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Victoria Adukwei Bulley
VICTORIA ADUKWEI BULLEY is a poet, writer and filmmaker. She is the recipient of an Eric Gregory Award, and has held artistic residencies internationally in the US, Brazil and at the V&A Museum in London. A Complete Works and Instituto Sacatar fellow, her pamphlet Girl B (Akashic) forms part of the 2017 New-Generation African Poets series. She is a doctoral student at Royal Holloway, University of London, where she is the recipient of a Technē studentship for doctoral research in Creative Writing.

Articles Available Online


On Water

Essay

Issue No. 29

Victoria Adukwei Bulley

Essay

Issue No. 29

& we say to her what have you done with our kin that you swallowed? & she says that was ages ago, you’ve drunk...

Interview

Issue No. 26

Interview with Saidiya Hartman

Victoria Adukwei Bulley

Interview

Issue No. 26

The first time I encountered Saidiya Hartman, she was a voice in salt., an award-winning play by artist and...

This is an excerpt from the novel published in Japanese as Shishosetsu from left to right (私小説 from left to right) The unusual title, a mixture of Japanese and English, neatly represents the novel’s content and form The novel is narrated by a Japanese young woman who, like the author, grew up in the United States in a bilingual environment ‘Shishosetsu’ refers to a genre of autobiographical novel that characterises much modern Japanese literature Since English words and phrases are woven into the text, the novel was written horizontally, from left to right, unlike other Japanese novels, which are written vertically on the page and read from right to left —J W C   *   The telephone rang at 9:45 this morning   As white morning sunlight poked through the cracks in the blind, I inserted the cord into the telephone jack, digesting the usual sick realisation that another day had begun No sooner was the telephone plugged in than the ringing gave me a start   Sudden fear shot through me It might be the French Department Office   Is this Minae Mizumura?   Yes it is   What on earth are you doing?   What on earth was I doing? If they asked me, what could I say? I could not explain it even to myself I was afraid that somehow the way I was living—holed up in this apartment that remained dim even in the daytime, fearful of the dawning of each new day, for all the world like a snail coiled tightly in its shell—might become shamefully and unmistakably exposed to the light of day   As hopes of an international call from Tono gradually faded, I fell into the habit of unplugging my telephone every night; apart from the practical desire to avoid being awakened by my sister, the main reason was this very fear   It is of course a neurotic fear Every department has one or two delinquent graduate students on its rolls, and there is no reason why the department should care if I put off my orals indefinitely on the pretext that my advisor is in and out of the hospital It’s not only the department—in the whole huge United States, apart from

Contributor

October 2018

Victoria Adukwei Bulley

Contributor

October 2018

VICTORIA ADUKWEI BULLEY is a poet, writer and filmmaker. She is the recipient of an Eric Gregory Award, and...

Nafissa Thompson-Spires’s ‘Heads of the Colored People’

Book Review

October 2018

Victoria Adukwei Bulley

Book Review

October 2018

Somewhere on the internet is a two-hour video of a lecture by the late writer and filmmaker Kathleen Collins, author of the short story...

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Prize Entry

April 2016

Role Play

Naomi Frisby

Prize Entry

April 2016

Your right hand is the first to go. One Sunday afternoon as you’re sitting on the sofa reading the...

poetry

October 2012

Bacon’s Friends

Stephen Devereux

poetry

October 2012

Always got caught out by their shadows: Stuck to their soles like monkeys on trapezes, Cellophane fortune tellers curling...

feature

March 2016

Behind the Yellow Curtain

Annina Lehmann

feature

March 2016

Notes from a workshop   At first, there is nothing but a yellow curtain at the back of the...

 

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