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Rebecca Liu
Rebecca Liu is a commissioning editor at Guardian Saturday and a staff writer at Another Gaze.

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There are only girls on the internet

Book Review

August 2022

Rebecca Liu

Book Review

August 2022

I remember the first time I saw it, like a freshly alert hare alarmed by movement in the distant grasslands. It was 2013. Model...

Book Review

September 2020

Pankaj Mishra’s ‘Bland Fanatics’

Rebecca Liu

Book Review

September 2020

The Anglo-American commentariat is full of lofty egos. Pankaj Mishra has developed a reputation as their great deflater. ‘Watch...

I am ill as I write this, a situation I attribute to taking public transport now that winter has arrived Instead of cycling – a kind of mobile hermeticism – I share Berlin’s warm and scarcely ventilated tube carriages with other bodies Moving through the city’s underground network as one unruly organism, we travellers constantly trade infections To pinpoint the initial point of origin – who or what made us sick, when, and if it could have been avoided – is a fruitless task Where would we even start? Everyone could be blamed, and also no one   Across the Western world, the bitter medicine of austerity is making many of us sick Depression and anxiety are commonplace, and thinking about the future often triggers a pervasive sense of dread Sickness Report (2018), an exhibition by Czech artist Barbara Kleinhamplová currently on show at Berlin’s SAVVY Contemporary, begins with the idea of a diseased public sphere The exhibition comprises a cinematic, dual-screen film of the same title, set at sea; video footage detailing the labour involved in ship production; an array of objects along a table – anti-depressant pills, bones and jigsaw pieces – that read like evidence; and three pseudo-corporate diagrams projected onto the gallery walls   The titular film unfolds aboard a small ship, and cuts intermittently to a medicine factory, where workers watch a crowd of pills hurtling down an assembly line Sitting on a bench made from a ship construction mould, I watch the onscreen vessel drift on a featureless expanse of sea The narrator, a male anthropologist, tells us that the ship is defective, as is its crew They have succumbed to a mysterious malaise known as the ‘Big Sickness’ Unable to navigate, they are now at the mercy of the tide, but they have begun to infect the surrounding waters On a nearby wall, a pair of projected diagrams shows another seafaring vessel Its parts have been fastidiously labelled, but by an economist, rather than a shipbuilder ‘Privatisation’ and ‘corporate spirit’ are written where hull and stern should be, while other components are labelled ‘productivity’, ‘medication’ and ‘gig-economy’

Contributor

August 2019

Rebecca Liu

Contributor

August 2019

Rebecca Liu is a commissioning editor at Guardian Saturday and a staff writer at Another Gaze.

Jia Tolentino’s ‘Trick Mirror’

Book Review

August 2019

Rebecca Liu

Book Review

August 2019

Talk about the fates of young professional women today and you will often alight on two themes: the anxieties that come with living in...

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Art

May 2012

Art's Fading Sway: Russian Ark by Aleksandr Sokurov

Scott Esposito

Art

May 2012

I have often fallen asleep in small theatres. It is an embarrassing thing to have happen during one-man shows,...

Interview

December 2016

Interview with Caragh Thuring

Harry Thorne

Interview

December 2016

When I first visited Caragh Thuring in her east London studio, there was an old man lurking in the...

fiction

January 2014

Hagoromo

Paul Griffiths

fiction

January 2014

for the spirit of Jonathan Harvey   There was a fisherman, who lived in a village on a great...

 

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