share


Fugitive

I trace the stacked

voices of shouters

how they immingle

fraternally

on first hearing

with the vaporous

nick of taxis

gold-rushing the avenue

as if they were

part of the same

equation

(or miscalculation)

yet ruminantly fugitive

one or the other

sound falls back

to tundra distances

creating

double-choice

(like the way air

can be seen

to palm through

a good photograph

despite being

locked into the essential

stillness)

the street nerved

with intended pitch

and the aheadedness

of sound being raked

into a kind of sonic theatre

after leaving the ear

(or appearing to leave)

where it encores

thread-frail

yet able enough

to jet the mind

for a second or more

undeserted

in the half-silence

as if nervously

retouched

to the shock of it


ABOUT THE CONTRIBUTOR

James Byrne’s most recent collection, Blood/Sugar was published by Arc in 2009. Bones Will Crow: 15 Contemporary Burmese Poets (June 2012), is co-edited with ko ko thett and is the first anthology of Burmese poetry to be published in the West. Byrne is editor of The Wolf and co-editor of Voice Recognition: 21 Poets for the 21st Century (Bloodaxe, 2009). His poems have been translated into languages including Arabic and Burmese.  

READ NEXT

fiction

January 2017

Peace

Patrick Cottrell

fiction

January 2017

Every morning as I walk to school through the dark blue decrepit world, I feel like I’m coming down...

feature

October 2012

Pressed Up Against the Immediate

Rye Dag Holmboe

feature

October 2012

The author Philip Pullman recently criticised the overuse of the present tense in contemporary literature, a criticism he stretched...

feature

October 2011

The New Global Literature? Marjane Satrapi and the Depiction of Conflict in Comics

Jessica Copley

feature

October 2011

Over the last ten years graphic novels have undergone a transformation in the collective literary consciousness. Readers, editors and...

 

Get our newsletter

 

* indicates required