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Rye Dag Holmboe
Rye Dag Holmboe is a writer and PhD candidate in History of Art at University College, London. He has recently co-authored and co-edited the book JocJonJosch: Hand in Foot, published by the Sion Art Museum, Switzerland (2013). He has recently edited Jolene, an artist's book which brings together the works of the poet Rachael Allen and the photographer Guy Gormley, which will be published later this year. His writings have appeared in The White Review, Art Licks and in academic journals.

Articles Available Online


Art and its Functions: Recent Work by Luke Hart

Art

June 2016

Rye Dag Holmboe

Art

June 2016

Luke Hart’s Wall, recently on display at London’s William Benington Gallery, is a single, large-scale sculpture composed of a series of steel tubes held...

Art

February 2015

Filthy Lucre

Rye Dag Holmboe

Art

February 2015

White silhouettes sway against softly gradated backgrounds: blues, purples, yellows and pinks. The painted palm trees are tacky and...

In the early 2000s, Belgium, Germany, Holland, Sweden, Switzerland, the United Kingdom, New Zealand and Australia began implementing a screening technique for asylum seekers and undocumented migrants called ‘Language Analysis for the Determination of Origin’ (LADO) This attempts to determine if the accent of an undocumented migrant corroborates their claim of national identity For example, the authorities aim to determine – based on accent alone – whether a Somali is from Mogadishu (a legitimate place from which to claim asylum) or in fact from northern Somalia (considered a safe place to live and thus to be deported back to) The tender to carry out these tests was mostly won by two private Swedish companies, Sprakab and Verified These companies conducted phone interviews with asylum applicants in the target countries, using Sweden’s largely unemployed former refugee population as a resource of informants to listen in on calls and conduct interviews These informants’ non-scientific assertions on where they thought people ‘really’ came from were then reworked by linguists, who bolstered the claims with international phonetic symbols and turned them into forensic reports for use in court in the target countries   When academic linguists throughout the world were alerted to this flawed screening process, they began to contest its ideology of monolingualism Linguists insisted that the voice is not a bureaucratic document, but rather a biography, and an index of everyone you have ever spoken to The itinerant lives of refugees meant that their voices in particular should not be used as a national identifier They argued that while the informants conducting the interviews may speak the same language as the applicant, they frequently were not from the same place This could affect the dialogue and the quality of the data After hundreds of wrongful deportations, governments finally began to listen to these campaigning linguists Yet rather than scrap LADO, they insidiously incorporated the critiques, deciding that since dialogue was rendering the tests unscientific, they would use monologues instead Now, rather than soliciting speech in an interview, asylum seekers were expected to simply speak for fifteen minutes non-stop They were free to say

Contributor

August 2014

Rye Dag Holmboe

Contributor

August 2014

Rye Dag Holmboe is a writer and PhD candidate in History of Art at University College, London. He has...

feature

October 2012

Pressed Up Against the Immediate

Rye Dag Holmboe

feature

October 2012

The author Philip Pullman recently criticised the overuse of the present tense in contemporary literature, a criticism he stretched...

Existere: Documenting Performance Art

feature

September 2012

David Gothard

Jo Melvin

John James

Rye Dag Holmboe

feature

September 2012

The following conversation was held at the Institute of Contemporary Arts, London, in May 2012. The event took place almost a year after a...
Gabriel Orozco: Cosmic Matter and Other Leftovers

Art

March 2011

Rye Dag Holmboe

Art

March 2011

‘To live,’ writes Walter Benjamin, ‘means to leave traces’. As one might expect, Benjamin’s observation is not without a certain melancholy. Traces are lost...

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fiction

January 2014

The Black Lake

Hella S. Haasse

TR. Ina Rilke

fiction

January 2014

Oeroeg was my friend. When I think back on my childhood and adolescence, an image of Oeroeg invariably rises...

poetry

April 2017

The Village

Mona Arshi

poetry

April 2017

                                 When I pronounce...

poetry

Issue No. 20

Two Poems

Nisha Ramayya

poetry

Issue No. 20

JOY OF THE EYES   The future is not the beginning, but the forerunner, of a new intense-formation.  ...

 

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