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Sophie Mackintosh
Sophie Mackintosh's fiction has appeared in Granta and The Stinging Fly, among others. She was the winner of the 2016 White Review Short Story Prize and the Virago X Stylist short story prize. Her debut novel, The Water Cure, is published by Hamish Hamilton in the UK and forthcoming from Doubleday in the US.

Articles Available Online


Lena Andersson's ‘Acts of Infidelity’

Book Review

July 2018

Sophie Mackintosh

Book Review

July 2018

Acts of Infidelity is the second novel by Lena Andersson that follows unlucky-in-love heroine Ester Nilsson, and it’s another scalpel-sharp look at a doomed...

Fiction

May 2018

Self-Improvement

Sophie Mackintosh

Fiction

May 2018

I had been sent back from the city in disgrace, back to my parents’ house in the country. It...

DeviantArt is the world’s ‘largest online community of artists and art-lovers’ and its thirteenth largest social network Its forty million members contribute to a collection of ‘over 336 million original works of art’[1] at the site’s last count, with two million visiting the site to upload an average of 80,000 works of art each day By contrast, the Smithsonian, the world’s largest museum and research complex, holds in its archives 156 million artifacts, works of art and specimens To invoke instances of the numerical sublime is as much a cliché of art writing about the internet as it is one of popular science programmes about the universe, but the comparison between the holdings of these online and IRL institutions allows us to consider how their different infrastructures of access and exchange are revolutionising the way images are read DeviantArt is, furthermore, the realm of the popular image Largely the preserve of illustrators, computer programmers and digital image-makers producing flash animations, character designs, digital renderings, and adjusted photographs, the site’s predominant style is ‘fantasy art’ —imaginary landscapes, fantastical creatures — while fan art, character design, illustration and manga are also much in evidence Its contents offer more direct access to the twenty-first-century global imagination than any contemporary museum or gallery, no matter how devoted to blurring the division between high and low art   The site is organised along lines familiar to any member of a social network After being asked whether you are primarily interested in ‘discovering’, ‘selling’ or ‘improving’ your art, and putting together a crude social profile, you are redirected to a homepage with a seemingly infinite scroll of thumbnail images These are the latest uploads by other members of the community, and clicking on one takes you to a screen where you can see more work by that particular ‘Deviant’ Clicking on ‘more work like this’ is the entrance to a labyrinth of endlessly ramifying pathways, selected either by following categories or by clicking on successive images, to lead you into the international pictorial unconscious   Illustrations of impossibly busty prepubescent girls, waiflike elves and extravagantly muscled cartoon characters are popular, and it’s hard not

Contributor

April 2016

Sophie Mackintosh

Contributor

April 2016

Sophie Mackintosh’s fiction has appeared in Granta and The Stinging Fly, among others. She was the winner of the...

Grace

Prize Entry

Issue No. 17

Sophie Mackintosh

Prize Entry

Issue No. 17

14. It comes for me in the middle of the day when I am preparing lunch, quartering a tomato then slicing each segment in...

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poetry

Issue No. 14

Interrogations

Rebecca Tamás

poetry

Issue No. 14

INTERROGATION (1)     Are you a witch?   Are you   Have you had relations with the devil?...

Art

February 2016

'Look at me, I said to the glass in a whisper, a breath.'

Alice Hattrick

Art

February 2016

Listen to her. She is telling you about her adolescence. She is telling you about one particular ‘bender’ that...

poetry

December 2012

Off-Season

Miles Klee

poetry

December 2012

As a boy I went on a strange vacation with a friend. His parents took us, I can’t remember why,...

 

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