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Rye Dag Holmboe
Rye Dag Holmboe is a writer and PhD candidate in History of Art at University College, London. He has recently co-authored and co-edited the book JocJonJosch: Hand in Foot, published by the Sion Art Museum, Switzerland (2013). He has recently edited Jolene, an artist's book which brings together the works of the poet Rachael Allen and the photographer Guy Gormley, which will be published later this year. His writings have appeared in The White Review, Art Licks and in academic journals.

Articles Available Online


Art and its Functions: Recent Work by Luke Hart

Art

June 2016

Rye Dag Holmboe

Art

June 2016

Luke Hart’s Wall, recently on display at London’s William Benington Gallery, is a single, large-scale sculpture composed of a series of steel tubes held...

Art

February 2015

Filthy Lucre

Rye Dag Holmboe

Art

February 2015

White silhouettes sway against softly gradated backgrounds: blues, purples, yellows and pinks. The painted palm trees are tacky and...

For thousands of individuals across the Arab world, 2011 has already become the year in which the political and social realities of their hitherto corrupt and despotic autocratic systems changed The world has watched with bated breath as populations in Tunisia, Egypt, and now Bahrain, Libya and also Yemen have mobilised against their (predominantly western-backed) rulers But alongside the elation has also been a host of other, less familiar sentiments: surprise, awe, intrigue and self-reflection The uprisings in Egypt and across the Arab world have done more than undermine the authority of geriatric dictatorships in the Middle East; they have called into question the founding principles of western diplomacy and the prevailing counter-Enlightenment ideology of cultural relativism   Much ink has been spilled by commentators debating the reasons for this flaring of the revolutionary spirit in the Middle East, but one view that has gained near complete consensus is that these protests are surprisingly nonpartisan: human rights and ‘dignity’ being called for above the institution of specific doctrine This particularly apolitical aspect of the protests has lent them both power and flexibility, allowing them to draw on a wide support base that transcends traditionally rigid social hierarchies   This has come as a shock for those western powers who have so vehemently justified their support of authoritarian regimes in the Middle East as the only pragmatic means of guarding against the bogeyman of Islamic fundamentalism in the region Because the Arab world, so they claimed, was both wild and uncivilised; a place where bearded men in flowing white robes roamed the streets instilling the fear of God in the hearts and minds of the people, where women were reduced to nothing but shapeless black shadows, where wild-eyed believers sacrificed themselves to the greater cause of Islam, and where the western values of liberalism and democracy were both unfamiliar and unwelcome Without the iron rods of dictators to keep them in check, the argument ran, the uncivilised wretches of these countries would find no other recourse than in Islamic fundamentalism and anti-western sentiment ‘The effect,’ says Gary Younge in an article for the

Contributor

August 2014

Rye Dag Holmboe

Contributor

August 2014

Rye Dag Holmboe is a writer and PhD candidate in History of Art at University College, London. He has...

feature

October 2012

Pressed Up Against the Immediate

Rye Dag Holmboe

feature

October 2012

The author Philip Pullman recently criticised the overuse of the present tense in contemporary literature, a criticism he stretched...

Existere: Documenting Performance Art

feature

September 2012

David Gothard

Jo Melvin

John James

Rye Dag Holmboe

feature

September 2012

The following conversation was held at the Institute of Contemporary Arts, London, in May 2012. The event took place almost a year after a...
Gabriel Orozco: Cosmic Matter and Other Leftovers

Art

March 2011

Rye Dag Holmboe

Art

March 2011

‘To live,’ writes Walter Benjamin, ‘means to leave traces’. As one might expect, Benjamin’s observation is not without a certain melancholy. Traces are lost...

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Art

March 2011

Gabriel Orozco: Cosmic Matter and Other Leftovers

Rye Dag Holmboe

Art

March 2011

‘To live,’ writes Walter Benjamin, ‘means to leave traces’. As one might expect, Benjamin’s observation is not without a...

Interview

Issue No. 1

Interview with Tom McCarthy

Fred Fernandez Armesto

Interview

Issue No. 1

For those expecting him to be, as the New Statesman called him, ‘the most galling interviewee in Britain’, Tom...

feature

May 2016

Cinema on the Page

Jonathan Gibbs

feature

May 2016

Film is a bully. It wants to make its viewers feel, and it has the tools to do so....

 

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