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Rye Dag Holmboe
Rye Dag Holmboe is a writer and PhD candidate in History of Art at University College, London. He has recently co-authored and co-edited the book JocJonJosch: Hand in Foot, published by the Sion Art Museum, Switzerland (2013). He has recently edited Jolene, an artist's book which brings together the works of the poet Rachael Allen and the photographer Guy Gormley, which will be published later this year. His writings have appeared in The White Review, Art Licks and in academic journals.

Articles Available Online


Art and its Functions: Recent Work by Luke Hart

Art

June 2016

Rye Dag Holmboe

Art

June 2016

Luke Hart’s Wall, recently on display at London’s William Benington Gallery, is a single, large-scale sculpture composed of a series of steel tubes held...

Art

February 2015

Filthy Lucre

Rye Dag Holmboe

Art

February 2015

White silhouettes sway against softly gradated backgrounds: blues, purples, yellows and pinks. The painted palm trees are tacky and...

At Kabul airport, a man I mistook for a foreigner   A security guard, red-haired with blue eyes and pale skin, patting me down I couldn’t help but look him directly in the face And he returned the compliment before joking with his colleagues in Dari He looked just like a guy who sells fashion-wear on Lamb’s Conduit When – I wondered – when in the archeologies of all the civilisations that have passed through these mountains and deserts was he deposited here? I thought he was Irish   Waiting at the gate with sun whiting out the hazy mountainous horizon and a beautiful greenhouse of a morning Two helicopters fly across the silhouetted, flattened scene Always in twos Humming like insects – of course – across the sky Then two more And another pair…and another Five pairs in all They pass from left to right in the two-dimensional morning, from east to west was it? I am not sure Perhaps north to south   And then they return, arcing back in a line like a scorpion’s tail, descending one after the other to land like a stairway or a ski-lift Afterwards three aircraft, flashing in like birds, swooping to land almost together, without a second thought   We wind up above Kabul in a corkscrew   *   In Herat we land hard and fast after a steep turn and a roll from side to side, wing to wing A drone under concave shelter Like a toy, in pale grey, or grey white As we pass out it departs, trailing electronically through the sky   The hum of activity   A long, straight road, lined with tall pines For some reason surprised that the Russians (or the British) didn’t raze them   The office like a summerhouse, rose bushes and red carpets, and warm, sky-blue air An elaborate (but probably cheap) golden mirror above a sink on the first-floor central landing, a touch of grand decay   The security situation – like everywhere – is deteriorating in the province For civilians and aid workers, for police and security Threats abound The Taliban and others are rich with poppy harvests, busy gaining influence from a

Contributor

August 2014

Rye Dag Holmboe

Contributor

August 2014

Rye Dag Holmboe is a writer and PhD candidate in History of Art at University College, London. He has...

feature

October 2012

Pressed Up Against the Immediate

Rye Dag Holmboe

feature

October 2012

The author Philip Pullman recently criticised the overuse of the present tense in contemporary literature, a criticism he stretched...

Existere: Documenting Performance Art

feature

September 2012

David Gothard

Jo Melvin

John James

Rye Dag Holmboe

feature

September 2012

The following conversation was held at the Institute of Contemporary Arts, London, in May 2012. The event took place almost a year after a...
Gabriel Orozco: Cosmic Matter and Other Leftovers

Art

March 2011

Rye Dag Holmboe

Art

March 2011

‘To live,’ writes Walter Benjamin, ‘means to leave traces’. As one might expect, Benjamin’s observation is not without a certain melancholy. Traces are lost...

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feature

October 2012

Pressed Up Against the Immediate

Rye Dag Holmboe

feature

October 2012

The author Philip Pullman recently criticised the overuse of the present tense in contemporary literature, a criticism he stretched...

poetry

March 2015

Coup & Bell Curve

Elizabeth Willis

poetry

March 2015

COUP   Mallarmé’s gambling astonished everyone even the poets   An acre of paper sold down a river whose...

Prize Entry

April 2016

Seasickness

David Isaacs

Prize Entry

April 2016

‘How would you begin?’   She puts a finger to her lips, a little wrinkled still from the water,...

 

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