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Rebecca Tamás
REBECCA TAMÁS is a Lecturer in Creative Writing at York St John University. Her pamphlet Savage was published by Clinic, and was a LRB Bookshop pamphlet of the year, and a Poetry School book of the year. Rebecca’s first full-length poetry collection, WITCH, was published by Penned in the Margins in March 2019. She is editor, together with Sarah Shin, of Spells: 21st Century Occult Poetry, published by Ignota Books. Her collection Strangers: Essays on the Human and Nonhuman was published by Makina Books in October 2020.  

Articles Available Online


Interview with Ariana Reines

Interview

July 2019

Rebecca Tamás

Interview

July 2019

I first became aware of Ariana Reines’s work through her early poetry collection The Cow (2006), which went on to win the prestigious Alberta Prize. I...

Essay

Issue No. 24

The Songs of Hecate: Poetry and the Language of the Occult

Rebecca Tamás

Essay

Issue No. 24

  I have gone out, a possessed witch, haunting the black air, braver at night; dreaming evil, I have...

On a wet, grey morning in March, William Boyd invited us into a large terraced house, half-way between the King’s Road and the Thames On the right-hand side of the thin corridor’s crisp white walls hung three dozen framed figurative paintings of identical sizes, each no bigger than a paperback book These were David Hockney’s series of flower sketches, executed on tablet computers and smart phones   The enthusiasm which William Boyd shows for these is in keeping with the evident pleasure he has in a range of creative arts – his career contains numerous film and television credits, alongside his notorious forays into the art world as the ‘lost’ abstract expressionist painter Nat Tate’s biographer Having authored a monograph in 1998 on Tate, backed by stellar co-conspirators David Bowie and Gore Vidal, he convinced many in the art world of the existence of this entirely fictitious artist who had supposedly killed himself at the age of thirty-two in 1960 – in the style of Hart Crane, by jumping off a boat – after destroying ninety-nine percent of his work Opposite Hockney’s digital essais sat a solitary Nat Tate, painted in preparation for the hoax by Boyd himself a decade or so ago   The interview took place in an excessively heated first-floor living-room; paintings in various styles cluttered the walls, illuminated by tall bay windows The central coffee table was stacked full of books, six or seven high – Robert Musil’s The Man Without Qualities and Lewis Crofts’ The Pornographer of Vienna prominent among them – testament to the meticulous research that goes into the composition of a William Boyd novel His next book, set in Freud’s Vienna, will be his sixteenth, in a career spanning three decades that includes several short-story collections and volumes of non-fiction   Perhaps his most ambitious projects have been the trilogy of works that tasked themselves with chronicling entire human lives, beginning with The New Confessions and Nat Tate: An American Artist These include his most celebrated novel, Any Human Heart, which tracks the course of its hero Logan Mountstuart through the chaos of the twentieth century Boyd’s life seems comparatively easy compared

Contributor

July 2015

Rebecca Tamás

Contributor

July 2015

REBECCA TAMÁS is a Lecturer in Creative Writing at York St John University. Her pamphlet Savage was published by Clinic, and...

Interrogations

poetry

Issue No. 14

Rebecca Tamás

poetry

Issue No. 14

INTERROGATION (1)     Are you a witch?   Are you   Have you had relations with the devil?   Have you   Have...

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poetry

January 2012

Tynemouth Lodge

W. N. Herbert

poetry

January 2012

‘Sometimes I go to the tavern and get drunk.          What of it?’                                 Nesimi 1 Bars tend us...

Interview

September 2016

Interview with Garth Greenwell

Michael Amherst

Interview

September 2016

Garth Greenwell’s debut novel What Belongs to You has won praise on both sides of the Atlantic. Edmund White...

feature

December 2012

Confessions of an Agoraphobic Victim

Dylan Trigg

feature

December 2012

The title of my essay has been stolen from another essay written in 1919.[1] In this older work, the...

 

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