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Rebecca Liu
Rebecca Liu is a commissioning editor at Guardian Saturday and a staff writer at Another Gaze.

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There are only girls on the internet

Book Review

August 2022

Rebecca Liu

Book Review

August 2022

I remember the first time I saw it, like a freshly alert hare alarmed by movement in the distant grasslands. It was 2013. Model...

Book Review

September 2020

Pankaj Mishra’s ‘Bland Fanatics’

Rebecca Liu

Book Review

September 2020

The Anglo-American commentariat is full of lofty egos. Pankaj Mishra has developed a reputation as their great deflater. ‘Watch...

This story may or may not end in Venice and in silent, unacknowledged tragedy but let it begin here, in London, where RubyTuesday and CallMeIshmael first meet in person, having arranged to do so under the tapestry which hangs in the lobby of The British Library   Neither RubyTuesday nor CallMeIshmael will realise until they visit the museum where the original hangs on permanent display some seven months later that this tapestry is actually a reproduction of a famous painting They will wander into an upstairs gallery late one Sunday afternoon where RubyTuesday will stop dead, chin tilted, before a painting identical in image, if not in form, to the tapestry under which she and CallMeIshmael first met She will point this out to CallMeIshmael who will say, A tapestry of a painting? That’s like a drawing of a photograph And RubyTuesday will laugh in that gurgling way he likes, the way he secretly thinks sounds a little like she is being choked sexually –consensually – and while she’s still laughing, CallMeIshmael, to his surprise, will propose   The Company advises you that there may be risks of dealing with Members acting under false pretences or with criminal intent Be careful in dealing with other Members You alone are responsible for ensuring that your interaction with other Members is lawful   The reason CallMeIshmael will not recognise the painting when they walk into the gallery in Edinburgh is that he never really noticed the tapestry reproduction of it in London, seven months previously, beyond the fact of its being a tapestry, and the one under which they had arranged to meet, being too nervous about his first ever meeting with RubyTuesday to consider it in any detail Here he is now, fifteen minutes early He’s standing against the wall, under the hanging tapestry, his back to it If he were to look up at the tapestry he might notice the neuralgic sunset, the apocalyptic palm trees, the poet with a hearing aid cradled by a Gauguin babe; he might notice, in the top left-hand corner – though he may not recognise it as such – the watchtower of Auschwitz But CallMeIshmael is looking down He is inspecting his brogues, wondering if he should have left them unpolished He

Contributor

August 2019

Rebecca Liu

Contributor

August 2019

Rebecca Liu is a commissioning editor at Guardian Saturday and a staff writer at Another Gaze.

Jia Tolentino’s ‘Trick Mirror’

Book Review

August 2019

Rebecca Liu

Book Review

August 2019

Talk about the fates of young professional women today and you will often alight on two themes: the anxieties that come with living in...

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fiction

June 2011

Arthur Miller

Michael Amherst

fiction

June 2011

The last time I saw Vin and Jackie we were killing slugs. The three of us had been smoking...

feature

May 2013

Haneke's Lessons

Ricky D'Ambrose

feature

May 2013

‘Art is there to have a stimulating effect, if it earns its name. You have to be honest, that’s...

feature

May 2015

In the Light of Ras Tafari

Anna Della Subin

feature

May 2015

‘A STRANGE NEW FISH EMITS A BLINDING GREEN LIGHT’, the article in National Geographic announced. Off the coast of...

 

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