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Rye Dag Holmboe
Rye Dag Holmboe is a writer and PhD candidate in History of Art at University College, London. He has recently co-authored and co-edited the book JocJonJosch: Hand in Foot, published by the Sion Art Museum, Switzerland (2013). He has recently edited Jolene, an artist's book which brings together the works of the poet Rachael Allen and the photographer Guy Gormley, which will be published later this year. His writings have appeared in The White Review, Art Licks and in academic journals.

Articles Available Online


Art and its Functions: Recent Work by Luke Hart

Art

June 2016

Rye Dag Holmboe

Art

June 2016

Luke Hart’s Wall, recently on display at London’s William Benington Gallery, is a single, large-scale sculpture composed of a series of steel tubes held...

Art

February 2015

Filthy Lucre

Rye Dag Holmboe

Art

February 2015

White silhouettes sway against softly gradated backgrounds: blues, purples, yellows and pinks. The painted palm trees are tacky and...

GADAPA (THRESHOLD)   Pedavva cried her last words, ‘Gadapa duram, khaadee deggera’   Gadapa is the site of our experience – always nearing almost touching like a wish It is where you will find our land, which we neither own, nor belong in   Women slapped against walls nailed with frames of ancestors and blessing gods, sit at the gadapa talking with the neighbouring women Hanumavva with more than tobacco-packet in her bosom waits at the gate for more than a bus to the next village Nagaraju traded his body for some touch at the bank where the stillborn are let in the river that Mogulappa cried   The women who raised me accuse me of appropriating and violating their carework of loving I love like it’s the only skill needed to survive in this country   I can’t love like your men Body full of violence, fascist to the teeth, logically invalid by bones A blind bull tricked, shot and sold in the crowded Monday bazaar   Pedavva cried like the waves of the flood that transgressed our thresholds with all its laborious force on 26th July, 2005 She entered life like the waves to collapse a home built to bury her body   Like gutter flood she broke in through the roof, occupied from the cracks, claimed from the toilet drain just to belong   Now squatting across the line, skilfully sifting the city sludge in sieves, we strained no gold Only a wasteful amount of soil, soggy cooked rice and plastic   Just like our dreams of breaking the world and the Mithi River streaming with flamingos     BORN AND RAISED IN BAMBAI 17 for Nishant   At the mouth of the world I ache for nothing but the feeling of being swallowed In the slow, changing colours of the twilight I saw God from the local train passing over the bridge They were tailoring curtains No third eye or big hands Just crow wings & burnt skin spread across the sky I prayed to them for their seeping light in my veins and my pericardium They sang to the drumbeats Come find me at jaatara where pioneers meet their death where you last confided in Begum’s eyes where all your brothers descend where the hearts turn as soft as entrails under the knife Through

Contributor

August 2014

Rye Dag Holmboe

Contributor

August 2014

Rye Dag Holmboe is a writer and PhD candidate in History of Art at University College, London. He has...

feature

October 2012

Pressed Up Against the Immediate

Rye Dag Holmboe

feature

October 2012

The author Philip Pullman recently criticised the overuse of the present tense in contemporary literature, a criticism he stretched...

Existere: Documenting Performance Art

feature

September 2012

David Gothard

Jo Melvin

John James

Rye Dag Holmboe

feature

September 2012

The following conversation was held at the Institute of Contemporary Arts, London, in May 2012. The event took place almost a year after a...
Gabriel Orozco: Cosmic Matter and Other Leftovers

Art

March 2011

Rye Dag Holmboe

Art

March 2011

‘To live,’ writes Walter Benjamin, ‘means to leave traces’. As one might expect, Benjamin’s observation is not without a certain melancholy. Traces are lost...

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fiction

November 2016

Somnoproxy

Stuart Evers

fiction

November 2016

The day’s third hotel suite faced westwards across the harbour, its picture window looking down over the boats and...

Interview

October 2015

Interview with Valeria Luiselli

Stephen Sparks

Interview

October 2015

Valeria Luiselli’s second novel, The Story of My Teeth, was commissioned by two curators for an exhibition at Galeria...

feature

Issue No. 7

Bracketing the World: Reading Poetry through Neuroscience

James Wilkes

feature

Issue No. 7

The anechoic chamber at University College London has the clutter of a space shared by many people: styrofoam cups,...

 

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