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Rebecca Tamás
REBECCA TAMÁS is a Lecturer in Creative Writing at York St John University. Her pamphlet Savage was published by Clinic, and was a LRB Bookshop pamphlet of the year, and a Poetry School book of the year. Rebecca’s first full-length poetry collection, WITCH, was published by Penned in the Margins in March 2019. She is editor, together with Sarah Shin, of Spells: 21st Century Occult Poetry, published by Ignota Books. Her collection Strangers: Essays on the Human and Nonhuman was published by Makina Books in October 2020.  

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Interview with Ariana Reines

Interview

July 2019

Rebecca Tamás

Interview

July 2019

I first became aware of Ariana Reines’s work through her early poetry collection The Cow (2006), which went on to win the prestigious Alberta Prize. I...

Essay

Issue No. 24

The Songs of Hecate: Poetry and the Language of the Occult

Rebecca Tamás

Essay

Issue No. 24

  I have gone out, a possessed witch, haunting the black air, braver at night; dreaming evil, I have...

Two hundred names are inscribed in a totemic list that opens Alice Oswald’s Memorial The deaths of the Greek heroes, recounted over 400 pages in the Iliad, are stunningly compressed across four double pages Their deaths are a foregone conclusion; but their capitalised names, framed by the blankness of the page, carry the hefty weight of each man’s life The second part of the poem, which recounts the heroes’ often unheroic traits, lays bare the insanity of war; the blind momentum that turns a man into ‘a terrible numbness / Turned inside-out and taking over everything’ In the Homeric myth, war is second nature, a duty assumed by the warrior, undeterred by the destruction reaped Soldiers ‘hurried to darkness’, race into the arms of death, the noble seal of defending one’s country For Simone Weil, writing on the eve of the Second World War, there was no terrible beauty to be born of combat War, that supposed leveller of class and race, is seen as a systematic machine that levels interiority and petrifies everyone in its midst In Oswald’s poem each forsaken soldier is given their due, which is to say, their doomed leave-taking In the Greek myths death is the unflinching end, the future for the soldier born under its sign The Greeks conducted wars, Weil writes, as ‘geometricians of virtue We are only geometricians of matter,’ or as Marco Roth writes in a recent essay, ‘drone philosophers’   In modern times, peace is seen as the ultimate, if unrealistic, goal; warfare is, if inescapable, an aberration Just as the notion of heroism died a collective death in the wake of that grand misnomer, the Great War, the horror of combat has become such a worn truism that it seems to carry little more traction that the jarring jingoism of Glory, Sacrifice and Patriotism excoriated by the First World War poets who saw that the unknown soldier would reap ‘no dividends from time’s tomorrow’ There had been military catastrophes in the past – the Charge of the Light Brigade – but these were seen as indictments of military strategy, rather than a

Contributor

July 2015

Rebecca Tamás

Contributor

July 2015

REBECCA TAMÁS is a Lecturer in Creative Writing at York St John University. Her pamphlet Savage was published by Clinic, and...

Interrogations

poetry

Issue No. 14

Rebecca Tamás

poetry

Issue No. 14

INTERROGATION (1)     Are you a witch?   Are you   Have you had relations with the devil?   Have you   Have...

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fiction

March 2011

In the Field

Jesse Loncraine

fiction

March 2011

There were flickers of red in the water, a tint the colour of blood. He stood in the river,...

poetry

Issue No. 8

The Cloud of Knowing

John Ashbery

poetry

Issue No. 8

There are those who would have paid that. The amount your eyes bonded with (O spangled home) will have...

feature

August 2016

The Place of the Bridge

Jennifer Kabat

feature

August 2016

I.   Look up. A woman tumbles from the sky, her dress billowing around her like a parachute as...

 

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