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Rye Dag Holmboe
Rye Dag Holmboe is a writer and PhD candidate in History of Art at University College, London. He has recently co-authored and co-edited the book JocJonJosch: Hand in Foot, published by the Sion Art Museum, Switzerland (2013). He has recently edited Jolene, an artist's book which brings together the works of the poet Rachael Allen and the photographer Guy Gormley, which will be published later this year. His writings have appeared in The White Review, Art Licks and in academic journals.

Articles Available Online


Art and its Functions: Recent Work by Luke Hart

Art

June 2016

Rye Dag Holmboe

Art

June 2016

Luke Hart’s Wall, recently on display at London’s William Benington Gallery, is a single, large-scale sculpture composed of a series of steel tubes held...

Art

February 2015

Filthy Lucre

Rye Dag Holmboe

Art

February 2015

White silhouettes sway against softly gradated backgrounds: blues, purples, yellows and pinks. The painted palm trees are tacky and...

As we cross the border, the smooth, four-lane Mexican highway collapses into a winding, undivided, pockmarked road Scraggly underbrush takes the place of manicured trees Swathes of farmland are punctuated by swamps Cows and goats wallow in the middle of the road and flat-bed trucks laden with bundles of sticks rattle past, pumping gusts of black smoke behind them No speed limits, no zoning, no side rails A sun-bleached billboard implores us: Belize it or not!   My friend T is in the passenger’s seat Technically, she knows how to drive, but she doesn’t want to try here, and I can’t blame her She’s German – she learned to drive on the Autobahn, the highway of all highways Me? I’m fine on these roads I know what I’m doing I’m the one who planned this trip I booked us the flights to Cancun, I rented us the car at the airport, and I’m in charge of getting us to my parents’ house another seven hours south, at the tip of the peninsula that leans off the Belizean mainland into the Caribbean Sea   In lieu of cops, Belizean roads have what are called ‘sleeping policemen’, irregular speed bumps at random intervals that appear without warning It becomes T’s job to point out when a bump is on the horizon so I can hit the brakes in time Sometimes a bump turns out to be a spot where the paving has simply washed away As we jostle around I start to realise that our Chevy rental may not be cut out for this terrain I make a lame joke about what would happen if our car broke down T nods, spits out her nicotine gum, and lights up a duty-free Gauloise   The road suddenly plunges into thick green jungle and we’re both shocked by the overwhelming beauty, the lush wetness and the size of the trees arching overhead T asks whether the rest of the drive will be like this, and I search my memory for an answer, but find it’s blank My dad told me that I’d taken this route with him many times

Contributor

August 2014

Rye Dag Holmboe

Contributor

August 2014

Rye Dag Holmboe is a writer and PhD candidate in History of Art at University College, London. He has...

feature

October 2012

Pressed Up Against the Immediate

Rye Dag Holmboe

feature

October 2012

The author Philip Pullman recently criticised the overuse of the present tense in contemporary literature, a criticism he stretched...

Existere: Documenting Performance Art

feature

September 2012

David Gothard

Jo Melvin

John James

Rye Dag Holmboe

feature

September 2012

The following conversation was held at the Institute of Contemporary Arts, London, in May 2012. The event took place almost a year after a...
Gabriel Orozco: Cosmic Matter and Other Leftovers

Art

March 2011

Rye Dag Holmboe

Art

March 2011

‘To live,’ writes Walter Benjamin, ‘means to leave traces’. As one might expect, Benjamin’s observation is not without a certain melancholy. Traces are lost...

READ NEXT

Art

August 2013

The External World

David OReilly

Art

August 2013

  The External World from David OReilly.   BASIC ANIMATION AESTHETICS   For the purposes of talking about animation,...

Interview

September 2015

Interview with Katrina Palmer

Jamie Sutcliffe

Interview

September 2015

G.W.F. Hegel isn’t looking too good. With an afternoon of student tutorials to attend at the School of Sculpture...

Art

March 2016

Seeing from behind: Park McArthur

Anna Gritz

Art

March 2016

In a public conversation between Park McArthur and Isla Leaver Yap that accompanied the former’s exhibition Poly at the...

 

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