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Rebecca Tamás
REBECCA TAMÁS is a Lecturer in Creative Writing at York St John University. Her pamphlet Savage was published by Clinic, and was a LRB Bookshop pamphlet of the year, and a Poetry School book of the year. Rebecca’s first full-length poetry collection, WITCH, was published by Penned in the Margins in March 2019. She is editor, together with Sarah Shin, of Spells: 21st Century Occult Poetry, published by Ignota Books. Her collection Strangers: Essays on the Human and Nonhuman was published by Makina Books in October 2020.  

Articles Available Online


Interview with Ariana Reines

Interview

July 2019

Rebecca Tamás

Interview

July 2019

I first became aware of Ariana Reines’s work through her early poetry collection The Cow (2006), which went on to win the prestigious Alberta Prize. I...

Essay

Issue No. 24

The Songs of Hecate: Poetry and the Language of the Occult

Rebecca Tamás

Essay

Issue No. 24

  I have gone out, a possessed witch, haunting the black air, braver at night; dreaming evil, I have...

I am ill as I write this, a situation I attribute to taking public transport now that winter has arrived Instead of cycling – a kind of mobile hermeticism – I share Berlin’s warm and scarcely ventilated tube carriages with other bodies Moving through the city’s underground network as one unruly organism, we travellers constantly trade infections To pinpoint the initial point of origin – who or what made us sick, when, and if it could have been avoided – is a fruitless task Where would we even start? Everyone could be blamed, and also no one   Across the Western world, the bitter medicine of austerity is making many of us sick Depression and anxiety are commonplace, and thinking about the future often triggers a pervasive sense of dread Sickness Report (2018), an exhibition by Czech artist Barbara Kleinhamplová currently on show at Berlin’s SAVVY Contemporary, begins with the idea of a diseased public sphere The exhibition comprises a cinematic, dual-screen film of the same title, set at sea; video footage detailing the labour involved in ship production; an array of objects along a table – anti-depressant pills, bones and jigsaw pieces – that read like evidence; and three pseudo-corporate diagrams projected onto the gallery walls   The titular film unfolds aboard a small ship, and cuts intermittently to a medicine factory, where workers watch a crowd of pills hurtling down an assembly line Sitting on a bench made from a ship construction mould, I watch the onscreen vessel drift on a featureless expanse of sea The narrator, a male anthropologist, tells us that the ship is defective, as is its crew They have succumbed to a mysterious malaise known as the ‘Big Sickness’ Unable to navigate, they are now at the mercy of the tide, but they have begun to infect the surrounding waters On a nearby wall, a pair of projected diagrams shows another seafaring vessel Its parts have been fastidiously labelled, but by an economist, rather than a shipbuilder ‘Privatisation’ and ‘corporate spirit’ are written where hull and stern should be, while other components are labelled ‘productivity’, ‘medication’ and ‘gig-economy’

Contributor

July 2015

Rebecca Tamás

Contributor

July 2015

REBECCA TAMÁS is a Lecturer in Creative Writing at York St John University. Her pamphlet Savage was published by Clinic, and...

Interrogations

poetry

Issue No. 14

Rebecca Tamás

poetry

Issue No. 14

INTERROGATION (1)     Are you a witch?   Are you   Have you had relations with the devil?   Have you   Have...

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feature

July 2013

The New Writing

César Aira

TR. Rahul Bery

feature

July 2013

The way I see it, the avant-garde emerged at a point when the professionalisation of artists had consumed itself...

poetry

Issue No. 4

Mysteries of Music

Michael Horovitz

poetry

Issue No. 4

Having absently, that’s to say dozily switched on BBC Radio 3 down in the kitchen as is my frequent...

Interview

Issue No. 12

Interview with Yvonne Rainer

Orit Gat

Interview

Issue No. 12

TWO DAYS BEFORE WE WERE SCHEDULED TO MEET, Yvonne Rainer walked into the gallery I was looking after for...

 

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