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Rye Dag Holmboe
Rye Dag Holmboe is a writer and PhD candidate in History of Art at University College, London. He has recently co-authored and co-edited the book JocJonJosch: Hand in Foot, published by the Sion Art Museum, Switzerland (2013). He has recently edited Jolene, an artist's book which brings together the works of the poet Rachael Allen and the photographer Guy Gormley, which will be published later this year. His writings have appeared in The White Review, Art Licks and in academic journals.

Articles Available Online


Art and its Functions: Recent Work by Luke Hart

Art

June 2016

Rye Dag Holmboe

Art

June 2016

Luke Hart’s Wall, recently on display at London’s William Benington Gallery, is a single, large-scale sculpture composed of a series of steel tubes held...

Art

February 2015

Filthy Lucre

Rye Dag Holmboe

Art

February 2015

White silhouettes sway against softly gradated backgrounds: blues, purples, yellows and pinks. The painted palm trees are tacky and...

Osip Mandelstam was born in Warsaw to a Polish Jewish family; his father was a leather merchant, his mother a piano teacher Soon after Osip’s birth, the family moved to Saint Petersburg After attending the prestigious Tenishev School, Mandelstam studied for a year in Paris, at the Sorbonne, and then for a year in Germany, at the University of Heidelberg In 1911, wanting to enter the University of Saint Petersburg – which had a quota on Jews – he converted to Christianity; like many others who converted during these years, he chose Methodism rather than Orthodoxy   Under the leadership of Nikolay Gumilyov, Mandelstam and several other young poets formed a movement known first as the Poets’ Guild and then as the Acmeists Mandelstam wrote a manifesto, ‘The Morning Of Acmeism’ (written in 1913 but published only in 1919) Like Ezra Pound and the Imagists, the Acmeists valued clarity, concision and craftsmanship   In 1913 Mandelstam published his first collection, Stone This includes several poems about architecture, which always remained one of his central themes His poem about the cathedral of ‘Nôtre Dame’ ends with the declaration:   Fortress Nôtre Dame, the more attentively I studied your vast ribs and frame, the more I kept repeating: one day I too will craft beauty from cruel weight In its acknowledgment of earthly gravity and its homage to the anonymous architects and masons of the past, ‘Nôtre Dame’ is typically Acmeist   Throughout his life Mandelstam continued to write about the various arts, but he was also a great love poet Several women – all of them important in their own right – were crucial to his life and work An affair with Marina Tsvetaeva inspired many of his poems about Moscow His close friendship with Anna Akhmatova helped him withstand the persecution he suffered during the 1930s He had intense affairs with the singer Olga Vaksel in 1924-25 and with the poet Maria Petrovykh in 1933 Most important of all was Nadezhda Khazina, whom he married in 1922   Osip and Nadezhda Mandelstam moved to Moscow soon after their marriage Mandelstam’s second book, Tristia, published

Contributor

August 2014

Rye Dag Holmboe

Contributor

August 2014

Rye Dag Holmboe is a writer and PhD candidate in History of Art at University College, London. He has...

feature

October 2012

Pressed Up Against the Immediate

Rye Dag Holmboe

feature

October 2012

The author Philip Pullman recently criticised the overuse of the present tense in contemporary literature, a criticism he stretched...

Existere: Documenting Performance Art

feature

September 2012

David Gothard

Jo Melvin

John James

Rye Dag Holmboe

feature

September 2012

The following conversation was held at the Institute of Contemporary Arts, London, in May 2012. The event took place almost a year after a...
Gabriel Orozco: Cosmic Matter and Other Leftovers

Art

March 2011

Rye Dag Holmboe

Art

March 2011

‘To live,’ writes Walter Benjamin, ‘means to leave traces’. As one might expect, Benjamin’s observation is not without a certain melancholy. Traces are lost...

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Art

July 2014

Operation Paperclip

Naomi Pearce

Patrick Goddard

Art

July 2014

‘I began at this point to feel that politics was not something “out there” but something “in here” and of...

Art

Issue No. 2

From Back Home

J. H. Engstrom

Art

Issue No. 2

In his collection From Back Home the Swedish photographer JH Engström traced his childhood memories back to the province...

Interview

Issue No. 1

Interview with China Miéville

Ben Eastham

Interview

Issue No. 1

It is a cliché to say that a writer’s work resists classification. It is ironic then that China Miéville,...

 

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