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Victoria Adukwei Bulley
VICTORIA ADUKWEI BULLEY is a poet, writer and filmmaker. She is the recipient of an Eric Gregory Award, and has held artistic residencies internationally in the US, Brazil and at the V&A Museum in London. A Complete Works and Instituto Sacatar fellow, her pamphlet Girl B (Akashic) forms part of the 2017 New-Generation African Poets series. She is a doctoral student at Royal Holloway, University of London, where she is the recipient of a Technē studentship for doctoral research in Creative Writing.

Articles Available Online


On Water

Essay

Issue No. 29

Victoria Adukwei Bulley

Essay

Issue No. 29

& we say to her what have you done with our kin that you swallowed? & she says that was ages ago, you’ve drunk...

Interview

Issue No. 26

Interview with Saidiya Hartman

Victoria Adukwei Bulley

Interview

Issue No. 26

The first time I encountered Saidiya Hartman, she was a voice in salt., an award-winning play by artist and...

‘World finance had, in 2008, a near-death experience’   The words belong to a partner of a renowned international law firm The partner was standing at the podium, looking over a sea of bearded faces within which bobbed a scattering of men and women without any facial hair, some of whom (those from firms that were days away from collapsing) were jotting down every word as if the speech were a newly unearthed Gospel The partner was trying his best to kill time before the introductory speaker showed up It was already 08:30 and he had yet to arrive The partner therefore ad-libbed into the dark sea, praying that nobody was really listening to what he was saying   The introductory speaker – a Revenue Recognition Analyst for the redundantly named Halal Islamic Bank (HIB) – reached the office of the renowned international law firm at 08:32, two minutes after the time he was supposed to have started the address for the Gillette-sponsored Islamic Banking Roadshow He was late because this was his first time at that particular law firm’s offices and the blue GPS-dot on his mobile phone had been bouncing about erratically in the City which had led him to take a taxi, which should have been faster than walking but wasn’t His face was covered in a film of sweat, lubricating his nose and making his glasses slide down The woman who greeted him at the reception was pretty, then, until he pushed them back up She gave him a concerned look, then checked him off the list and opened the little glass gate that led to the elevators The elevator mirrors confirmed what he had feared ever since he got into the taxi: his left underarm was covered in sweat   He had a tendency to sweat profusely, so much so that it would seep through not only his undershirt, but also his shirt and in extreme cases such as today, even his jacket The reason his right armpit was dry was because he had received a Botox®-injection to stop the sweating three days ago They had called it an injection,

Contributor

October 2018

Victoria Adukwei Bulley

Contributor

October 2018

VICTORIA ADUKWEI BULLEY is a poet, writer and filmmaker. She is the recipient of an Eric Gregory Award, and...

Nafissa Thompson-Spires’s ‘Heads of the Colored People’

Book Review

October 2018

Victoria Adukwei Bulley

Book Review

October 2018

Somewhere on the internet is a two-hour video of a lecture by the late writer and filmmaker Kathleen Collins, author of the short story...

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Art

March 2011

Trafalgar Square Street Protests

Cosmo Hildyard

Joseph de Lacey

Art

March 2011

The following photographs were taken during the third day of student protests in London on 1 December 2010, a...

feature

April 2017

The White Review Short Story Prize 2017 Shortlist (US & Canada)

feature

April 2017

click on the title to read the story   1,040 MPH by Alexander Slotnick   Abu One-Eye by Rav...

Art

August 2017

Becoming Alice Neel

Rosanna Mclaughlin

Art

August 2017

From the first time I saw Alice Neel’s portraits, I wanted to see the world as she did. Neel...

 

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