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Chris Newlove Horton
Chris Newlove Horton is a writer living in London.

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DATE NIGHT

Prize Entry

April 2016

Chris Newlove Horton

Prize Entry

April 2016

He said, ‘Tell me about yourself.’ He said, ‘Tell me about you.’ He said, ‘Tell me everything. I’m interested.’ He said, ‘I want to...

fiction

April 2015

Heavy

Chris Newlove Horton

fiction

April 2015

It is a two lane road somewhere in North America. The car is pulled onto the shoulder with the...

Editor’s note: The images in the slideshow document a conversation on paper between the writer and artist Louise Stern and theatre director Omar Elerian, although they contain other voices Louise has edited the conversation by tearing it into fragments and recomposing it as a collage, the method she employs in much of her artistic practice She also contributes the below text:   Observations on communication and language have long bitten at my heels, demanding that I find some form or other to convey their urgency I have tried to obey them in different ways: through art, performance, literature When, a few years ago, it occurred to me that theatre might bring together the strands that I had been working along, a series of generous coincidences led me to the theatre director Omar Elerian   Omar split his childhood between Italy and Palestine, where his father was born The rich presence of his Palestinian grandmother, with whom he shared no common language, stood large in his childhood Because they had no words for one another, they turned to eye contact, to food, to touch, gesture, and the potency of sharing the same spaceThe mystery and magic of the other’s life was allowed to collect between them without compression into words and ideas   This is something that I feel deeply through my deafness, which pushes me up against visceral experience, and this is one of the reasons that the collaboration with Omar has become so meaningful for me The play we have developed together is about how words so often mask physical, sensual reality In The Ugly Birds, each of the three characters struggles in their different ways with life in a world that is saturated with language For each of them, a point arrives where their physical reality can no longer be reconciled with that world It incorporates choreographed physical gesture and projected written conversations as well as spoken dialogue   In my native sign language, there is the potential for distilled physical expression The closest thing that I have to compare this to is painting or dance – mediums that allow for boundless sensation While

Contributor

August 2014

Chris Newlove Horton

Contributor

August 2014

Chris Newlove Horton is a writer living in London.

James Richards: Not Blacking Out...

Art

December 2011

Chris Newlove Horton

Art

December 2011

Artist James Richards appropriates audio-visual material gathered from a range of sources, which he then edits into elaborate, fragmented collages.   But whereas his...

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poetry

Issue No. 3

On an NY Balcony

Adrian Dannatt

poetry

Issue No. 3

Too much of my life so far has depended upon dressing-gowns, Some sort of ‘string-theory’ tied by myself wax-thumbed...

Art

March 2013

Beyond the Mainstream and into the Digital

Vid Simoniti

Art

March 2013

Claire Bishop. Everywhere I go, some curator or artist wants to be rid of this turbulent critic.   In 2006...

fiction

January 2016

The Bees

Wioletta Greg

TR. Eliza Marciniak

fiction

January 2016

On Sunday right after lunch, my father began preparing muskrat skins and cut his finger on a dirty penknife....

 

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