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Rye Dag Holmboe
Rye Dag Holmboe is a writer and PhD candidate in History of Art at University College, London. He has recently co-authored and co-edited the book JocJonJosch: Hand in Foot, published by the Sion Art Museum, Switzerland (2013). He has recently edited Jolene, an artist's book which brings together the works of the poet Rachael Allen and the photographer Guy Gormley, which will be published later this year. His writings have appeared in The White Review, Art Licks and in academic journals.

Articles Available Online


Art and its Functions: Recent Work by Luke Hart

Art

June 2016

Rye Dag Holmboe

Art

June 2016

Luke Hart’s Wall, recently on display at London’s William Benington Gallery, is a single, large-scale sculpture composed of a series of steel tubes held...

Art

February 2015

Filthy Lucre

Rye Dag Holmboe

Art

February 2015

White silhouettes sway against softly gradated backgrounds: blues, purples, yellows and pinks. The painted palm trees are tacky and...

Seeing the pen hover millimetres above my notebook in anticipation, Dona Vilma holds up her hand ‘Ask me anything you like’, she says to me with a smile ‘But you can chop some potatoes while we speak’ I switch on my tape recorder instead   On a tiny scrap of land on the eastern outskirts of São Paulo, off an unpaved path leading to the favela beyond, stands a small squat building made of poured concrete and chipboard A banner outside reads ‘Cozinha Solidária Almoço Grátis’ Solidarity Kitchen Free Lunch It is a modest affair, but for many residents of Jardim Iguatemi the facility had become a second home    Six days a week Vilma and Rose arrive at 8am and get to work cooking for never less than 100 people When I first visit in 2021 to interview them, at the peak of the Brazilian summer, the ground dried to a cake of dust, the menu is beef and potato stew served with filling manioca and rice Vilma, a retired school cook, is in charge Dona is a prefix of respect Her silvery hair is tidied away by a white scarf cheered up with a teddy bear motif; her leopard print blouse is protected by a red apron She navigates bumper packets of beans and sacks of flour piled high, hauling heavy cooking pots of steaming food on and off the small gas stove Later a colleague arrives with black plastic sacks splitting under the weight of sturdy carrots and leathery spinach, bulbous spring onions and big bunches of deep purple beetroot, all grown and donated by a nearby community garden    I still think about the kitchen a lot, as Brazil nears the end of Jair Bolsonaro’s gruelling four-year presidential term: it represents the cruelty of this country, one that welcomed a far-right leader with a mix of social fury and misjudged financial self-interest; but the kitchen says something too of Brazil’s perseverance and generosity   I first came to Brazil in 2012 Three years previous The Economist had used its cover to hail the country as an economic miracle: the headline ‘Brazil

Contributor

August 2014

Rye Dag Holmboe

Contributor

August 2014

Rye Dag Holmboe is a writer and PhD candidate in History of Art at University College, London. He has...

feature

October 2012

Pressed Up Against the Immediate

Rye Dag Holmboe

feature

October 2012

The author Philip Pullman recently criticised the overuse of the present tense in contemporary literature, a criticism he stretched...

Existere: Documenting Performance Art

feature

September 2012

David Gothard

Jo Melvin

John James

Rye Dag Holmboe

feature

September 2012

The following conversation was held at the Institute of Contemporary Arts, London, in May 2012. The event took place almost a year after a...
Gabriel Orozco: Cosmic Matter and Other Leftovers

Art

March 2011

Rye Dag Holmboe

Art

March 2011

‘To live,’ writes Walter Benjamin, ‘means to leave traces’. As one might expect, Benjamin’s observation is not without a certain melancholy. Traces are lost...

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Art

February 2014

Starting with a Bang: Hannah Höch and The First International Dada Fair

Daniel F. Herrmann

Art

February 2014

A spectre haunted the Lützow-Ufer – the spectre of Dadaism. It hung from the ceiling and peered down from the...

Art

November 2016

The Green Ray

Agnieszka Gratza

Art

November 2016

I guess it must be the flag of my disposition, out of hopeful green stuff woven. Walt Whitman, Leaves...

poetry

February 2016

Maurice Echegaray

Lina Wolff

TR. Frank Perry

poetry

February 2016

It was when we were living near the southbound exit. Maurice Echegaray had his company office on our staircase...

 

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