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Rye Dag Holmboe
Rye Dag Holmboe is a writer and PhD candidate in History of Art at University College, London. He has recently co-authored and co-edited the book JocJonJosch: Hand in Foot, published by the Sion Art Museum, Switzerland (2013). He has recently edited Jolene, an artist's book which brings together the works of the poet Rachael Allen and the photographer Guy Gormley, which will be published later this year. His writings have appeared in The White Review, Art Licks and in academic journals.

Articles Available Online


Art and its Functions: Recent Work by Luke Hart

Art

June 2016

Rye Dag Holmboe

Art

June 2016

Luke Hart’s Wall, recently on display at London’s William Benington Gallery, is a single, large-scale sculpture composed of a series of steel tubes held...

Art

February 2015

Filthy Lucre

Rye Dag Holmboe

Art

February 2015

White silhouettes sway against softly gradated backgrounds: blues, purples, yellows and pinks. The painted palm trees are tacky and...

I want you to be in my writing Maybe not you exactly Someone like you Will you like this version of you? Maybe not Will you recognise this version of you, as you? I hope so She has some of your qualities I say she because you are a trans woman, and it’s something about trans women that I’m writing Maybe you are central to it, or maybe incidental Either way, you figure in the text What makes me think I know anything about you? And what makes what I think I know something I can put in a piece of writing to which I own the rights?   As it happens, I’m a trans woman too Yay for girls like us! We’re at the bar at Mood Ring I buy us drinks Once our server is out of earshot, we dish I’m sorry you got harassed on the subway That happened to me just last week Oh, we saw the same surgeon His office never returns your calls It’s hilarious that we both fucked that other trans girl – she sure gets around Ah, but you have some stories I don’t Now, honey, tell me all about your pain   Wait, something’s wrong here If this is our shared story, why do I need you to tell it so that I can write it? Because of things we don’t have in common I’m white, middle-class by origin, with a good education, living in an apartment my partner and I own I transitioned late after securing a comfortable life In a word: bourgeois A bourgeois life brings relative freedom from pain But it’s boring This is the dilemma constitutive of bourgeois literature So I look to you for a good story I have the luxury of having feelings about other people’s feelings To feel, but also to judge, at some remove It will be your story, in my text – and my copyright It’s the business of bourgeois literature to stake claims to property rights over others’ pain   I don’t know that a book can even make a claim

Contributor

August 2014

Rye Dag Holmboe

Contributor

August 2014

Rye Dag Holmboe is a writer and PhD candidate in History of Art at University College, London. He has...

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October 2012

Pressed Up Against the Immediate

Rye Dag Holmboe

feature

October 2012

The author Philip Pullman recently criticised the overuse of the present tense in contemporary literature, a criticism he stretched...

Existere: Documenting Performance Art

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September 2012

David Gothard

Jo Melvin

John James

Rye Dag Holmboe

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September 2012

The following conversation was held at the Institute of Contemporary Arts, London, in May 2012. The event took place almost a year after a...
Gabriel Orozco: Cosmic Matter and Other Leftovers

Art

March 2011

Rye Dag Holmboe

Art

March 2011

‘To live,’ writes Walter Benjamin, ‘means to leave traces’. As one might expect, Benjamin’s observation is not without a certain melancholy. Traces are lost...

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poetry

February 2016

Maurice Echegaray

Lina Wolff

TR. Frank Perry

poetry

February 2016

It was when we were living near the southbound exit. Maurice Echegaray had his company office on our staircase...

feature

October 2015

War is Easy, Peace is Hard

Alexander Christie-Miller

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October 2015

At around midday on 19 July, Koray Türkay boarded a bus in Istanbul and set off for the Syrian...

feature

March 2016

Behind the Yellow Curtain

Annina Lehmann

feature

March 2016

Notes from a workshop   At first, there is nothing but a yellow curtain at the back of the...

 

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