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Philippa Snow
Philippa Snow is a critic and essayist. Her work has appeared in publications including Artforum, The Los Angeles Review of Books, ArtReview, Frieze, Vogue, The Nation, The New Statesman, and The New Republic. Her first book, Which As You Know Means Violence, is out now with Repeater, and she is currently working on an essay collection about famous women.  

Articles Available Online


You Don’t Think God Is Sexy?

Film Review

January 2023

Philippa Snow

Film Review

January 2023

On the most literal level, Pier Paolo Pasolini’s elliptical, spiritual-cum-sensual movie Teorema (1968) is about an entire family being driven to distraction by their...

Essay

Issue No. 31

It's Terrible The Things I Have To Do To Be Me

Philippa Snow

Essay

Issue No. 31

Here was a woman who had modelled her life so closely on Marilyn Monroe’s that doing so eventually helped...

Benson’s Syndrome   Grapefruit I have lost the word for it Popillo? Popello? No, no It escapes her, the word, she tries to dig into the layers of memory, a time when she used to know only this language, only this rhythm, this inflection, when she used to know the small of your back, or the ribs that sometimes pushed through your skin, but it fails her, it is always out of reach, hiding behind her second language that is now her first, a senseless language with silent letters: apostle, knot, doubt     Assignation   An appointment to meet someone in secret, typically one made by lovers We were never lovers, but no one will ever as easily cover me in goosebumps     Cavities   It was in Paris where I broke my tooth, the lower left second molar, while chewing the bread with the engraved cursive P upon its breast, brought at Poilâne on rue Debelleyme in Le Marais It was our first trip together as adults The lines in my face were settling in, laugh lines, I used to laugh then We had woken up early to walk there in the rain, a slight drizzle, and I was excited by the unevenness of the cobblestone, how I tripped at almost every step, how loud the automobiles sounded when they approached   The woman at the counter of the boulangerie asked if I wanted the whole loaf or the half, she directed the question to me as if she knew I would pay, as I often do I was surprised by her immediate knowledge of us, and by the smell of the dough rising just out of sight, which reminded me of my father’s calloused hands, how they could be violent but also subtle He used them to make gnocchi in our small kitchen   I did not understand her French, so she made wide shapes with her large palm, and then I understood but could not decide between the two choices, whole, half, you did not make eye contact to help me, so I told her yes, oui, the whole loaf, and made the

Contributor

November 2018

Philippa Snow

Contributor

November 2018

Philippa Snow is a critic and essayist. Her work has appeared in publications including Artforum, The Los Angeles Review of Books, ArtReview, Frieze, Vogue, The...

Essay

January 2021

An Uneasy Girl

Philippa Snow

Essay

January 2021

Even before Lucie arrives holding a shotgun, we know that the perfect family in this huge suburban house are...

Brilliant Muscles

Essay

December 2019

Philippa Snow

Essay

December 2019

‘Lindsay Lohan’s new film,’ I told almost everyone I spoke to for about two months earlier this year, ‘is about werewolf detectives.’ Nobody seemed...
Evita Vasiljeva, POSTCRETE

Art Review

February 2019

Philippa Snow

Art Review

February 2019

Lower.Green is situated in the unlikely surroundings of a near-dead mall in Norwich. It is not just any mall, but Anglia Square Shopping Centre:...
Gabriele Beveridge, Live Dead World

Art Review

November 2018

Philippa Snow

Art Review

November 2018

Several months ago, I went to a salon so small and so identikit that I do not recall the name, and against every sane...

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poetry

July 2011

Comfort Station

Medbh McGuckian

poetry

July 2011

A witness has said that you raped women And brought them to the barracks to be used by the...

poetry

November 2013

Rescue Me

George Szirtes

poetry

November 2013

Pain comes like this: packaged in a moment of hubris with a backing band too big for its own...

fiction

October 2014

The Trace

Forrest Gander

fiction

October 2014

 La Esmeralda, Mexico   She knocked on the bathroom door.   ‘Can I come in to shower?’   ‘En...

 

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