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Rye Dag Holmboe
Rye Dag Holmboe is a writer and PhD candidate in History of Art at University College, London. He has recently co-authored and co-edited the book JocJonJosch: Hand in Foot, published by the Sion Art Museum, Switzerland (2013). He has recently edited Jolene, an artist's book which brings together the works of the poet Rachael Allen and the photographer Guy Gormley, which will be published later this year. His writings have appeared in The White Review, Art Licks and in academic journals.

Articles Available Online


Art and its Functions: Recent Work by Luke Hart

Art

June 2016

Rye Dag Holmboe

Art

June 2016

Luke Hart’s Wall, recently on display at London’s William Benington Gallery, is a single, large-scale sculpture composed of a series of steel tubes held...

Art

February 2015

Filthy Lucre

Rye Dag Holmboe

Art

February 2015

White silhouettes sway against softly gradated backgrounds: blues, purples, yellows and pinks. The painted palm trees are tacky and...

  Members of THE WHITE REVIEW editorial team, contributors and friends of the magazine reveal the books they’ve been reading and revisiting in 2020       Victoria Adukwei Bulley   First and foremost, The Yellow House by Sarah M Broom was a book that I’d been dying to read since I first heard about it, and to my joy it absolutely delivered Revolving around Broom’s New Orleans childhood home, this is a work that covers memoir, cultural geography, archival practice, oral tradition, and so much more Broom has such mastery of language that all of this hangs together seamlessly, and on my shelf The Yellow House lives next to Wayward Lives, Beautiful Experiments by Saidiya Hartman, because I think both authors are at work on the same kind of project in each their own brilliant ways I also want to shoutout Freedom Dreams: The Black Radical Imagination by Robin D G Kelley for its rich expansiveness — Kelley is an incredible writer and scholar, and there is nothing better than reading a non-fiction book where the enthusiast in the author spills through And finally, I too would like to add to the hype of Raven Leilani’s Luster, which I think is a stunning and perceptively sharp debut that glimmers with deep tenderness as well as humour     Katherine Angel   This year I was blown away by Jeremy Atherton Lin’s Gay Bar: Why We Went Out, which isn’t out until March 2021 (Granta) It does many things at once, in gorgeous prose I also loved Selva Almada’s Dead Girls (translated by Annie McDermott, Charco Press), about murdered women in Argentina It’s crisp, bracing, and beautiful Richard Seymour’s The Twittering Machine (Indigo Press, 2019) was a satisfyingly nuanced account of the terrible bind we’re in, in relation to social media I loved reading Tim Dean’s Unlimited Intimacy: Reflections on the Subculture of Barebacking (UCP, 2009), which, amongst other things, explores the limits of identification and empathy as a starting-point for thought and politics — themes that recur in Bruce Fink’s Fundamentals of Psychoanalytic Technique (Norton, 2007), which conveys what Lacanian ideas might mean in practice Cathy Park Hong’s Minor Feelings (Profile, 2020) was brilliant, thoughtful, and funny Right now I’m loving Bette

Contributor

August 2014

Rye Dag Holmboe

Contributor

August 2014

Rye Dag Holmboe is a writer and PhD candidate in History of Art at University College, London. He has...

feature

October 2012

Pressed Up Against the Immediate

Rye Dag Holmboe

feature

October 2012

The author Philip Pullman recently criticised the overuse of the present tense in contemporary literature, a criticism he stretched...

Existere: Documenting Performance Art

feature

September 2012

David Gothard

Jo Melvin

John James

Rye Dag Holmboe

feature

September 2012

The following conversation was held at the Institute of Contemporary Arts, London, in May 2012. The event took place almost a year after a...
Gabriel Orozco: Cosmic Matter and Other Leftovers

Art

March 2011

Rye Dag Holmboe

Art

March 2011

‘To live,’ writes Walter Benjamin, ‘means to leave traces’. As one might expect, Benjamin’s observation is not without a certain melancholy. Traces are lost...

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Prize Entry

April 2017

THIS PAGE INTENTIONALLY LEFT BLANK

Anna Glendenning

Prize Entry

April 2017

 1. PhD   Blue bedroom, Grandma’s house, Aigburth, Liverpool   I gave birth to one hundred thousand words. Tessellated,...

Interview

July 2015

Interview with Sarah Manguso

Catherine Carberry

Interview

July 2015

There’s a certain barometer of a writer’s achievement that urban readers know well: did this book cause me to...

poetry

May 2014

Two Poems from Grun-tu-molani

Vidyan Ravinthiran

poetry

May 2014

The Sky there was a uniform inactive grey, except when stared at through a chainlink fence; those who could...

 

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