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Rye Dag Holmboe
Rye Dag Holmboe is a writer and PhD candidate in History of Art at University College, London. He has recently co-authored and co-edited the book JocJonJosch: Hand in Foot, published by the Sion Art Museum, Switzerland (2013). He has recently edited Jolene, an artist's book which brings together the works of the poet Rachael Allen and the photographer Guy Gormley, which will be published later this year. His writings have appeared in The White Review, Art Licks and in academic journals.

Articles Available Online


Art and its Functions: Recent Work by Luke Hart

Art

June 2016

Rye Dag Holmboe

Art

June 2016

Luke Hart’s Wall, recently on display at London’s William Benington Gallery, is a single, large-scale sculpture composed of a series of steel tubes held...

Art

February 2015

Filthy Lucre

Rye Dag Holmboe

Art

February 2015

White silhouettes sway against softly gradated backgrounds: blues, purples, yellows and pinks. The painted palm trees are tacky and...

Standing on the doorstep of Will Self’s London home ahead of this interview, last August, I was quite terrified I had spent the previous ten days immersed in his hallucinatory fictional worlds, composed of seven novels, three novellas and countless short stories   Through these parallel and often overlapping fictions, Self has constructed a relentless critique of our institutional failings, hypocritical cultural mores and political inadequacies My fears, notwithstanding being intellectually dwarfed, were largely to do with the bridled madness of many of his writings Here was the writer who, over the years, had invented:   a man who wakes up with a vagina behind his left knee and has an affair with his (male) GP (Bull: A Farce); a parallel Earth, populated by hypersexual and exhibitionist apes, seen through the eyes of its most prominent experimental psychiatrists (Great Apes); the afterlife taking place in the purgatorial London district of ‘Dulston’, a suburb populated uniquely by senseless, chain-smoking dead people, haunted by their aborted foetuses and old neuroses, and living out the rest of infinity in dire office jobs (How the Dead Live); a post-apocalyptic London governed by a religion based on a cab driver named Dave’s rage-filled writings to his estranged son in the 2000s (The Book of Dave) And then there was the public figure – an acerbic satirist of towering intellect, a giant man of letters with famously little tolerance for fools By the time I rang on the doorbell, Will Self had, to my mind, transmogrified into The Fat Controller – the Mephistophelian anti-hero in My Idea of Fun – ready to tear me limb from limb for my idiotic questions and inadequate readings   My fears were unwarranted, of course Upon arrival, he made me a cup of tea and ushered me past Manglorian – a yap-happy Jack Russell – up the stairs into a study filled top to bottom with books, hundreds of post-it notes affixed to the walls in grid formation and a prominently placed photograph of Francis Bacon Languorously smoking a single roll-up in a cigarette holder, my host answered the questions put

Contributor

August 2014

Rye Dag Holmboe

Contributor

August 2014

Rye Dag Holmboe is a writer and PhD candidate in History of Art at University College, London. He has...

feature

October 2012

Pressed Up Against the Immediate

Rye Dag Holmboe

feature

October 2012

The author Philip Pullman recently criticised the overuse of the present tense in contemporary literature, a criticism he stretched...

Existere: Documenting Performance Art

feature

September 2012

David Gothard

Jo Melvin

John James

Rye Dag Holmboe

feature

September 2012

The following conversation was held at the Institute of Contemporary Arts, London, in May 2012. The event took place almost a year after a...
Gabriel Orozco: Cosmic Matter and Other Leftovers

Art

March 2011

Rye Dag Holmboe

Art

March 2011

‘To live,’ writes Walter Benjamin, ‘means to leave traces’. As one might expect, Benjamin’s observation is not without a certain melancholy. Traces are lost...

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Interview

November 2012

Interview with Simon Critchley

John Douglas Millar

Interview

November 2012

Over the last twenty years Simon Critchley has produced a series of elegant works of political and cultural theory....

Interview

Issue No. 2

Interview with William Boyd

Jacques Testard

Tristan Summerscale

Interview

Issue No. 2

On a wet, grey morning in March, William Boyd invited us into a large terraced house, half-way between the...

fiction

May 2016

See Inside for Holiday Special

Joanna Quinn

fiction

May 2016

We are not tourists. We are journalists. We fly out from Heathrow, Bristol, Glasgow and Newcastle to foreign airports...

 

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