'Shard', graphite on paper, Lawrence Lek (2013)
'Pyramid', graphite on paper, Lawrence Lek (2013)
'Notre-Dame', graphite on paper, Lawrence Lek (2013)
'Crystal Palace', graphite on paper, Lawrence Lek (2013)
'Eiffel Tower', graphite on paper, Lawrence Lek (2013)
'Gherkin', graphite on paper, Lawrence Lek (2013)
'Orbit', graphite on paper, Lawrence Lek (2013)
1 / –

share


Pyramid Schemes: Reading the Shard

These sketches were created to illustrate an essay by Lawrence Lek in The White Review No. 7, ‘Pyramid Schemes: Reading the Shard’. ‘Architecture is prosthetic memory,’ writes Lek, ‘a way for society to write without words.’


share


ABOUT THE CONTRIBUTOR

Lawrence Lek

is a speculative sculptor, installation artist and writer. Born in Frankfurt and now based in London, he imbues primal archetypes with modern technology to create immersive environments for private sanctuary and public assembly.

THIS IS AN EXTRACT FROM THE FULL ARTICLE FEATURED IN Issue No. 7 OF THE WHITE REVIEW

READ NEXT
Interview with Rebecca Solnit

Interview

Issue No. 9

Tess Thackara

Interview

Issue No. 9

Rebecca Solnit’s The Faraway Nearby, like many of her books and essays, is a tapestry of autobiographical narrative, environmental and human history, art and literary criticism,...

feature

Issue No. 16

Editorial

The Editors

feature

Issue No. 16

The political and internet activist Eli Pariser coined the term ‘Filter Bubble’ in 2011 to describe how we have...

Interview

November 2016

Interview with Njideka Akunyili Crosby

Cassie Davies

Interview

November 2016

Njideka Akunyili Crosby first encountered Mary Louise Pratt’s ‘Arts of the Contact Zone’ (1991), which identifies ‘social spaces where cultures meet,...

feature

Issue No. 5

The White Review No. 5 Editorial

The Editors

feature

Issue No. 5

One of the two editors of The White Review recently committed a faux pas by reacting with undisguised and indeed...

 

Get our newsletter

Sign up for news, events, and exclusive content

 

* indicates required