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Rye Dag Holmboe
Rye Dag Holmboe is a writer and PhD candidate in History of Art at University College, London. He has recently co-authored and co-edited the book JocJonJosch: Hand in Foot, published by the Sion Art Museum, Switzerland (2013). He has recently edited Jolene, an artist's book which brings together the works of the poet Rachael Allen and the photographer Guy Gormley, which will be published later this year. His writings have appeared in The White Review, Art Licks and in academic journals.

Articles Available Online


Art and its Functions: Recent Work by Luke Hart

Art

June 2016

Rye Dag Holmboe

Art

June 2016

Luke Hart’s Wall, recently on display at London’s William Benington Gallery, is a single, large-scale sculpture composed of a series of steel tubes held...

Art

February 2015

Filthy Lucre

Rye Dag Holmboe

Art

February 2015

White silhouettes sway against softly gradated backgrounds: blues, purples, yellows and pinks. The painted palm trees are tacky and...

Six months ago, while preparing to interview David Graeber, I decided to conduct some brief internet research on the renowned anthropologist and activist Although critically acclaimed in academic circles (he has been described as ‘the best anthropological theorist of his generation’), I was surprised to find relatively little on the man and his work – save a few articles and interviews regarding his involvement in various alter-globalisation movements over the past decade, a few more concerning his controversial departure from Yale, (he now teaches at Goldsmiths University of London), and of course, the odd intellectual dispute with Slavoj Zizek in the LRB   Yet, since June, interest in Graeber and his work has soared, indubitably due to the expansion, replication, and success of the Occupy Wall Street movement, something which Graeber has been heavily involved in from its formative stages, causing the mainstream media to characterise him as a sort of ‘anti-leader’ of the global anti-capitalist movement Articulate, engaging, and profoundly intelligent, Graeber has become a popular spokesperson for the protests (although one should be careful with the term given the non-hierarchical structure and ethos of the camps), an eloquent commentator who offers a historically engaged analysis of the movement’s aspirations and grievances alike   His most recent book, Debt: The First 5000 Years, which explores an alternative history of money and markets that is steeped in violence and oppression, has been described by Bloomberg Business Week as providing ‘an intellectual frame and a sort of genealogy’ for the occupations Meanwhile, in recent articles and interviews Graeber has been particularly vocal on the point of demands, or more specifically the lack of, from OWS and its ilk – a strategy the media has remained utterly baffled by, insisting it to be antithetical to the change they seek, and using it as evidence of the protestor’s ‘lack of clear aims’ or understanding   Instead, Graeber has put the spotlight on the anarchist principles of the Occupy movement, explaining that the lack of concrete demands is part of a pre-figurative politics The protestors act as though they are ‘already living in a free society’, and thus

Contributor

August 2014

Rye Dag Holmboe

Contributor

August 2014

Rye Dag Holmboe is a writer and PhD candidate in History of Art at University College, London. He has...

feature

October 2012

Pressed Up Against the Immediate

Rye Dag Holmboe

feature

October 2012

The author Philip Pullman recently criticised the overuse of the present tense in contemporary literature, a criticism he stretched...

Existere: Documenting Performance Art

feature

September 2012

David Gothard

Jo Melvin

John James

Rye Dag Holmboe

feature

September 2012

The following conversation was held at the Institute of Contemporary Arts, London, in May 2012. The event took place almost a year after a...
Gabriel Orozco: Cosmic Matter and Other Leftovers

Art

March 2011

Rye Dag Holmboe

Art

March 2011

‘To live,’ writes Walter Benjamin, ‘means to leave traces’. As one might expect, Benjamin’s observation is not without a certain melancholy. Traces are lost...

READ NEXT

Art

September 2014

Semi Floating Sculpture

Luke Hart

Patrick Langley

Art

September 2014

Luke Hart will meet me at Gate 7. I get the text on the DLR, heading east past Canary...

fiction

November 2014

The Ovenbird

César Aira

TR. Chris Andrews

fiction

November 2014

The hypothesis underlying this study is that human beings act in strict accordance with an instinctive programme, which governs...

Interview

September 2015

Interview with Katrina Palmer

Jamie Sutcliffe

Interview

September 2015

G.W.F. Hegel isn’t looking too good. With an afternoon of student tutorials to attend at the School of Sculpture...

 

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