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Rye Dag Holmboe
Rye Dag Holmboe is a writer and PhD candidate in History of Art at University College, London. He has recently co-authored and co-edited the book JocJonJosch: Hand in Foot, published by the Sion Art Museum, Switzerland (2013). He has recently edited Jolene, an artist's book which brings together the works of the poet Rachael Allen and the photographer Guy Gormley, which will be published later this year. His writings have appeared in The White Review, Art Licks and in academic journals.

Articles Available Online


Art and its Functions: Recent Work by Luke Hart

Art

June 2016

Rye Dag Holmboe

Art

June 2016

Luke Hart’s Wall, recently on display at London’s William Benington Gallery, is a single, large-scale sculpture composed of a series of steel tubes held...

Art

February 2015

Filthy Lucre

Rye Dag Holmboe

Art

February 2015

White silhouettes sway against softly gradated backgrounds: blues, purples, yellows and pinks. The painted palm trees are tacky and...

Here I offer some reflections and several facts potentially useful for a phenomenology of the mask Needless to say, these hypotheses are of an adventurous character With them I offer nothing less than an origin to the universal use of the mask by people, which goes back beyond this species, to the insects who still wear it     1 The Importance of the Mask   All humanity wears or has worn a mask This enigmatic accessory without useful end is more widespread than the lever, the bow, the harpoon or the plough Some peoples were entirely ignorant of more humble, or more precious tools Yet, they knew of the mask Some civilisations, among them the most remarkable, have prospered without having the idea of the wheel, or, worse, without knowing how to use it Yet they were familiar with the mask Man in general, abstract and hypothetical man, from the first eras and the first cultures – could not have embodied more accurately, more appropriately, Descartes’s saying: ‘I advance masked’ There is not a tool, an invention, a belief, a custom, or an institution which brings about the unity of humanity to the same degree accomplished by the wearing of the mask   The Mask remains mysterious What are the reasons that have driven people to cover their faces with a second visage, instrument of metamorphosis and ecstasy, of possession by the gods – instrument, as well, of intimidation and of political power? All of ethnology is filled with masks, and with the vertigo, the trances, the hypnoses, and the panics that are its nearly inevitable consequences Here I chance my first sprawling hypothesis: a people enters history and civilisation the moment they reject the mask, when they repudiate it as an instrument of individual or collective panic, once they consign it to an institutional function Even reduced to a simple carnival accessory or mundane festivity, it disquiets and fascinates Its power of seduction has been completely appropriated, yet it does not disappear I will come back to this For the moment, though, I would like only to underline that the problem

Contributor

August 2014

Rye Dag Holmboe

Contributor

August 2014

Rye Dag Holmboe is a writer and PhD candidate in History of Art at University College, London. He has...

feature

October 2012

Pressed Up Against the Immediate

Rye Dag Holmboe

feature

October 2012

The author Philip Pullman recently criticised the overuse of the present tense in contemporary literature, a criticism he stretched...

Existere: Documenting Performance Art

feature

September 2012

David Gothard

Jo Melvin

John James

Rye Dag Holmboe

feature

September 2012

The following conversation was held at the Institute of Contemporary Arts, London, in May 2012. The event took place almost a year after a...
Gabriel Orozco: Cosmic Matter and Other Leftovers

Art

March 2011

Rye Dag Holmboe

Art

March 2011

‘To live,’ writes Walter Benjamin, ‘means to leave traces’. As one might expect, Benjamin’s observation is not without a certain melancholy. Traces are lost...

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fiction

November 2013

Special School

Iphgenia Baal

fiction

November 2013

feature

February 2011

Novelty and revolt: why there is no such thing as a Twitter revolution

Nadia Khomami

feature

February 2011

The world is seeing an increase in the use of social media as a tool for mobilisation and protest....

poetry

May 2012

FINALLY RICH

Sam Riviere

poetry

May 2012

I got a job I got a job writing poems oh hi I never met you before going to...

 

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