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Rye Dag Holmboe
Rye Dag Holmboe is a writer and PhD candidate in History of Art at University College, London. He has recently co-authored and co-edited the book JocJonJosch: Hand in Foot, published by the Sion Art Museum, Switzerland (2013). He has recently edited Jolene, an artist's book which brings together the works of the poet Rachael Allen and the photographer Guy Gormley, which will be published later this year. His writings have appeared in The White Review, Art Licks and in academic journals.

Articles Available Online


Art and its Functions: Recent Work by Luke Hart

Art

June 2016

Rye Dag Holmboe

Art

June 2016

Luke Hart’s Wall, recently on display at London’s William Benington Gallery, is a single, large-scale sculpture composed of a series of steel tubes held...

Art

February 2015

Filthy Lucre

Rye Dag Holmboe

Art

February 2015

White silhouettes sway against softly gradated backgrounds: blues, purples, yellows and pinks. The painted palm trees are tacky and...

‘Lindsay Lohan’s new film,’ I told almost everyone I spoke to for about two months earlier this year, ‘is about werewolf detectives’ Nobody seemed too surprised, given the fact that ‘Lindsay Lohan’s new film is about werewolf detectives’ functions not unlike a millennial ‘for sale/baby shoes’ about the perils of child stardom, and nobody seemed especially enthusiastic about seeing it unless it was to rubberneck A car crash – now a common metaphor for an extremely famous woman with a death wish in both life and work –compels precisely because it provokes a feeling of alarming nearness to its heat People do not hesitate to warm their hands on Lindsay Lohan’s fire, nor do they hesitate to fan its flames by pointing to her worst mistakes For the past nine or ten years, or for about as long as I’ve been writing, Lindsay Lohan has for me been a perpetual touchstone, a fact that I once explained by citing her precocious genius, and which I am now more likely to elucidate by saying she is representative of a millennial obsession with early-life promise and adult disaster Gifted children, at least judging from media Twitter, were a dime a dozen for my generation; common, too, are grown-up, deadbeat failures, numbed by drugs and bummed-out by depression The enduring and memetic popularity of famous women on trajectories that have, at one time or another, clattered downhill at tremendous speed – particularly those who happen to be former child stars, à la Britney Spears – suggests a certain vicarious thrill at the explosive way they waste themselves   What in childhood can seem preternatural or God-given in its grace seems, in an adult with a pill addiction and more DUIs than Oscar nominations, like a sick, tremendous waste In the case of ‘a great talent with a really sexy voice’ per Robert Altman, not to mention ‘a terrific actress’ in the eyes of Meryl Streep, self-destructiveness in adulthood looks a lot like taking a lit match to the gas tank of a Porsche Lohan, with her luminous good looks, her vaguely Lolita-ish adolescent vibe,

Contributor

August 2014

Rye Dag Holmboe

Contributor

August 2014

Rye Dag Holmboe is a writer and PhD candidate in History of Art at University College, London. He has...

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October 2012

Pressed Up Against the Immediate

Rye Dag Holmboe

feature

October 2012

The author Philip Pullman recently criticised the overuse of the present tense in contemporary literature, a criticism he stretched...

Existere: Documenting Performance Art

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September 2012

David Gothard

Jo Melvin

John James

Rye Dag Holmboe

feature

September 2012

The following conversation was held at the Institute of Contemporary Arts, London, in May 2012. The event took place almost a year after a...
Gabriel Orozco: Cosmic Matter and Other Leftovers

Art

March 2011

Rye Dag Holmboe

Art

March 2011

‘To live,’ writes Walter Benjamin, ‘means to leave traces’. As one might expect, Benjamin’s observation is not without a certain melancholy. Traces are lost...

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Interview

August 2016

Interview with Daniel Sinsel

Rosanna Mclaughlin

Interview

August 2016

In the decade after leaving Chelsea School of Art in 2002, Daniel Sinsel made a name for himself with...

feature

Issue No. 4

Tibetan Kitsch

Evan Harris

feature

Issue No. 4

I first glimpsed the Potala Palace behind the bending legs of a prostitute. She swayed, obscuring a vista of...

Interview

November 2015

Interview with Dor Guez

Helen Mackreath

Interview

November 2015

Dor Guez, artist, scholar, photographer, archivist, wants to avoid being classified, but it’s difficult not to fall into the...

 

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