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Victoria Adukwei Bulley
VICTORIA ADUKWEI BULLEY is a poet, writer and filmmaker. She is the recipient of an Eric Gregory Award, and has held artistic residencies internationally in the US, Brazil and at the V&A Museum in London. A Complete Works and Instituto Sacatar fellow, her pamphlet Girl B (Akashic) forms part of the 2017 New-Generation African Poets series. She is a doctoral student at Royal Holloway, University of London, where she is the recipient of a Technē studentship for doctoral research in Creative Writing.

Articles Available Online


On Water

Essay

Issue No. 29

Victoria Adukwei Bulley

Essay

Issue No. 29

& we say to her what have you done with our kin that you swallowed? & she says that was ages ago, you’ve drunk...

Interview

Issue No. 26

Interview with Saidiya Hartman

Victoria Adukwei Bulley

Interview

Issue No. 26

The first time I encountered Saidiya Hartman, she was a voice in salt., an award-winning play by artist and...

The jolts of the tracks were stronger now and came at irregular intervals With my arms outstretched, I held myself up between the walls of the tiny cabin A metallic drone rose from the spattered steel-can, a whining and hissing and, now and again, something close to a laugh, something that had to have been crouching in the abyss, in the crushed stone of the railroad embankment, and it rang in my ears like a miserable Semey-Semey I wouldn’t be able to stay much longer, not unless I wanted to give some kind of explanation when I returned, something that would immediately become twice as long in the translator’s mouth and ten times as long in the consul’s ensuing comments   As far as I knew in the meantime it wasn’t illegal to have a Geiger counter On the contrary, European travel-guides recommended it as a means of reassuring travellers, though they emphasised that the measurable levels in most areas had been below acceptable limits for a long time now I’d never considered buying such a piece of equipment before, nor had I ever conceived the possibility of owning one And so the grey-green, already somewhat worn little box, and the way I’d got it right before the train left from one of the many hooded peddlers blocking the platform with their strange goods, was all the more precious and peculiar Almost everything held out to me as a ‘Souweniiiir!’ seemed to have come from the stockrooms of an empire and its army busy undergoing the process of total dissolution And yet I’d also seen mountains of meat, animal skins, raisins, bread, and nuts in half-covered children’s wagons, often in continuous movement, being pushed across the snow-covered platform right up to the steel treads of the railroad cars In the end, though, no

Contributor

October 2018

Victoria Adukwei Bulley

Contributor

October 2018

VICTORIA ADUKWEI BULLEY is a poet, writer and filmmaker. She is the recipient of an Eric Gregory Award, and...

Nafissa Thompson-Spires’s ‘Heads of the Colored People’

Book Review

October 2018

Victoria Adukwei Bulley

Book Review

October 2018

Somewhere on the internet is a two-hour video of a lecture by the late writer and filmmaker Kathleen Collins, author of the short story...

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fiction

November 2016

Somnoproxy

Stuart Evers

fiction

November 2016

The day’s third hotel suite faced westwards across the harbour, its picture window looking down over the boats and...

feature

January 2015

'Every object must occupy ...'

Herta Müller

TR. Philip Boehm

feature

January 2015

I’d like to introduce you to a book, an impressive book that no one read when it first came...

poetry

January 2012

Mount Avila

W. N. Herbert

poetry

January 2012

‘el techo de la ballena’   Time to be climbing out of time as the wild city rates it,...

 

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