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Chris Newlove Horton
Chris Newlove Horton is a writer living in London.

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DATE NIGHT

Prize Entry

April 2016

Chris Newlove Horton

Prize Entry

April 2016

He said, ‘Tell me about yourself.’ He said, ‘Tell me about you.’ He said, ‘Tell me everything. I’m interested.’ He said, ‘I want to...

fiction

April 2015

Heavy

Chris Newlove Horton

fiction

April 2015

It is a two lane road somewhere in North America. The car is pulled onto the shoulder with the...

One day in late 2011, waiting outside Green Park station, my gaze was drawn to an unexpected sight Earlier that year a canopy of Portland stone had been erected over the entrance to the underground, part of London’s preparations for the Olympics, and through a rectangular frame in the structure, at the edge of the park, a tangle of colour appeared A patch of wildflowers was growing there, next to the manicured shopping streets of Mayfair A sign said the meadow had been planted as part of some scheme This sounded like a paradox: I didn’t know that wildflowers could be planted, let alone meadows I was struck by a correspondence between this artificial meadow and the rioting that had taken place in the city that summer, which had been framed as an irruption of wildness   In his Politics Aristotle claims that humans surpass bees in their political nature, and philosophers have often used bees to describe the political nature of humans Meadows, where the social desires of bees are fulfilled – if you can call them desires – have been overlooked as a form for thinking about politics The wildflower meadow, increasingly endangered and artificially produced in the twenty-first century, describes a relationship between individual and environment that is both complex and immediate The appearance of wildness in the city becomes a question of aesthetics, which is to say, a question of how the relationship between an event and its frame produces certain effects, and of politics, when an act of observation decides which events are wild and which are cultivated by human policy   Wildflowers in the British Isles have historically been concentrated in areas of semi-natural grassland, often maintained for the production of hay for livestock, sometimes left uncultivated for other reasons and tramped through by grazing animals whose digestive systems redistribute seeds and produce the special diversity of the meadow In the seventeenth century, the English mystic Thomas Traherne described meadows ‘more Divine than if Covered with Emeralds’ He saw the meadows as a book in which a message had been written: just as God makes water available

Contributor

August 2014

Chris Newlove Horton

Contributor

August 2014

Chris Newlove Horton is a writer living in London.

James Richards: Not Blacking Out...

Art

December 2011

Chris Newlove Horton

Art

December 2011

Artist James Richards appropriates audio-visual material gathered from a range of sources, which he then edits into elaborate, fragmented collages.   But whereas his...

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fiction

May 2014

Preparation for Trial

Ben Hinshaw

fiction

May 2014

Establish remorse from outset. Express bewilderment at sequence of events so unlikely, so absurd and catastrophic. Assure all present...

poetry

May 2012

REGULAR BLACK

Sam Riviere

poetry

May 2012

Who wouldn’t rather be watching a film about werewolves instead of composing friends’ funeral playlists all day I’ve been...

poetry

March 2017

Two Poems

Uljana Wolf

TR. Sophie Seita

poetry

March 2017

Mittens   winter came, stretched its frames, wove misty threads into the damp   wood. fogged windows, we didn’t...

 

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