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Rye Dag Holmboe
Rye Dag Holmboe is a writer and PhD candidate in History of Art at University College, London. He has recently co-authored and co-edited the book JocJonJosch: Hand in Foot, published by the Sion Art Museum, Switzerland (2013). He has recently edited Jolene, an artist's book which brings together the works of the poet Rachael Allen and the photographer Guy Gormley, which will be published later this year. His writings have appeared in The White Review, Art Licks and in academic journals.

Articles Available Online


Art and its Functions: Recent Work by Luke Hart

Art

June 2016

Rye Dag Holmboe

Art

June 2016

Luke Hart’s Wall, recently on display at London’s William Benington Gallery, is a single, large-scale sculpture composed of a series of steel tubes held...

Art

February 2015

Filthy Lucre

Rye Dag Holmboe

Art

February 2015

White silhouettes sway against softly gradated backgrounds: blues, purples, yellows and pinks. The painted palm trees are tacky and...

It was the first week of 1976 and she had just turned 17   The day school let out her parents packed the car with suitcases, a plastic tree, a big box of tinsel and a smaller box of gifts, and they drove the family north It was too hot in the new house in Strathfield, they said Better to have Christmas by the beach Which was her mother’s way of insinuating that Christmas lunch that year would not be roast pork and gravy but a supermarket ham and potato salad crunchy with sand   They hadn’t realised when they moved back to Sydney three years earlier that building a house on a block of land a few dozen kilometres into the Western suburbs – farther West than any of them had ever been before – also meant being out of reach of the sea breeze In the summer the days got hot and the house got hotter There was no afternoon reprieve Her brother and sister would lie in their underwear, next-to-naked on the golden filigree carpet, in the path of the wood-panelled air conditioner Their father periodically ducked his head through the roller door, addressing his offspring sprawled across the floor, and reminded them that cool air was a privilege That thing cost a fortune in energy bills   Christine did not lie on the carpet She didn’t appear in her underwear in front of anybody anymore She was, her mother said, ‘of that age’   Her parents bought the beach house in the early ’60s, when it was cheap They had held onto it after they sold the house in Brisbane and moved back to Sydney Each year when they came back for the summer the house was musty and sand had blown in under the door and mould dotted the spare set of sheets in the linen cabinet They wasted away the first day of the holidays in cleaning   Her birthday was Christmas Day, and they spent it eating pudding and brandy custard on a picnic blanket beneath the pines It was hot Her father brought out a thermometer and measured it, in Fahrenheit,

Contributor

August 2014

Rye Dag Holmboe

Contributor

August 2014

Rye Dag Holmboe is a writer and PhD candidate in History of Art at University College, London. He has...

feature

October 2012

Pressed Up Against the Immediate

Rye Dag Holmboe

feature

October 2012

The author Philip Pullman recently criticised the overuse of the present tense in contemporary literature, a criticism he stretched...

Existere: Documenting Performance Art

feature

September 2012

David Gothard

Jo Melvin

John James

Rye Dag Holmboe

feature

September 2012

The following conversation was held at the Institute of Contemporary Arts, London, in May 2012. The event took place almost a year after a...
Gabriel Orozco: Cosmic Matter and Other Leftovers

Art

March 2011

Rye Dag Holmboe

Art

March 2011

‘To live,’ writes Walter Benjamin, ‘means to leave traces’. As one might expect, Benjamin’s observation is not without a certain melancholy. Traces are lost...

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fiction

Issue No. 8

The Lady of the House

Claire-Louise Bennett

fiction

Issue No. 8

Wow it’s so still. Isn’t it eerie. Oh yes. So calm. Everything’s still. That’s right. Look at the rowers...

fiction

August 2013

How to Be an American

Will Heinrich

fiction

August 2013

Begin with a man on the beach. The sea is strangely iridescent, lighter in its lights and blacker in...

poetry

July 2012

Poem for the Sightless Man (After Kate Clanchy)

Abigail Nelson

poetry

July 2012

This is just to say,   that the inked glasses that you wear look like the sound of shop...

 

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