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Chris Newlove Horton
Chris Newlove Horton is a writer living in London.

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DATE NIGHT

Prize Entry

April 2016

Chris Newlove Horton

Prize Entry

April 2016

He said, ‘Tell me about yourself.’ He said, ‘Tell me about you.’ He said, ‘Tell me everything. I’m interested.’ He said, ‘I want to...

fiction

April 2015

Heavy

Chris Newlove Horton

fiction

April 2015

It is a two lane road somewhere in North America. The car is pulled onto the shoulder with the...

I’m not up on the Internet, but I hear that is a democratic possibility People can connect with each other I think people are ready for something, but there is no leadership to offer it to them People are ready to say, ‘Yes, we are part of a world’— Studs Terkel   Studs was an inspiring historian The child of Russian immigrants living in Chicago, he spent his life talking to people — famous people from Dr King to C P Ellis and pretty much everyone in between — but mainly to normal people, working people (and, all too often, unemployed people) The classic oral historian, he was an obsessive archivist who told us about economics and politics as felt in our everyday lives He catalogued the daily routines of communities; the small niggles of wage labour that collected over a lifetime grind us into the floor, as well as the little acts of humanity that we build our relationships on Studs mapped personal stories of working-class solidarity, and, all told together, he mapped the political changes of almost half a century Culture drove Studs He started his career as a screenwriter and actor, starring in his own sitcom Studs’ Place, until his outspoken political allegiances got him blacklisted by that indignant little senator, Joe McCarthy In 1952 he got an hour-a-week spot on 987 WFMT Chicago, a small local arts station, and soon was broadcasting five days a week He continued to do so for the next forty-five years The majority of those broadcasts were interviews and, combined with a number of books of collected memories, they formed his life’s work In them he talked to the people mass-culture sees only as ‘audience’, and asked them what constituted their own culture of daily life   Studs died at the dawn of a global financial crisis (his epitaph: ‘Curiosity didn’t kill this cat’) he might half recognise from his youth; capital, unregulated, crashing like a wall of water through people’s daily experience, tearing apart the fragile homes we’ve made for ourselves But the way the working class constitutes itself within capital

Contributor

August 2014

Chris Newlove Horton

Contributor

August 2014

Chris Newlove Horton is a writer living in London.

James Richards: Not Blacking Out...

Art

December 2011

Chris Newlove Horton

Art

December 2011

Artist James Richards appropriates audio-visual material gathered from a range of sources, which he then edits into elaborate, fragmented collages.   But whereas his...

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feature

Issue No. 7

On a Decline in British Fiction

Jennifer Hodgson

Patricia Waugh

feature

Issue No. 7

‘The special fate of the novel,’ Frank Kermode has written, ‘is always to be dying.’ In Britain, the terminal...

poetry

Issue No. 19

Two Poems

Sophie Robinson

poetry

Issue No. 19

sweet sweet agency   the candy here is hard & filled & there is nothing i love more than...

Interview

May 2013

Interview with Darian Leader

Kishani Widyaratna

Interview

May 2013

A practicing Lacanian psychoanalyst, Darian Leader is one of a dying breed. It is no overstatement to say that...

 

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