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Rye Dag Holmboe
Rye Dag Holmboe is a writer and PhD candidate in History of Art at University College, London. He has recently co-authored and co-edited the book JocJonJosch: Hand in Foot, published by the Sion Art Museum, Switzerland (2013). He has recently edited Jolene, an artist's book which brings together the works of the poet Rachael Allen and the photographer Guy Gormley, which will be published later this year. His writings have appeared in The White Review, Art Licks and in academic journals.

Articles Available Online


Art and its Functions: Recent Work by Luke Hart

Art

June 2016

Rye Dag Holmboe

Art

June 2016

Luke Hart’s Wall, recently on display at London’s William Benington Gallery, is a single, large-scale sculpture composed of a series of steel tubes held...

Art

February 2015

Filthy Lucre

Rye Dag Holmboe

Art

February 2015

White silhouettes sway against softly gradated backgrounds: blues, purples, yellows and pinks. The painted palm trees are tacky and...

Establish remorse from outset Express bewilderment at sequence of events so unlikely, so absurd and catastrophic Assure all present of blemish-free record, respect for civic infrastructure, fondness for quiet life and simple pleasures (milkless Earl Grey, sensation of shower on collarbone scar, smell of wet denim, etc) Adopt strong posture, upright but unhaughty, chin raised to illustrate mettle Remain composed Nod solemnly when alleged acts detailed Promise to provide context in form of days preceding—disorientating effect, toll inflicted on sense of self/place in grand scheme/professional trajectory Blame said effect for alleged recklessness, surrendering to moment, abandonment of principles (loyalty, punctuality, even keel, modesty, graft, appropriate attire, camaraderie) Downplay partiality for music, arts Highlight childhood aptitude in mathematics, science Maintain eye contact to correct extent, avoid long monologues   Declare intention to act as own legal counsel Suggest deep knowledge of judicial protocol less important than conveying modern life’s near-infinite complexity, pressures of which intolerable Use as evidence images chanced upon recently of Earth from space, utterly dark but for luminous streaks—flight paths, arcing and meshing across planetary surface, brightest over teeming cities such as ours, sparsest over distant wildernesses beckoning like empty rooms at party hosted by enemy How to contend? How remain steady before visions so stunning, quotidian routine rendered (meaning-wise) scant? How defecate, shower, shave face, commute, toil, defer to superiors, remain polite at sandwich outlet when handsome, better-dressed, wealthier man barges past holding forth into hands-free set, causing spillage of expensive scalding-hot beverage onto newly-purchased, freshly-ironed shirt?   Resist digression   Expect prosecution to roll out photograph Contemplate image, wince, tilt head Express respect for Bill Pointer and work—recall The Singing Dunes tattered copy on Uncle Steve coffee table, youthful hours lost in pages, disbelief such places/people real, magnificence of world revealed Voice regret current incarceration prevents visit to Pointer retrospective at V&A State desire to encounter Pointer, shake hand, thank sincerely With rueful smile relate compulsive maternal scrapbooking of every traceable picture appearance across international print media—three scrapbooks required, fourth purchased as precaution Remark on poignant comparison with Robbie’s Achievements Book, maintained by mother throughout boyhood, pages stuffed with house-point cards,

Contributor

August 2014

Rye Dag Holmboe

Contributor

August 2014

Rye Dag Holmboe is a writer and PhD candidate in History of Art at University College, London. He has...

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October 2012

Pressed Up Against the Immediate

Rye Dag Holmboe

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October 2012

The author Philip Pullman recently criticised the overuse of the present tense in contemporary literature, a criticism he stretched...

Existere: Documenting Performance Art

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September 2012

David Gothard

Jo Melvin

John James

Rye Dag Holmboe

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September 2012

The following conversation was held at the Institute of Contemporary Arts, London, in May 2012. The event took place almost a year after a...
Gabriel Orozco: Cosmic Matter and Other Leftovers

Art

March 2011

Rye Dag Holmboe

Art

March 2011

‘To live,’ writes Walter Benjamin, ‘means to leave traces’. As one might expect, Benjamin’s observation is not without a certain melancholy. Traces are lost...

READ NEXT

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Issue No. 6

The Prosaic Sublime of Béla Tarr

Rose McLaren

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Issue No. 6

I have to recognise it’s cosmical; the shit is cosmical. It’s not just social, it’s not just ontological, it’s really...

Interview

Issue No. 13

Lynette Yiadom-Boakye

Orlando Reade

Interview

Issue No. 13

Modern philosophy is threatened by love, whose objects are never only objects. Philosophers have discovered in love a lived...

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August 2017

What Makes A Gallery Programme?

Pac Pobric

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August 2017

Of his art dealer, Daniel-Henry Kahnweiler, Pablo Picasso once wondered, ‘What would have become of us if Kahnweiler hadn’t...

 

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