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Rye Dag Holmboe
Rye Dag Holmboe is a writer and PhD candidate in History of Art at University College, London. He has recently co-authored and co-edited the book JocJonJosch: Hand in Foot, published by the Sion Art Museum, Switzerland (2013). He has recently edited Jolene, an artist's book which brings together the works of the poet Rachael Allen and the photographer Guy Gormley, which will be published later this year. His writings have appeared in The White Review, Art Licks and in academic journals.

Articles Available Online


Art and its Functions: Recent Work by Luke Hart

Art

June 2016

Rye Dag Holmboe

Art

June 2016

Luke Hart’s Wall, recently on display at London’s William Benington Gallery, is a single, large-scale sculpture composed of a series of steel tubes held...

Art

February 2015

Filthy Lucre

Rye Dag Holmboe

Art

February 2015

White silhouettes sway against softly gradated backgrounds: blues, purples, yellows and pinks. The painted palm trees are tacky and...

The peculiar thing was that Astrid appeared exactly as she did on screen She was neither taller nor shorter Her smile had the same stretched quality, as if it had been worn thin from overuse She seemed less like a star and more like one of her movie roles, a beautiful but otherwise normal woman who swore in traffic and ate takeout in bed Jenny tried to imagine how she would describe this moment to her brother The house was large and the drive was gated The leaves of the terracotta-potted ficus trees looked glossier and more recently watered than the ones outside Jenny’s own small house But the light that hit Astrid’s face was no spotlight The same sun was jerking sweat from Jenny’s forehead   ‘Jenny Narahashi, the Japanese tutor,’ Jenny said Strictly speaking, Jenny was not a tutor — she was a translator The fee was generous, but that wasn’t why Jenny was here She was doing this for her brother Franklin had been the sort of movie geek who, unprompted, informed strangers that to shoot Barry Lyndon, Kubrick used the low light lenses NASA designed for the dark side of the moon   What would he make of the soft pucker of Astrid’s eyebrows as she peered at Jenny? There was something disorientating about being so close to someone famous It was disorienting Jenny needed a moment to make sure that Astrid was not recoiling but stepping back to let Jenny inside   The kitchen, like its owner, was almost too normal A stained mug loitered in the sink The fridge was magnet-poxed The countertops were marble; but whether it was Egyptian, French or Tunisian, Jenny couldn’t tell   The boy sat on a barstool at the kitchen island He had a child’s slouch and a leading man’s designer sunglasses balancing on styled hair So this was her prospective tutee, drinking Italian mineral water The glass bottle dripped green light onto the white counter-top   ‘Marlow, Jenny,’ said Astrid ‘Jenny, Marlow’ Jenny supposed movie stars didn’t have to ask to use your first name ‘The Japanese tutor, the one who translates Dinowhatever’ Astrid paused  The kid rolled

Contributor

August 2014

Rye Dag Holmboe

Contributor

August 2014

Rye Dag Holmboe is a writer and PhD candidate in History of Art at University College, London. He has...

feature

October 2012

Pressed Up Against the Immediate

Rye Dag Holmboe

feature

October 2012

The author Philip Pullman recently criticised the overuse of the present tense in contemporary literature, a criticism he stretched...

Existere: Documenting Performance Art

feature

September 2012

David Gothard

Jo Melvin

John James

Rye Dag Holmboe

feature

September 2012

The following conversation was held at the Institute of Contemporary Arts, London, in May 2012. The event took place almost a year after a...
Gabriel Orozco: Cosmic Matter and Other Leftovers

Art

March 2011

Rye Dag Holmboe

Art

March 2011

‘To live,’ writes Walter Benjamin, ‘means to leave traces’. As one might expect, Benjamin’s observation is not without a certain melancholy. Traces are lost...

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Interview

Issue No. 5

Interview with Hans Ulrich Obrist

Ben Eastham

Interview

Issue No. 5

Hans Ulrich Obrist is a compulsive note taker. For the duration of our interview one hand twitches a pen...

poetry

February 2013

Social Contract

Les Kay

poetry

February 2013

Formally, I and the undersigned— What? Use, like Mama said, your imagination if you still have one where scripts...

poetry

January 2015

Diana's Tree

Alejandra Pizarnik

TR. Yvette Siegert

poetry

January 2015

Diana’s Tree, Alejandra Pizarnik’s fourth collection, was published in 1962, when the poet was barely 26 years old. Named after...

 

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