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Rye Dag Holmboe
Rye Dag Holmboe is a writer and PhD candidate in History of Art at University College, London. He has recently co-authored and co-edited the book JocJonJosch: Hand in Foot, published by the Sion Art Museum, Switzerland (2013). He has recently edited Jolene, an artist's book which brings together the works of the poet Rachael Allen and the photographer Guy Gormley, which will be published later this year. His writings have appeared in The White Review, Art Licks and in academic journals.

Articles Available Online


Art and its Functions: Recent Work by Luke Hart

Art

June 2016

Rye Dag Holmboe

Art

June 2016

Luke Hart’s Wall, recently on display at London’s William Benington Gallery, is a single, large-scale sculpture composed of a series of steel tubes held...

Art

February 2015

Filthy Lucre

Rye Dag Holmboe

Art

February 2015

White silhouettes sway against softly gradated backgrounds: blues, purples, yellows and pinks. The painted palm trees are tacky and...

LET’S START HERE One morning, September 2014               Gusten Grippe is walking down to the waterfront Kallsjön, Villastan: it’s been a long time since he’s come down here on his own A few years ago he moved away from the suburb where he grew up and vowed to never come back So what’s he doing here now, on this specific September morning at the beginning of a fall that’ll throw him back to what he’d once left behind? The right answer: nothing No reason, no mission He just sort of ended up here on a morning jog Yes, sometimes he still goes running here in Villastan, drives out from the nearby suburb where he currently lives, extravagantly, in a swanky bachelor pad with two floors (this here Gusten is a real estate agent, the realtor from hell as they say, his nickname, because he’s that good) Perhaps it’s an omen, a sign, something from the sixth sense Most likely just a coincidence, an ironic fluke   But at one point, when Gusten was a child, this was his world: Villastan, Kallsjön, the encircling shores, the properties surrounding the lake, and the little patch of forest and the wooden footbridge that runs along the perimeter of the muddy stream that wasn’t deep or cold or dangerous or even the least bit mystical, as they’d imagined when he was little – he and his buddy Nathan When they would stand here side-by-side, in matching caps Squinting their eyes and fantasising, telling each other stories about all sorts of exciting things that COULD happen, even here, but the stories were left unfinished, hanging in the air, loose threads Just open your eyes again and it was clear: mere fantasies, daydreams, without reverberation in reality – anyway, it was shallow, the water, browned by soil And the properties around the lake – it was Gusten’s own mamma Angela who was in the habit of making these kinds of proclamations, right here on the footbridge where she and her son would go on their morning walks, almost as if it were

Contributor

August 2014

Rye Dag Holmboe

Contributor

August 2014

Rye Dag Holmboe is a writer and PhD candidate in History of Art at University College, London. He has...

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October 2012

Pressed Up Against the Immediate

Rye Dag Holmboe

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October 2012

The author Philip Pullman recently criticised the overuse of the present tense in contemporary literature, a criticism he stretched...

Existere: Documenting Performance Art

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September 2012

David Gothard

Jo Melvin

John James

Rye Dag Holmboe

feature

September 2012

The following conversation was held at the Institute of Contemporary Arts, London, in May 2012. The event took place almost a year after a...
Gabriel Orozco: Cosmic Matter and Other Leftovers

Art

March 2011

Rye Dag Holmboe

Art

March 2011

‘To live,’ writes Walter Benjamin, ‘means to leave traces’. As one might expect, Benjamin’s observation is not without a certain melancholy. Traces are lost...

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Issue No. 14

Editorial

The Editors

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Issue No. 14

Having several issues ago announced that we would no longer be writing our own editorials, the editors’ (ultimately inevitable)...

fiction

July 2014

Zone

Mathias Enard

TR. Charlotte Mandell

fiction

July 2014

I remember the day Andrija the invincible collapsed for the first time, the warrior of warriors whom we’d never...

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Issue No. 15

Translation in the First Person

Kate Briggs

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Issue No. 15

IT IS 1 JUNE 2015 and I am standing outside no. 11 rue Servandoni in Paris’s sixth arrondissement. I...

 

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