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Chris Newlove Horton
Chris Newlove Horton is a writer living in London.

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DATE NIGHT

Prize Entry

April 2016

Chris Newlove Horton

Prize Entry

April 2016

He said, ‘Tell me about yourself.’ He said, ‘Tell me about you.’ He said, ‘Tell me everything. I’m interested.’ He said, ‘I want to...

fiction

April 2015

Heavy

Chris Newlove Horton

fiction

April 2015

It is a two lane road somewhere in North America. The car is pulled onto the shoulder with the...

Two hundred names are inscribed in a totemic list that opens Alice Oswald’s Memorial The deaths of the Greek heroes, recounted over 400 pages in the Iliad, are stunningly compressed across four double pages Their deaths are a foregone conclusion; but their capitalised names, framed by the blankness of the page, carry the hefty weight of each man’s life The second part of the poem, which recounts the heroes’ often unheroic traits, lays bare the insanity of war; the blind momentum that turns a man into ‘a terrible numbness / Turned inside-out and taking over everything’ In the Homeric myth, war is second nature, a duty assumed by the warrior, undeterred by the destruction reaped Soldiers ‘hurried to darkness’, race into the arms of death, the noble seal of defending one’s country For Simone Weil, writing on the eve of the Second World War, there was no terrible beauty to be born of combat War, that supposed leveller of class and race, is seen as a systematic machine that levels interiority and petrifies everyone in its midst In Oswald’s poem each forsaken soldier is given their due, which is to say, their doomed leave-taking In the Greek myths death is the unflinching end, the future for the soldier born under its sign The Greeks conducted wars, Weil writes, as ‘geometricians of virtue We are only geometricians of matter,’ or as Marco Roth writes in a recent essay, ‘drone philosophers’   In modern times, peace is seen as the ultimate, if unrealistic, goal; warfare is, if inescapable, an aberration Just as the notion of heroism died a collective death in the wake of that grand misnomer, the Great War, the horror of combat has become such a worn truism that it seems to carry little more traction that the jarring jingoism of Glory, Sacrifice and Patriotism excoriated by the First World War poets who saw that the unknown soldier would reap ‘no dividends from time’s tomorrow’ There had been military catastrophes in the past – the Charge of the Light Brigade – but these were seen as indictments of military strategy, rather than a

Contributor

August 2014

Chris Newlove Horton

Contributor

August 2014

Chris Newlove Horton is a writer living in London.

James Richards: Not Blacking Out...

Art

December 2011

Chris Newlove Horton

Art

December 2011

Artist James Richards appropriates audio-visual material gathered from a range of sources, which he then edits into elaborate, fragmented collages.   But whereas his...

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Interview

January 2015

Interview with Rodrigo Rey Rosa

Scott Esposito

Interview

January 2015

Instructions: Take the high modernist and early postmodernist experimentalism of Argentines Jorge Luis Borges and Adolfo Bioy Casares. Move...

feature

February 2011

Old media, new year: China’s CCTV woos the nation’s netizens

Shepherd Laughlin

feature

February 2011

The CCTV New Year’s gala broadcast, known in Mandarin as Chunwan, is probably the most massive media event you’ve...

poetry

January 2016

Two New Poems

Elena Fanailova

TR. Eugene Ostashevsky

poetry

January 2016

(POEM FOR ZHADAN)   This (my) country will be the death of you Its military mathematics Its secret services...

 

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