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Victoria Adukwei Bulley
VICTORIA ADUKWEI BULLEY is a poet, writer and filmmaker. She is the recipient of an Eric Gregory Award, and has held artistic residencies internationally in the US, Brazil and at the V&A Museum in London. A Complete Works and Instituto Sacatar fellow, her pamphlet Girl B (Akashic) forms part of the 2017 New-Generation African Poets series. She is a doctoral student at Royal Holloway, University of London, where she is the recipient of a Technē studentship for doctoral research in Creative Writing.

Articles Available Online


On Water

Essay

Issue No. 29

Victoria Adukwei Bulley

Essay

Issue No. 29

& we say to her what have you done with our kin that you swallowed? & she says that was ages ago, you’ve drunk...

Interview

Issue No. 26

Interview with Saidiya Hartman

Victoria Adukwei Bulley

Interview

Issue No. 26

The first time I encountered Saidiya Hartman, she was a voice in salt., an award-winning play by artist and...

This, titled ‘Mouth’ in my father’s fading hand, found by my sister on a half-concealed shelf in his house after he had died…:   The last time I posted a letter I came home unable to speak   The postbox looked as it had looked for the last decade, red, solid and satisfyingly leaden, as if indeed it were made of lead, like one of the soldiers in bright regimental uniform I inherited from my father, and liked secretly to lick, and used to dispose in elaborate battalions on the linoleum floor of my mother’s kitchen, a floor that, when I stretched myself out on my stomach in order to imagine the armies I’d arranged around me, resembled a desert battlefield, especially when I half closed my eyes and mimicked the sound of bombs falling, making soft crepitations with my lips, a battlefield even though the kitchen floor was flat and smelled of the dust ingrained in its surface, a surface that, up close, appeared to be slightly porous, faintly cratered, like the scars on my father’s cheeks, which I associated with his habit of smoking for some reason, a dust so embedded in its surface that it emitted an almost imperceptible atmosphere, distinct from the carpeted or upholstered parts of the house, which were also landscapes to me, an atmosphere more like that of the moon, which has a mist, I’d assumed, that tastes of fine grit, from the fragments of rock that lie scattered on it like bones and teeth, boulders like the round ends of ball-and-socket joints   The red postbox looked as it had done then ever since I’d first encountered it, solid and dependable and smiling, an old friend, a Chelsea pensioner marooned on the side of the road on a tentative trip to the shops, or so I thought when I shuffled round it from the side, momentarily catching my left slipper, I was wearing battered felt slippers, and scraping it with a soft, rasping sound I liked on a piece of paving that protruded slightly, as if a creature I didn’t know existed had cautiously lifted it, like

Contributor

October 2018

Victoria Adukwei Bulley

Contributor

October 2018

VICTORIA ADUKWEI BULLEY is a poet, writer and filmmaker. She is the recipient of an Eric Gregory Award, and...

Nafissa Thompson-Spires’s ‘Heads of the Colored People’

Book Review

October 2018

Victoria Adukwei Bulley

Book Review

October 2018

Somewhere on the internet is a two-hour video of a lecture by the late writer and filmmaker Kathleen Collins, author of the short story...

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Interview

October 2013

Interview with Nick Goss

James Cahill

Interview

October 2013

Nick Goss has emerged in recent years as one of the UK’s most feted young painters. Evoking indistinct places...

fiction

November 2016

The Miserablist

Anne Boyer

fiction

November 2016

This vision was strongly nebulous, an indeterminate but bold reaction only because it was so much like one of...

Interview

August 2016

Interview with Daniel Sinsel

Rosanna Mclaughlin

Interview

August 2016

In the decade after leaving Chelsea School of Art in 2002, Daniel Sinsel made a name for himself with...

 

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