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Kaleem Hawa

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and Artforum, among others.



Articles Available Online


Hating it Lush: On Tel Aviv

Essay

May 2023

Kaleem Hawa

Essay

May 2023

I   They made the desert bloom, tall sparkling towers and clean Bauhaus lines, and apple-ring acacias, and teal blue shuttle buses, and stock...

Poetry

Issue No. 28

Three poems from issue 28

Sarah Barnsley

Valzhyna Mort

Kaleem Hawa

Poetry

Issue No. 28

Valzhyna Mort, ‘Music for Girl’s Voice and Bison’   Sarah Barnsley, ‘Virginia Woolf Has Fallen Over’   Kaleem Hawa,...

& we say to her what have you done with our kin that you swallowed? & she says that was ages ago, you’ve drunk them by now — Danez Smith, ‘dream where every black person is standing by the ocean’   The atoms of those people who were thrown overboard are out there in the ocean even today — Christina Sharpe, In The Wake: On Blackness and Being   of / water / rains & / dead — M NourbeSe Philip, Zong! #5   The beaches of Benin are empty From Cotonou to Ouidah I have never seen beaches so empty before From the windows of our minivan, the coastline is a wide expanse of sand beginning just beyond the road, on and on, and then water Palm trees here and there, but emptiness, mostly Nobody, no livestock, just sand As for us, we are eight women and we have just arrived Three of us – myself included – flew in from London, with the five others coming in from the States All of us have flown in from winter It is January, and on our first full day together, our bare skin re-colouring in the light, we ask the driver to take us to a restaurant for lunch We are seeking the kind of seafood of which we are all so starved, and when our dishes arrive they don’t disappoint Each platter careens with fried plantain, grilled fish, yam, rice, and prawns so large they’re not prawns any more but gambas, instead Gambas or langoustines or crayfish or crawfish, depending on which of us is speaking, or who cares to know the difference Whatever any of it is called, we resolve that we would like to return to eat it again, here, at this terraced balcony from which we watch the sea The restaurant sits on a beach that is vacant as far as our sight can reach There is a mutedness to the expanse of the sand, and though it looks no different now than it would at any other time, the staff tell us that yesterday a boy drowned nearby   The beaches of Benin

Contributor

November 2019

Kaleem Hawa

Contributor

November 2019

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and...

after Mahmoud Darwish    Why is a boy an exclamation,  and why are his dead a period?,  why do his sinews tighten when he sees  a Palestinian body? Does his vision narrow  because of their flight,  or because their world is raining with salt?  Why is a boy with a gun different  from a boy with a jail cell?,  if the tools of rupture are our arms for  repurposing the body, and the arms of  the state are our means of repurposing the male,  are we finally useful and breathing and nervous…?  Does the white mean Night’s arrival?,  or does night signal the white’s escape?,  and when that white city boy becomes  a White City man,  does the hate in his heart subside?,  or does it become an ellipses,  a Bauhaus history of stories started  and left unfinished 
You Arrive at A White Checkpoint and Emerge Unscathed

Prize Entry

November 2019

Kaleem Hawa


READ NEXT

poetry

February 2014

Promenade & Dinner: Two Poems

Joe Dunthorne

poetry

February 2014

Promenade I was pursued by an immersive theatre troupe two of whom lay on the textured paving and performed...

Art

July 2014

(holes)

Alice Hattrick

Kristina Buch

Art

July 2014

There are many ways to make sense of the world, through language, speech and text, but also the senses...

Art

September 2011

Interview with Marnie Weber

Timothée Chaillou

Art

September 2011

Los Angeles-based artist Marnie Weber has spent her career weaving music, performance, collage, photography and performance together into her...

 

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