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Rye Dag Holmboe
Rye Dag Holmboe is a writer and PhD candidate in History of Art at University College, London. He has recently co-authored and co-edited the book JocJonJosch: Hand in Foot, published by the Sion Art Museum, Switzerland (2013). He has recently edited Jolene, an artist's book which brings together the works of the poet Rachael Allen and the photographer Guy Gormley, which will be published later this year. His writings have appeared in The White Review, Art Licks and in academic journals.

Articles Available Online


Art and its Functions: Recent Work by Luke Hart

Art

June 2016

Rye Dag Holmboe

Art

June 2016

Luke Hart’s Wall, recently on display at London’s William Benington Gallery, is a single, large-scale sculpture composed of a series of steel tubes held...

Art

February 2015

Filthy Lucre

Rye Dag Holmboe

Art

February 2015

White silhouettes sway against softly gradated backgrounds: blues, purples, yellows and pinks. The painted palm trees are tacky and...

Brian Ed waited outside the ration house Merlijn took his time coming to the door, and opened it slowly Brian Ed raised his hand and waved Merlijn smiled an embarrassed smile and held up four fingers   ‘No rations until four o’clock, Brian Ed’   ‘Yes,’ said Brian Ed He didn’t leave ‘How are you today?’   ‘Oh,’ said Merlijn, his hand on the doorknob ‘I’m well, Brian Ed Thank you for asking’   They stood in silence Brian Ed shrugged All courtesies escaped him His everyday pack squeezed his neck and tore at his shoulders Inside were the children’s book, the old orange balloon – now deflated – that had once read Welcome Refugee!, and the four heavy stones he carried without knowing why, each the size of a baby’s head   ‘Well,’ said Merlijn, patting Brian Ed on the hand ‘See you at four, then’ Brian Ed thrust a long foot forward ‘No,’ he said ‘How is the weather? No snow will come? No avalanche time?’   Merlijn smiled He stepped out of the house and closed the door behind him ‘Brian Ed,’ he said, ‘are you hungry? Can I offer you a peach?’ He cupped his hand as if the peach were already there and held it up to Brian Ed’s mouth ‘Summer is coming Sun The peaches are good No avalanche Let’s walk’   He wasn’t hungry, but it was his own fault if Merlijn thought he was He only ever came to Merlijn for his ration – of food, of clothing, of wood Never had he come for company, not to Merlijn, not to anyone, not once since the poison curtain of war had dropped and travel home had become impossible He’d never dreamed it would last three years Three years was as long as some lives He hadn’t prepared and he hadn’t adjusted He hadn’t learned the words Instead, he’d gone dull in the comfortable glow of the golden cone   Brian Ed followed Merlijn up the hill to the orchard, where peaches and cherries and pears hung huge from their trees, pulsing and oozing like the separate chambers of one metastasising heart This wild growth was one of

Contributor

August 2014

Rye Dag Holmboe

Contributor

August 2014

Rye Dag Holmboe is a writer and PhD candidate in History of Art at University College, London. He has...

feature

October 2012

Pressed Up Against the Immediate

Rye Dag Holmboe

feature

October 2012

The author Philip Pullman recently criticised the overuse of the present tense in contemporary literature, a criticism he stretched...

Existere: Documenting Performance Art

feature

September 2012

David Gothard

Jo Melvin

John James

Rye Dag Holmboe

feature

September 2012

The following conversation was held at the Institute of Contemporary Arts, London, in May 2012. The event took place almost a year after a...
Gabriel Orozco: Cosmic Matter and Other Leftovers

Art

March 2011

Rye Dag Holmboe

Art

March 2011

‘To live,’ writes Walter Benjamin, ‘means to leave traces’. As one might expect, Benjamin’s observation is not without a certain melancholy. Traces are lost...

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Interview

November 2012

Interview with Simon Critchley

John Douglas Millar

Interview

November 2012

Over the last twenty years Simon Critchley has produced a series of elegant works of political and cultural theory....

Prize Entry

April 2016

DATE NIGHT

Chris Newlove Horton

Prize Entry

April 2016

He said, ‘Tell me about yourself.’ He said, ‘Tell me about you.’ He said, ‘Tell me everything. I’m interested.’...

Interview

March 2014

Interview with Antón Arrufat

TR. Jennie Rothwell

J. S. Tennant

Interview

March 2014

Author of the novels La noche del aguafiestas and the experimental Ejercicios para hacer de la esterilidad virtud, Antón...

 

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