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Rye Dag Holmboe
Rye Dag Holmboe is a writer and PhD candidate in History of Art at University College, London. He has recently co-authored and co-edited the book JocJonJosch: Hand in Foot, published by the Sion Art Museum, Switzerland (2013). He has recently edited Jolene, an artist's book which brings together the works of the poet Rachael Allen and the photographer Guy Gormley, which will be published later this year. His writings have appeared in The White Review, Art Licks and in academic journals.

Articles Available Online


Art and its Functions: Recent Work by Luke Hart

Art

June 2016

Rye Dag Holmboe

Art

June 2016

Luke Hart’s Wall, recently on display at London’s William Benington Gallery, is a single, large-scale sculpture composed of a series of steel tubes held...

Art

February 2015

Filthy Lucre

Rye Dag Holmboe

Art

February 2015

White silhouettes sway against softly gradated backgrounds: blues, purples, yellows and pinks. The painted palm trees are tacky and...

Notes from a workshop   At first, there is nothing but a yellow curtain at the back of the stage It is not particularly big, perhaps three-by-three metres, but it glows like the sun in the bright heat of the floodlights In front of it the black, bare surface of the stage stretches out towards the audience, leaving a space for possibility, imagination and expectation   There are around sixty people gathered in this theatre in the north of Oxford Most of them are young actors but there are also directors, university students, artists, an IT specialist and an anthropologist among the group While some are from Oxford and London, others have made their way here from Spain, Germany and even Australia, to learn first-hand the methods Ariane Mnouchkine, director of the Parisian theatre collective, the Théâtre du Soleil   Here, in the auditorium, begins our first lesson: you must learn to respect the stage, Ariane tells us, you must respect the yellow curtain  She is standing by the first row of seats in front of the stage, the group gathered around her A tall figure dressed in white linen and a grey vest, her curled silver hair flaming around a watchful face Her expression is mild and her voice calm, but her whole bearing commands attention   Here are the rules of imagination Nothing is allowed on the stage that is not part of a performance, it must remain a pure place The stage can only be entered from behind the yellow curtain, which will be opened for you by specially trained curtain openers When you want to enter the stage again, you have to walk offstage and enter through the yellow curtain These are the boundaries and rituals of performance, crucial to the formation of an imaginative space   ***   The Théâtre du Soleil was founded in 1964 and has been run by Ariane, its co-founder, for the last half-century Ariane, born on 3 March 1939 to a French-Russian film producer and a British actress, has devoted most of her life to the theatre collective After studying at the Sorbonne and Oxford she trained with

Contributor

August 2014

Rye Dag Holmboe

Contributor

August 2014

Rye Dag Holmboe is a writer and PhD candidate in History of Art at University College, London. He has...

feature

October 2012

Pressed Up Against the Immediate

Rye Dag Holmboe

feature

October 2012

The author Philip Pullman recently criticised the overuse of the present tense in contemporary literature, a criticism he stretched...

Existere: Documenting Performance Art

feature

September 2012

David Gothard

Jo Melvin

John James

Rye Dag Holmboe

feature

September 2012

The following conversation was held at the Institute of Contemporary Arts, London, in May 2012. The event took place almost a year after a...
Gabriel Orozco: Cosmic Matter and Other Leftovers

Art

March 2011

Rye Dag Holmboe

Art

March 2011

‘To live,’ writes Walter Benjamin, ‘means to leave traces’. As one might expect, Benjamin’s observation is not without a certain melancholy. Traces are lost...

READ NEXT

poetry

December 2011

The Pitch

Minashita Kiriu

TR. Jeffrey Angles

poetry

December 2011

Dripping excitedly from my earlobes And falling over my crowded routines A rain of Lucretius’ atoms Is just beginning...

feature

January 2016

About Renata Adler’s Speedboat

Wolfgang Hildesheimer

TR. Shaun Whiteside

feature

January 2016

  Best known for his bestselling biography of Mozart, Wolfgang Hildesheimer was a polymathic novelist, translator, painter and dramatist. A...

Prize Entry

Issue No. 17

Grace

Sophie Mackintosh

Prize Entry

Issue No. 17

14. It comes for me in the middle of the day when I am preparing lunch, quartering a tomato...

 

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