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Victoria Adukwei Bulley
VICTORIA ADUKWEI BULLEY is a poet, writer and filmmaker. She is the recipient of an Eric Gregory Award, and has held artistic residencies internationally in the US, Brazil and at the V&A Museum in London. A Complete Works and Instituto Sacatar fellow, her pamphlet Girl B (Akashic) forms part of the 2017 New-Generation African Poets series. She is a doctoral student at Royal Holloway, University of London, where she is the recipient of a Technē studentship for doctoral research in Creative Writing.

Articles Available Online


On Water

Essay

Issue No. 29

Victoria Adukwei Bulley

Essay

Issue No. 29

& we say to her what have you done with our kin that you swallowed? & she says that was ages ago, you’ve drunk...

Interview

Issue No. 26

Interview with Saidiya Hartman

Victoria Adukwei Bulley

Interview

Issue No. 26

The first time I encountered Saidiya Hartman, she was a voice in salt., an award-winning play by artist and...

‘Where are my shoes?’   Alana is threading her way through New Year party detritus, coming towards him Wallace tries not to stare at her legs: muscles shifting smoothly over the schematic correctness of tendon and bone    Positively Vitruvian, dah-ling, drawls Sober Cynthia, who is the only version of his ex-wife his Therapized® brain can now produce Probably the representation is inaccurate, though a version of Sober Cynthia did exist off and on, during their long, often painful marriage, mainly coinciding with the times when they tried to get pregnant During these times, Cynthia maintained her own body with the fervour of a racehorse breeder, which in turn, strangely, excited Wallace – the hormone injections, the chart with days marked, temperatures recorded A glimpse into some private, increasingly guarded realm    I never liked that woman, says the Therapization® of Wallace’s mother, Xueling – all that remains after a month’s worth of sessions with the technician, who had unspooled memories from Wallace’s chip, snipping at cortisol spikes Refining them into Memory™ I’m glad she’s out of your life As he watches this version of her in his mind’s eye, its ribcage buckles and a miniature version of his stepfather, Beale, appears, growing from Xueling’s side like a benign tumour The Beale-Therapization® waves, yelling squeakily: Women? Who needs ‘em! An avalanche of potential – that’s what you are, my boy    Hate to disappoint you, Beale, he thinks, but the avalanche has long since rumbled down the hill, taking out some unfortunate skiers Atop Mount Wallace, everything is still and cold Even staring at Alana’s legs – the legs of his best friend David’s wife – that staring’s not even for the right reasons; the classic reasons, shall we say: old perv, sweet young thing, et cetera Instead, in this dim New Year light, her legs seem to embody something more, some awesome untapped reserve of kinetic energy All that life left to her, and she has chosen to let David – only two years younger than Wallace, soon to be 63 – into it    An a-va-lanche, the Beale-part squeaks It’s what he used

Contributor

October 2018

Victoria Adukwei Bulley

Contributor

October 2018

VICTORIA ADUKWEI BULLEY is a poet, writer and filmmaker. She is the recipient of an Eric Gregory Award, and...

Nafissa Thompson-Spires’s ‘Heads of the Colored People’

Book Review

October 2018

Victoria Adukwei Bulley

Book Review

October 2018

Somewhere on the internet is a two-hour video of a lecture by the late writer and filmmaker Kathleen Collins, author of the short story...

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fiction

January 2016

By the River

Esther Kinsky

TR. Martin Chalmers

fiction

January 2016

  For Aljoscha   ST LAWRENCE SEAWAY   Under my finger the map, this quiet pale blue of the...

Art

Issue No. 12

After After

Johanna Drucker

Art

Issue No. 12

So many things are ‘over’ now that all the post- and neo- prefixes are themselves suffering from fatigue. Even...

feature

October 2012

Film: Palestinian Airlines

Eddie Wrey

feature

October 2012

    Palestinian Airlines Produced and Directed by Eddie Wrey Co-produced and translated by Max Wrey Co-edited by Rye...

 

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