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Victoria Adukwei Bulley
VICTORIA ADUKWEI BULLEY is a poet, writer and filmmaker. She is the recipient of an Eric Gregory Award, and has held artistic residencies internationally in the US, Brazil and at the V&A Museum in London. A Complete Works and Instituto Sacatar fellow, her pamphlet Girl B (Akashic) forms part of the 2017 New-Generation African Poets series. She is a doctoral student at Royal Holloway, University of London, where she is the recipient of a Technē studentship for doctoral research in Creative Writing.

Articles Available Online


On Water

Essay

Issue No. 29

Victoria Adukwei Bulley

Essay

Issue No. 29

& we say to her what have you done with our kin that you swallowed? & she says that was ages ago, you’ve drunk...

Interview

Issue No. 26

Interview with Saidiya Hartman

Victoria Adukwei Bulley

Interview

Issue No. 26

The first time I encountered Saidiya Hartman, she was a voice in salt., an award-winning play by artist and...

On Sunday right after lunch, my father began preparing muskrat skins and cut his finger on a dirty penknife An orange erythema appeared around the wound When he got a fever, his lymph nodes swelled up and purple spots spread over his back, my mother called the ambulance from the village mayor’s house It came two hours later and took him away to the hospital, sirens blaring, with a suspected case of blood poisoning My mother said they replaced all his blood and pumped medicines into his stomach with a special pump   Miraculously, he managed to turn the corner after three weeks, but when he came home I hardly recognised him: he had lost more than twenty pounds and had gone almost completely deaf His eyes had lost their brightness, and his formerly swarthy face had turned the colour of a horseradish root He was given sick leave and for the time being stopped going to the paper mill He would get up at seven, throw his camouflage jacket over his shoulders and look out of the dining room window at the pond and the beehives, which stood scattered among bare currant bushes At nine, he would wash, put on his loafers and change into a shirt and his favourite, slightly too tight jumper with a black and white diamond pattern After swallowing two raw eggs, he’d look through old illustrated books about birds and fish which he’d brought home from the recycling centre at the mill, or he’d take out an old hunting knife with a deer-hoof handle from his taxidermy box and would sit opening and closing it as if he were playing some sort of game That’s how it was almost every day: he didn’t stuff animals any more, he didn’t play poker, he didn’t go fishing and, increasingly, he hardly ever said a word to anyone   He perked up only when he read in Beekeeping magazine that over the course of the harsh winter the frost had destroyed numerous apiaries in southern Poland He jumped up from the sofa, fetched a blackened saucepan from the dresser, poured

Contributor

October 2018

Victoria Adukwei Bulley

Contributor

October 2018

VICTORIA ADUKWEI BULLEY is a poet, writer and filmmaker. She is the recipient of an Eric Gregory Award, and...

Nafissa Thompson-Spires’s ‘Heads of the Colored People’

Book Review

October 2018

Victoria Adukwei Bulley

Book Review

October 2018

Somewhere on the internet is a two-hour video of a lecture by the late writer and filmmaker Kathleen Collins, author of the short story...

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poetry

December 2016

Of all those pasts

Will Harris

poetry

December 2016

  In Derrida’s Memoires: For Paul de Man he quotes from ‘Mnemosyne’, a poem by Friedrich Hölderlin which he...

feature

September 2013

Outside the Uniform

Kaya Genç

feature

September 2013

I.   The first time I had to wear a uniform I looked like a madman struggling against a...

feature

May 2015

In the Light of Ras Tafari

Anna Della Subin

feature

May 2015

‘A STRANGE NEW FISH EMITS A BLINDING GREEN LIGHT’, the article in National Geographic announced. Off the coast of...

 

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