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Victoria Adukwei Bulley
VICTORIA ADUKWEI BULLEY is a poet, writer and filmmaker. She is the recipient of an Eric Gregory Award, and has held artistic residencies internationally in the US, Brazil and at the V&A Museum in London. A Complete Works and Instituto Sacatar fellow, her pamphlet Girl B (Akashic) forms part of the 2017 New-Generation African Poets series. She is a doctoral student at Royal Holloway, University of London, where she is the recipient of a Technē studentship for doctoral research in Creative Writing.

Articles Available Online


On Water

Essay

Issue No. 29

Victoria Adukwei Bulley

Essay

Issue No. 29

& we say to her what have you done with our kin that you swallowed? & she says that was ages ago, you’ve drunk...

Interview

Issue No. 26

Interview with Saidiya Hartman

Victoria Adukwei Bulley

Interview

Issue No. 26

The first time I encountered Saidiya Hartman, she was a voice in salt., an award-winning play by artist and...

1 The hotel lobby was both cleansed and fragrant, as was the receptionist speaking softly on the phone behind the desk The owners obviously wanted to welcome people to their establishment, to encourage them to return there for further visits or to recommend it to their friends and associates The owners wanted this to take place so that they could make money – that was the primary reason, Marguerite thought Personally, he had insufficient funds to stay at that or any other hotel – it was not just an issue of people wanting beds and the hotel providing them, along with other facilities, perhaps, such as a restaurant You really did need money or a means of payment to cover your temporary residence there It might not be your own money: you might be there to attend a conference, for instance, if you were a white-collar worker, in which case your employers may have paid for your stay at the hotel As a blue-collar worker you might be visiting a nearby factory, say, from your home in another part of the world, and you might need to stay overnight at the hotel In this latter instance, there would be a judgement by your boss (who would almost always be a white-collar worker – who would work, that is, in the office as well as occasionally, perhaps, on the factory floor) about whether or not you would be able to get back from your visit in the same day and/or whether it would be so inconvenient for you to do so that it would be worth staying over, as it is known Your boss would judge whether, for instance, you would get home after midnight, which is to say in the early hours, rather than at your normal seven or eight o’clock, back for your evening meal, perhaps prepared by your wife, always, in fact, to Marguerite’s mind, prepared by your wife, who would not have a job of her own, who could not be categorised into white- or blue-collar, who would always simply be there In the case

Contributor

October 2018

Victoria Adukwei Bulley

Contributor

October 2018

VICTORIA ADUKWEI BULLEY is a poet, writer and filmmaker. She is the recipient of an Eric Gregory Award, and...

Nafissa Thompson-Spires’s ‘Heads of the Colored People’

Book Review

October 2018

Victoria Adukwei Bulley

Book Review

October 2018

Somewhere on the internet is a two-hour video of a lecture by the late writer and filmmaker Kathleen Collins, author of the short story...

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feature

June 2014

A Grenade for River Plate

Juan Pablo Meneses

TR. Jethro Soutar

feature

June 2014

El Polaco appears brandishing his Stanley, as he lovingly calls his pocket knife. Five young hooligans huddle round him...

poetry

Issue No. 4

Mysteries of Music

Michael Horovitz

poetry

Issue No. 4

Having absently, that’s to say dozily switched on BBC Radio 3 down in the kitchen as is my frequent...

Art

Issue No. 11

Sarah Jones

Sarah Jones

Art

Issue No. 11

A series of photographs by the acclaimed British artist Sarah Jones is published in The White Review No. 11. 

 

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