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Rye Dag Holmboe
Rye Dag Holmboe is a writer and PhD candidate in History of Art at University College, London. He has recently co-authored and co-edited the book JocJonJosch: Hand in Foot, published by the Sion Art Museum, Switzerland (2013). He has recently edited Jolene, an artist's book which brings together the works of the poet Rachael Allen and the photographer Guy Gormley, which will be published later this year. His writings have appeared in The White Review, Art Licks and in academic journals.

Articles Available Online


Art and its Functions: Recent Work by Luke Hart

Art

June 2016

Rye Dag Holmboe

Art

June 2016

Luke Hart’s Wall, recently on display at London’s William Benington Gallery, is a single, large-scale sculpture composed of a series of steel tubes held...

Art

February 2015

Filthy Lucre

Rye Dag Holmboe

Art

February 2015

White silhouettes sway against softly gradated backgrounds: blues, purples, yellows and pinks. The painted palm trees are tacky and...

In the summer of 1959, a headstrong but lovesick English graduate took a trip to the hometown of his favourite writers, to mark the end of his degree and to help him forget his sorrows En route to Dublin via the Welsh Coast he hitched a lift with the owner of an upscale holiday resort, who offered him a job for the summer, an offer he took up after walking in the footsteps of Joyce, Beckett and O’Brien   Travelling People, which BS Johnson wrote in fits and starts over the next two years, is the story of a young man who takes a job at a Welsh holiday resort It has the brisk outlines of a familiar English comedy, but presented with an incongruous trickery more in keeping with Johnson’s Irish heroes Plenty of direct experience made it into the novel (Johnson even incorporated letters that he had written that summer) but names were changed and elements added to provide excitement, perhaps even as wish-fulfilment Henry has a passionate affair and gets a first in his degree, while Johnson wasn’t so fortunate; the heart attack that afflicts the owner, with whom Johnson fell out, never happened But the translation of experience is uneasy: rogue autobiographical elements – Johnson’s romantic hysteria, his odd superstitions – crop up without explanation   Published after a string of rejections to muted applause, with some copies returned in the belief that the typographical experimentation was a printing error, Johnson was nevertheless pleased with what he saw as the novel’s ingenuity, even claiming that in some respects it had improved on Joyce’s Ulysses But behind the bravado lay a nagging dissatisfaction He began to feel embarrassed by the fictional additions, to believe that the novel would have been better if it had been more honest, if he hadn’t compromised the truth for the sake of a good story Increasingly Johnson dismissed it as an apprentice work, and was later reluctant to have it republished Never again would he be so blasé with the facts of his life The six novels that followed would be the work of a writer

Contributor

August 2014

Rye Dag Holmboe

Contributor

August 2014

Rye Dag Holmboe is a writer and PhD candidate in History of Art at University College, London. He has...

feature

October 2012

Pressed Up Against the Immediate

Rye Dag Holmboe

feature

October 2012

The author Philip Pullman recently criticised the overuse of the present tense in contemporary literature, a criticism he stretched...

Existere: Documenting Performance Art

feature

September 2012

David Gothard

Jo Melvin

John James

Rye Dag Holmboe

feature

September 2012

The following conversation was held at the Institute of Contemporary Arts, London, in May 2012. The event took place almost a year after a...
Gabriel Orozco: Cosmic Matter and Other Leftovers

Art

March 2011

Rye Dag Holmboe

Art

March 2011

‘To live,’ writes Walter Benjamin, ‘means to leave traces’. As one might expect, Benjamin’s observation is not without a certain melancholy. Traces are lost...

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Prize Entry

April 2016

Mute Canticle

Leon Craig

Prize Entry

April 2016

Giulio the singing fascist came to pick me up from the little airport in his Jeep. He made sure...

fiction

March 2013

If Not, Not

Natasha Soobramanien

fiction

March 2013

This story may or may not end in Venice and in silent, unacknowledged tragedy but let it begin here,...

Interview

May 2014

Interview with Conrad Shawcross

Patrick Sykes

Interview

May 2014

Though an intimidating sixteen feet tall, the industrial robot in Conrad Shawcross’s flat doesn’t look at all out of...

 

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