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Rye Dag Holmboe
Rye Dag Holmboe is a writer and PhD candidate in History of Art at University College, London. He has recently co-authored and co-edited the book JocJonJosch: Hand in Foot, published by the Sion Art Museum, Switzerland (2013). He has recently edited Jolene, an artist's book which brings together the works of the poet Rachael Allen and the photographer Guy Gormley, which will be published later this year. His writings have appeared in The White Review, Art Licks and in academic journals.

Articles Available Online


Art and its Functions: Recent Work by Luke Hart

Art

June 2016

Rye Dag Holmboe

Art

June 2016

Luke Hart’s Wall, recently on display at London’s William Benington Gallery, is a single, large-scale sculpture composed of a series of steel tubes held...

Art

February 2015

Filthy Lucre

Rye Dag Holmboe

Art

February 2015

White silhouettes sway against softly gradated backgrounds: blues, purples, yellows and pinks. The painted palm trees are tacky and...

https://soundcloudcom/user-856373367/david-hawkins-field-recording/s-oqrsd2iveh1   FIELD RECORDING   When you record the air, its soundings go boneward    A small, ear-sized mushroom collapses upwards into    a state of pure colour and to draw it with sounds    then becoming words is an amiable task A ladybird    lands on your sleeve: it smells brightly,    orange-tipped emulsion, chewing noise until listening pauses: aural history is an opening skull, huge weathered stones left by ancestors    are a broken eminence Could we be its fontanelle?    As a slender membrane sinks like a trampoline    through the filleted sky, so the ear grows into the ground    at the speed of slow echo We want to exist    like humpback whales, let our song gather itself    around the whole world and return the same notes    yet somehow changed by the timbres of distance,    but that sheer blue crow feinting on its updraft    is a new distraction picked from a bucket    of luminous seeds and fungi Before you pack the gear away    please mention the grass growing and the gentle blush    teeming in your cheeks, the near swoop of an eyebrow   https://soundcloudcom/user-856373367/david-hawkins-roadkill-redacted/s-LXwjkvo1TKM   ROADKILL REDACTED   It’s true that I’m the slightly bloated carcase of a young roe deer sprangled on the edge of the central reservation Like something in amber, my legs are a tangled glyph, my face flayed by insects, as traffic iterates and reiterates its sane and modal realism A million flies have drunk from my fraying tear ducts Neutral voids, my eyes; where small nightmares well up and print themselves on tarmac in an abacus of

Contributor

August 2014

Rye Dag Holmboe

Contributor

August 2014

Rye Dag Holmboe is a writer and PhD candidate in History of Art at University College, London. He has...

feature

October 2012

Pressed Up Against the Immediate

Rye Dag Holmboe

feature

October 2012

The author Philip Pullman recently criticised the overuse of the present tense in contemporary literature, a criticism he stretched...

Existere: Documenting Performance Art

feature

September 2012

David Gothard

Jo Melvin

John James

Rye Dag Holmboe

feature

September 2012

The following conversation was held at the Institute of Contemporary Arts, London, in May 2012. The event took place almost a year after a...
Gabriel Orozco: Cosmic Matter and Other Leftovers

Art

March 2011

Rye Dag Holmboe

Art

March 2011

‘To live,’ writes Walter Benjamin, ‘means to leave traces’. As one might expect, Benjamin’s observation is not without a certain melancholy. Traces are lost...

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Interview

May 2014

Interview with Eimear McBride

David Collard

Interview

May 2014

Eimear McBride’s first book, the radically experimental A Girl is a Half-formed Thing, was written when she was 27 and...

poetry

September 2011

The Moon over Timna

Rikudah Potash

TR. Michael Casper

poetry

September 2011

In a copper house Lived the new moon, The new moon Of Timna. In a copper coat With a...

fiction

June 2017

Turksib

Lutz Seiler

TR. Alexander Booth

fiction

June 2017

The jolts of the tracks were stronger now and came at irregular intervals. With my arms outstretched, I held...

 

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