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Rye Dag Holmboe
Rye Dag Holmboe is a writer and PhD candidate in History of Art at University College, London. He has recently co-authored and co-edited the book JocJonJosch: Hand in Foot, published by the Sion Art Museum, Switzerland (2013). He has recently edited Jolene, an artist's book which brings together the works of the poet Rachael Allen and the photographer Guy Gormley, which will be published later this year. His writings have appeared in The White Review, Art Licks and in academic journals.

Articles Available Online


Art and its Functions: Recent Work by Luke Hart

Art

June 2016

Rye Dag Holmboe

Art

June 2016

Luke Hart’s Wall, recently on display at London’s William Benington Gallery, is a single, large-scale sculpture composed of a series of steel tubes held...

Art

February 2015

Filthy Lucre

Rye Dag Holmboe

Art

February 2015

White silhouettes sway against softly gradated backgrounds: blues, purples, yellows and pinks. The painted palm trees are tacky and...

It was even worse in Prague [than in Cuba] The only reason they got upset with me — I was in Prague for a month, went to Moscow for a month, trained then to Poland for a month, and went to Prague to leave for New York I got back to Prague on April 26 — the same day I was put on the FBI Dangerous Security List — was elected King of May on May 1, was followed around Prague until May 7, arrested, kept incommunicado, and put on the next plane to London because the minister of culture and the minister of information disapproved of an American gay beatnik, pot-smoking, mantra-chanting Buddhist (or something) being a model for Czechoslovakian youths — Allen Ginsberg, interview   He’d been in Cuba sunning, fucking But he’d only hugged and kissed Fidel Reek of cigars! rum! In that embrace, two of the great beards of our time had grown into each other: Allen’s and Fidel’s, they became inseparable Grew intertwined, then knotted Uncomfortable for all involved Finally Castro had to call his chief executioner, the executioner came with his chief machete but instead of cutting off Allen Ginsberg’s head a hipsterheaded angel of Yahweh arrived in sunglasses and porkpie hat to redirect the blade to only sunder their beards   Fidel put Allen on the first flight to Czechoslovakia Allen brushed his smokestained suit before disembarking He still had Fidel’s hairs on his lapels, that’s what he declared to Customs   Students of the Polytechnic School, even a few faculty members, remember: the first sign they had of Allen’s coming was the beard It was edged out the window of the plane Out the window of the taxi from Ruzyně (airport), as if a flag for a new order, his novy kingdom But he was not yet King It was still April   Allen’s beard was not a religious beard, yet neither was it a beard of dereliction, of dissolution, a lazy facial hirsuteness — the mark of a man who did not care about appearance It fell under none of those categories, contra surveillance and Nomenklatura speculation Truth is, Allen’s beard had always been there, and his face grew from it

Contributor

August 2014

Rye Dag Holmboe

Contributor

August 2014

Rye Dag Holmboe is a writer and PhD candidate in History of Art at University College, London. He has...

feature

October 2012

Pressed Up Against the Immediate

Rye Dag Holmboe

feature

October 2012

The author Philip Pullman recently criticised the overuse of the present tense in contemporary literature, a criticism he stretched...

Existere: Documenting Performance Art

feature

September 2012

David Gothard

Jo Melvin

John James

Rye Dag Holmboe

feature

September 2012

The following conversation was held at the Institute of Contemporary Arts, London, in May 2012. The event took place almost a year after a...
Gabriel Orozco: Cosmic Matter and Other Leftovers

Art

March 2011

Rye Dag Holmboe

Art

March 2011

‘To live,’ writes Walter Benjamin, ‘means to leave traces’. As one might expect, Benjamin’s observation is not without a certain melancholy. Traces are lost...

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Interview

November 2016

Interview with Njideka Akunyili Crosby

Cassie Davies

Interview

November 2016

Njideka Akunyili Crosby first encountered Mary Louise Pratt’s ‘Arts of the Contact Zone’ (1991), which identifies ‘social spaces where cultures meet,...

Prize Entry

April 2017

Hangnails, and Other Diseases

Giada Scodellaro

Prize Entry

April 2017

Benson’s Syndrome   Grapefruit. I have lost the word for it. Popillo? Popello? No, no. It escapes her, the...

Interview

March 2011

Interview with DBC Pierre

Ben Eastham

Interview

March 2011

DBC Pierre first came to the attention of the world with the publication of Vernon God Little in 2003. This...

 

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