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Alex Quicho
Alex Quicho is the author of Small Gods (Zero Books, 2021), a book on the terror and transcendence of drone technology. She has written for the White Review, the New Inquiry, Wired, Vogue, Bookforum, and others, and worked with institutions including Singapore Art Museum, Power Station of Art (Shanghai), Julia Stoschek Collection (Berlin), Somerset House (London), Rennie Museum (Vancouver), and Nationalgalerie (Berlin). She is an associate lecturer in speculative futures at Central Saint Martins.

Articles Available Online


Without World

Essay

June 2023

Alex Quicho

Essay

June 2023

‘I had to create a world of my own, like a climate, a country, an atmosphere in which I could breathe, reign, and recreate...

Art Review

December 2020

End Times: Heather Phillipson’s ‘The End’

Alex Quicho

Art Review

December 2020

A huge swirl of whipped cream, garnished with a drone, a fly, and a maraschino cherry: so insistent that...

I I went to Lyon because an organisation called Villa Fondebrider invited me to give a talk on the relationship between fiction and reality as part of a series of International Literary Meetings I accepted the invitation because I had never been there and I wanted to get to know the city Also, two of my favourite writers, John Banville and Rick Moody, were taking part in the symposium This question of the connections between fiction and reality, which is touched upon more and more each day, was a topic about which I had already written an infinite number of times and in a variety of formats, and it seemed like the time had come for me to arrive at a firm position on the subject, even if it was one that I myself lacked faith in   I still remember how, throughout the flight, I thought about the absurd things I imagined I would find in Lyon, and how I ended up falling asleep When I woke up we had already arrived In the airport an imbecilic-looking character was waiting for me (I had a bad feeling about him from the moment I saw him), a young taxi driver holding a placard on which he had written – very badly, with three grotesque spelling mistakes – my name   Usually, the taxi drivers who do this kind of job do it in a routine, bureaucratic manner They exchange a few short words with you and then drop you off, with the efficiency required, in your hotel, and nothing more My taxi driver, however, was in the mood for talking and nosing around in my business Noticing that my French was not perfect, he suggested we speak in Portuguese, his mother tongue, which was a pain as my Portuguese is worse than my French   Halfway through the journey he confessed that he didn’t really know how to get to the Hôtel des Artistes, where I was meant to be staying After explaining that he had only received his taxi driver’s licence three days ago, he started to make use of the traffic lights in the outskirts of Lyon to consult a map of the

Contributor

July 2018

Alex Quicho

Contributor

July 2018

Alex Quicho is the author of Small Gods (Zero Books, 2021), a book on the terror and transcendence of...

Emily Pope, The Sitcom Show

Art Review

July 2018

Alex Quicho

Art Review

July 2018

Emily Pope’s five-part web series, The Sitcom Show, is a throwback to the chameleonic class-consciousness and wry pessimism-as-realism embodied by the vein of British pop culture...

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Interview

February 2014

Interview with Patrick Keiller

David Anderson

Interview

February 2014

Patrick Keiller, an architect ‘diverted’ into making films, is principally known for his Robinson series, which began with  London (1994)...

feature

September 2013

A God In Spite of His Nose

Anna Della Subin

feature

September 2013

‘Paradise is a person. Come into this world.’ — Charles Olson   In the darkness of the temple, footsteps...

Prize Entry

April 2017

The Critic of Tombs

Ethan Davison

Prize Entry

April 2017

Emilia came to Tombs [1] in the twelfth year of the interregnum. It was the first time in history...

 

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