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Rye Dag Holmboe
Rye Dag Holmboe is a writer and PhD candidate in History of Art at University College, London. He has recently co-authored and co-edited the book JocJonJosch: Hand in Foot, published by the Sion Art Museum, Switzerland (2013). He has recently edited Jolene, an artist's book which brings together the works of the poet Rachael Allen and the photographer Guy Gormley, which will be published later this year. His writings have appeared in The White Review, Art Licks and in academic journals.

Articles Available Online


Art and its Functions: Recent Work by Luke Hart

Art

June 2016

Rye Dag Holmboe

Art

June 2016

Luke Hart’s Wall, recently on display at London’s William Benington Gallery, is a single, large-scale sculpture composed of a series of steel tubes held...

Art

February 2015

Filthy Lucre

Rye Dag Holmboe

Art

February 2015

White silhouettes sway against softly gradated backgrounds: blues, purples, yellows and pinks. The painted palm trees are tacky and...

Editor’s Note: By way of an introduction, we’ve included two previously unpublished stories by Diane Williams, ‘Beauty, Love and Vanity Itself’ and ‘Velvety’ Beauty, Love and Vanity Itself As usual I’d hung myself with snappy necklaces, but otherwise had given my appearance no further thought, even though I anticipated the love of a dark person who will be my source of prosperity and emotional pleasure Mr Morton arrived about seven pm and I said, ‘I owe you an explanation’   ‘Excellent,’ he replied But when my little explanation was completed, he refused the meal I offered, saying, ‘You probably don’t like the way I drink my soda or how I eat olives with my fingers, do you?’   I only wish I could be so smooth   He exited at a good clip and nothing further developed from that affiliation   I remain prayerful – Praise be to Thee, Praise be to Thou  Nothing fancy   Understand I am not that needy, but I am greedy and it would be snobbish to refuse anything  Even a polite refusal might be viewed as ungrateful, for example: ‘I just don’t think he will make me happy’ or ‘I must decline this type of jam because it contains high fructose corn syrup’   The real thing did come along Bob – Tom spent several days in June with me He always said, ‘How do we do?’ when I met him and as so often happens in life, I also kept up with books and magazines and went along the funny path pursuing my vocation   I also went outside to enjoy the fragrant odour in an Illinois town and went along the thoroughfare that swerved near the fence where yellow roses on a tawny background faded out at the end of the season   I never thought a big cloud hanging in the air would be crooked, but it was up there – grey and deranged   The fence was making the most of its colonial post caps, patterns of diagonals and its big swaying, double-walk gate   I should go whole hog, I thought to myself, and go through the wide entryway quickly   And isn’t looking into the near distance sometimes so

Contributor

August 2014

Rye Dag Holmboe

Contributor

August 2014

Rye Dag Holmboe is a writer and PhD candidate in History of Art at University College, London. He has...

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October 2012

Pressed Up Against the Immediate

Rye Dag Holmboe

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October 2012

The author Philip Pullman recently criticised the overuse of the present tense in contemporary literature, a criticism he stretched...

Existere: Documenting Performance Art

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September 2012

David Gothard

Jo Melvin

John James

Rye Dag Holmboe

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September 2012

The following conversation was held at the Institute of Contemporary Arts, London, in May 2012. The event took place almost a year after a...
Gabriel Orozco: Cosmic Matter and Other Leftovers

Art

March 2011

Rye Dag Holmboe

Art

March 2011

‘To live,’ writes Walter Benjamin, ‘means to leave traces’. As one might expect, Benjamin’s observation is not without a certain melancholy. Traces are lost...

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Art

Issue No. 5

A New Idea of Art: Christoph Schlingensief and the Opera Village Africa

Sarah Hegenbart

Art

Issue No. 5

I think the Opera Village. . . will lead to a new idea of art, and what will emerge...

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February 2013

Famous Tombs: Love in the 90s

Masha Tupitsyn

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February 2013

‘However, somebody killed something: that’s clear, at any rate—’ Through The Looking Glass, Lewis Carroll   I. BEGINNING  ...

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Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

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Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

 

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