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Rye Dag Holmboe
Rye Dag Holmboe is a writer and PhD candidate in History of Art at University College, London. He has recently co-authored and co-edited the book JocJonJosch: Hand in Foot, published by the Sion Art Museum, Switzerland (2013). He has recently edited Jolene, an artist's book which brings together the works of the poet Rachael Allen and the photographer Guy Gormley, which will be published later this year. His writings have appeared in The White Review, Art Licks and in academic journals.

Articles Available Online


Art and its Functions: Recent Work by Luke Hart

Art

June 2016

Rye Dag Holmboe

Art

June 2016

Luke Hart’s Wall, recently on display at London’s William Benington Gallery, is a single, large-scale sculpture composed of a series of steel tubes held...

Art

February 2015

Filthy Lucre

Rye Dag Holmboe

Art

February 2015

White silhouettes sway against softly gradated backgrounds: blues, purples, yellows and pinks. The painted palm trees are tacky and...

  Earthenware model of a horse, unglazed   I, too, am a survivor My eroded coat dappled with lichen and stars My spirited tail has long  snapped off    One millennium and then another  has wheeled on by  since the potter squatting on his dusty stool thumbed my jowls   to the perfect roundness – a gesture  tender despite his production line – and nicked  my nostrils in this haughty flare ‘Stocky’  they called me    in the catalogue I admit,   though hollow, my belly’s a swollen gourd, buddha-full  Ears pricked, mane brush-stiff,  my grin is quizzical, sometimes   even a grimace behind the smudgy glass  My hooves were long  buffed by clay ranks of imperial grooms    Reserved for only the finest tombs my kind maps out the trade  between civilisations –  one squat stallion for fifty bales of silk    They rolled out the Silk Road before us  all the way to the walled city of Chang’an The Han emperor sent for us to fill  his echoing stables He called us his Tian ma,    ‘celestial horses’, expecting our hardy stock  when the time came  at last to carry him up the narrow passes  into heaven Some nights    I dream  of galloping across scrubby plains, the herd’s sweat  tart as highland apricots around me – far blue peaks retreating into memory              Porcelain tea caddy painted in underglaze blue   Far blue peaks retreating into memory as wizened cedars twist against a glaze    of sky A pagoda perched on a lonely outcrop where a scholar might withdraw to think –    or dream, perhaps, of cicadas thrumming  through misty branches, singing of past lives   as long-sleeved concubines, or frustrated literati  These painted scenes of oriental whimsy I reveal   might snatch the gaze of a well-heeled visiting gent but are studiously ignored by these lily-fingered    daughters of the prosperous Liverpool merchant – a man of great taste, my owner, he spotted me    half-buried on a stall of flighty fans and girdles   His girls will learn to pour this steaming, still-exotic    brew that measures everything from Empire’s  horizon to the charms of fashionable girlhood   while glancing coyly – spout poised – from the corner  of an eye I watch it all from

Contributor

August 2014

Rye Dag Holmboe

Contributor

August 2014

Rye Dag Holmboe is a writer and PhD candidate in History of Art at University College, London. He has...

feature

October 2012

Pressed Up Against the Immediate

Rye Dag Holmboe

feature

October 2012

The author Philip Pullman recently criticised the overuse of the present tense in contemporary literature, a criticism he stretched...

Existere: Documenting Performance Art

feature

September 2012

David Gothard

Jo Melvin

John James

Rye Dag Holmboe

feature

September 2012

The following conversation was held at the Institute of Contemporary Arts, London, in May 2012. The event took place almost a year after a...
Gabriel Orozco: Cosmic Matter and Other Leftovers

Art

March 2011

Rye Dag Holmboe

Art

March 2011

‘To live,’ writes Walter Benjamin, ‘means to leave traces’. As one might expect, Benjamin’s observation is not without a certain melancholy. Traces are lost...

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poetry

February 2013

Redacted, Redacted

Les Kay

poetry

February 2013

Here the censorship, which you’ve taught yourself, is self-inflicted (low sugar, low fat); it begins with the swinging shadow...

poetry

December 2011

The Pitch

Minashita Kiriu

TR. Jeffrey Angles

poetry

December 2011

Dripping excitedly from my earlobes And falling over my crowded routines A rain of Lucretius’ atoms Is just beginning...

feature

January 2017

Take Comfort

Heather Radke

feature

January 2017

I. One week after Buzz and Heather broke up, she dragged her mattress into her living room. She moved...

 

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