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Victoria Adukwei Bulley
VICTORIA ADUKWEI BULLEY is a poet, writer and filmmaker. She is the recipient of an Eric Gregory Award, and has held artistic residencies internationally in the US, Brazil and at the V&A Museum in London. A Complete Works and Instituto Sacatar fellow, her pamphlet Girl B (Akashic) forms part of the 2017 New-Generation African Poets series. She is a doctoral student at Royal Holloway, University of London, where she is the recipient of a Technē studentship for doctoral research in Creative Writing.

Articles Available Online


On Water

Essay

Issue No. 29

Victoria Adukwei Bulley

Essay

Issue No. 29

& we say to her what have you done with our kin that you swallowed? & she says that was ages ago, you’ve drunk...

Interview

Issue No. 26

Interview with Saidiya Hartman

Victoria Adukwei Bulley

Interview

Issue No. 26

The first time I encountered Saidiya Hartman, she was a voice in salt., an award-winning play by artist and...

I first glimpsed the Potala Palace behind the bending legs of a prostitute She swayed, obscuring a vista of the Dalai Lama’s vacant home with the taut sail of a black dress rigged from her hips, eyes closed, face contorted into a mask of transcendence and passion, belting out a Tibetan folk song somewhere in downtown Xining, an urban barnacle on the Eastern edge of the Tibetan plateau The karaoke TV screen panned across Lhasa, the Potala Palace and ethereal valleys spoiled by scrolling lyrics and a digital dot measuring their progress There aren’t enough lukewarm beers on the tray in front of me, I thought, to wrangle this scene into the pen of ‘sense’ This was not how I intended to begin my Tibetan journey, but then the unintended and unexpected are the stimuli of travel, delight or horror the effects Let the sober ombudsman of the morning work it out, I thought   A Welshman, a Monguor and two Tibetans walk into an euphemism, that’s how the night’s joke began Heard that one? A classic Here, listen to this   ***   I was disturbed from a nap by my effervescent hostel room-mate, a twenty-something Monguor anthropologist Did I want to play basketball with him and his friends? I did, and followed him to a modern university campus lit by a chromatographic sunset of pinks, oranges and blues Beer and a heavy meal of spiced mutton followed humiliation by the skillful pivots of my Asian friends Come to the karaoke club, was the next suggestion The compass needle in my guts twitched towards, ‘Euphemism: brothel’, but curiosity juggled its bag of magnet: the company was far too good to abandon for bed and rest ahead of the next day’s long ascent to the Tibetan plateau proper The club’s lobby was an oblong room with a long bar Sagging from the walls were garish posters of tropical scenes faded by time, smoke and the low pink lights Kitsch exoticism of golden sands and palm fronds in this poverty-locked, politics-locked, landlocked lobe of Central China, where local exoticism winked at me

Contributor

October 2018

Victoria Adukwei Bulley

Contributor

October 2018

VICTORIA ADUKWEI BULLEY is a poet, writer and filmmaker. She is the recipient of an Eric Gregory Award, and...

Nafissa Thompson-Spires’s ‘Heads of the Colored People’

Book Review

October 2018

Victoria Adukwei Bulley

Book Review

October 2018

Somewhere on the internet is a two-hour video of a lecture by the late writer and filmmaker Kathleen Collins, author of the short story...

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Art

Issue No. 14

Lenin was a Mushroom

Thomas Dylan Eaton

Art

Issue No. 14

Cast as the ‘savage, ugly’ part in the Popular Mechanics live show, Necrorealists were radical artists in their own...

Art

May 2012

Art's Fading Sway: Russian Ark by Aleksandr Sokurov

Scott Esposito

Art

May 2012

I have often fallen asleep in small theatres. It is an embarrassing thing to have happen during one-man shows,...

Interview

August 2017

Interview with Ottessa Moshfegh

Yen Pham

Interview

August 2017

Ottessa Moshfegh’s first two books are, as she tells me, very different from one another. But despite the contrast...

 

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