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Victoria Adukwei Bulley
VICTORIA ADUKWEI BULLEY is a poet, writer and filmmaker. She is the recipient of an Eric Gregory Award, and has held artistic residencies internationally in the US, Brazil and at the V&A Museum in London. A Complete Works and Instituto Sacatar fellow, her pamphlet Girl B (Akashic) forms part of the 2017 New-Generation African Poets series. She is a doctoral student at Royal Holloway, University of London, where she is the recipient of a Technē studentship for doctoral research in Creative Writing.

Articles Available Online


On Water

Essay

Issue No. 29

Victoria Adukwei Bulley

Essay

Issue No. 29

& we say to her what have you done with our kin that you swallowed? & she says that was ages ago, you’ve drunk...

Interview

Issue No. 26

Interview with Saidiya Hartman

Victoria Adukwei Bulley

Interview

Issue No. 26

The first time I encountered Saidiya Hartman, she was a voice in salt., an award-winning play by artist and...

‘My great fear is that we are suffering from amnesia I wrote to recover the memory of the human rainbow, which is in danger of being mutilated… We are much more than we are told We are much more beautiful’   Eduardo Galeano, 2013     February 2023: ‘A magisterial survey’ of the British Empire by Oxford ethics professor Nigel Biggar is lauded in the right-wing press In Colonialism: A Moral Reckoning, Biggar seeks to defend the Empire from its most egregious accusations – greed, racism, land theft, genocide and economic exploitation Cover blurbs from supporters hail the study as: ‘A timely riposte to the ethically flawed and unhistorical campaign by Black Lives Matter [which] conflate[s] benevolent empire with slavery and, worse still, Nazism’ and ‘Any objective reader not blinded by woke prejudice will recognise that this [is] one of the great debates of our times: whether we should be ashamed by our forefathers’    The study has riven academia and ignited the ever-glowing embers of the so-called culture wars Our history has become ever more politicised, with the biggest casualty of such debates the public’s understanding of it    The 2015 campaign Rhodes Must Fall, to remove the statue of Cecil Rhodes from Oxford High Street, which gained impetus again in 2020 following George Floyd’s murder and the Black Lives Matter protests, receives special attention from Biggar Rhodes was a ‘moral mixture’, Biggar states, and not a racist, decrying the ‘shouty zealotry of small group of students’ and their academic supporters, and using selective facts to prop up his argument The case of Rhodes Must Fall – that his policies of racial segregation led in later years to apartheid; that he promoted slavery in his diamond mines; that he stole African lands in nefarious ways – can all be explained within the context of time and place, explains Biggar The anti-colonialists have distorted history for their own ends, he argues: their retrospective morality is essentially as flawed as a rough diamond’s surface, applying today’s ethics and morals to our ancestors’ deeds will of course cast them in a fractured light    The truth

Contributor

October 2018

Victoria Adukwei Bulley

Contributor

October 2018

VICTORIA ADUKWEI BULLEY is a poet, writer and filmmaker. She is the recipient of an Eric Gregory Award, and...

Nafissa Thompson-Spires’s ‘Heads of the Colored People’

Book Review

October 2018

Victoria Adukwei Bulley

Book Review

October 2018

Somewhere on the internet is a two-hour video of a lecture by the late writer and filmmaker Kathleen Collins, author of the short story...

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Art

May 2014

The Interzone and Dexter Dalwood

Sarah Hegenbart

Dexter Dalwood

Art

May 2014

‘Burroughs in Tangier’ (2005) has captivated me ever since its display in the 2010 Turner Prize Exhibition. The work...

Prize Entry

April 2017

Two Adventures

Ari Braverman

Prize Entry

April 2017

I. A Cosmopolitan Avenue   …where a girl pretends the whole city is dead. She is too old for...

feature

Issue No. 2

Gay Madonnas in Montevergine: The Feast of Mamma Schiavona

Annabel Howard

feature

Issue No. 2

We are crowded into the medium-sized piazza before the sanctuary of Montevergine. There is no town or village; it...

 

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