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Rye Dag Holmboe
Rye Dag Holmboe is a writer and PhD candidate in History of Art at University College, London. He has recently co-authored and co-edited the book JocJonJosch: Hand in Foot, published by the Sion Art Museum, Switzerland (2013). He has recently edited Jolene, an artist's book which brings together the works of the poet Rachael Allen and the photographer Guy Gormley, which will be published later this year. His writings have appeared in The White Review, Art Licks and in academic journals.

Articles Available Online


Art and its Functions: Recent Work by Luke Hart

Art

June 2016

Rye Dag Holmboe

Art

June 2016

Luke Hart’s Wall, recently on display at London’s William Benington Gallery, is a single, large-scale sculpture composed of a series of steel tubes held...

Art

February 2015

Filthy Lucre

Rye Dag Holmboe

Art

February 2015

White silhouettes sway against softly gradated backgrounds: blues, purples, yellows and pinks. The painted palm trees are tacky and...

The White Review · Cecilia Knapp – ‘All My Ex Boyfriends Are Having A Dinner Party’ all my ex boyfriends are having a dinner party   comparing their tight obliques how red their meat hattricks for their grassroots teams saying they once had me in a car how I can never keep my mouth shut I always wanted to stay the night I’m dieting again burning my hands sipping low cal miso on a moving train I smile at other joggers like I’m enjoying this the dentist says I have yellow teeth his hands holding my tongue mum said there is nothing you can’t do so long as you’re wearing washing up gloves a purple leaflet in the waiting room asks me if life has worked out a) better b) worse or c) the same for one thousand pounds I can fix my teeth mum used to ballroom dance a wooden spoon weeping with the radio I’ve been keeping my fallen eye lashes in a bag I spit pink foam into the sink decide this week I will eat only eggs until the days smudge do the fat burn challenge pain is a man in a blue suit I see people eating crisps in public on Mondays like they have no guilt     The White Review · Cecilia Knapp – ‘We Girls Our Names’ We girls our names   on pink keyrings, him gargling a shadow outside dad’s house He can’t come in At the petrol station he buys a bottle, a cigarette between us Christmas stink swings from the rear-view, I lean to kiss the blond grit on his chin, my neck sliced by the seatbelt Our scents quickening, the Lynx hiding faith, tongues bleached mint At 14 I’m all worship, small knowing, a seal pup in waiting legs newly slick from dad’s razor Later

Contributor

August 2014

Rye Dag Holmboe

Contributor

August 2014

Rye Dag Holmboe is a writer and PhD candidate in History of Art at University College, London. He has...

feature

October 2012

Pressed Up Against the Immediate

Rye Dag Holmboe

feature

October 2012

The author Philip Pullman recently criticised the overuse of the present tense in contemporary literature, a criticism he stretched...

Existere: Documenting Performance Art

feature

September 2012

David Gothard

Jo Melvin

John James

Rye Dag Holmboe

feature

September 2012

The following conversation was held at the Institute of Contemporary Arts, London, in May 2012. The event took place almost a year after a...
Gabriel Orozco: Cosmic Matter and Other Leftovers

Art

March 2011

Rye Dag Holmboe

Art

March 2011

‘To live,’ writes Walter Benjamin, ‘means to leave traces’. As one might expect, Benjamin’s observation is not without a certain melancholy. Traces are lost...

READ NEXT

feature

July 2012

Theatre's Arab Turn

Tanjil Rashid

feature

July 2012

Apart from the odd Shakespearean exception, from Othello the Moor of Venice to the Merchant of Venice’s marginal Moroccan...

Art

September 2011

Interview with Cornelia Parker

Lowenna Waters

Art

September 2011

Cornelia Parker has over the past twenty years carved out a reputation as one of Britain’s most respected sculptors...

fiction

November 2014

The Ovenbird

César Aira

TR. Chris Andrews

fiction

November 2014

The hypothesis underlying this study is that human beings act in strict accordance with an instinctive programme, which governs...

 

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