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Rye Dag Holmboe
Rye Dag Holmboe is a writer and PhD candidate in History of Art at University College, London. He has recently co-authored and co-edited the book JocJonJosch: Hand in Foot, published by the Sion Art Museum, Switzerland (2013). He has recently edited Jolene, an artist's book which brings together the works of the poet Rachael Allen and the photographer Guy Gormley, which will be published later this year. His writings have appeared in The White Review, Art Licks and in academic journals.

Articles Available Online


Art and its Functions: Recent Work by Luke Hart

Art

June 2016

Rye Dag Holmboe

Art

June 2016

Luke Hart’s Wall, recently on display at London’s William Benington Gallery, is a single, large-scale sculpture composed of a series of steel tubes held...

Art

February 2015

Filthy Lucre

Rye Dag Holmboe

Art

February 2015

White silhouettes sway against softly gradated backgrounds: blues, purples, yellows and pinks. The painted palm trees are tacky and...

IV     Every space is too tight for me I move around, I jump, I fling myself and yet I’m still inside that one space which is too tight for me, unbearably small, although at times it is only exactly just a bit too tight, and it is exactly then, when it is exactly just a bit too tight, that it is the most unbearable; I jump and I’m still inside something, whose dimensions could be called redundantly inabundant, because it is not simply a question of dimensions but rather that in the moment when I jump, and I am inside that space, I am immediately caught, the space has caught me, the space into which I leapt unguarded, and it is not that I’m not cautious enough, I am cautious enough, maybe even unduly so, but that it’s all the same where I jump, it’s certain that I’ll end up in a space that is too tight for me, at times only exactly just a bit too tight, but amazingly very often just that, unendurable, I feel that space coiling around me like a cage no matter where I move, I immediately reach the end, in fact hardly do I move at all before the end of that space reaches me, I say, it is so much like being in a cage, as if all I could ever do is jump in a cage, and I can’t do anything else, I have to jump, however if I jump I immediately end up in that space which, as I say, is often maddeningly tight, I feel more or less not as if I were jumping into a square wire cage, or even worse into a brick-shaped one, but at such times I feel that I have got myself into a space that has been measured exactly for me, that’s what I think, that it is exactly as big as I am, and that is the most maddening thing of all, because I

Contributor

August 2014

Rye Dag Holmboe

Contributor

August 2014

Rye Dag Holmboe is a writer and PhD candidate in History of Art at University College, London. He has...

feature

October 2012

Pressed Up Against the Immediate

Rye Dag Holmboe

feature

October 2012

The author Philip Pullman recently criticised the overuse of the present tense in contemporary literature, a criticism he stretched...

Existere: Documenting Performance Art

feature

September 2012

David Gothard

Jo Melvin

John James

Rye Dag Holmboe

feature

September 2012

The following conversation was held at the Institute of Contemporary Arts, London, in May 2012. The event took place almost a year after a...
Gabriel Orozco: Cosmic Matter and Other Leftovers

Art

March 2011

Rye Dag Holmboe

Art

March 2011

‘To live,’ writes Walter Benjamin, ‘means to leave traces’. As one might expect, Benjamin’s observation is not without a certain melancholy. Traces are lost...

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feature

November 2012

Life outside the Manet Paradise Resort : On the paintings of Lynette Yiadom-Boakye

Orlando Reade

feature

November 2012

*   A person is represented, sitting in what appears to be the banal and conventional pose of a...

fiction

September 2013

Seiobo There Below

László Krasznahorkai

TR. Ottilie Mulzet

fiction

September 2013

1 KAMO-HUNTER Everything around it moves, as if just this one time and one time only, as if the...

Interview

May 2011

Interview with Alison Klayman

Shepherd Laughlin

Interview

May 2011

Until his arrest in Beijing on 3 April as he boarded a plane to Hong Kong, Ai Weiwei was...

 

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