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Rebecca Tamás
REBECCA TAMÁS is a Lecturer in Creative Writing at York St John University. Her pamphlet Savage was published by Clinic, and was a LRB Bookshop pamphlet of the year, and a Poetry School book of the year. Rebecca’s first full-length poetry collection, WITCH, was published by Penned in the Margins in March 2019. She is editor, together with Sarah Shin, of Spells: 21st Century Occult Poetry, published by Ignota Books. Her collection Strangers: Essays on the Human and Nonhuman was published by Makina Books in October 2020.  

Articles Available Online


Interview with Ariana Reines

Interview

July 2019

Rebecca Tamás

Interview

July 2019

I first became aware of Ariana Reines’s work through her early poetry collection The Cow (2006), which went on to win the prestigious Alberta Prize. I...

Essay

Issue No. 24

The Songs of Hecate: Poetry and the Language of the Occult

Rebecca Tamás

Essay

Issue No. 24

  I have gone out, a possessed witch, haunting the black air, braver at night; dreaming evil, I have...

Due to our destructive behaviour, writer EO Wilson foresaw humanity soon entering the Eremocene – the ‘Age of Loneliness’ This fresh hell would be plagued by an environment void of the many forms of life we see and take for granted today, and, for us humans, result in existential and material isolation Perhaps it already feels this way Maybe we’ve discreetly slipped into the Eremocene without much fanfare It does seem sadly fitting that Wilson passed away at the end of 2021, a year overshadowed by isolation, and that we seem to be burning our way closer to a fully realised Age of Loneliness Also fitting is the appearance of Missouri Williams’s debut novel The Doloriad; a nihilistic fictional diorama into which she places her characters and watches them suffer      The Doloriad opens with a palpable sense of dread and a shimmering blackness in the language (The first chapter is appropriately titled ‘Prolegomena to Future Agonies’) Dolores, who is mute and has no legs, is stuffed in a wheelbarrow and pushed into the forest by her uncle, who is also her father She is soon abandoned as a marriage offering to a potential group of distant humans on the horizon If this feels too grim from the get-go, it’s not, because Williams is an intelligent stylist, deftly unfolding energetic prose reliant on her powerfully strange imagery: ‘Their uncle shuffled along with his unwieldy burden and the cracked lenses of his glasses repelled the sun; the light bounced away from him, splintering into new delusions, and those bright disks, fixed to the head and the long, dry stick of his body, gave him the appearance of a watchtower on the move’ It’s gorgeous stuff, weird and dark, more Thomas Bernhard and Deafheaven than Chuck Palahniuk and Korn   The bulk of the novel concerns a massive inbred family overseen by the Matriarch soon after a cataclysmic event that has left the world barren, except for a few birds, insects, a poisoned river and the ‘unbearable whiteness of the new chemical sky’ There’s Jan, Agathe, Marta, Mary, Adam, Jakub, legless Dolores

Contributor

July 2015

Rebecca Tamás

Contributor

July 2015

REBECCA TAMÁS is a Lecturer in Creative Writing at York St John University. Her pamphlet Savage was published by Clinic, and...

Interrogations

poetry

Issue No. 14

Rebecca Tamás

poetry

Issue No. 14

INTERROGATION (1)     Are you a witch?   Are you   Have you had relations with the devil?   Have you   Have...

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poetry

February 2012

Giant Impact Hypothesis

James Midgley

poetry

February 2012

I bought a satellite’s eye from the market. To look through it involved the whole god-orbit, a cotton-wooled Faberge...

feature

November 2014

Every Night is Like a Disco: Iraq 2003

Paul Currion

feature

November 2014

That day at Kassim’s, there was no music. There was almost no sound at all, not even the echoes...

fiction

May 2012

Reflux

José Saramago

TR. Giovanni Pontiero

fiction

May 2012

First of all, since everything must have a beginning, even if that beginning is the final point from which...

 

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