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Rye Dag Holmboe
Rye Dag Holmboe is a writer and PhD candidate in History of Art at University College, London. He has recently co-authored and co-edited the book JocJonJosch: Hand in Foot, published by the Sion Art Museum, Switzerland (2013). He has recently edited Jolene, an artist's book which brings together the works of the poet Rachael Allen and the photographer Guy Gormley, which will be published later this year. His writings have appeared in The White Review, Art Licks and in academic journals.

Articles Available Online


Art and its Functions: Recent Work by Luke Hart

Art

June 2016

Rye Dag Holmboe

Art

June 2016

Luke Hart’s Wall, recently on display at London’s William Benington Gallery, is a single, large-scale sculpture composed of a series of steel tubes held...

Art

February 2015

Filthy Lucre

Rye Dag Holmboe

Art

February 2015

White silhouettes sway against softly gradated backgrounds: blues, purples, yellows and pinks. The painted palm trees are tacky and...

Relationships can be long and snaking, cutting like train tracks through the varied landscapes of a life, and they can be short, stuttering, brief and intense But their most compelling literary, emotional and mythologising potential lies at their beginnings, and at their ends There is a body of astrological, psychological, romantic, legal and fictional texts devoted to these opposite points of a relationship, testament to the scrutiny and energy poured into attempting to capture the superload of feelings wrapped up in them Tropes related to the making and breaking of relationships often, through the conceit of ‘soul mates’ or ‘love at first sight’, suggest an element of cosmic provision – what we might call fate – but rarely is the concept of fate itself explored Jorge Consiglio’s slim novel Fate is an intense, enigmatic consideration of fate in love, and of fate as a force in human life   Fate follows two couples in Buenos Aires: Karl and Marina, whose marriage is falling apart, and Amer and Clara, whose romance is beginning They barely intersect but their similarities, parallels and profound differences read, in Consiglio’s hands, like necessary reflections, even when their stories are profoundly separate Karl and Marina have a son, Simón: the jaw-clenching psychodrama of their marital collapse is mirrored by Simón in small, sniping, heartfelt rebellions (refusing to look up from computer games, refusing to eat) Amer and Clara meet at a support group for people trying to quit smoking and tumble headlong into heady passion and discombobulating arguments Even though one experience could be straightforwardly described as ‘bad’ (break-up) and one experience could be straightforwardly described as ‘good’ (new romance), neither relationship is exactly delineated by total happiness or unhappiness; instead, Consiglio succeeds in capturing the turbulent molecular specifics of emotions, moment to moment   This is only Consiglio’s second book to be translated and published into English (the first, the collection of short stories Southerly (Villa del Parque), has also been published by Charco Press) Consiglio is a prolific and prize-winning author in Argentina and in Spain, with five novels

Contributor

August 2014

Rye Dag Holmboe

Contributor

August 2014

Rye Dag Holmboe is a writer and PhD candidate in History of Art at University College, London. He has...

feature

October 2012

Pressed Up Against the Immediate

Rye Dag Holmboe

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October 2012

The author Philip Pullman recently criticised the overuse of the present tense in contemporary literature, a criticism he stretched...

Existere: Documenting Performance Art

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September 2012

David Gothard

Jo Melvin

John James

Rye Dag Holmboe

feature

September 2012

The following conversation was held at the Institute of Contemporary Arts, London, in May 2012. The event took place almost a year after a...
Gabriel Orozco: Cosmic Matter and Other Leftovers

Art

March 2011

Rye Dag Holmboe

Art

March 2011

‘To live,’ writes Walter Benjamin, ‘means to leave traces’. As one might expect, Benjamin’s observation is not without a certain melancholy. Traces are lost...

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Issue No. 2

Gay Madonnas in Montevergine: The Feast of Mamma Schiavona

Annabel Howard

feature

Issue No. 2

We are crowded into the medium-sized piazza before the sanctuary of Montevergine. There is no town or village; it...

Interview

July 2013

Interview with Paul Muldoon

Alice Whitwham

Interview

July 2013

A major figure in English-language poetry for decades, Paul Muldoon has enjoyed one of the most successful careers of...

feature

February 2011

Novelty and revolt: why there is no such thing as a Twitter revolution

Nadia Khomami

feature

February 2011

The world is seeing an increase in the use of social media as a tool for mobilisation and protest....

 

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