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Kaleem Hawa

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and Artforum, among others.



Articles Available Online


Hating it Lush: On Tel Aviv

Essay

May 2023

Kaleem Hawa

Essay

May 2023

I   They made the desert bloom, tall sparkling towers and clean Bauhaus lines, and apple-ring acacias, and teal blue shuttle buses, and stock...

Poetry

Issue No. 28

Three poems from issue 28

Sarah Barnsley

Valzhyna Mort

Kaleem Hawa

Poetry

Issue No. 28

Valzhyna Mort, ‘Music for Girl’s Voice and Bison’   Sarah Barnsley, ‘Virginia Woolf Has Fallen Over’   Kaleem Hawa,...

SELF-PORTRAIT AS THE OPENING OF A WINDOW ON A HOT MORNING   Three men carry a large snake home This morning, the pantry was empty again, the sun in the sky like a lemon slice They daydream of fried potatoes, mayonnaise like sun-cream The youngest of the men, a boy, asks the oldest of the men, his father, to describe the following items: walnut, peach, salt, goat’s cheese, apple The father says, ‘Tremendous loss! Tremendous chaos! Tremendous emptiness! Tremendous cracker! Tremendous yellow!’ and thinks of a woman who always slept on the sofa as he cleaned her windows Her legs like caramel from a tin, another life The other man, also a boy, the eldest boy, and also the son of the father, looks at people in the park, all in pairs or groups There is a wedding party He sees the bride’s head over the rows of anemones, violas and benches, her hair like a stick of liquorice He thinks of how he has a particular tree to sit under, how he has spent whole days under there If he sits alone all day and talks to no one, does he exist? Sometimes he scavenges change to buy a bottle of water, just to have spoken Later, as his parents cut the snake into rations, as he spins the snake’s skull around his finger, his mother asks if he wants something to drink, and he believes he has responded When he sees the steam rising from their mugs of broth, he accuses her of forgetting him, goes outside, walks to the river and unsticks a limpet     M’S LETTERS TO TUMBLR   1 I called my parents and said ‘I think I have a problem’ I eat until I get to the bottom of the cereal box which is my favourite part I mix the dust of cornflakes with milk to make a paste my

Contributor

November 2019

Kaleem Hawa

Contributor

November 2019

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and...

after Mahmoud Darwish    Why is a boy an exclamation,  and why are his dead a period?,  why do his sinews tighten when he sees  a Palestinian body? Does his vision narrow  because of their flight,  or because their world is raining with salt?  Why is a boy with a gun different  from a boy with a jail cell?,  if the tools of rupture are our arms for  repurposing the body, and the arms of  the state are our means of repurposing the male,  are we finally useful and breathing and nervous…?  Does the white mean Night’s arrival?,  or does night signal the white’s escape?,  and when that white city boy becomes  a White City man,  does the hate in his heart subside?,  or does it become an ellipses,  a Bauhaus history of stories started  and left unfinished 
You Arrive at A White Checkpoint and Emerge Unscathed

Prize Entry

November 2019

Kaleem Hawa


READ NEXT

fiction

January 2014

Vertical Motion

Can Xue

TR. Karen Gernant and Chen Zeping

fiction

January 2014

We are little critters who live in the black earth beneath the desert. The people on Mother Earth can’t...

Interview

February 2011

Interview with David Vann

Marissa Cox

Interview

February 2011

I am a little apprehensive about meeting David Vann for the first time. His father committed suicide when David...

feature

Issue No. 6

The Prosaic Sublime of Béla Tarr

Rose McLaren

feature

Issue No. 6

I have to recognise it’s cosmical; the shit is cosmical. It’s not just social, it’s not just ontological, it’s really...

 

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