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Rye Dag Holmboe
Rye Dag Holmboe is a writer and PhD candidate in History of Art at University College, London. He has recently co-authored and co-edited the book JocJonJosch: Hand in Foot, published by the Sion Art Museum, Switzerland (2013). He has recently edited Jolene, an artist's book which brings together the works of the poet Rachael Allen and the photographer Guy Gormley, which will be published later this year. His writings have appeared in The White Review, Art Licks and in academic journals.

Articles Available Online


Art and its Functions: Recent Work by Luke Hart

Art

June 2016

Rye Dag Holmboe

Art

June 2016

Luke Hart’s Wall, recently on display at London’s William Benington Gallery, is a single, large-scale sculpture composed of a series of steel tubes held...

Art

February 2015

Filthy Lucre

Rye Dag Holmboe

Art

February 2015

White silhouettes sway against softly gradated backgrounds: blues, purples, yellows and pinks. The painted palm trees are tacky and...

On the final evening of the conference, Clara leaned against the railing of her fifth floor balcony and watched mist gather over the slow, brown river A dirty sunset tinted scattered clouds and backlit the bare trees on the promenade In the grounds of the hotel, a white plastic marquee had been erected and the first guests were making their way along lamp-lit paths for the conference’s closing party   Within the sliding doors, her phone shuddered on a squat glass table Tilly’s smile glowed on the screen, the only light in the dim room – Tom calling to see how her paper had gone and so she could kiss Tilly goodnight before heading down to the party She flicked on the bedside lamp, slipped in her earbuds Tilly was on Tom’s lap, facing the camera In her hair, she wore a little mauve ribbon that he must have tied especially for the call Look, Tilly, here’s mummy, he chirped, flapping a hand at the laptop camera, encouraging her to do the same Tilly wasn’t waving though She stared from the phone as if she had no idea who the strange woman smiling at her from the strange room was Look, it’s mummy, here she is, say hi mummy, Tom urged, and winked his hand She’s just tired, he said, she’s been constantly asking where’s mama But by now, Tilly was completely absorbed with her own image in the upper corner of the screen, pulling faces, chatting away in a private language of saliva and surprise    Even though it was only three nights, Clara had dreaded the idea of being apart from Tilly for the first time She’d been set on declining the invitation, but Tom assured her it was a perfect opportunity for her to ease back into work He’d be fine, as long as she left them enough tittie juice She hated when he called it that, but laughed obligingly and expressed milk into a dozen labelled and dated plastic bags Despite their efforts to wean her, Tilly was still breastfeeding at 15 months and Clara fretted over how

Contributor

August 2014

Rye Dag Holmboe

Contributor

August 2014

Rye Dag Holmboe is a writer and PhD candidate in History of Art at University College, London. He has...

feature

October 2012

Pressed Up Against the Immediate

Rye Dag Holmboe

feature

October 2012

The author Philip Pullman recently criticised the overuse of the present tense in contemporary literature, a criticism he stretched...

Existere: Documenting Performance Art

feature

September 2012

David Gothard

Jo Melvin

John James

Rye Dag Holmboe

feature

September 2012

The following conversation was held at the Institute of Contemporary Arts, London, in May 2012. The event took place almost a year after a...
Gabriel Orozco: Cosmic Matter and Other Leftovers

Art

March 2011

Rye Dag Holmboe

Art

March 2011

‘To live,’ writes Walter Benjamin, ‘means to leave traces’. As one might expect, Benjamin’s observation is not without a certain melancholy. Traces are lost...

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poetry

July 2011

Comfort Station

Medbh McGuckian

poetry

July 2011

A witness has said that you raped women And brought them to the barracks to be used by the...

Art

Issue No. 10

Patterns

Christian Newby

Art

Issue No. 10

poetry

August 2017

From The Dolphin House

Richard O’Brien

poetry

August 2017

Note for the following three poems: In 1965, a bottlenose dolphin christened Peter was the subject of a scientific...

 

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