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Kaleem Hawa

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and Artforum, among others.



Articles Available Online


Hating it Lush: On Tel Aviv

Essay

May 2023

Kaleem Hawa

Essay

May 2023

I   They made the desert bloom, tall sparkling towers and clean Bauhaus lines, and apple-ring acacias, and teal blue shuttle buses, and stock...

Poetry

Issue No. 28

Three poems from issue 28

Sarah Barnsley

Valzhyna Mort

Kaleem Hawa

Poetry

Issue No. 28

Valzhyna Mort, ‘Music for Girl’s Voice and Bison’   Sarah Barnsley, ‘Virginia Woolf Has Fallen Over’   Kaleem Hawa,...

I want you to be in my writing Maybe not you exactly Someone like you Will you like this version of you? Maybe not Will you recognise this version of you, as you? I hope so She has some of your qualities I say she because you are a trans woman, and it’s something about trans women that I’m writing Maybe you are central to it, or maybe incidental Either way, you figure in the text What makes me think I know anything about you? And what makes what I think I know something I can put in a piece of writing to which I own the rights?   As it happens, I’m a trans woman too Yay for girls like us! We’re at the bar at Mood Ring I buy us drinks Once our server is out of earshot, we dish I’m sorry you got harassed on the subway That happened to me just last week Oh, we saw the same surgeon His office never returns your calls It’s hilarious that we both fucked that other trans girl – she sure gets around Ah, but you have some stories I don’t Now, honey, tell me all about your pain   Wait, something’s wrong here If this is our shared story, why do I need you to tell it so that I can write it? Because of things we don’t have in common I’m white, middle-class by origin, with a good education, living in an apartment my partner and I own I transitioned late after securing a comfortable life In a word: bourgeois A bourgeois life brings relative freedom from pain But it’s boring This is the dilemma constitutive of bourgeois literature So I look to you for a good story I have the luxury of having feelings about other people’s feelings To feel, but also to judge, at some remove It will be your story, in my text – and my copyright It’s the business of bourgeois literature to stake claims to property rights over others’ pain   I don’t know that a book can even make a claim

Contributor

November 2019

Kaleem Hawa

Contributor

November 2019

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and...

after Mahmoud Darwish    Why is a boy an exclamation,  and why are his dead a period?,  why do his sinews tighten when he sees  a Palestinian body? Does his vision narrow  because of their flight,  or because their world is raining with salt?  Why is a boy with a gun different  from a boy with a jail cell?,  if the tools of rupture are our arms for  repurposing the body, and the arms of  the state are our means of repurposing the male,  are we finally useful and breathing and nervous…?  Does the white mean Night’s arrival?,  or does night signal the white’s escape?,  and when that white city boy becomes  a White City man,  does the hate in his heart subside?,  or does it become an ellipses,  a Bauhaus history of stories started  and left unfinished 
You Arrive at A White Checkpoint and Emerge Unscathed

Prize Entry

November 2019

Kaleem Hawa


READ NEXT

fiction

November 2011

Sheepskin

Olivia Heal

fiction

November 2011

The first I noticed was your thumbnails, large, round and flat, like two plates. They were marked with yellowed...

feature

Issue No. 10

Editorial

The Editors

feature

Issue No. 10

This tenth editorial will be our last. Back in February 2011, on launching the magazine, we grandiosely stated that we...

poetry

April 2012

The Disappearance

Dana Goodyear

poetry

April 2012

A yellow veil dropped down at evening, and when it lifted everyone was gone. Good mothers fled their young...

 

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