share


Fugitive

I trace the stacked

voices of shouters

how they immingle

fraternally

on first hearing

with the vaporous

nick of taxis

gold-rushing the avenue

as if they were

part of the same

equation

(or miscalculation)

yet ruminantly fugitive

one or the other

sound falls back

to tundra distances

creating

double-choice

(like the way air

can be seen

to palm through

a good photograph

despite being

locked into the essential

stillness)

the street nerved

with intended pitch

and the aheadedness

of sound being raked

into a kind of sonic theatre

after leaving the ear

(or appearing to leave)

where it encores

thread-frail

yet able enough

to jet the mind

for a second or more

undeserted

in the half-silence

as if nervously

retouched

to the shock of it


ABOUT THE CONTRIBUTOR

James Byrne’s most recent collection, Blood/Sugar was published by Arc in 2009. Bones Will Crow: 15 Contemporary Burmese Poets (June 2012), is co-edited with ko ko thett and is the first anthology of Burmese poetry to be published in the West. Byrne is editor of The Wolf and co-editor of Voice Recognition: 21 Poets for the 21st Century (Bloodaxe, 2009). His poems have been translated into languages including Arabic and Burmese.  

READ NEXT

Art

August 2016

False shadows

Izabella Scott

Art

August 2016

The ‘beautiful disorder’ of the Forbidden City and the Yuanmingyuan (Garden of Perfection and Light) was first noted by...

poetry

November 2015

Two Poems

Ko Un

TR. Brother Anthony of Taizé

TR. Lee Sang-Wha

poetry

November 2015

Kim Geung-Ryeol   During the Japanese colonial period he attended Japan’s Military Academy, became squadron leader in the Japanese...

feature

September 2012

Existere: Documenting Performance Art

David Gothard

Jo Melvin

John James

Rye Dag Holmboe

feature

September 2012

The following conversation was held at the Institute of Contemporary Arts, London, in May 2012. The event took place...

 

Get our newsletter

 

* indicates required