audacious Rosary

Enrique Vila-Matas

TR. Rosalind Harvey

poetry

January 2015

FEBRUARY 2008   * I’m outraged, but I’ve learned a way of reasoning that quickly defuses my exasperation. This...

Interview

Issue No. 8

Interview with Deborah Levy

Jacques Testard

Interview

Issue No. 8

‘TO BECOME A WRITER, I had to learn to interrupt, to speak up, to speak a little louder, and...

Interview

March 2015

Interview with Jonathan Meades

Jamie Sutcliffe

Interview

March 2015

The television broadcasts of Jonathan Meades are marked by a surreal humour, a polymathic breadth of knowledge, and a...

 

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