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Kaleem Hawa

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and Artforum, among others.



Articles Available Online


Hating it Lush: On Tel Aviv

Essay

May 2023

Kaleem Hawa

Essay

May 2023

I   They made the desert bloom, tall sparkling towers and clean Bauhaus lines, and apple-ring acacias, and teal blue shuttle buses, and stock...

Poetry

Issue No. 28

Three poems from issue 28

Sarah Barnsley

Valzhyna Mort

Kaleem Hawa

Poetry

Issue No. 28

Valzhyna Mort, ‘Music for Girl’s Voice and Bison’   Sarah Barnsley, ‘Virginia Woolf Has Fallen Over’   Kaleem Hawa,...

Joaquim Baiano’s land is near the source of the river, and the pumpkins he grows there are simply unbelievable When his groaning truck arrives at the market, its noise made even more unbearable by the lack of a damper, it’s the pumpkins the people want to see Not everyone is interested in buying them, they’re too big, but everyone likes looking at them, using the palms of their hands to measure the orange curves, tapping on the shells with their fingers to hear the sounds they make Tock, tock Tock, tock No one understands why Joaquim Baiano’s pumpkins are so big, they assume there must be some secret behind it, though they don’t know what exactly It’s the devil’s work, God doesn’t make pumpkins that size, they whisper at the market stalls, their suspicions given further fuel by the fact that Joaquim Baiano never, ever goes to church He doesn’t live off pumpkins alone, today he’s brought bananas, cassava, greens and pigeon peas The peas are pre-weighed and sold in plastic bottles he gets from the wife of the guy who owns the grocery store With all the fizzy drinks people consume there’s no shortage of plastic bottles in garbage heaps, tossed down alleyways or floating in the river, and so instead of throwing them away the grocery store owner’s wife distributes the empty bottles to the poor She’s a serious woman who wears long trousers and does her hair up in a bun, not one for chatting, she just comes out from the back of the store with bags full of plastic bottles, hands them over and turns around again Joaquim Baiano has no wife and it’s quite possible there’s never been anyone Alone in his wilderness, he looks out for himself Since he was a boy he’s washed and repaired his own clothes, cooked his own food and tended to his cassava without uttering a word He doesn’t even have a dog And it was in silence that he arrived early this morning in his truck He came down from the hills, meandering through the shades of

Contributor

November 2019

Kaleem Hawa

Contributor

November 2019

Kaleem Hawa has written about art, film, and literature for the New York Review of Books, The Nation, and...

after Mahmoud Darwish    Why is a boy an exclamation,  and why are his dead a period?,  why do his sinews tighten when he sees  a Palestinian body? Does his vision narrow  because of their flight,  or because their world is raining with salt?  Why is a boy with a gun different  from a boy with a jail cell?,  if the tools of rupture are our arms for  repurposing the body, and the arms of  the state are our means of repurposing the male,  are we finally useful and breathing and nervous…?  Does the white mean Night’s arrival?,  or does night signal the white’s escape?,  and when that white city boy becomes  a White City man,  does the hate in his heart subside?,  or does it become an ellipses,  a Bauhaus history of stories started  and left unfinished 
You Arrive at A White Checkpoint and Emerge Unscathed

Prize Entry

November 2019

Kaleem Hawa


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Interview

June 2012

Interview with Malcolm McNeill

Patrick Langley

Interview

June 2012

I first met Malcolm McNeill in 2007. He was in London to do some printing for an exhibition, and he showed...

feature

September 2012

Negation: A Response to Lars Iyer's 'Nude in Your Hot Tub'

Scott Esposito

feature

September 2012

I do not know whether I have anything to say, I know that I am saying nothing; I do...

Interview

Issue No. 20

Interview with Anne Carson

Željka Marošević

Interview

Issue No. 20

Throughout her prolific career as a poet and a translator, Anne Carson has been concerned with combatting what she calls...

 

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