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Helen Charman
Helen Charman is a writer and academic based in Glasgow. Her first book, Mother State – a political history of motherhood — is forthcoming from Allen Lane in 2024. She teaches in the English Studies department at Durham University.

Articles Available Online


Attachment Barbies: On Watching Grey’s Anatomy

Essay

March 2023

Helen Charman

Essay

March 2023

In August 2022, ABC announced that Ellen Pompeo, currently the highest-paid actress on American network television, was leaving Grey’s Anatomy, the show on which...

Book Review

May 2021

HOLDING THE ROOM: ON HOLLY PESTER’S ‘COMIC TIMING’

Helen Charman

Book Review

May 2021

The last poem in Holly Pester’s first collection COMIC TIMING (Granta, 2021) is called ‘Villette’; it shares its title...

I cough while the technician tinkers with the projector, although the two are not related, and I wonder why my throat is sore but I quickly decide that it was the airplane, those things are a wonderland for bacteria, and at least the snafu with the projector gives me time to take a sip from the glass of water in front of me, a glass that I’ve already topped up with a little whisky, which is a crime against single malt, I know, believe me I know, but it’s become a ritual now, every time I give one of these keynotes I find myself reaching for the hip flask, and it doesn’t hurt anybody in the end, and I don’t think anybody would blame me for needing to steady my nerves (even though my nerves never need steadying, I’ve often felt that they’re not so much made of organic material as they are built from some sort of steel or copper, pinging under my skin like telephone cable) given the size of the audience and the importance of this speech, which is not to say that I’m bragging about it, because somebody has to be on the podium and it might as well be me, and the years I put in at the coal face mean that I have a certain amount of experience to share, and my natural gravitas (again, I’m really not bragging, this is just a statement of fact based on my appearance – a full head of silver hair, a certain sharpness around the eyes – and voice – which isn’t as deep as you might expect, but there’s gravel on the riverbed) means that people tend to listen to that experience; you can see them now if you look around the hall, backs still straight in their seats and eyes still clear from coffee, hungry for somebody to explain to them why they bothered to register for this conference, hungry for somebody to bring some life to what would otherwise be a dry and dirty topic (I won’t bore you with the details,

Contributor

November 2017

Helen Charman

Contributor

November 2017

Helen Charman is a writer and academic based in Glasgow. Her first book, Mother State – a political history...

Essay

May 2020

Where do I put myself, if public life’s destroyed? On reading Denise Riley

Helen Charman

Essay

May 2020

How do you read someone who doesn’t always want to be read? This is a question I used to...

Sally Rooney’s ‘Normal People’

Book Review

October 2018

Helen Charman

Book Review

October 2018

Reading Sally Rooney’s second novel Normal People is a compulsive experience. After the navy blue Faber & Faber proofs were sent out in early...
Rendering intimacy impossible, deploy lifeboats (mark yourself safe) Not listening as such, more waiting to speak, above all mark yourself, it’s so important to be safe Carry on, they demand, we’re not reeling / we are reeling Is this the place for a fountain reference? Probably ‘What first attracted you to your wife, sir?’ ‘Her delicacy / her ankles / her hatred of the Tories’                  Alive twice over but that’s a whole life gone too                you know I’m sorry, he holds his hands up, I’m                sorry, he backs away: my conscience couldn’t                keep company with your body I say, your body?                it just made me think: it’s only a nine month stay   The next time you lay a hand on me, I’ll make a perfect gleaming dive into the Thames Aren’t you glad / to be here? I am
Electioneering

Prize Entry

November 2017

Helen Charman


READ NEXT

Art

February 2013

Haitian Art and National Tragedy

Rob Sharp

Art

February 2013

Thousands of Haiti’s poorest call it home: Grand Rue, a district of Port-au-Prince once run by merchants and bankers,...

fiction

February 2014

Coral

R. B. Pillay

fiction

February 2014

Early one morning, you wake up with the smell of burnt sheets in your nose, the sheets that you...

Art

Issue No. 4

The Land Art of Julie Brook

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession...

 

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