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Rebecca Tamás
REBECCA TAMÁS is a Lecturer in Creative Writing at York St John University. Her pamphlet Savage was published by Clinic, and was a LRB Bookshop pamphlet of the year, and a Poetry School book of the year. Rebecca’s first full-length poetry collection, WITCH, was published by Penned in the Margins in March 2019. She is editor, together with Sarah Shin, of Spells: 21st Century Occult Poetry, published by Ignota Books. Her collection Strangers: Essays on the Human and Nonhuman was published by Makina Books in October 2020.  

Articles Available Online


Interview with Ariana Reines

Interview

July 2019

Rebecca Tamás

Interview

July 2019

I first became aware of Ariana Reines’s work through her early poetry collection The Cow (2006), which went on to win the prestigious Alberta Prize. I...

Essay

Issue No. 24

The Songs of Hecate: Poetry and the Language of the Occult

Rebecca Tamás

Essay

Issue No. 24

  I have gone out, a possessed witch, haunting the black air, braver at night; dreaming evil, I have...

As you enter Raqs Media Collective’s exhibition ‘Twilight Language’ at the Whitworth in Manchester, the gallery lights are dimmed: as the title suggests, this show is set at nightfall A sculptural lighthouse, Unusually Adrift from the Shoreline (2008/2017) sends out an intermittent beacon, illuminating a collection of disparate installations    Among them is a set of new works that inquire into Manchester’s past In Prostheses for the History of Insurgent Crowds (2017), wax body parts run, walk, kick and fly over wall panels decorated with geometric prints These are replicas of the prosthetic limbs which proliferated during the city’s industrial revolution, due to a rise in accidents in the workplace According to Raqs’s co-founder, Jeebesh Bagchi, the piece was inspired by the contrasting stories of injury and collective action that emerged while the group was undertaking archival research – stories of the loss of limbs in the workplace, and the many bodies that came together in protest during the city’s labour movement   In collaboration with architects Palak Jhunjhunwala and Efstratios Georgiou, Raqs also developed a crystal structure using 3D-printed plastic, resin, and plywood, that will grow for the duration of the exhibition The installation, Alive, with Cerussite and Peppered Moth (2017), is enhanced by what Bagchi refers to as the ‘biological time’ of the peppered moth, a white insect with a few brown dots that became rarer in Manchester during the industrial revolution As the city grew dirtier, the moth is said to have stood out against the dark surfaces of buildings and trees, making it vulnerable to birds – until, through a process of natural selection, darker moths became more prevalent The moth is represented by sound and two videos projected onto the crystal structure, at moments identifiable by the fluttering of its wings, at others as a fractured and elusive shadow   Raqs Media Collective was founded by Monica Narula, Shuddhabrata Sengupta, and Jeebesh Bagchi in 1992, after they studied documentary film together at Jamia Millia Islamia university in Delhi The

Contributor

July 2015

Rebecca Tamás

Contributor

July 2015

REBECCA TAMÁS is a Lecturer in Creative Writing at York St John University. Her pamphlet Savage was published by Clinic, and...

Interrogations

poetry

Issue No. 14

Rebecca Tamás

poetry

Issue No. 14

INTERROGATION (1)     Are you a witch?   Are you   Have you had relations with the devil?   Have you   Have...

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feature

Issue No. 20

Editorial

The Editors

feature

Issue No. 20

    As a bookish schoolchild in Galilee, the Palestinian poet Mahmoud Darwish was invited to compose, and read...

feature

November 2015

Streets of Contradiction

feature

November 2015

Jerusalem has a remarkably cohesive identity, in architectural terms. Every building, from the Western Wall to the sleek hotels...

poetry

January 2015

Litanies of an Audacious Rosary

Enrique Vila-Matas

TR. Rosalind Harvey

poetry

January 2015

FEBRUARY 2008   * I’m outraged, but I’ve learned a way of reasoning that quickly defuses my exasperation. This...

 

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