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Rye Dag Holmboe
Rye Dag Holmboe is a writer and PhD candidate in History of Art at University College, London. He has recently co-authored and co-edited the book JocJonJosch: Hand in Foot, published by the Sion Art Museum, Switzerland (2013). He has recently edited Jolene, an artist's book which brings together the works of the poet Rachael Allen and the photographer Guy Gormley, which will be published later this year. His writings have appeared in The White Review, Art Licks and in academic journals.

Articles Available Online


Art and its Functions: Recent Work by Luke Hart

Art

June 2016

Rye Dag Holmboe

Art

June 2016

Luke Hart’s Wall, recently on display at London’s William Benington Gallery, is a single, large-scale sculpture composed of a series of steel tubes held...

Art

February 2015

Filthy Lucre

Rye Dag Holmboe

Art

February 2015

White silhouettes sway against softly gradated backgrounds: blues, purples, yellows and pinks. The painted palm trees are tacky and...

After sex that night, which was at best perfunctory, I lay on my back on top of the duvet with my knees drawn up to my chest, like I’d seen Maude do in The Big Lebowski Owen was in the bathroom and I could tell from the sporadic muffled yelps that he was tweezing his nose hair   ‘Gravity,’ I said aloud I’d read about gravity-assisted conception, how to give the swimmers a better chance Owen was the one who cooed over babies, so I assumed he would applaud my initiative   I was right Three weeks later, I waited nervously on a deckchair in our small garden, while Owen checked the pregnancy test One blue line meant no hCG hormone, no baby Two blue lines meant baby Of course it was two I knew even before Owen burst through the patio doors, holding the pee-stick triumphantly in the air, a wide grin on his face I just knew I stood up and we gripped each other tightly   ‘This moment,’ he said, to me, to the cluster of cells in my uterus, ‘this moment we will remember forever’   Owen knelt to kiss my stomach and when he raised his face to me there was a look in his eyes that I hadn’t seen before It may have been wonder Or excitement Or something else     Week 12   When I arrived home after work, Owen was in the narrow galley kitchen rinsing salad with filtered water and blackening two tuna steaks on a griddle   ‘To get rid of the bugs,’ he said, as he served up pieces of desiccated fish with a side of damp lettuce I was finally hungry again and could have murdered a rare steak with blue cheese sauce, but I guessed Owen would rather I went hungry than let me eat bloodied meat and unpasteurised cheese He poured a glass of wine and a glass of milk and we sat down at the small table   ‘I checked the book today,’ he said He’d spent the last few weeks reading What To Expect When You’re Expecting and regaling me with facts about the developments in my womb He

Contributor

August 2014

Rye Dag Holmboe

Contributor

August 2014

Rye Dag Holmboe is a writer and PhD candidate in History of Art at University College, London. He has...

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October 2012

Pressed Up Against the Immediate

Rye Dag Holmboe

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October 2012

The author Philip Pullman recently criticised the overuse of the present tense in contemporary literature, a criticism he stretched...

Existere: Documenting Performance Art

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September 2012

David Gothard

Jo Melvin

John James

Rye Dag Holmboe

feature

September 2012

The following conversation was held at the Institute of Contemporary Arts, London, in May 2012. The event took place almost a year after a...
Gabriel Orozco: Cosmic Matter and Other Leftovers

Art

March 2011

Rye Dag Holmboe

Art

March 2011

‘To live,’ writes Walter Benjamin, ‘means to leave traces’. As one might expect, Benjamin’s observation is not without a certain melancholy. Traces are lost...

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September 2014

Missing Footage

Raphael Rubinstein

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September 2014

The discovery of absences (lacks, lacunae) and their definition must in turn lead the filmmaker as composer to the...

Art

July 2012

Interview with Ben Rivers

Alice Hattrick

Art

July 2012

Ben Rivers is an artist who makes films. Two Years at Sea, his first feature-length film, was released to...

feature

November 2012

Life outside the Manet Paradise Resort : On the paintings of Lynette Yiadom-Boakye

Orlando Reade

feature

November 2012

*   A person is represented, sitting in what appears to be the banal and conventional pose of a...

 

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