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Rye Dag Holmboe
Rye Dag Holmboe is a writer and PhD candidate in History of Art at University College, London. He has recently co-authored and co-edited the book JocJonJosch: Hand in Foot, published by the Sion Art Museum, Switzerland (2013). He has recently edited Jolene, an artist's book which brings together the works of the poet Rachael Allen and the photographer Guy Gormley, which will be published later this year. His writings have appeared in The White Review, Art Licks and in academic journals.

Articles Available Online


Art and its Functions: Recent Work by Luke Hart

Art

June 2016

Rye Dag Holmboe

Art

June 2016

Luke Hart’s Wall, recently on display at London’s William Benington Gallery, is a single, large-scale sculpture composed of a series of steel tubes held...

Art

February 2015

Filthy Lucre

Rye Dag Holmboe

Art

February 2015

White silhouettes sway against softly gradated backgrounds: blues, purples, yellows and pinks. The painted palm trees are tacky and...

In King-Kong Theory (2006), her autobiography and feminist manifesto, Virginie Despentes describes a job she’d held almost two decades earlier In 1989, aged twenty, Despentes was employed by Minitel, France’s precursor to the World Wide Web She was a moderator on one of its servers, overseeing a message board where she was paid to disconnect anyone who used offensive language Offenders included racists, anti-semites, paedophiles and, finally, sex workers   ‘One had to be sure that the service wasn’t being used by women who wanted to freely choose to use their bodies to make money,’ Despentes writes jokingly, aware that her efforts did little to stop the rise of the text sex services known as the ‘Minitel rose’ Despentes was paid to censor, but she was also paid to watch She writes, in King-Kong Theory, that ‘all modern communication methods are first and foremost used for selling sex’, going on to describe how her experiences with Minitel later inspired her to go into sex work herself, using the service to find occasional clients over a period of two years   It’s the image of Despentes as a forum moderator that remains with me: an all-seeing figure, perhaps a little disgusted, and almost certainly amused, watching through a dark glass as society unfolds in all its exhilarating complexity in front of her   In her novels, Despentes takes on a similar role Her latest, the Vernon Subutex series follows a diverse cast of Parisians, some young, some older, but most of them Generation X They’re ageing messily, clinging to the ideals and affectations of their youth, and preserving a worn-in sense of mutiny which has only complicated their middle age The books are a satire on fading punk politics, but they also give us Despentes at her most compassionate, and hopeful   The first two Vernon books have been translated into English by Frank Wynne and were published in the UK last year – a third has yet to arrive – and a TV adaptation is in the works starring Romain Duris Vernon Subutex 1 begins with the death of Alex Bleach, a self-destructive rock star who has

Contributor

August 2014

Rye Dag Holmboe

Contributor

August 2014

Rye Dag Holmboe is a writer and PhD candidate in History of Art at University College, London. He has...

feature

October 2012

Pressed Up Against the Immediate

Rye Dag Holmboe

feature

October 2012

The author Philip Pullman recently criticised the overuse of the present tense in contemporary literature, a criticism he stretched...

Existere: Documenting Performance Art

feature

September 2012

David Gothard

Jo Melvin

John James

Rye Dag Holmboe

feature

September 2012

The following conversation was held at the Institute of Contemporary Arts, London, in May 2012. The event took place almost a year after a...
Gabriel Orozco: Cosmic Matter and Other Leftovers

Art

March 2011

Rye Dag Holmboe

Art

March 2011

‘To live,’ writes Walter Benjamin, ‘means to leave traces’. As one might expect, Benjamin’s observation is not without a certain melancholy. Traces are lost...

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poetry

October 2014

Roman Nights

Martin Glaz Serup

TR. Christopher Sand-Iversen

poetry

October 2014

4.    It’s New Year’s Eve, I’m standing newly divorced on a roof in a town, we toast the...

Prize Entry

April 2016

Oh Whistle and

Uschi Gatward

Prize Entry

April 2016

God has very particular political opinions – John le Carré     M is whizzing round the Cheltenham Waitrose,...

Art

March 2014

Amy Sillman: The Labour of Painting

Paige K. Bradley

Amy Sillman

Art

March 2014

The heritage of conceptualism and minimalism leaves a tendency to interpret a reduction in form as intellectually rigorous. If...

 

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