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Rye Dag Holmboe
Rye Dag Holmboe is a writer and PhD candidate in History of Art at University College, London. He has recently co-authored and co-edited the book JocJonJosch: Hand in Foot, published by the Sion Art Museum, Switzerland (2013). He has recently edited Jolene, an artist's book which brings together the works of the poet Rachael Allen and the photographer Guy Gormley, which will be published later this year. His writings have appeared in The White Review, Art Licks and in academic journals.

Articles Available Online


Art and its Functions: Recent Work by Luke Hart

Art

June 2016

Rye Dag Holmboe

Art

June 2016

Luke Hart’s Wall, recently on display at London’s William Benington Gallery, is a single, large-scale sculpture composed of a series of steel tubes held...

Art

February 2015

Filthy Lucre

Rye Dag Holmboe

Art

February 2015

White silhouettes sway against softly gradated backgrounds: blues, purples, yellows and pinks. The painted palm trees are tacky and...

Once upon a time, Dad would begin, I think, focusing on the road, there was a man called Watt Watt was an alchemist An alchemist is a? Dad wanted me to have the definition by heart Someone who, through belief, hard work and persistence, turns the ordinary into the extraordinary I knew the rhythm of it I don’t think I quite knew what belief, hard work or persistence were; extraordinary I probably had some sense of Allegory was still a long way off   Watt was a good man, there was no doubt about that But he didn’t always seem it Often he would be so absorbed in his work that he could go days, even weeks, without seeing his family His mother was sick and bedridden His wife was stooped and bent from scrubbing the floor, washing the clothes, milking the cows And his son, his only son, clothed in rags, missed him terribly But Watt knew, Dad would say, that when his son grew up, he would come to understand how important his work was, the true wealth it had brought them, and would forgive him   It happened without warning One night, after a long day’s work, when Watt was tidying up his laboratory, he went to pick up a certain block of lead which he’d been experimenting on, when a terrific pain shot up his arm His body was thrown across the dark room in a spray of sparks, as though an anvil had been struck   When he came to, he found himself lying flat on his back on the cold stone floor The block of lead, which sat on the big oak table, glowed a strange orange colour and the air around it flowed like water Watt, brave man, stood up and reached again for the lead and again the pain shot through his arm and again a splash and flurry of sparks and his body again shuddered with the force   When he came to once again he once again stood up and one again touched the block of metal Once again the same sharp pain, the same shaking, as

Contributor

August 2014

Rye Dag Holmboe

Contributor

August 2014

Rye Dag Holmboe is a writer and PhD candidate in History of Art at University College, London. He has...

feature

October 2012

Pressed Up Against the Immediate

Rye Dag Holmboe

feature

October 2012

The author Philip Pullman recently criticised the overuse of the present tense in contemporary literature, a criticism he stretched...

Existere: Documenting Performance Art

feature

September 2012

David Gothard

Jo Melvin

John James

Rye Dag Holmboe

feature

September 2012

The following conversation was held at the Institute of Contemporary Arts, London, in May 2012. The event took place almost a year after a...
Gabriel Orozco: Cosmic Matter and Other Leftovers

Art

March 2011

Rye Dag Holmboe

Art

March 2011

‘To live,’ writes Walter Benjamin, ‘means to leave traces’. As one might expect, Benjamin’s observation is not without a certain melancholy. Traces are lost...

READ NEXT

feature

July 2012

Ways of Submission

Saskia Vogel

feature

July 2012

On a pale marble fountain in Dubrovnik, I posed. I pretended I too was a stone figure, water gushing...

poetry

Issue No. 13

Watermen

Holly Pester

poetry

Issue No. 13

It’s Saturday and two men arrive at the door in the uniform. Thames Water. We’re checking the whole street,...

Interview

June 2015

Interview with Moyra Davey

Hannah Gregory

Interview

June 2015

One way to think about Moyra Davey’s way of working across photography, film and text is in terms of...

 

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