Mailing List


Alex Quicho
Alex Quicho is the author of Small Gods (Zero Books, 2021), a book on the terror and transcendence of drone technology. She has written for the White Review, the New Inquiry, Wired, Vogue, Bookforum, and others, and worked with institutions including Singapore Art Museum, Power Station of Art (Shanghai), Julia Stoschek Collection (Berlin), Somerset House (London), Rennie Museum (Vancouver), and Nationalgalerie (Berlin). She is an associate lecturer in speculative futures at Central Saint Martins.

Articles Available Online


Without World

Essay

June 2023

Alex Quicho

Essay

June 2023

‘I had to create a world of my own, like a climate, a country, an atmosphere in which I could breathe, reign, and recreate...

Art Review

December 2020

End Times: Heather Phillipson’s ‘The End’

Alex Quicho

Art Review

December 2020

A huge swirl of whipped cream, garnished with a drone, a fly, and a maraschino cherry: so insistent that...

Consider the exclamation mark Medieval in origin, this blink of ink has a gift for controversy A single point can signal a moment of joy or incredulity Use two or more, though, and risk being dismissed as shrill or shouty, especially if you are a woman   Feminist thinker and independent scholar Sara Ahmed has written 11 books, but her latest, Complaint! (2021), is the only one to employ an exclamation in its title Yet to immerse oneself in her body of work – which includes several public lectures, seminars and workshops – is to feel an intensification of everyday experience Her works are all attuned to affect, wilful subjects, and the phenomenology of trying to make yourself heard while living in a marked body: as an ‘unhappy queer’,’ a ‘melancholic migrant’, a woman and/or person of colour As Ahmed wrote in What’s the Use? On the Uses of Use (2019), ‘Sometimes, I feel like I am an exclamation point, as if in being I am shrieking’   In that book, a roving work of phenomenology, she examines ‘use as technique’ by closely examining a constellation of things, including an empty tube of toothpaste, a postbox, an arm and Jeremy Bentham’s desiccated body She shows how utilitarianism was historically used to shape the subjectivities of those deemed least desirable and most disposable – the poor, the incarcerated, the orphaned and the unhoused   What’s the Use? is the final book in a trilogy that began with The Promise of Happiness (2010), which looks at the regulatory uses of happiness, followed by Willful Subjects (2014), which valorises ‘wilfulness’ – a disposition towards disobedience, or to be ‘what gets in the way of what is on the way’ – as a way for feminists and minority groups to assert agency In its own way, each of her books tracks, with forensic care and attention, the peristalsis of power: what feeds it, what impedes it, what lubricates its sinuous passage through the halls of institutions and everyday life Bodies, for Ahmed, are a locus of feminist investigation Having an ‘out of skin’ experience – being at odds with the

Contributor

July 2018

Alex Quicho

Contributor

July 2018

Alex Quicho is the author of Small Gods (Zero Books, 2021), a book on the terror and transcendence of...

Emily Pope, The Sitcom Show

Art Review

July 2018

Alex Quicho

Art Review

July 2018

Emily Pope’s five-part web series, The Sitcom Show, is a throwback to the chameleonic class-consciousness and wry pessimism-as-realism embodied by the vein of British pop culture...

READ NEXT

poetry

September 2014

Breath-Manifester & Drones

Ned Denny

poetry

September 2014

Breath-Manifester   Each bared morning is a swell time to die, Leaving the town’s ornate maze for the level...

Art

Issue No. 11

Sarah Jones

Sarah Jones

Art

Issue No. 11

A series of photographs by the acclaimed British artist Sarah Jones is published in The White Review No. 11. 

poetry

November 2011

Cooper's Hawk

Elyse Fenton

poetry

November 2011

My breath’s the wind’s breathless down-stroke hasty claw like the gnarred finger of juniper just now clambering for a...

 

Get our newsletter

 

* indicates required