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Rye Dag Holmboe
Rye Dag Holmboe is a writer and PhD candidate in History of Art at University College, London. He has recently co-authored and co-edited the book JocJonJosch: Hand in Foot, published by the Sion Art Museum, Switzerland (2013). He has recently edited Jolene, an artist's book which brings together the works of the poet Rachael Allen and the photographer Guy Gormley, which will be published later this year. His writings have appeared in The White Review, Art Licks and in academic journals.

Articles Available Online


Art and its Functions: Recent Work by Luke Hart

Art

June 2016

Rye Dag Holmboe

Art

June 2016

Luke Hart’s Wall, recently on display at London’s William Benington Gallery, is a single, large-scale sculpture composed of a series of steel tubes held...

Art

February 2015

Filthy Lucre

Rye Dag Holmboe

Art

February 2015

White silhouettes sway against softly gradated backgrounds: blues, purples, yellows and pinks. The painted palm trees are tacky and...

in a sheltered garden    in the business lounge the new state scientists invented for very hard things, men break into the heated pool they dip their toes into a dare and dream all night of drowning they look up the skirt of an escalator and see the skinless red muscles of the groin slide under their desk before sundown   men’s papers are square offices with revolving doors inside their folders labelled PIOUTA POA POOMA they boil the ocean into streams of sweating campus hire boys, bird-dogging the postman into a running bullet   in a sheltered garden they are spinning-off non-core competences: effective altruism, saying excuse me, holding doors open, greeting strangers, taking pills with water their plates are always full   somewhere they are bricking up  the small forgotten edges of the universe   let’s run the numbers off the loop let’s think of low-hanging fruit how apples provide colour, their shadow the threat of a back hand    raised to hit     testaments   sin crouches at cain’s door in the shape of a sickle the door handle is a fish pull it and deborah enters, swatting a wasp as a woman brings a king cream in a silver dish she hammers a tent-pin through his head   at the land of nod east of eden a child crawls into a cave of olives his brother is the shrunken bottle people used to take to war your daughter-in-law who loves you, who is more to you than seven sons  hangs a gold plate around her neck    two men hide under a flaxen roof and become windows to the prostitute’s conversion she hangs  crimson thread from their foreheads   boys dress in lamb skins and trick  their fathers into blessings over lentil stew an ostrich egg hangs over a green canopy, our inheritance  enter here cradle it in your hands     away in 1997   3 par 4 and the course stretches out into green across rumbled wooden bridges and manicured trees grasses tease the edge of weeds, wag the dog cracks chestnuts as swampy emerges from a network of underground tunnels he staples a public notice with a flying golf ball: pop bands branding ecstasy as a four-day week!  yellow flags wane half-mast in the breeze   along the bridle way london loops streets of halfidentical houses, a garden metal-pronged with a broken trampoline and power -washed patio there are lodges and round bushes, a princess counts stems of potted basil

Contributor

August 2014

Rye Dag Holmboe

Contributor

August 2014

Rye Dag Holmboe is a writer and PhD candidate in History of Art at University College, London. He has...

feature

October 2012

Pressed Up Against the Immediate

Rye Dag Holmboe

feature

October 2012

The author Philip Pullman recently criticised the overuse of the present tense in contemporary literature, a criticism he stretched...

Existere: Documenting Performance Art

feature

September 2012

David Gothard

Jo Melvin

John James

Rye Dag Holmboe

feature

September 2012

The following conversation was held at the Institute of Contemporary Arts, London, in May 2012. The event took place almost a year after a...
Gabriel Orozco: Cosmic Matter and Other Leftovers

Art

March 2011

Rye Dag Holmboe

Art

March 2011

‘To live,’ writes Walter Benjamin, ‘means to leave traces’. As one might expect, Benjamin’s observation is not without a certain melancholy. Traces are lost...

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fiction

September 2014

The Fringe of Reality

Antoine Volodine

TR. Jeffrey Zuckerman

fiction

September 2014

Many thanks to those who have allowed me to speak; now I’ll do so.   I’m actually not talking...

fiction

November 2016

Somnoproxy

Stuart Evers

fiction

November 2016

The day’s third hotel suite faced westwards across the harbour, its picture window looking down over the boats and...

Art

February 2016

'Look at me, I said to the glass in a whisper, a breath.'

Alice Hattrick

Art

February 2016

Listen to her. She is telling you about her adolescence. She is telling you about one particular ‘bender’ that...

 

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