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Rye Dag Holmboe
Rye Dag Holmboe is a writer and PhD candidate in History of Art at University College, London. He has recently co-authored and co-edited the book JocJonJosch: Hand in Foot, published by the Sion Art Museum, Switzerland (2013). He has recently edited Jolene, an artist's book which brings together the works of the poet Rachael Allen and the photographer Guy Gormley, which will be published later this year. His writings have appeared in The White Review, Art Licks and in academic journals.

Articles Available Online


Art and its Functions: Recent Work by Luke Hart

Art

June 2016

Rye Dag Holmboe

Art

June 2016

Luke Hart’s Wall, recently on display at London’s William Benington Gallery, is a single, large-scale sculpture composed of a series of steel tubes held...

Art

February 2015

Filthy Lucre

Rye Dag Holmboe

Art

February 2015

White silhouettes sway against softly gradated backgrounds: blues, purples, yellows and pinks. The painted palm trees are tacky and...

I want to tell a story about an old man, a man who no longer says a word, has a tired face, too tired to smile and too tired to be angry He lives in a small town, at the end of the street or near the crossroads It is almost not worthwhile describing him, hardly anything distinguishes him from other men He wears a grey hat, grey pants, a grey jacket and in winter a long, grey overcoat, and he has a thin neck with dry, wrinkled skin, his white shirt collars are far too wide for him   His room is on the top floor of the house, maybe he was once married and had children, maybe he used to live in another town Certainly he was once a child, but that was at a time when children were dressed like grownups One can see them this way in the grandmother’s photo album In his room there are two chairs, one table, a rug, a bed, and a cupboard On a small table stands an alarm clock, next to it lie old newspapers and the photo album, on the wall hang a mirror and a picture   The old man would take a walk in the morning and a walk in the afternoon, exchange a few words with his neighbour, and in the evening sit at his table   This never changed, it was the same even on Sundays And when the man sat at the table, he would hear the clock ticking, always the clock ticking   Then there came a special day, a sunny day, not too hot, not too cold, with birds chirping, friendly people, children playing – and the special thing was that suddenly the man liked all this   He smiled   ‘Now everything will change,’ he thought   He undid the top button of his shirt, took his hat in his hand, quickened his pace, even had a spring in his step as he walked, and was happy  He entered his street, nodded to the children, arrived in front of his house,

Contributor

August 2014

Rye Dag Holmboe

Contributor

August 2014

Rye Dag Holmboe is a writer and PhD candidate in History of Art at University College, London. He has...

feature

October 2012

Pressed Up Against the Immediate

Rye Dag Holmboe

feature

October 2012

The author Philip Pullman recently criticised the overuse of the present tense in contemporary literature, a criticism he stretched...

Existere: Documenting Performance Art

feature

September 2012

David Gothard

Jo Melvin

John James

Rye Dag Holmboe

feature

September 2012

The following conversation was held at the Institute of Contemporary Arts, London, in May 2012. The event took place almost a year after a...
Gabriel Orozco: Cosmic Matter and Other Leftovers

Art

March 2011

Rye Dag Holmboe

Art

March 2011

‘To live,’ writes Walter Benjamin, ‘means to leave traces’. As one might expect, Benjamin’s observation is not without a certain melancholy. Traces are lost...

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poetry

May 2015

Europe

Kirill Medvedev

TR. Keith Gessen

poetry

May 2015

I’m riding the bus with a group of athletes from some provincial town they’re going to a competition in...

Interview

July 2013

Interview with Paul Muldoon

Alice Whitwham

Interview

July 2013

A major figure in English-language poetry for decades, Paul Muldoon has enjoyed one of the most successful careers of...

feature

February 2013

Famous Tombs: Love in the 90s

Masha Tupitsyn

feature

February 2013

‘However, somebody killed something: that’s clear, at any rate—’ Through The Looking Glass, Lewis Carroll   I. BEGINNING  ...

 

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