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Victoria Adukwei Bulley
VICTORIA ADUKWEI BULLEY is a poet, writer and filmmaker. She is the recipient of an Eric Gregory Award, and has held artistic residencies internationally in the US, Brazil and at the V&A Museum in London. A Complete Works and Instituto Sacatar fellow, her pamphlet Girl B (Akashic) forms part of the 2017 New-Generation African Poets series. She is a doctoral student at Royal Holloway, University of London, where she is the recipient of a Technē studentship for doctoral research in Creative Writing.

Articles Available Online


On Water

Essay

Issue No. 29

Victoria Adukwei Bulley

Essay

Issue No. 29

& we say to her what have you done with our kin that you swallowed? & she says that was ages ago, you’ve drunk...

Interview

Issue No. 26

Interview with Saidiya Hartman

Victoria Adukwei Bulley

Interview

Issue No. 26

The first time I encountered Saidiya Hartman, she was a voice in salt., an award-winning play by artist and...

The Essayist’s Desk, published in 2003 and written when its author Bae Suah had just returned from an 11-month stint in Germany, was the first book I ever translated, staying in my friend Sophie’s spare room during the freezing Seoul winter of 2012 I first heard of Bae during initial reading for a PhD in contemporary Korean literature; she was described as ‘doing violence to the Korean language’, which I think was intended as a criticism, but which sent me on an immediate search for fiction by this author who sounded thrillingly like Clarice Lispector (whose Complete Short Stories are currently being translated into Korean, via the German translation, by none other than Bae Suah herself)   But the book for whose publication Bae Suah and I are currently on a bookshop tour of the States is not called The Essayist’s Desk but A Greater Music ‘A greater music’ are in fact the novel’s first words The entire first passage, which stretches over three pages, circles through a discussion of why that phrase, ‘greater music’, is both ungrammatical and inappropriate in the situation, making it fiendishly difficult to translate (a recurrent theme with Bae Suah’s work) It was this book in particular that garnered the criticism of linguistic violence, its Korean apparently sounding as though it had been translated from German – precisely what its protagonist, a young Korean writer staying in Berlin, is attempting in her language classes, writing about Schubert, statelessness, and the teacher with whom she has fallen in love   The second of Bae’s books which I’ve translated in full is known to its Korean readers as The Low Hills of Seoul, but the book that came out from Deep Vellum in early 2017 is titled Recitation Initially, I toyed with combining these two as The Low Hills of Seoul: A Recitation It’s a stretch to call a disembodied voice a protagonist, but former ‘recitation actor’ Kyung-hee is the closest this novel has to one But while the book features instances of recitations given on stage and heard as recordings, the more significant and indeed revolutionary thing is that it

Contributor

October 2018

Victoria Adukwei Bulley

Contributor

October 2018

VICTORIA ADUKWEI BULLEY is a poet, writer and filmmaker. She is the recipient of an Eric Gregory Award, and...

Nafissa Thompson-Spires’s ‘Heads of the Colored People’

Book Review

October 2018

Victoria Adukwei Bulley

Book Review

October 2018

Somewhere on the internet is a two-hour video of a lecture by the late writer and filmmaker Kathleen Collins, author of the short story...

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Art

February 2012

Awst & Walther: A Lexicon of Questions

Francesca Gavin

Art

February 2012

Awst & Walther are a husband and wife team who create multi-disciplinary art works which range from building a...

feature

Issue No. 15

Editorial

The Editors

feature

Issue No. 15

In The Art of the Publisher, Roberto Calasso suggests that publishing is something approaching an art form, whereby ‘all...

poetry

January 2015

dear angélica

Angélica Freitas

TR. Hilary Kaplan

poetry

January 2015

dear angélica   dear angélica I can’t make it I got stuck in the elevator between the ninth and...

 

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