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Rye Dag Holmboe
Rye Dag Holmboe is a writer and PhD candidate in History of Art at University College, London. He has recently co-authored and co-edited the book JocJonJosch: Hand in Foot, published by the Sion Art Museum, Switzerland (2013). He has recently edited Jolene, an artist's book which brings together the works of the poet Rachael Allen and the photographer Guy Gormley, which will be published later this year. His writings have appeared in The White Review, Art Licks and in academic journals.

Articles Available Online


Art and its Functions: Recent Work by Luke Hart

Art

June 2016

Rye Dag Holmboe

Art

June 2016

Luke Hart’s Wall, recently on display at London’s William Benington Gallery, is a single, large-scale sculpture composed of a series of steel tubes held...

Art

February 2015

Filthy Lucre

Rye Dag Holmboe

Art

February 2015

White silhouettes sway against softly gradated backgrounds: blues, purples, yellows and pinks. The painted palm trees are tacky and...

Many years ago a large Russian man with the longest tendrils of the softest white hair came to live in the fastest growing town in Europe which at the time happened to be in the southwest of England Very little is known about why he came there or what he did with himself but one thing relating to his daily round that can be set down with utmost confidence is that whenever the Russian man needed groceries he’d fold himself into his small maroon car and drive to a retail park in the suburbs to get them And probably the reason he went to that retail park and not another was because there was a very pleasant supermarket in that retail park which aside from Saturday mornings naturally never got too busy and as such there was always an available parking space up near the exit and entrance doors and this in all likelihood suited the Russian man very well because he would likely have had tremendous difficulty finding his own car if it was only shoved haphazardly in there somewhere among all the other cars parked one after the other with cracking midday sunlight spreading out all over them diluting their already indistinguishable roofs in the practically endless carpark The Russian man’s car was fairly distinguishable for the reason that it was ancient which meant it was a distinctly vintage colour and had the finish furthermore of an old immoveable garden gate which meant it could hold its own against the suburban sun’s brash emanation But in all likelihood the Russian man did not in any case know what his own car looked like so the only way he could find it was to be certain of where he left it and this perhaps explains why the Russian man liked to park his small maroon car up near the entrance and exit doors of the supermarket which despite its commodious proportions had the familiar feel and botherless charm of a corner-shop Right there on the perimeter of this booming yet visionless town in the southwest of England   Once inside the supermarket the Russian man would seize a basket from the pile that could always be counted on to

Contributor

August 2014

Rye Dag Holmboe

Contributor

August 2014

Rye Dag Holmboe is a writer and PhD candidate in History of Art at University College, London. He has...

feature

October 2012

Pressed Up Against the Immediate

Rye Dag Holmboe

feature

October 2012

The author Philip Pullman recently criticised the overuse of the present tense in contemporary literature, a criticism he stretched...

Existere: Documenting Performance Art

feature

September 2012

David Gothard

Jo Melvin

John James

Rye Dag Holmboe

feature

September 2012

The following conversation was held at the Institute of Contemporary Arts, London, in May 2012. The event took place almost a year after a...
Gabriel Orozco: Cosmic Matter and Other Leftovers

Art

March 2011

Rye Dag Holmboe

Art

March 2011

‘To live,’ writes Walter Benjamin, ‘means to leave traces’. As one might expect, Benjamin’s observation is not without a certain melancholy. Traces are lost...

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fiction

March 2014

The Nothing on Which the Fire Depends

Micheline Aharonian Marcom

fiction

March 2014

Friday 9 November 2009   The coffee is lukewarm, but she doesn’t mind to drink it this way. She...

feature

March 2013

Celan Reads Japanese

Yoko Tawada

TR. Susan Bernofsky

feature

March 2013

There are some who claim that ‘good’ literature is actually untranslatable.  Before I could read German, I found this...

fiction

Issue No. 8

The Lady of the House

Claire-Louise Bennett

fiction

Issue No. 8

Wow it’s so still. Isn’t it eerie. Oh yes. So calm. Everything’s still. That’s right. Look at the rowers...

 

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