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Rye Dag Holmboe
Rye Dag Holmboe is a writer and PhD candidate in History of Art at University College, London. He has recently co-authored and co-edited the book JocJonJosch: Hand in Foot, published by the Sion Art Museum, Switzerland (2013). He has recently edited Jolene, an artist's book which brings together the works of the poet Rachael Allen and the photographer Guy Gormley, which will be published later this year. His writings have appeared in The White Review, Art Licks and in academic journals.

Articles Available Online


Art and its Functions: Recent Work by Luke Hart

Art

June 2016

Rye Dag Holmboe

Art

June 2016

Luke Hart’s Wall, recently on display at London’s William Benington Gallery, is a single, large-scale sculpture composed of a series of steel tubes held...

Art

February 2015

Filthy Lucre

Rye Dag Holmboe

Art

February 2015

White silhouettes sway against softly gradated backgrounds: blues, purples, yellows and pinks. The painted palm trees are tacky and...

We were told to pay attention to things that were different, and it seemed to me that sex was no longer the same Now, we always wondered if someone was watching It wasn’t clear to us which sections were private, and how the technology worked It was also hard not to picture our real bodies somewhere in the frozen dark, motionless while we moved together here in the seeming warm   I brought it up in my sessions with the Reverend He told me he was surprised it had taken me so long to ask The others had worried about it in Cycle 1   ‘Which Cycle are we in?’ I asked It was difficult to keep track   ‘Cycle 3,’ said the Reverend ‘I understand your concern, but of course nobody watches you It was part of the privacy agreement we signed at the start Don’t you remember?’   I did That is, I hadn’t until the Reverend mentioned it The memory was there, but it felt very far away And maybe it was We hadn’t been told precisely how long the experiment would take We wouldn’t know until we were unfrozen at the end, our bodies still in their thirties and our minds at god-knows-what age   But the money was good Sam and I would be able to afford a nice wedding and a honeymoon to Hawaii, and only one of us would need to work while the other stayed home with the kids we hoped to have That is, if we were still fertile at the end It was one of the risks   Our life together before the VR world was still clear in my mind and I looked back on it often: Sam and me walking together to rehearsals, our first kiss in the snow, our apartment above Shipley Automotive, taking care of each other through winter fevers Our memories made in the VR world were less acute, but we were happy, we had each other, and we never got sick   Only couples were accepted for the experiment – ‘deeply committed couples’, in fact, and there was a test we had

Contributor

August 2014

Rye Dag Holmboe

Contributor

August 2014

Rye Dag Holmboe is a writer and PhD candidate in History of Art at University College, London. He has...

feature

October 2012

Pressed Up Against the Immediate

Rye Dag Holmboe

feature

October 2012

The author Philip Pullman recently criticised the overuse of the present tense in contemporary literature, a criticism he stretched...

Existere: Documenting Performance Art

feature

September 2012

David Gothard

Jo Melvin

John James

Rye Dag Holmboe

feature

September 2012

The following conversation was held at the Institute of Contemporary Arts, London, in May 2012. The event took place almost a year after a...
Gabriel Orozco: Cosmic Matter and Other Leftovers

Art

March 2011

Rye Dag Holmboe

Art

March 2011

‘To live,’ writes Walter Benjamin, ‘means to leave traces’. As one might expect, Benjamin’s observation is not without a certain melancholy. Traces are lost...

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fiction

Issue No. 1

From the Town

Desmond Hogan

fiction

Issue No. 1

In the grape hyacinth blue jersey – yellow strip at V-neck, blue tie, navy trousers of Kinsale Community School,...

Interview

September 2015

Interview with Allison Katz

Frances Loeffler

Interview

September 2015

With the desire to get to know an artist’s work comes the impulse to stick one’s nose in. The...

poetry

Issue No. 2

The Brothel

Kit Buchan

poetry

Issue No. 2

I unearthed a little brothel in the spring of forty-three, It was captained by a midwife who was ninety...

 

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