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Rye Dag Holmboe
Rye Dag Holmboe is a writer and PhD candidate in History of Art at University College, London. He has recently co-authored and co-edited the book JocJonJosch: Hand in Foot, published by the Sion Art Museum, Switzerland (2013). He has recently edited Jolene, an artist's book which brings together the works of the poet Rachael Allen and the photographer Guy Gormley, which will be published later this year. His writings have appeared in The White Review, Art Licks and in academic journals.

Articles Available Online


Art and its Functions: Recent Work by Luke Hart

Art

June 2016

Rye Dag Holmboe

Art

June 2016

Luke Hart’s Wall, recently on display at London’s William Benington Gallery, is a single, large-scale sculpture composed of a series of steel tubes held...

Art

February 2015

Filthy Lucre

Rye Dag Holmboe

Art

February 2015

White silhouettes sway against softly gradated backgrounds: blues, purples, yellows and pinks. The painted palm trees are tacky and...

1 SF vs NY   Anna Wiener found herself in the right place at the right time That is, if that was what she wanted At the beginning of Uncanny Valley, her memoir about working in Silicon Valley in the middle of the 2010s, Wiener is 25 and working as a publishing assistant in New York Her mother is wondering why she’s still taking coats and serving coffee She isn’t asking her daughter for a structural explanation about the recession and job prospects for Wiener’s generation, nor how Wiener imagines a future within the publishing industry’s idiosyncratic hierarchies and ‘shabby, nostalgic glamour’ She’s asking where Wiener’s career is going, if anywhere This is the tenth page of the book and Wiener seems unconvinced as well: her descriptions of the uniform aesthetic of a publishing career – wrap dresses, sad salads for lunch at your desk, parties where you only talk to the people you already know – are funny, but also expose an existential uncertainty that Wiener will replicate when she moves to San Francisco At this stage in her career, Wiener writes, ‘my desires were generic I wanted to find my place in the world, and be independent, useful, and good I wanted to make money, because I wanted to feel affirmed, confident, and valued I wanted to be taken seriously’   Of these desires, Silicon Valley could give her one: the money Wiener’s career in the technology industry begins somewhere familiar for her: one day at her desk in the literary agency, she reads about a startup dedicated to reading, whose founders had raised three million dollars (she didn’t know then that that was not a lot of money in startup terms) She writes to them because she’s interested, impressed, and feels she could contribute using her background in publishing and love of literature, while participating in the contemporary economy If this is where the book trade is going, Wiener wants to be part of it: the startup offers a way for her to change everything while holding on to what is

Contributor

August 2014

Rye Dag Holmboe

Contributor

August 2014

Rye Dag Holmboe is a writer and PhD candidate in History of Art at University College, London. He has...

feature

October 2012

Pressed Up Against the Immediate

Rye Dag Holmboe

feature

October 2012

The author Philip Pullman recently criticised the overuse of the present tense in contemporary literature, a criticism he stretched...

Existere: Documenting Performance Art

feature

September 2012

David Gothard

Jo Melvin

John James

Rye Dag Holmboe

feature

September 2012

The following conversation was held at the Institute of Contemporary Arts, London, in May 2012. The event took place almost a year after a...
Gabriel Orozco: Cosmic Matter and Other Leftovers

Art

March 2011

Rye Dag Holmboe

Art

March 2011

‘To live,’ writes Walter Benjamin, ‘means to leave traces’. As one might expect, Benjamin’s observation is not without a certain melancholy. Traces are lost...

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poetry

July 2011

Comfort Station

Medbh McGuckian

poetry

July 2011

A witness has said that you raped women And brought them to the barracks to be used by the...

Interview

May 2014

Interview with Conrad Shawcross

Patrick Sykes

Interview

May 2014

Though an intimidating sixteen feet tall, the industrial robot in Conrad Shawcross’s flat doesn’t look at all out of...

Art

January 2012

Interview with Ryan Gander

Timothée Chaillou

Art

January 2012

London-based conceptual artist Ryan Gander masters the art of storytelling through an immensely complex yet subtly coherent body of...

 

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