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Chris Newlove Horton
Chris Newlove Horton is a writer living in London.

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DATE NIGHT

Prize Entry

April 2016

Chris Newlove Horton

Prize Entry

April 2016

He said, ‘Tell me about yourself.’ He said, ‘Tell me about you.’ He said, ‘Tell me everything. I’m interested.’ He said, ‘I want to...

fiction

April 2015

Heavy

Chris Newlove Horton

fiction

April 2015

It is a two lane road somewhere in North America. The car is pulled onto the shoulder with the...

Cities display a worship of history in the monuments and memorials that they choose to erect, through which the past is paraded like a religion In his book Hope and Memory, Tzvetan Todorov writes: ‘While history makes the past more complicated, commemoration makes it simpler, since it seeks more often to supply us with heroes to worship, with enemies to detest; it deals with desecration and consecration’ But in Berlin the past is a very strange and warped place – not one to celebrate per se In its monuments and memorials one sees a more agnostic effort to come to terms with a recent past filled with fascism, fanaticism and false futures As in any major European capital, Berlin is full of the familiar vestiges of wars waged and won in the name of colonial ambition Out of the centre of Tiergarten Park rises the Victory Column, presiding proudly over the traffic island The huge image of winged victory has one hand held aloft against the traffic, the other holding a staff like a magnificent lollipop lady On successive corners of the Victory Column roundabout are several large bronze effigies of Prussian generals, but the names have been removed and their gestures of victory are pathetically obsolete Nearby is a huge statue of Otto von Bismarck, the author of German unification and the first Chancellor of the German Reich He struts boldly, flanked by allegorical figures: atlas holding up the world, Siegfried forging a sword to celebrate German industrial might, Germania pinning a panther symbolising the suppression of rebellion, and a sibyl reclining on a sphinx reading the book of history These boastful symbols seem absurd given how the twentieth century unfolded Berlin’s is a confused landscape that commemorates both victors and victims, both German and other In his work on public memory and national identity, Pierre Nora writes about our obsession with commemoration that has come to dominate ‘all contemporary societies that see themselves as historical’ In Nora’s eyes, monuments such as the Bismarck statue were designed to align history with the sanctioned version, to boost

Contributor

August 2014

Chris Newlove Horton

Contributor

August 2014

Chris Newlove Horton is a writer living in London.

James Richards: Not Blacking Out...

Art

December 2011

Chris Newlove Horton

Art

December 2011

Artist James Richards appropriates audio-visual material gathered from a range of sources, which he then edits into elaborate, fragmented collages.   But whereas his...

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Interview

May 2014

Interview with Conrad Shawcross

Patrick Sykes

Interview

May 2014

Though an intimidating sixteen feet tall, the industrial robot in Conrad Shawcross’s flat doesn’t look at all out of...

poetry

January 2015

dear angélica

Angélica Freitas

TR. Hilary Kaplan

poetry

January 2015

dear angélica   dear angélica I can’t make it I got stuck in the elevator between the ninth and...

feature

September 2014

Paris at Night

Matthew Beaumont

feature

September 2014

The picturesque lightshow that, once the sun has set, takes place on the hour, every hour, when the Eiffel...

 

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