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Chris Newlove Horton
Chris Newlove Horton is a writer living in London.

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DATE NIGHT

Prize Entry

April 2016

Chris Newlove Horton

Prize Entry

April 2016

He said, ‘Tell me about yourself.’ He said, ‘Tell me about you.’ He said, ‘Tell me everything. I’m interested.’ He said, ‘I want to...

fiction

April 2015

Heavy

Chris Newlove Horton

fiction

April 2015

It is a two lane road somewhere in North America. The car is pulled onto the shoulder with the...

A few years ago, I read Revolution at Point Zero (2012), Silvia Federici’s career-spanning collection of essays on reproductive work and domestic labour The essays articulate, in anger and clarity, what I and other women of my generation have begun, stutteringly, to understand: that the mass introduction of women into the waged workforce has not changed the fact that domestic chores outside of paid work continue to be conducted by women, nor the fact that this work remains invisible, or if seen at all, utterly devalued   Federici, who was born in Parma, Italy, in 1942, has been writing about these issues for almost 50 years She was a founding member of the 1970s Wages for Housework campaign, an international effort to draw attention to the unpaid labour of women in the home; after she moved to Brooklyn to teach at Hofstra University on Long Island, she became centrally involved in the New York Wages for Housework Committee She detailed that organisation’s history in Wages for Housework: The New York Committee 1972-1977: History, Theory, Documents (2017), which also reproduced her 1975 pamphlet, Wages Against Housework, famous for its provocative opening lines, ‘They say it is love We say it is unwaged work’   I came late to Federici’s theorising, but once I found her, I engaged with as much of her writing as I could The collection of essays in Revolution at Point Zero encompasses Federici’s early writings on feminism and housework alongside later pieces on the impact of globalisation on social reproduction – that is, the reproduction of everyday life – on the redistribution of housework onto the shoulders of immigrant women, and on the role of the commons in contemporary society   Federici’s work on capitalism’s war on women’s bodies is encapsulated by two books on witch-hunts, Caliban and the Witch (2004), which argued that the exploitation of women was a central element in the transition from feudalism to capitalism, and Witches, Witch-Hunting and Women (2018), which revisited the subject matter following the return of witch-hunting in many parts of the world   Her recent research on the commons, collected in Re-Enchanting the World: Feminism

Contributor

August 2014

Chris Newlove Horton

Contributor

August 2014

Chris Newlove Horton is a writer living in London.

James Richards: Not Blacking Out...

Art

December 2011

Chris Newlove Horton

Art

December 2011

Artist James Richards appropriates audio-visual material gathered from a range of sources, which he then edits into elaborate, fragmented collages.   But whereas his...

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feature

September 2016

The Rights Of Nerves

Masha Tupitsyn

feature

September 2016

‘I transform “Work” in its analytic meaning (the Work of Mourning, the Dream-Work) into the real “Work” — of...

Art

Issue No. 3

Borism

Lee Rourke

Oliver Griffin

Art

Issue No. 3

ES9 is the latest body of work by Oliver Griffin in his archival series The Evaluation of Space. Taken...

poetry

March 2013

The Humming Lady

James Byrne

poetry

March 2013

The humming lady arrives in a smiling orange smock and orders from the waiter a plate of overripe oranges,...

 

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