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Rebecca Liu
Rebecca Liu is a commissioning editor at Guardian Saturday and a staff writer at Another Gaze.

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There are only girls on the internet

Book Review

August 2022

Rebecca Liu

Book Review

August 2022

I remember the first time I saw it, like a freshly alert hare alarmed by movement in the distant grasslands. It was 2013. Model...

Book Review

September 2020

Pankaj Mishra’s ‘Bland Fanatics’

Rebecca Liu

Book Review

September 2020

The Anglo-American commentariat is full of lofty egos. Pankaj Mishra has developed a reputation as their great deflater. ‘Watch...

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978) In Cigarettes, Harry Mathews’s novel published in the same year, a character finds himself quite literally crucified, replete with a crown of thorns – a consequence, and perversion, of love In Catholic theology, the idea of a love so pure as to evoke the ultimate sacrifice is approximated through the relic: a scrap of a shroud, a fragment of bone, a nail once pierced through flesh Imbued with the charge of history and the promise of salvation, these items both fuel and sustain the particular desire for proximity to holiness among believers   Pilgrims to Danh Vo’s mid-career survey at the Guggenheim Museum may find such desires pricked, teased, and thwarted by works that package the relic for the contemporary art market The Danish-Vietnamese artist, known for conceptual installations comprising rare and curiously sourced ready-mades, has been a fixture in blue-chip galleries and private collections At the Guggenheim, these objects are sparsely arranged on the museum’s winding ramp, where they are called upon to invoke grand themes: the legacy of American imperialism, and the artist’s lapsed Catholicism, among them Vo was born in Bà Ria, Vietnam toward the end of the Vietnam War, and moved with his family to a refugee camp in Singapore, settling eventually in Denmark Interspersing family photographs with artefacts from colonial Vietnam, the exhibition oscillates between intimate glimpses of the artist’s life and the sweep of history   Vo’s connection to a network of high-profile lenders has abetted a practice of skilled connoisseurship that allows the artist to impress audiences by the sheer incredulity of his acquisition Hung along the Guggenheim’s ramp is a chandelier from the former ballroom of the Hotel Majestic in Paris, where the Paris Peace Accord ending the Vietnam War was signed in 1973 In 2012, Vo acquired a group of objects from the estate of Robert S McNamara – the American secretary of defence between 1961 and 1968 – when the Vietnam War began to escalate Lot 20 Two Kennedy Administration

Contributor

August 2019

Rebecca Liu

Contributor

August 2019

Rebecca Liu is a commissioning editor at Guardian Saturday and a staff writer at Another Gaze.

Jia Tolentino’s ‘Trick Mirror’

Book Review

August 2019

Rebecca Liu

Book Review

August 2019

Talk about the fates of young professional women today and you will often alight on two themes: the anxieties that come with living in...

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Interview

Issue No. 2

Interview with William Boyd

Jacques Testard

Tristan Summerscale

Interview

Issue No. 2

On a wet, grey morning in March, William Boyd invited us into a large terraced house, half-way between the...

fiction

January 2015

Shishosetsu...

Minae Mizumura

TR. Juliet Winters Carpenter

fiction

January 2015

This is an excerpt from the novel published in Japanese as Shishosetsu from left to right (私小説 from left...

Interview

May 2011

Interview with Desmond Hogan

Ben Eastham

Jacques Testard

Interview

May 2011

Desmond Hogan is probably the most famous Irish writer you’ve never heard of. In the early 1980s, with numerous...

 

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