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Rebecca Tamás
REBECCA TAMÁS is a Lecturer in Creative Writing at York St John University. Her pamphlet Savage was published by Clinic, and was a LRB Bookshop pamphlet of the year, and a Poetry School book of the year. Rebecca’s first full-length poetry collection, WITCH, was published by Penned in the Margins in March 2019. She is editor, together with Sarah Shin, of Spells: 21st Century Occult Poetry, published by Ignota Books. Her collection Strangers: Essays on the Human and Nonhuman was published by Makina Books in October 2020.  

Articles Available Online


Interview with Ariana Reines

Interview

July 2019

Rebecca Tamás

Interview

July 2019

I first became aware of Ariana Reines’s work through her early poetry collection The Cow (2006), which went on to win the prestigious Alberta Prize. I...

Essay

Issue No. 24

The Songs of Hecate: Poetry and the Language of the Occult

Rebecca Tamás

Essay

Issue No. 24

  I have gone out, a possessed witch, haunting the black air, braver at night; dreaming evil, I have...

POET AS CYBORG PORNSTAR   It starts with the turn Their slender edges, the slow reveal from margin to bombshell, the hormonal show of the real: whatever it is, you know it’s fucking hot I promise, I would do anything to get you off I am peeling my skin 4 u Let’s talk about it: how we fabricate intimacy, the wet scapes of the world scolded back to rigid, flashy                                                         direction Don’t                                                         you think every hero must grow to love their algorithm? Chemical action without consequences, good feeling, bad feeling—young, dumb, and full of poems! With her long French tips and how their bodies work Outsource ur erotics to the moneymakers This month, we are proud to be partnering with Donna Haraway in building a new kind of human-shaped sex robot who wants to write poems Would a friend catch the dog-ear, unreadable script, whir of systems, artificially leathered voice—       POEM AS ZERESHK POLLO   The white owner of the Persian restaurant says they keep wages low to avoid gentrifying the area with higher prices I think of the recipe from the place I used to wait: zereshk (barberries, or you can use dried cranberries if you can’t find barberries), saffron (use yellow food colouring as an alternative) Keep them guessing You are a classical text in the emperor’s encoded vision—sour red berries reclining on a carpet of chicken thighs, jewels set in broth like simmering gold If European culture generally has digested the Orient, what am I but a ferment of exotic things? A dish, a soul, a curated image—every time I chop and fry an onion I have to wonder what it means for my place in the market So what do you think? I mean, of all these grains, letters, this hot tahdig, this oil fallen into syntactic place, this formal glaze beneath which bubbles the threat that in some mouths even this could tell an unintended joke? Every way I look I can feel the cool twist, the crisp euphemism of middle-class taste, and I wonder how much this too will sell for How much would you pay? How good will it look on your plate?     GHAZAL                                                               My eyes were very stop look smell

Contributor

July 2015

Rebecca Tamás

Contributor

July 2015

REBECCA TAMÁS is a Lecturer in Creative Writing at York St John University. Her pamphlet Savage was published by Clinic, and...

Interrogations

poetry

Issue No. 14

Rebecca Tamás

poetry

Issue No. 14

INTERROGATION (1)     Are you a witch?   Are you   Have you had relations with the devil?   Have you   Have...

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fiction

January 2015

One Out of Two

Daniel Sada

TR. Katherine Silver

fiction

January 2015

Now, how to say it? One out of two, or two in one, or what? The Gamal sisters were...

Prize Entry

April 2016

Oögenesis

Karina Lickorish Quinn

Prize Entry

April 2016

After her daughter had – for the third time, no less – laid her eggs in the fruit bowl,...

Art

December 2016

Bonnie Camplin: Is it a Crime to Love a Prawn

Bonnie Camplin

Art

December 2016

  The title of Bonnie Camplin’s exhibition at 3236RLS Gallery, ‘Is it a Crime to Love a Prawn’, brings...

 

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