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Victoria Adukwei Bulley
VICTORIA ADUKWEI BULLEY is a poet, writer and filmmaker. She is the recipient of an Eric Gregory Award, and has held artistic residencies internationally in the US, Brazil and at the V&A Museum in London. A Complete Works and Instituto Sacatar fellow, her pamphlet Girl B (Akashic) forms part of the 2017 New-Generation African Poets series. She is a doctoral student at Royal Holloway, University of London, where she is the recipient of a Technē studentship for doctoral research in Creative Writing.

Articles Available Online


On Water

Essay

Issue No. 29

Victoria Adukwei Bulley

Essay

Issue No. 29

& we say to her what have you done with our kin that you swallowed? & she says that was ages ago, you’ve drunk...

Interview

Issue No. 26

Interview with Saidiya Hartman

Victoria Adukwei Bulley

Interview

Issue No. 26

The first time I encountered Saidiya Hartman, she was a voice in salt., an award-winning play by artist and...

H is already awake and worrying She is dealing with a new problem I am in love with her so I help Tea or coffee? Tea Pigeons have nested on the flat’s small balcony She is outside, investigating in bare feet The studio flat is small enough that I see through the glass doors from bed Delicate shit marbles the railings, the tiled floor, the two plastic chairs and matching table In her hand is a dinner knife Urgently she scrapes off the shit Each surface sings a little as the blade is worked across: octaves of metal up in the clouds, tiles slightly lower, plastic right through my chest    Accustomed to her ritual, the pigeons stay put Loudly they caress each other Synchronised with the sun, their feelings swell at twilight and then once more at dusk Affection lives in their throats H will sometimes shush them Finger pressed pointlessly to her lips, as if they are children I don’t mind their fragile heads Bodies so large Through the mottled glass doors their claws appear deep-sea, something starfish H wipes the dinner knife with a rag She turns and mouths the word tea at me, her eyebrows raised    I return a thumbs up and finish picking the sleep from my eyes Last night’s dream settles as a memory A pigeon’s beak methodically piercing my skin, until bloodless holes run in neat lines across my forearms The moment of contact is nothing more than a pinch Light hits the bed first, before shifting into the kitchen The apartment belongs to H Plants thrive in every corner Walls painted a specific shade of white She has concerns about the old electrics A sound of crickets fills each outlet, loudest at the kettle I close my eyes against the sun The teabag brews too long H will not drink it    The pigeons must feel the damp from last night’s light rain Each flap of their wings releases small, perfect down feathers H is irritated as they drift inside She drops the knife into the sink and begins to sweep aggressively Her

Contributor

October 2018

Victoria Adukwei Bulley

Contributor

October 2018

VICTORIA ADUKWEI BULLEY is a poet, writer and filmmaker. She is the recipient of an Eric Gregory Award, and...

Nafissa Thompson-Spires’s ‘Heads of the Colored People’

Book Review

October 2018

Victoria Adukwei Bulley

Book Review

October 2018

Somewhere on the internet is a two-hour video of a lecture by the late writer and filmmaker Kathleen Collins, author of the short story...

READ NEXT

feature

Issue No. 10

What Can an Art Magazine Be?

Orit Gat

feature

Issue No. 10

What can an art magazine be? Today, as the publishing industry reassesses its role in the age of the internet,...

feature

January 2013

A Black Hat, Silence and Bombshells : Michael Hofmann at Cambridge & After

Stephen Romer

feature

January 2013

The black hat and the black coat I was familiar with, before I knew their owner. It was Cambridge,...

Art

May 2017

Francis Upritchard

Filipa Ramos

Art

May 2017

Where do anthropology and archaeology meet? Do the study of humankind and the research of its material culture share...

 

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