Mailing List


Rye Dag Holmboe
Rye Dag Holmboe is a writer and PhD candidate in History of Art at University College, London. He has recently co-authored and co-edited the book JocJonJosch: Hand in Foot, published by the Sion Art Museum, Switzerland (2013). He has recently edited Jolene, an artist's book which brings together the works of the poet Rachael Allen and the photographer Guy Gormley, which will be published later this year. His writings have appeared in The White Review, Art Licks and in academic journals.

Articles Available Online


Art and its Functions: Recent Work by Luke Hart

Art

June 2016

Rye Dag Holmboe

Art

June 2016

Luke Hart’s Wall, recently on display at London’s William Benington Gallery, is a single, large-scale sculpture composed of a series of steel tubes held...

Art

February 2015

Filthy Lucre

Rye Dag Holmboe

Art

February 2015

White silhouettes sway against softly gradated backgrounds: blues, purples, yellows and pinks. The painted palm trees are tacky and...

The world is seeing an increase in the use of social media as a tool for mobilisation and protest The so-called ‘Twitter revolution,’ a term used to describe the role of sites like Twitter in effecting change, has come to the forefront of discussion as popular uprisings sweep the Middle East Former US national security advisor Mark Pfeifle even went so far as to call for the social networking site to be nominated for the Nobel Peace Prize   After the recent blackout of all digital communications in Egypt, Twitter saw a surge of thousands of users relying on proxy servers to post live news updates to the world When Tunisian dictator Ben Ali fled government after 23 years in power, Twitter was there to give users a direct insight into events  Such sites, which disseminate information quickly, can be an essential tool in activism – they give the world an up-to-date and uncensored view of opinions and events, particularly those the mainstream media chooses to ignore But can there really be such a thing as a ‘Twitter revolution’?   Malcolm Gladwell in The New Yorker cites the civil rights unrest in America in the Sixties as evidence of the success of a movement without social media With sites like Twitter, he says, we are told that ‘the traditional relationship between political authority and popular will has been upended’, making it easier for people to voice their concerns The majority of people tweeting about movements are not, however, at the focal point of discussions Does this make a difference? In Egypt, for example, only 25% of the population have access to the internet  Does this not make Twitter merely a means through which western commentators can, in an abstract and non-attached way, feel tied to a movement? And does this tie to a cause define ‘activism’, or is it another case of the bourgeoisie thriving on novelty?   For Gladwell, activism is defined by ‘strong ties’ to others involved in a cause, rather than any weak ideological commitment This kind of attachment to a cause through personal relationships is less likely to occur through the impersonal

Contributor

August 2014

Rye Dag Holmboe

Contributor

August 2014

Rye Dag Holmboe is a writer and PhD candidate in History of Art at University College, London. He has...

feature

October 2012

Pressed Up Against the Immediate

Rye Dag Holmboe

feature

October 2012

The author Philip Pullman recently criticised the overuse of the present tense in contemporary literature, a criticism he stretched...

Existere: Documenting Performance Art

feature

September 2012

David Gothard

Jo Melvin

John James

Rye Dag Holmboe

feature

September 2012

The following conversation was held at the Institute of Contemporary Arts, London, in May 2012. The event took place almost a year after a...
Gabriel Orozco: Cosmic Matter and Other Leftovers

Art

March 2011

Rye Dag Holmboe

Art

March 2011

‘To live,’ writes Walter Benjamin, ‘means to leave traces’. As one might expect, Benjamin’s observation is not without a certain melancholy. Traces are lost...

READ NEXT

poetry

November 2016

Gentle

Harriet Moore

poetry

November 2016

Forgive me Sister for I have sinned it’s been seconds since my last confession. I sit in the dark...

feature

Issue No. 9

The White Review No. 9 Editorial

The Editors

feature

Issue No. 9

This ninth print issue of The White Review is characterised by little more than the continuation of the principles...

Prize Entry

April 2016

Mute Canticle

Leon Craig

Prize Entry

April 2016

Giulio the singing fascist came to pick me up from the little airport in his Jeep. He made sure...

 

Get our newsletter

 

* indicates required