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Victoria Adukwei Bulley
VICTORIA ADUKWEI BULLEY is a poet, writer and filmmaker. She is the recipient of an Eric Gregory Award, and has held artistic residencies internationally in the US, Brazil and at the V&A Museum in London. A Complete Works and Instituto Sacatar fellow, her pamphlet Girl B (Akashic) forms part of the 2017 New-Generation African Poets series. She is a doctoral student at Royal Holloway, University of London, where she is the recipient of a Technē studentship for doctoral research in Creative Writing.

Articles Available Online


On Water

Essay

Issue No. 29

Victoria Adukwei Bulley

Essay

Issue No. 29

& we say to her what have you done with our kin that you swallowed? & she says that was ages ago, you’ve drunk...

Interview

Issue No. 26

Interview with Saidiya Hartman

Victoria Adukwei Bulley

Interview

Issue No. 26

The first time I encountered Saidiya Hartman, she was a voice in salt., an award-winning play by artist and...

Breath-Manifester   Each bared morning is a swell time to die, Leaving the town’s ornate maze for the level Expanse of those lit and meat-eating fields, the Clouds that turn like ghost machines, the antic Tremendous woods where Pan’s breath on your heart Recharms a flame from its grey-furred ember I’ll wear my belt blazoned with Alpha Centauri, For luck, whilst you’ll surely sport that Oxfam scarf In whose puce stitch some crone has worked GI   E (Glory To The Most High) Time to die, to be Disturbed by the one re-re-repeated Word Fanfared by each time-warping bird, each fierce leaf Or pimped bud that is but love’s newest halloo Over the heads of the dead and alive, alive-O Laughing, you’ll lurch and say or missay, “only kenning what’s real Saves us from terror Wilhelm Reich” Wise words     Drones   You see the Greys, he said, girding his teeth for a lime doughnut, they use the owl’s nervous system the way we use a drone or hidden camera Given what I now knew, it almost seemed possible When green tea was announced I slid outside for a smoke,   paced roided grass, watched where stained smokestacks smoked into the wind’s dead breath, its yellow teeth Back in the conference centre, the tea- fresh crowd were pondering the giant owl that stilled her car on that night when she knew she knew nothing, its voice a savage drone   terrible to recall, a rising drone which turned her body into pixel-smoke swarming upwards and assembled anew (“like I’d been sucked into a white hole’s teeth”) on that craft that swept as quiet as an owl When she arrived home, hours late for tea,   her forehead was marked with a tau cross: T She paused, and the air conditioning’s drone momentarily quickened the cased owl on the wall, living eyes long gone to smoke, and shivered through the symmetrical teeth of God’s lost children (tell us something new!)   who’d come here to share what little they knew I thought of the onset of DMT – that sense of deliverance into the teeth of a buzzing wind or luminous drone, mere seconds after releasing the smoke – and then of that line from Twin Peaks, “the owls   are not what they seem” I dozed, dreamt of owls sane and inviolate in all they knew, and awoke to the guest lecturer: Smoke And Mirrors, Carl Jung And The

Contributor

October 2018

Victoria Adukwei Bulley

Contributor

October 2018

VICTORIA ADUKWEI BULLEY is a poet, writer and filmmaker. She is the recipient of an Eric Gregory Award, and...

Nafissa Thompson-Spires’s ‘Heads of the Colored People’

Book Review

October 2018

Victoria Adukwei Bulley

Book Review

October 2018

Somewhere on the internet is a two-hour video of a lecture by the late writer and filmmaker Kathleen Collins, author of the short story...

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Essay

March 2019

Dreaming Reasonably: on Jenny George

Rachael Allen

Essay

March 2019

In Neil Marshall’s 2005 horror film The Descent, a group of women go spelunking and become trapped deep underground...

Interview

October 2015

Interview with Marine Hugonnier

Izabella Scott

Interview

October 2015

Like the figures found in a spread of Tarot cards, an artist can assume a variety of viewpoints and characters...

Interview

Issue No. 13

Interview with Michel Faber

Anna Aslanyan

Interview

Issue No. 13

MICHEL FABER’S RANGE OF SUBJECTS – from child abuse to drug abuse, from avant-garde music to leaking houses – is as...

 

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