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Rye Dag Holmboe
Rye Dag Holmboe is a writer and PhD candidate in History of Art at University College, London. He has recently co-authored and co-edited the book JocJonJosch: Hand in Foot, published by the Sion Art Museum, Switzerland (2013). He has recently edited Jolene, an artist's book which brings together the works of the poet Rachael Allen and the photographer Guy Gormley, which will be published later this year. His writings have appeared in The White Review, Art Licks and in academic journals.

Articles Available Online


Art and its Functions: Recent Work by Luke Hart

Art

June 2016

Rye Dag Holmboe

Art

June 2016

Luke Hart’s Wall, recently on display at London’s William Benington Gallery, is a single, large-scale sculpture composed of a series of steel tubes held...

Art

February 2015

Filthy Lucre

Rye Dag Holmboe

Art

February 2015

White silhouettes sway against softly gradated backgrounds: blues, purples, yellows and pinks. The painted palm trees are tacky and...

Keith was not the songwriter Darren and Stewart wrote the songs Keith hit things, some of which were drums He came in one day with a song and nobody wanted to play it The song was the least of their problems They had signed with a label, so their music was used in adverts and that, it brought in some dosh, they were shameless rock sluts because the fans downloaded the songs for free Slutdom was not the issue The issue was that the contract would not let them do independent gigs Keith had had an argument with them because the Arctic Monkeys, look at the fucking Arctic Monkeys, why the fuck can’t we do what the fucking Arctic Monkeys, this being the capacity for inarticulate rage which had made him a drummer in the first   And Darren and Stewart, being songwriters, had talked and talked and talked and talked to the point that there were signatures on the contract   Then the inconceivable had happened which is that Thom Yorke sent an email inviting them to do a gig Keith said they should just do it, fuck the fucking contract but Darren and stewart   So then Keith was very quiet Never a good sign Given Keith’s known propensity to hit things other than drums So Darren said they would record the song       Keith tried to explain his concept and Darren and Stewart kept arsing about and then Sean the keyboardist sussed that it was an arsing about session and then Keith put down his sticks Darren, Stewart and Sean sussed that the beat was gone Keith, says Darren What the fuck Keith disengaged from the scaffolding of things that could be hit that made noise   He stood up he walked across the floor while Darren, Stewart and Sean varied the theme of   What the fuck He took the mic from Darren In addition to not being a songwriter Keith was not a singer he dragged the lyrics of the song over reluctant vocal chords and spat them into the mic fucking great man said Darren who did not want another guitar percussioned to subatomic particles against wall,

Contributor

August 2014

Rye Dag Holmboe

Contributor

August 2014

Rye Dag Holmboe is a writer and PhD candidate in History of Art at University College, London. He has...

feature

October 2012

Pressed Up Against the Immediate

Rye Dag Holmboe

feature

October 2012

The author Philip Pullman recently criticised the overuse of the present tense in contemporary literature, a criticism he stretched...

Existere: Documenting Performance Art

feature

September 2012

David Gothard

Jo Melvin

John James

Rye Dag Holmboe

feature

September 2012

The following conversation was held at the Institute of Contemporary Arts, London, in May 2012. The event took place almost a year after a...
Gabriel Orozco: Cosmic Matter and Other Leftovers

Art

March 2011

Rye Dag Holmboe

Art

March 2011

‘To live,’ writes Walter Benjamin, ‘means to leave traces’. As one might expect, Benjamin’s observation is not without a certain melancholy. Traces are lost...

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Interview

Issue No. 20

Interview with Anne Carson

Željka Marošević

Interview

Issue No. 20

Throughout her prolific career as a poet and a translator, Anne Carson has been concerned with combatting what she calls...

poetry

June 2011

Testament: Two Poems

Connie Voisine

poetry

June 2011

Testament What’s the difference? You might wear it out touching, touching, not buying. Like a snail on a stick,...

feature

Issue No. 20

From a Cuban Notebook

J. S. Tennant

feature

Issue No. 20

Beneath the rain, beneath the smell, beneath all that is a reality a people makes and unmakes itself leaving...

 

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