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Rye Dag Holmboe
Rye Dag Holmboe is a writer and PhD candidate in History of Art at University College, London. He has recently co-authored and co-edited the book JocJonJosch: Hand in Foot, published by the Sion Art Museum, Switzerland (2013). He has recently edited Jolene, an artist's book which brings together the works of the poet Rachael Allen and the photographer Guy Gormley, which will be published later this year. His writings have appeared in The White Review, Art Licks and in academic journals.

Articles Available Online


Art and its Functions: Recent Work by Luke Hart

Art

June 2016

Rye Dag Holmboe

Art

June 2016

Luke Hart’s Wall, recently on display at London’s William Benington Gallery, is a single, large-scale sculpture composed of a series of steel tubes held...

Art

February 2015

Filthy Lucre

Rye Dag Holmboe

Art

February 2015

White silhouettes sway against softly gradated backgrounds: blues, purples, yellows and pinks. The painted palm trees are tacky and...

Ten minutes before the floodwaters arrived, Pak Prawiro died Who knows to where his soul sped off Now only his body remained by his cramped house Stretched out as though he were just sleeping Not a single soul appeared saddened by his death You have to understand, no one knew Pak Prawiro’s origins and background   Five minutes before the floodwaters arrived, a neighbour found Pak Prawiro sprawled on the ground in the cassava patch next to his house ‘Pak Prawiro fainted,’ he said to himself, before enlisting the help of another neighbor in carrying Pak Prawiro into his house ‘He’s dead,’ said yet another neighbour ‘Just check his pulse’   Sure enough, he had no pulse, his heart had stopped pumping, and his body had grown cold They laid Pak Prawiro down on the couch and covered him with a sheet, as if he were napping Someone tied a white cloth around his head so his mouth wouldn’t hang open Another closed his eyes   One minute before the floodwaters arrived, someone shouted ‘Look, the river has reached the top of the embankment!’   ‘Relax,’ another answered, ‘It never floods here The farthest it’s come is up to the road’   No one was thinking it might flood The housing complex had been built seven years ago and the river had never spilled over its banks and flooded They were still in the deceased’s house, wanting to do something for Pak Prawiro, but there was nothing else to be done   ‘The owners of the house will be back soon anyway,’ someone said   Sunset arrived The dusk sky was coloured by bright streaks of orange Office workers were heading home, passing through the neighbourhood gate one by one A yellow paper banner on a pole was fixed in front of Pak Prawiro’s house But people just kept walking by   ‘I’ll go back later,’ they thought, ‘now I’m just too tired’   To be sure, all the neighbours lived together peacefully without disturbing each another but it seemed they didn’t know one other either How could anyone know Pak Prawiro? He was just an elderly man who never talked about himself He could have been 60,

Contributor

August 2014

Rye Dag Holmboe

Contributor

August 2014

Rye Dag Holmboe is a writer and PhD candidate in History of Art at University College, London. He has...

feature

October 2012

Pressed Up Against the Immediate

Rye Dag Holmboe

feature

October 2012

The author Philip Pullman recently criticised the overuse of the present tense in contemporary literature, a criticism he stretched...

Existere: Documenting Performance Art

feature

September 2012

David Gothard

Jo Melvin

John James

Rye Dag Holmboe

feature

September 2012

The following conversation was held at the Institute of Contemporary Arts, London, in May 2012. The event took place almost a year after a...
Gabriel Orozco: Cosmic Matter and Other Leftovers

Art

March 2011

Rye Dag Holmboe

Art

March 2011

‘To live,’ writes Walter Benjamin, ‘means to leave traces’. As one might expect, Benjamin’s observation is not without a certain melancholy. Traces are lost...

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Art

May 2014

The Interzone and Dexter Dalwood

Sarah Hegenbart

Dexter Dalwood

Art

May 2014

‘Burroughs in Tangier’ (2005) has captivated me ever since its display in the 2010 Turner Prize Exhibition. The work...

feature

July 2013

Occupy Gezi: From the Fringes to the Centre, and Back Again

Alexander Christie-Miller

feature

July 2013

Taksim Square appears at first a wide, featureless and unlovely place. It is a ganglion of roads and bus...

Interview

February 2013

Interview with Wayne Koestenbaum

Charlie Fox

Interview

February 2013

Perhaps what’s gathered here is not an interview at all. Precisely what it is, we’ll think about in a...

 

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