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Victoria Adukwei Bulley
VICTORIA ADUKWEI BULLEY is a poet, writer and filmmaker. She is the recipient of an Eric Gregory Award, and has held artistic residencies internationally in the US, Brazil and at the V&A Museum in London. A Complete Works and Instituto Sacatar fellow, her pamphlet Girl B (Akashic) forms part of the 2017 New-Generation African Poets series. She is a doctoral student at Royal Holloway, University of London, where she is the recipient of a Technē studentship for doctoral research in Creative Writing.

Articles Available Online


On Water

Essay

Issue No. 29

Victoria Adukwei Bulley

Essay

Issue No. 29

& we say to her what have you done with our kin that you swallowed? & she says that was ages ago, you’ve drunk...

Interview

Issue No. 26

Interview with Saidiya Hartman

Victoria Adukwei Bulley

Interview

Issue No. 26

The first time I encountered Saidiya Hartman, she was a voice in salt., an award-winning play by artist and...

i   Oyster cards were first issued to members of the British public in July 2003; by June 2015 they will have been replaced by a contactless card payment system As we grow old these rectangles of blue plastic will fade into memory; they will become historical curiosities, representing little more than a transitional phase in the history of payment systems, weekend engineering works on our noble journey from the physical to the digital, from the actual to the virtual But let’s not allow the Oyster card to disappear from public consciousness unremarked upon; let’s take some time out from our hectic schedules and look up into the dim light; let’s take stock for just a moment, gulp in the close cold air, feel the dank wind of history on our faces, and contemplate the significant role this stored-value contactless smartcard has played in our everyday lives over the last decade or so     ii   Consider an example Let’s say you’re not a Londoner You don’t live here; you’re an alien We’ll sculpt you a bit more as we go along but, to begin with, let’s just say you’re an alien in London and see how that sits You won’t, don’t worry, remain undeveloped But everything in its time For now, enjoy the not-knowing, enjoy the formlessness, the weightlessness You could become anyone Think of the possibilities, the opportunities All we know, for now, for certain, is that you are, let’s say, an alien in London   You arrived, by plane, on a one-way ticket, say, your purpose, at the moment, dark to us You think nothing, once reunited with your suitcases at London Gatwick, having trudged with them through arrivals (and after everything that happened on the flight you might have appreciated some help), of taking a taxi to your hotel in Acton An indulgence, perhaps, but you are happy to spend money at times like these You’re not rich, you’re not profligate, but money is there to be spent You can’t understand people who hoard – people who save and save and save, knowing they will die with their accumulated wealth unspent, inactive, a

Contributor

October 2018

Victoria Adukwei Bulley

Contributor

October 2018

VICTORIA ADUKWEI BULLEY is a poet, writer and filmmaker. She is the recipient of an Eric Gregory Award, and...

Nafissa Thompson-Spires’s ‘Heads of the Colored People’

Book Review

October 2018

Victoria Adukwei Bulley

Book Review

October 2018

Somewhere on the internet is a two-hour video of a lecture by the late writer and filmmaker Kathleen Collins, author of the short story...

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Art

May 2017

Francis Upritchard

Filipa Ramos

Art

May 2017

Where do anthropology and archaeology meet? Do the study of humankind and the research of its material culture share...

poetry

March 2015

Coup & Bell Curve

Elizabeth Willis

poetry

March 2015

COUP   Mallarmé’s gambling astonished everyone even the poets   An acre of paper sold down a river whose...

poetry

January 2012

Matisse: Tahiti (1930)

Campbell McGrath

poetry

January 2012

If I were young again I would forego Tahiti and move to America to begin a new life in...

 

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