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Rebecca Tamás
REBECCA TAMÁS is a Lecturer in Creative Writing at York St John University. Her pamphlet Savage was published by Clinic, and was a LRB Bookshop pamphlet of the year, and a Poetry School book of the year. Rebecca’s first full-length poetry collection, WITCH, was published by Penned in the Margins in March 2019. She is editor, together with Sarah Shin, of Spells: 21st Century Occult Poetry, published by Ignota Books. Her collection Strangers: Essays on the Human and Nonhuman was published by Makina Books in October 2020.  

Articles Available Online


Interview with Ariana Reines

Interview

July 2019

Rebecca Tamás

Interview

July 2019

I first became aware of Ariana Reines’s work through her early poetry collection The Cow (2006), which went on to win the prestigious Alberta Prize. I...

Essay

Issue No. 24

The Songs of Hecate: Poetry and the Language of the Occult

Rebecca Tamás

Essay

Issue No. 24

  I have gone out, a possessed witch, haunting the black air, braver at night; dreaming evil, I have...

Myself Mona Ahmed is a photobook and a work of epistolary world-building Published in 2001 by Scalo, it comprises photographs of the life of Mona Ahmed, a woman who lived in the heart of old Delhi, and letters in which Mona tells her life story She addresses the letters to Walter Keller, the publisher, and signs them off ‘With love, Myself, Mona Ahmed’ The images in the book were taken by the artist Dayanita Singh, Mona’s friend, sibling, parent, lover, confidante – Singh struggles to give their relationship a name She met Mona in 1989, while on assignment for The Times UK newspaper She walked down Akbar Milkman’s Lane, in the historic neighbourhood of Turkman Gate, to the house of Sona and Chaman – a famous pair of hijras from old Delhi, known for their high glamour and elegant dances Mona, who was Chaman’s student at the time, opened the door Covered in jewellery and delicate makeup, she posed for Singh’s camera for hours, only to ask for the film roll, because she wasn’t happy with where the images were to be published The exchange of that first roll of film was the start of a decades-long friendship   Mona was raised in middle-class Delhi, separated from family in Pakistan because of Partition As a child, she read the Quran, played with her dolls and dreamt of becoming a performer When Mona was estranged from her family she found a home with the hijra community She danced at weddings, housewarmings and children’s naming ceremonies; she gave blessings, she sang In 1990, she adopted a baby girl, Ayesha, whose birthmother had died during childbirth Ayesha was orphaned, and left in Mona’s care by her grandmother ‘I distributed sweets in the neighbourhood and recited the azaan (Muslim prayer) in her ears,’ Mona writes in a letter to Keller, ‘I wanted to give her all the world’s happiness’ For Ayesha’s first few birthdays, Mona hosted elaborate parties, inviting hijras from India, Pakistan and Bangladesh Singh was the designated photographer, and the images are magnetic, each detail revealing the thoughtful extravagance of Mona’s world: flower bracelets to welcome the guests;

Contributor

July 2015

Rebecca Tamás

Contributor

July 2015

REBECCA TAMÁS is a Lecturer in Creative Writing at York St John University. Her pamphlet Savage was published by Clinic, and...

Interrogations

poetry

Issue No. 14

Rebecca Tamás

poetry

Issue No. 14

INTERROGATION (1)     Are you a witch?   Are you   Have you had relations with the devil?   Have you   Have...

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Interview

May 2013

Interview with Darian Leader

Kishani Widyaratna

Interview

May 2013

A practicing Lacanian psychoanalyst, Darian Leader is one of a dying breed. It is no overstatement to say that...

feature

Issue No. 11

Literature in a Distracted Era

Adam Thirlwell

feature

Issue No. 11

There are two categories in the literary system I’d like to celebrate at high speed: the lonely writer, and...

Art

June 2012

'The Freedom of Speech Itself', or the betrayal of the voice

Lorena Muñoz-Alonso

Art

June 2012

‘The instability of an accent, its borrowed and hybridised phonetic form, is testimony not to someone’s origins but only...

 

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